3 081 résultats
182033095Wien: S.A. Steiner und Comp. PN S.u.C. 2366 1820. 5 parts. Folio. Unbound and untrimmed as issued. Engraved throughout.<br/><br/>Violin I: 1f. recto title verso blank 7 i blank pp. <br/>Violin II: 7 i blank pp. <br/>Viola I: 6 ii blank pp. <br/>Viola II: 6 ii blank pp. <br/>Violoncello: 6 ii blank pp. <br/><br/>Occasional minor spotting. A very good copy overall. <br/><br/>Lightly worn and browned; holes near spine from previous stab-binding now unbound; minor stain to margin of title; some leaves lightly foxed. First Edition of this arrangement second issue. LvBWV v. 1 p. 584. Hoboken 2 394 Haslinger reissue. S.A. Steiner und Comp. [PN S.u.C. 2366] unknown books
1942119420Maximilian-Verlag Max Staercke 1942. Paperback. Very Good. Facsimile reproduction of Beethoven's original manuscript for his 5th symphony. Paper over boards in slipcase. 12.75" x9.25"x 1.5". Limited to 400 copies this copy not numbered. oversized and overweight. A22 Please email for photos. Maximilian-Verlag Max Staercke paperback
1832STLE0015Wien, Tobias Haslinger (1832). 21,5 x 13,5 cm. Lith. Front.-Porträt von Kriehuber, XX, (4), 352, 144 Seiten, 2 gef. lith. Faksimiles, 2 lith. Tafeln (Medaillen, Beethovens Grabstein), zahlr. Notenbeispiele im Text. Marm. Ganzlederband des späteren 19. Jhdts. mit rotem Rückenschildchen, umlaufendem Farbschnitt in Gelb, reicher goldgepr. Rücken- und Einbandverzierung. Die originalen Interimsumschläge mit dem Aufdruck Subscriptions-Exemplar sind beigebunden. Titelbl. mit neuerm Eignerstemp., ansonsten ohne Gebrauchsspuren und nur sehr gering stockfleckig. Breitrandiges Exemplar in prächtigem Einband. Erste Ausgabe. Eitner IX,152; Kinsky S. 763; Wolffheim II,423. - Mit den Erstdrucken von Beethovens Kanon "Im Arm der Liebe ruht sich's wohl" und "Kühl, nicht lau". Im Anhang biographische Notizen, das Heiligenstädter Testament, der Obduktionsbericht, die faks. "Einladung zu Ludwig van Beethoven's Leichenbegängnisse", gerichtliche Inventur und Schätzung sowie ein system. Werkverzeichnis. Weiters mit Briefen Beethovens an Stein und Haslinger, Reden und Aufsätze von Grillparzer, Börnstein, Castelli, Fouqué, Weidmann u. a., den Trauergesängen von Seyfried usw. Das Verlagsverzeichnis Haslingers findet sich auf den Seiten 113-144. - UNTERLIEGT DER DIFFERENZBESTEUERUNG
182733061Leipzig: Breitkopf & Härtel PN 4612 1827. Oblong folio. Brown leather-backed marbled boards with oval paper label titled in contemporary manuscript laid down to upper. 1f. recto title verso blank 1 cast list contents 2-130 pp. Lithographed.<br /> <br /> Contemporary signature "Ernst Dieter" to title label and head of title; small circular publisher's handstamp to foot of title.<br /> <br /> Binding somewhat worn rubbed and bumped; front free endpaper creased and torn repaired with archival tape. Light scattered foxing; minor dampstaining to final 25ff. Third edition of the third 1814 version of the work. LvBWV I p. 451. Not in Hoboken. Earlier editions of this version were published in Vienna 1814 Bonn 1815 and Paris 1826. <br /> <br /> Beethoven's opera Leonore went through several revisions before the final version Fidelio premiered in Vienna on 23 May 1814. Breitkopf & Härtel [PN 4612] unknown
183728291AB1837. England possibly Hoxton James van Sommer 1837. Octavo. 157 pages. Modern unsophisticated Hardcover with new endpapers. Excellent condition. hardcover
182733061Leipzig: Breitkopf & Härtel PN 4612 1827. Oblong folio. Brown leather-backed marbled boards with oval paper label with titling in contemporary manuscript laid down to upper. 1f. recto title verso blank 1 cast list contents 2-130 pp. Lithographed.<br/><br/>Contemporary signature "Ernst Dieter" to title label and head of title; small circular publisher's handstamp to foot of title.<br/><br/>Binding somewhat worn rubbed and bumped; front free endpaper creased and torn repaired with archival tape. Light scattered foxing; minor dampstaining to final 25ff. Third edition of the third 1814 version of the work. LvBWV v. 1 p. 451. Not in Hoboken. Earlier editions of this version were published in Vienna 1814 Bonn 1815 and Paris 1826. <br/><br/>Beethoven's opera Leonore went through several revisions before the final version Fidelio premiered in Vienna on 23 May 1814. Breitkopf & Härtel [PN 4612] unknown books
2019__3761824645Bärenreiter Verlag 2019. Hardcover. New. 1. aufl. 2019 edition. 277 pages. German language. 13.62x11.50x1.42 inches. Bärenreiter Verlag hardcover
179575760Beethoven's Trois Trios pour le Piano Forte Violin & Violoncelle Oeuvre 1r Paris: Pleyel circa 1800 3 62pp. engraved throughout bound with 26 contemporary engraved pieces of music including 7 pieces of music from Figaro Il Consiglio Imprudente Don Giovanni Cosi Fan Tutte by Mozart; Oh Magnify the Lord Angels Ever Bright & Fair Ye Sacred Priests by Handel; Music to A Midsummer Night's Dream and Two Gentlemen of Verona by Henry Bishop Published by Goulding D'Almaine, Potter & Co; Rt Birchall; G Shade; Pleyel hardcover
2j12965Stich Druck und Verlag von Eduard Hallberger Stuttgart 1858. Insgesamt 601 Seiten mit Noten Halbleinen-Einband mit goldgeprägtem Rückentitel quart etwas stockfleckig/alter Name und kleiner Namensstempel auf Titeln/Einband berieben. - Hallberger's Pracht-Ausgabe der Classiker / Neu herausgegeben mit Bezeichnungen des Zeitmasses und Fingersatzes von J. Moscheles / Enthalten: Op. 2 / Op. 7 / Op. 10 / Op. 13 / Op. 14 / Op. 22 / Op. 26 / Op. 27 / Op. 28 / Op. 31 / Op. 49 / Op. 53 / Op. 54 / Op. 57 / Op. 78 / Op. 81 / Op. 90 / Op. 101 / Op. 106 / Op. 109 / Op. 110 / Op. 111 - unknown
1802220649À Vienne: chez Hoffmeister & Comp; à Leipsic :; Chez Hoffmeister et Kühnel au Bureau de musique 1802. First edition thus. Publisher's Catalogue No 110 & 111. Price engraved titles: 1 Rthlr. 5 parts each for each section engraved throughout. Separate engraved title pages preceding each section for 1st Violin; others paginated separately but without title pages: 1st violin: 7 7 p. 2nd violin: 4 4 p. 1st viola: 4 4 p. 2nd viola: 4 3 p. Cello: 3 3 p. 1 vols. Folio 32 x 24 cm. Disbound first title page a bit soiled; occasional light soiling throughout. First edition thus. Publisher's Catalogue No 110 & 111. Price engraved titles: 1 Rthlr. 5 parts each for each section engraved throughout. Separate engraved title pages preceding each section for 1st Violin; others paginated separately but without title pages: 1st violin: 7 7 p. 2nd violin: 4 4 p. 1st viola: 4 4 p. 2nd viola: 4 3 p. Cello: 3 3 p. 1 vols. Folio 32 x 24 cm. Beethoven's septet for woodwinds arranged for string quintet by Hoffmeister and published thus for the first time. Kinsky p. 50 chez Hoffmeister & Comp; à Leipsic :; Chez Hoffmeister et Kühnel au Bureau de musique unknown books
1802220649À Vienne: chez Hoffmeister & Comp; à Leipsic :; Chez Hoffmeister et Kühnel au Bureau de musique 1802. First edition thus. Publisher's Catalogue No 110 & 111. Price engraved titles: 1 Rthlr. 5 parts each for each section engraved throughout. Separate engraved title pages preceding each section for 1st Violin; others paginated separately but without title pages: 1st violin: 7 7 p. 2nd violin: 4 4 p. 1st viola: 4 4 p. 2nd viola: 4 3 p. Cello: 3 3 p. 1 vols. Folio 32 x 24 cm. Disbound first title page a bit soiled; occasional light soiling throughout. First edition thus. Publisher's Catalogue No 110 & 111. Price engraved titles: 1 Rthlr. 5 parts each for each section engraved throughout. Separate engraved title pages preceding each section for 1st Violin; others paginated separately but without title pages: 1st violin: 7 7 p. 2nd violin: 4 4 p. 1st viola: 4 4 p. 2nd viola: 4 3 p. Cello: 3 3 p. 1 vols. Folio 32 x 24 cm. Beethoven's septet for woodwinds arranged for string quintet by Hoffmeister and published thus for the first time. Kinsky p. 50 chez Hoffmeister & Comp; à Leipsic :; Chez Hoffmeister et Kühnel au Bureau de musique unknown
182622986Wien: Tobias Haslinger PN 2582 1826. Oblong folio and folio. Disbound. Piano: 1 title 2-50 pp. Violoncello: 12 pp. Engraved. Price printed in two currencies: "f. 5_C.M." above "Reichstthaler sign 3.8 gr." below. With "Amsterdam: Theune & Comp." overpaste to foot of title.<br/> <br/><br/>Decorative title with coat of arms surrounded by stylized sunrays and clouds. <br/><br/>Edges browned and slightly dampstained; slight offsetting and bleeding of imprint; lower outer corner of cello part slightly creased; violin part lacking. With header "221" added in manuscript to all pages. A later issue printed from plates of the first edition. LvBWV v. 1 p .625. Tobias Haslinger [PN] 2582 unknown books
a91602Paris . no date c. 1840-1865 Launer. Folio Hardcover. Not paginated consecutively but several hundred pages all together. Brown cloth covered boards with leather backstrip with full gilt decoration. This volume has Opus 1 11 97 70 83 5 17 23 12 24. Music score for piano. Original printed front pink printed score covers bound in. Seven page text introduction written by Beethoven in 1802 at beginnng. Binding quite secure; music clean of marks but occasional light spotting. Good. no ownership marks. Volume one only. . hardcover
182113728Leipzig: Breitkopf & Härtel 1821. First edition of arrangement for piano 4 hands. Used; Like New/Used; Like New. Beethoven's string quartet no. 5 in A major op. 18 no. 5 arranged for piano four hands. Oblong folio. 24.5 x 33 cm.  Lithographed. PN 3221odd pages only.  Title; Music 2-35 pp. blank. Scattered foxing throughout especially to early and late pages light water stain to upper quarter of last 10 pages closely trimmed along the upper edge without losses to music.  <br style="">Beethoven published his first set of six quartets in 1801 and with them established himself firmly as the successor to Mozart and Haydn in the great school of Viennese quartets. His quartet no. 5 is a particularly clear homage to Mozart modeled on his A major quartet KV 464 and based on the same four-movement structure with a second movement scherzo and a third movement theme and variations. Yet his distinctive voice and exuberant imagination come through in the extended codas and strong dynamic and rhythmic contrasts which he adds into the traditional form. The work appears here as arranged byFr. Mockwitz. Kinsky-Halm: p. 44 Breitkopf & Härtel unknown books
187581673Leipzig und Winterthur, J. Rieter-Biedermann 1875. Bll. in Orig.-Pp.-Mappe mit Titelschild auf dem VDeckel. Folio.
1412ovscd118xDecca 2014-12-09. audioCD. Like New. 5x0x4. Complete 65 CD Box Set. All Cds sleeves and book in excellent condition. Box has slight shelf wear. Decca unknown
179722914Bonn: N. Simrock PN 37 1797. Oblong folio. Disbound. 1 title within decorative oval border 2-51 i blank pp. Engraved. Watermark "Kiener Frères" and "Super Real." <br/><br/>With "Amsterdam: Conrad Raldenecker" overpaste to title covering Simrock imprint. Extensive fingering and occasional corrections in pencil to first trio pp. 2-17. <br/><br/>Very slightly worn and soiled; title leaf creased and slightly browned; small binder's hole to upper corners. Early edition first issue. LvBWV v. 1 p. 7. N. Simrock [PN 37] unknown books
182833114Leipzig: Breitkopf & Härtel PN 4596 1828. SCHMIDT Johann Philipp 1779-1853 arranger. Oblong folio. Half black cloth with black textured boards. 1f. recto title verso blank 1 contents 2-63 i blank pp. Engraved.<br/><br/>Small oval handstamp of L.W. Bauer to blank lower outer corner of title with publisher's handstamp to blank lower margin.<br/><br/>Binding somewhat worn and rubbed; vertical crease to upper. Light foxing throughout mostly to margins; occasional offsetting; small annotation in red ink to upper outer corner of title; publisher's handstamp slightly cropped; inner margin of verso of front free endpaper and title reinforced with blue cloth tape. First Edition of this arrangement of the third 1814 version of the work. LvBWV v.1 p. 453 7 copies located. <br/><br/>Beethoven's opera Leonore went through several revisions before the final version Fidelio premiered in Vienna on 23 May 1814. Breitkopf published this first piano version of the complete opera in 1828 arranged by J. P. Schmidt. Breitkopf & Härtel [PN 4596] unknown books
180540794Mayence: chez Charles Zulehner PN 73 1805. Quarto. Disbound. i title 13 i blank pp. Engraved throughout. <br /> <br /> With ownership signature to upper outer corner of title in contemporary brown ink; several annotations in pencil including fingerings dynamics and accidentals. <br /> <br /> Slightly trimmed; occasional minor foxing and soiling mainly to blank margins; spine reinforced with narrow strip of early paper. Early edition. LvBWV I p. 246. <br /> <br /> These three marches scored for piano 4-hands incorporate a wide range of dynamics register and textures that complement the dotted March rhythms including Alberti basses arpeggios and triplets. <br /> <br /> "From his success at combining tradition and exploration and personal expression Beethoven came to be regarded as the dominant musical figure of the 19th century and scarcely any significant composer since his time has escaped his influence or failed to acknowledge it. For the respect his works have commanded of musicians and the popularity they have enjoyed among wider audiences he is probably the most admired composer in the history of Western music." Joseph Kerman Alan Tyson Scott G. Burnham Douglas Johnson and William Drabkin in Grove Music Online. chez Charles Zulehner [PN 73] unknown
108480New York: Beethoven Association 1927. 4to 213pp. Very good no dust jacket. Tipped in copies of 36 letters. Letters of Ludwig Van Beethoven. Music. Beethoven Association Hardcover
1807302875Bonn: N: Simrock 1807. Engraved music plate number 560 in 4 parts engraved title. 4 vols. Folio. Uncut and loose. Light dampstains and foxing outer sheet of first gathering of first violin part split at spine early ownership inscription in pencil. Engraved music plate number 560 in 4 parts engraved title. 4 vols. Folio. An arrangement for string quartet of Beethoven's piano sonata no. 16 op. 31 in G major. OCLC: 926794675 1 copy N: Simrock unknown books
1807302875Bonn: N: Simrock 1807. Engraved music plate number 560 in 4 parts engraved title. 4 vols. Folio. Uncut and loose. Light dampstains and foxing outer sheet of first gathering of first violin part split at spine early ownership inscription in pencil. Engraved music plate number 560 in 4 parts engraved title. 4 vols. Folio. An arrangement for string quartet of Beethoven's piano sonata no. 16 op. 31 in G major. OCLC: 926794675 1 copy N: Simrock unknown
16-3932Paris: Chez Naderman circa early 19th Century. Engraved sheet music. 35 x 27 cm. Printed on laid rag paper. 10 pages. This is the section for the Violino. Light to moderate stains. Expertise by Thierry BODIN - 01 45 48 25 31Syndicat Français des experts Professionnels en Oeuvre d'ArtLudwig van Beethoven's Opus 1 is a set of three piano trios written for piano violin and cello first performed in 1795 in the house of Prince Lichnowsky to whom they are dedicated.The trios were published in 1795.François-Joseph Naderman est un compositeur harpiste facteur éditeur de musique et professeur de harpe né le 5 août 1781 à Paris où il est mort le 2 avril 1835.The first of the composer's published works which the composer thought to be important enough to be given an opus number. The trios were composed in 1794 and 1795 possibly with older precursors for the first trio from Beethoven's first years in Vienna in 1792/93. First performed at a private concert in the home of his patron Prince Lichnowsky at which Beethoven's former teacher Joseph Haydn was present. Ferdinand Ries writes about the evening in his "Biographischen Notizen über Ludwig van Beethoven" from 1838 "The three trios by Beethoven Opus 1 were to be played to the artistic world for the first time at a soirée held at Prince Lichnowksy's. Most artists and music lovers had been invited in particular Haydn whose pronouncement was eagerly awaited by all. The trios were played and caused a great stir. Even Haydn said many nice things about them but advised Beethoven not to publish the third one in C minor. This greatly surprised Beethoven as he considered it to be the best one and today it is still the one that is most popular and which is the most effective. So Haydn's remark angered Beethoven and made him think that Haydn was envious jealous and wanted to do him an injustice. I must admit that when Beethoven told me this I did not believe him. I therefore took the opportunity to ask Haydn himself. His answer did however confirm what Beethoven had mentioned as he said he did not think that this trio would be understood very quickly or easily and that the public would not take to it very well." Paris: Chez Naderman, circa early 19th Century. unknown
1949008429Im Verlag von J.W. Edwards Ann Arbor Michigan U.S.A. from original Breitkopf & Härte1 edition949 1949. Hardcover. Very Good/No Jacket. 1 score various pagings 9 parts ; 34 cm. ; Very thick large Folio full score ; Serie 7 and 8 ; OCLC: 76805263 ; ex-library bound in green cloth; stamps labels date due pocket; Contents: ; Serie 10 Quintett fur Pianoforte Oboe Clarinette Horn und Fagott op. 16 in Es No.74 -- Quartett fur Pianoforte Violine Bratsche und Violoncell no. 1 in Es WoO 36 no. 1 No.75 -- Quartett fur Pianoforte Violine Bratsche und Violoncell no. 2 in D WoO 36 no. 2 No.76 -- Quartett fur Pianoforte Violine Bratsche und Violoncell no. 3 in C WoO 36 no. 3 NO.77 -- Quartett fur Pianoforte Violine Bratsche und Violoncell nach dem Quintett op. 16 No.78 -- Serie 11 -- Trio op. 1 no. 1 in Es No.79 -- Trio op. 1 no. 2 in G No.80 -- Trio op. 1 no. 3 in Cm No.81 -- Trio op. 70 no. 1 in D No.82 -- Trio op. 70 no. 2 in Es No.83 -- Trio op. 97 in B No.84 -- Trio in B in 1 Satze WoO 39 No.85 -- Trio in Es WoO 38 No.86 -- Adagio Rondo und Variationen op. 121a in G No.87 -- 14 Variationen op. 44 in Es No.88 -- Trio fur Pianoforte Clarinette oder Violine und Violoncell op. 11 in B No.89 -- Trio fur Pianoforte Violine und Violoncell nach der Symphonie no. 2 in D No.90 --Trio fur Pianoforte Clarinette oder Violine und Violoncell op. 38 in Es nach dem Septett op. 20 No.91 ; Breitkopf & Hartel: B. 54--B. 64 -- At head of title: Vollstandige kritisch durchgesehene uberall berechtigte Ausgabe; Edwards music reprints. Series A Complete works and monumenta. No. 2 Ludwig van Beethoven's Werke. Serie 9 10-11 ; J.W. Edwards: B. 74--B. 91 ; VG <br/> <br/> Im Verlag von J.W. Edwards, Ann Arbor, Michigan, U.S.A., [from original Breitkopf & Härte1 edition949 hardcover
181033103Leipzig: A. Kühnel Bureau de Musique PN 835 1810. Folio. Contemporary green boards with cut paper label with titling in manuscript to upper. Piano: 1 title 2-17 i blank; Violin: 1 blank with titling in manuscript 2-7 i blank pp.<br/><br/>Boards worn rubbed and bumped. Piano: Browned and soiled; outer edges with some small tears and chips; margins dampstained; contemporary owner's name in manuscript to lower outer corner of title "Fr. Reichardt" with small oval publisher's blindstamp to lower right corner; occasional light early pencilled fingering. Violin: Spine reinforced with early green paper binder's tape; browned and soiled; margins dampstained; first leaf stained; small overpaste with "Sonata" in manuscript to head of violin part; pp. 2-3 with bars numbered in blue ink. Revised version of the Zulehner edition. LvBWV v. 1 p. 144. A. Kühnel, Bureau de Musique [PN 835] unknown books
