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200617701E2006. Original movie prop book used in the making of the film Copying Beethoven directed by Agnieszka Holland starring Ed Harris as German composer Ludwig van Beethoven Diane Kruger as his fictionalized copyist and muse Anna Holtz Joe Anderson Ralph Riach and Matthew Goode. The book is a beautifully bound oblong composition book 13†x 9 1/2†with dark green cloth at the spine and corners and marbled paper at the boards and endpapers of the score for Beethoven’s ‘Ninth Symphony.’ which is one of the two score books used by Ed Harris and Diane Kruger when she helped Harris conduct the world premiere of the 9th Symphony. The first page has a printed inscription from Beethoven to Anna: “My Dear Anna You are the angel of my soul. The only hand I trust to bear it across the tides of time.†Near fine copy.Enclosed in a morocco and cloth custom box. With a DVD of the film. hardcover books
181726784Wien: S.A. Steiner und Comp. PN C.D.S. 2364 1817. Oblong folio. Unbound as issued. Housed in a custom-made mid-tan leather-backed folder with titling gilt to spine. 1f. title 1 blank 2-39 iii blank pp. Engraved. The word "Preis" printed but neither amount nor currency added.<br/><br/>Extended printed note following imprint: "so wie auch zu haben and also available: in Leipzig bey Breitkopf und Härtel _ C.F. Peters _ Fr. Hoffmeister continuation in smaller print Bonn bey N. Simmrok !Simrock _ Offenbach bey J: Andrä !André _ Zürich bey Nägeli & Comp. _ Ettwill !Eltville bey C: Zulehner_ und in den Musikhandlungen zu Augsburg _ Berlin _ Braunschweig _ Frankfurth _ Hamburg _ München _ Mayland !Mailand _ Neapel _ Stuttgardt !Stuttgart."<br/><br/>Folder slightly worn and soiled. Some offsetting. <br/><br/>An uncut copy. In very good condition overall. First Edition of this arrangement second issue "Pränumerations-Anzeige" of first issue dropped from p. 1 but amount and currency of price printed from third issue on still lacking. LvBWV v. 1 p. 585. 3 copies in Germany and Austria. Hoboken 2 392 a later issue. <br/><br/>The arranger of this version is not known. <br/><br/>"Beethoven's 'Battle Symphony' more correctly entitled Wellington's Victory of the Battle of Victoria op. 91 came into being as the result of an idea by Maelzel that Beethoven should write a work for his latest invention the panharmonicon a sort of mechanical orchestra. The timing coincided with Wellington's defeat of Napoleon in 1813. It is a programmatic piece for a large orchestra with a battery of military and Turkish percussion instruments including cannons and muskets. The first section opens with an English bugle call followed by the patriotic tune Rule Britannia answered by a French bugle call and marching tune known in Britain as For he's a jolly good fellow. Then comes a depiction of the battle. Part 2 called 'Victory Symphony' begins and ends with martial music but is otherwise based largely on the British national anthem which is treated fugally." Cooper: The Beethoven Compendium p. 220. S.A. Steiner und Comp. [PN C.D.S. 2364] unknown books
182040798Vienne: Chez Artaria e Comp. PN 2125 1820. Oblong folio. Disbound. i title 2-13 i blank pp. Engraved throughout. <br /> <br /> Occasional minor wear soiling and staining; staining to center and blank lower margins of first three leaves. First Viennese edition later issue here with corrected plate numbers to pp. 4 7 9 and 11. Kinsky 1 p. 211. Hoboken 2 345. First published by Breitkopf & Härtel in November of 1810. <br /> <br /> "Beethoven's early achievements as composer and performer show him to be extending the Viennese Classical tradition that he had inherited from Mozart and Haydn. As personal affliction - deafness and the inability to enter into happy personal relationships - loomed larger he began to compose in an increasingly individual musical style and at the end of his life he wrote his most sublime and profound works." Joseph Kerman Alan Tyson Scott G. Burnham Douglas Johnson and William Drabkin in Grove Music Online. Chez Artaria e Comp. [PN 2125] unknown
a71800Frankfurt a/m c. 1850 Chez Franz Philipp Dunst. 14 works Nos. 1-14 bound in one volume. Music. Most titles in French a few in German. 4to. about 400pp. rebound in later wraps. Good some offsetting on title page a few minor interior stains. Scarce. . paperback
182732294Bonn: N. Simrock PNs 2516 2522 2528 1827. HEINZIUS Philipp Wilhelm arr. 3 volumes. Folio. Engraved.<br/><br/>Each volume in 4 parts:<br/>Violin I: 1 title 2-7 1 blank pp.<br/>Violin II: 1 blank 2-7 1 blank pp.<br/>Viola: 1 blank 2-7 1 blank pp.<br/>Violoncello: 1 blank 2-7 1 blank pp.<br/><br/>Slightly worn thumbed and soiled; spines reinforced with paper tape. Minor showthrough to titles; occasional light foxing and offsetting. First Edition of this arrangement. LvBWV v. 1 p. 66. 2 complete copies only located.<br/><br/>Beethoven's Violin Sonatas Op. 12 were premiered in 1798 and published shortly thereafter by Artaria. The present arrangement for string quartet was made by Philipp Wilhelm Heinzius who made several other arrangements of Beethoven's works. N. Simrock [PNs 2516, 2522, 2528] unknown books
1949046170Ann Arbor: J. W. Edwards 1949. 25 vols. in 24 complete music original green cloth large quarto format. Reprint of the 1864-1890 Leipzig edition. Contents: v. 1 ser. 1 Symponies no. 1-4. v. 2 ser. 1 Symphonies no. 5-8. v. 3 ser. 1 Symphony 9. v. 4 ser. 4 various orchestral works no. 10-17a. v. 5 ser. 3 overtures no. 18-28. v. 6 ser. 4 Violin and orchestra no. 29-31; ser.5 five or more instruments no. 32-36a. v. 7 ser. 6 string quartets no. 37-53. v. 8 ser. 7 trios no. 54-58 ser. 8 wind instruments no. 59-64. v. 9 ser. 9:1 piano and orchestra no. 65-69 1-5 ser. 9:2 piano and orchestra no. 70-73 6-10. v. 11 ser. 10 piano quintets and quartets no. 74-78 ser. 11 pianto trios no. 79-91. v. 12 ser. 12 piano and violin no. 92-103. v. 13 ser. 13 piano and violoncello no. 105-111a ser. 14 piano and wind instruments no. 112-119 ser. 15 piano four hands no. 120-123. v. 14 ser. 16:1 piano sonatas no. 124-135 1-12. v. 15 ser. 16:2 piano sonatas no. 136-147 13-24. v. 16 ser. 16:3 pino sonatas no. 148-161 25-38. v. 17 ser. 17 piano variations no. 162-182. Ser. 18 small piano pieces no. 183-198. v. 18 ser. 19:1 church music Missa Solemnis no. 203. v. 19 ser. 19:2 church music Missa op. 86 no. 204 Christus am Oelberge op 85 no. 205. v. 20 ser 20:1 dramatic works Fidelio no. 206. v. 21 ser. 20:2 dramatic works miscellaneous no. 207-207d. v. 22 ser. 21 cantatas no. 208-209 ser. 22 voice with orchestra no. 210-214 ser. 23 songs with piano no. 214-256. v. 23 ser. 24 songs with piano violin and violoncello no. 257-263. v. 24 ser. 25 supplement vocal music no. 264-285 instrumental music no. 286-309 "Revisionsbericht" index list of subscribers. Edwards music reprints. Ser. A: Complete works and monuments 2. J. W. Edwards unknown books
16-3935Paris: Chez Naderman circa early 19th Century. Engraved sheet music. 35 x 27 cm. Printed on laid rag paper. 10 pages. This is the section for the Violincello.2 17 1 pages Very clean. Expertise by Thierry BODIN - 01 45 48 25 31Syndicat Français des experts Professionnels en Oeuvre d'ArtLudwig van Beethoven's Opus 1 is a set of three piano trios written for piano violin and cello first performed in 1795 in the house of Prince Lichnowsky to whom they are dedicated.The trios were published in 1795.François-Joseph Naderman est un compositeur harpiste facteur éditeur de musique et professeur de harpe né le 5 août 1781 à Paris où il est mort le 2 avril 1835.The first of the composer's published works which the composer thought to be important enough to be given an opus number. The trios were composed in 1794 and 1795 possibly with older precursors for the first trio from Beethoven's first years in Vienna in 1792/93. First performed at a private concert in the home of his patron Prince Lichnowsky at which Beethoven's former teacher Joseph Haydn was present. Ferdinand Ries writes about the evening in his "Biographischen Notizen über Ludwig van Beethoven" from 1838 "The three trios by Beethoven Opus 1 were to be played to the artistic world for the first time at a soirée held at Prince Lichnowksy's. Most artists and music lovers had been invited in particular Haydn whose pronouncement was eagerly awaited by all. The trios were played and caused a great stir. Even Haydn said many nice things about them but advised Beethoven not to publish the third one in C minor. This greatly surprised Beethoven as he considered it to be the best one and today it is still the one that is most popular and which is the most effective. So Haydn's remark angered Beethoven and made him think that Haydn was envious jealous and wanted to do him an injustice. I must admit that when Beethoven told me this I did not believe him. I therefore took the opportunity to ask Haydn himself. His answer did however confirm what Beethoven had mentioned as he said he did not think that this trio would be understood very quickly or easily and that the public would not take to it very well." Paris: Chez Naderman, circa early 19th Century. unknown
1803220648Bonn: bey N. Simrock 1803. Later issue 0 of ca. 1803 ed. without the price and publisher's no. on title page. Engraved title page 15 pages engraved music with lyrics. pp. 1 2-16 publisher's catalogue number 368 printed at bottom of text. 1 vols. 22.5 x 32 cm. Disbound laid into green paper portfolio. Later issue 0 of ca. 1803 ed. without the price and publisher's no. on title page. Engraved title page 15 pages engraved music with lyrics. pp. 1 2-16 publisher's catalogue number 368 printed at bottom of text. 1 vols. 22.5 x 32 cm. The exact date of the composition of Opus 48 six songs for voice and piano has not been definitely established but the last was finished no later than March of 1802 and it appears that sketches of No. 3 survive from 1798. <br/><br/>These songs use texts by Christian Fürtegott Gellert and they relate to views of God and the divine presence as it relates to life death nature and man's love of his neighbor. The songs stand alone and are considered less as a cycle and more as a series of loosely-connected songs. <br/><br/>Unusual and a striking survival of a beautiful piece of music. Kinsky-Halm p. 115; Katalog der Sammlung Anthony van Hoboken Bd. 2 Nr. 236 bey N. Simrock unknown books
1803220648Bonn: bey N. Simrock 1803. Later issue 0 of ca. 1803 ed. without the price and publisher's no. on title page. Engraved title page 15 pages engraved music with lyrics. pp. 1 2-16 publisher's catalogue number 368 printed at bottom of text. 1 vols. 22.5 x 32 cm. Disbound laid into green paper portfolio. Later issue 0 of ca. 1803 ed. without the price and publisher's no. on title page. Engraved title page 15 pages engraved music with lyrics. pp. 1 2-16 publisher's catalogue number 368 printed at bottom of text. 1 vols. 22.5 x 32 cm. The exact date of the composition of Opus 48 six songs for voice and piano has not been definitely established but the last was finished no later than March of 1802 and it appears that sketches of No. 3 survive from 1798. <br /> <br /> These songs use texts by Christian Fürtegott Gellert and they relate to views of God and the divine presence as it relates to life death nature and man's love of his neighbor. The songs stand alone and are considered less as a cycle and more as a series of loosely-connected songs. <br /> <br /> Unusual and a striking survival of a beautiful piece of music. Kinsky-Halm p. 115; Katalog der Sammlung Anthony van Hoboken Bd. 2 Nr. 236 bey N. Simrock unknown
183033209Bonn: N. Simrock PN 1959 1830. Octavo. Half dark brown cloth with brown marbled boards oval dark yellow label with titling in contemporary manuscript to upper. 1f. lithographic title 162 pp. Engraved.<br /> <br /> Contemporary owner's signature in ink to front free endpaper.<br /> <br /> Binding worn rubbed and bumped; endpapers browned; hinges tender. Light scattered foxing and thumbing; price on title erased. First German edition second issue with revised title page. LvBWV v. 1 p. 211. Hoboken 2 195 first issue. Hirsch IV 278 first issue.<br /> <br /> The full score was first published in an unauthorized edition by Cianchettini & Sperati in London in 1808. N. Simrock [PN 1959] unknown
18336950Paris, Chez Maurice Schlesinger, 1833. 2 vol. 264 x 171 mm, vol. 1 : portrait gravé en frontispice, 28 pp. (faux-titre, titre, Préface du Traducteur, Notice Biographique sur Louis van Beethoven. Testament de Louis van Beethoven.), 183-(1) pp. : Études de L. V. Beethoven sur l'Harmonie, le Contrepoint et la Composition., 1 planche dépl. n/b de 51 x 68,5 cm portant les signatures des souscripteurs, 2 déchirures (pli et marge) d'env. 30 mm chacune, 1 planche dépl. 46,5 x 61 cm : fac-similé de la lettre d'adieu de Beethoven du 6 oct. 1802 ("Testament de Heiligenstadt"), manque de papier au centre de la planche sans perte de texte. Vol. 2 : 1 pl. en frontispice, (2) ff. : faux-titre, titre, 215-(1) pp., 1 pl. dépl.fac-similé : Esquisse d'Adélaïde de Beethoven. Reliure demi-toile, étiquettes de titre absentes, coins ouverts, quelques rares rousseurs principalement sur le portrait et dans le tome premier, un cerne clair d'humidité dans la marge inférieure de quelques feuillets du second tome. Bon exemplaire.
80436Leipzig Wilhelm Engelmann o. J. 1913. Quer-4° 27 x 34.5 cm 38 einseitig bedruckte Taf. 2 Titeltaf. 1 Porträt-Taf. 35 Taf. Noten; die im Original unbeschriebenen S. 34 f. wurden nicht reproduziert Kart. m. gold. Deckelpräg. Deckel etw. fleckig u. gewellt Kopf etw. bestossen Vs. tlw. etw. gebräunt Papier etw. gebräunt innen sonst tadellos. Beiliegend zwei maschinengeschriebene signierte Briefe von Karl B. Jindracek seines Zeichens Referent für Kirchenmusik der Stadt Wien datiert «Arosa 21. 4. 1951» und «Süri 15. 7. 1952» einige «Erstdrucke» klassischer Noten betreffend die er einem Privatsammler zu veräussern versuchte. 010 Leipzig, Wilhelm Engelmann, o. J. [1913] unknown
183033209Bonn: N. Simrock PN 1959 1830. Octavo. Half dark brown cloth with brown marbled boards oval dark yellow label with titling in contemporary manuscript to upper. 1f. lithographic title 162 pp. Engraved.<br/><br/>Contemporary owner's signature in ink to front free endpaper.<br/><br/>Binding worn rubbed and bumped; endpapers browned; hinges tender. Light scattered foxing and thumbing; price on title erased. First German edition second issue with revised title page. LvBWV v. 1 p. 211. Hoboken 2 195. Hirsch IV 278 first issue.<br/><br/>The full score was first published in an unauthorized edition by Cianchettini & Sperati in London in 1808. N. Simrock [PN 1959] unknown books
190532302Leipzig: Breitkopf & Härtel 1905. Quarto. Full light brown cloth bevelled boards black title label gilt to spine upper edge gilt black endpapers ivory silk ribbon marker. 1f. recto title verso contents iii-x preface by Erich Prieger 276 pp. Text in German.<br/><br/>Binding slightly worn. Light uniform browning throughout. An attractive copy. First Edition of the first 1805 version of the work. Rare. LvBWV v. 1 p. 427. Hoboken 2 315. <br/><br/>A reconstruction by Erich Prieger of the original version of the opera published in a small print run 100 years after the first performance of the first version of the work in Vienna at the Theater an der Wien on 20 November 1805. Breitkopf & Härtel unknown books
190099917674Braunschweig - Henry Litolff's Braunschweig, Henry Litolff's Verlad vers 1900. 5 volumes grands In-4 reliés plein chagrin havane, dos à nerfs, filets en encadrement sur tous les plats, sous emboitage, chiffre (monogramme) surmonté d'une couronne de Vicomte sur les 5 plats, têtes dorées. Reliure signée Charles MAILLET. Symphonies de Beethoven arrangées pour piano à deux mains par Lousi Winkler. Variations pour piano de Beethoven revues par Louis Kohler. Concertos pour pianos de Beethoven. Sonates pour piano de L. Van Beethoven (2 volumes). Très bel ensemble. Seul l'emboitage a un peu souffert du temps mais il a ainsi préservé les 5 volumes qui sont en parfait état.
1996BN126880Henle G. Verlag 1996. 1996. Hardcover. Briefwechsel Band 1 <br/><br/>Briefwechsel Band 1 Ludwig van Beethoven Henle, G. Verlag hardcover
CA08AA-00752Henry Litolff. Collectible - Good. Braunschweig: Henry Litolff n.d. 4 volumes bound in 2. 4to. Paginated by volume. Music. Good book. Bound over original wraps. Some notes written on rear endpage. A few fingerings written into the music. chamber music arrangements for piano Inquire if you need further information. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. Henry Litolff paperback
199659198BB7 Bände. München, G. Henle Verlag. 1996-1998. 25x17,5 cm. Originalleinwandbände mit Schutzumschlägen, in Schubern.
18692677DB1869. Leipzig und Winterthur Rieter-Biedermann 1869. Folio. 6 Bl. XXXI 269 Seiten gestochene Noten. Mit 1 gest. Portrait von C. Gonzenbach 4 Stahlstichtafeln von Heinr. Merz und 2 Seiten Notenhandschrift-Faksimile. Blind- und goldgeprägter Original Leinenband mit Goldprägunge und -verzierungen. Platten-Nr. 635. - Prachtausgabe zum 100. Geburtstag Beethovens. Mit zweisprachigem Vorwort. Der Librettotext in Deutsch den Noten vorgebunden nach dem Französischen bearbeitet von Joseph Sonnleitner und Friedrich Treitschke. Enthält beide Ouvertüren zu vier Händen sowohl zu Fidelio als auch zu Leonore. Es folgt der Klavierauszug für zwei Hände mit französisch-deutschem Paralleltext. - Papier vereinzelt etwas stockfleckig. Einband leicht berieben und bestossen. Durchgehend leicht fleckig. unknown
SLIVCN-9781536168105NOVA SCIENCE PUBLISHERS INC (1/2020)
2008SONG020184172XHENLE 2008-10-01. hardcover. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. HENLE hardcover
1563Paris, chez Maurice Schlesinger, 1833. Deux volumes reliés (16,5 x 25 cm) de un frontispice gravé, 28 pages (préface, notice biographique et testament de Beethoven) et 183 pages pour le premier volume et de un frontispice gravé, 215 pages et une planche dépliante pour le second volume. Reliure demi-chagrin vert à coins, dos à nerfs, titrages dorés. Reliure usagée, nombreuses épidermures, coins émoussés, nombreuses rousseurs, une des planches dépliantes avec les noms et signatures des souscripteurs est déchirée en deux endroits mais sans manque;État très moyen de cette première traduction française. Sur les pages de garde des 2 volumes importantes notes manuscrites et nom de l'ancien propriétaire Jules de Glimes, ses initiales sont gravées en bas des dos des deux volumes.
1563Paris, chez Maurice Schlesinger, 1833. Deux volumes reliés (16,5 x 25 cm) de un frontispice gravé, 28 pages (préface, notice biographique et testament de Beethoven) et 183 pages pour le premier volume et de un frontispice gravé, 215 pages et une planche dépliante pour le second volume. Reliure demi-chagrin vert à coins, dos à nerfs, titrages dorés. Reliure usagée, nombreuses épidermures, coins émoussés, nombreuses rousseurs, une des planches dépliantes avec les noms et signatures des souscripteurs est déchirée en deux endroits mais sans manque;État très moyen de cette première traduction française. Sur les pages de garde des 2 volumes importantes notes manuscrites et nom de l'ancien propriétaire Jules de Glimes, ses initiales sont gravées en bas des dos des deux volumes.
NOTE0068Graz Adeva 1979. quer-4°. 128 Bl. OHLdr. in Orig.Leinenschuber mit Kommentarband. 496S. OKart. Sehr gut erhalten. Eines von 1000 num. Exemplaren Graz, Adeva 1979. unknown
183040832Bonn: bei N. Simrock PN 2078 1830. Large octavo. 19th century flexible marbled wrappers with blank octagonal paper label to upper. 1f. recto lithographic title verso blank 195 i blank pp. Music engraved. <br /> <br /> Wrappers slightly worn. Minor wear; very occasional small stains to blank margins; text block split at p. 72. <br /> <br /> A bright clear impression. First Edition later issue with title newly-set. LvBWV I p. 337. <br /> <br /> "The Fourth Symphony is perhaps the work in which Beethoven first fully reveals his mastery of movement. . The Finale represents Beethoven's full maturity in that subtlest of ways his discovery of the true inwardness of Mozart and Haydn; a discovery inaccessible to him whenever . he seemed or tried to imitate them but possible as soon as he obtained full freedom in handling his own resources. Everything is present in this unsurpassably adroit and playful Finale; and it is all pure Beethoven." Tovey: The Beethoven Companion pp. 564-565. bei N. Simrock [PN 2078] unknown