3 081 résultats
RO50010974A. Durand & Fils. XXème. In-4. Broché. Bon état, Plats abîmés, Mors arrachés, Quelques rousseurs. 131 pages. Déchirures sur les plats.. . . . Classification Dewey : 780.26-Partitions
RO50045433PETERS. NON DATE. In-4. Broché. Etat d'usage, Couv. défraîchie, Dos abîmé, Intérieur acceptable. 102 pages de partitions. Couverture de protection plastique transparente. Deuxième plat absent. Edition n°298-b. Dos renforcé avec de l'adhésif. Page de titre illustrée en couleur monochrome. Légère déchirure sur le haut du premier plat.. . . . Classification Dewey : 780.26-Partitions
RO50047673PETERS. NON DATE. In-4. Broché. Etat d'usage, Tâchée, Dos fané, Intérieur acceptable. 103 pages de partitions. Couverture en couleur. Tampon sur la page de titre. Bords légèrement rognés sur le bas des 10 première pages. Dos tâché.. . . . Classification Dewey : 780.26-Partitions
RO50047975PETERS. NON DATE. In-4. Broché. Bon état, Tâchée, Manque en coiffe de pied, Intérieur acceptable. 103 pages de partitions. Couverture en couleur. N°298-A. Tampon sur la page de titre. Dos tâché.. . . . Classification Dewey : 780.26-Partitions
RO50053336HENRY LEMOINE & CIE. NON DATE. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 9 pages de partitions. Premier plat illustré en couleur par A. Gir. Tampon sur la première page.. . . . Classification Dewey : 780.26-Partitions
RO80080204LITOLFF'S Henry. Non daté. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 6 pages de partitions pour piano. Traits au stylo sur le 1er plat.. . . . Classification Dewey : 780.26-Partitions
RO50026434Au mélomane. début XXème. In-4. En feuillets. Etat d'usage, Plats abîmés, Dos satisfaisant, Quelques rousseurs. 5 pages. Plats détachés. Déchirures.. . . . Classification Dewey : 780.26-Partitions
RO50064341Heny lemoine & cie. Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 3 pages de partitions en noir et blanc. Nombreuses annotations au crayon de couleurs rouge et bleu sur la partition.. . . . Classification Dewey : 780.26-Partitions
RO50032319Saint-Angelo. sd. In-Folio. En feuillets. Etat passable, Couv. défraîchie, Dos satisfaisant, Intérieur acceptable. 4 pages. Manque en tête et pied de page n'altérant pas la lecture de la partition.. . . . Classification Dewey : 780.26-Partitions
151550 Paris, Heugel,s.d, in douze, 136 pp, broché,
198522243München : Fink, 1985. 298 S. : Noten ; 24 cm broschiert
201017443New York City NY: Amadeus Press 2010. First Edition. First Printing. Hardcover. As New/No Dust Jacket As Issued. New York City NY: Amadeus Press 2010. Hardcover. As New/None As Issued. First Edition/First Printing. 500 pages. Retrospective collection of book-length accounts. Now widely regarded as one of the finest modern Introductions to the music of Bach Beethoven and Brahms. The first appearance of the individual titles in a Slipcased Set Edition. Published in a small and limited first print run as softcover originals only. Should not be confused with the individual volumes. Encased in a sturdy hard board slipcase. Without DJ's as issued. Presents in an elegant boxed set "Unlocking The Masters". The music of The Three B's in accessible illuminating book-length Introductions that scholars musicians and listeners alike will find engaging and indispensable. "Along with Beethoven's sonatas and the purely idiomatic works for piano of Chopin and Debussy the solo keyboard music of Johann Sebastian Bach represents the heart of the pianist's repertory; in the more specialized field of music for the organ Bach's primacy is beyond challenge. The composer's tendency to work exhaustively in tightly structured formats such as the Forty-Eight Preludes and Fugues of The Well-Tempered Clavier provides a natural framework for this study but the power beauty high polish and occasionally the sheer strangeness of Bach's imagination are also carefully examined" Publisher's blurb on Bach . "Shows how he bridged the Classical and Romantic Eras. Readers are treated to a detailed nuts-and-bolts description of each of the nine Beethoven symphonies. Perfect for anyone who wants to read listen and learn more about Beethoven and discover how this musical genius changed the face of orchestral music forever" On Beethoven . Explores in depth the composer's private world of musical intimacies that infuriated Wagner but inspired Schumann Schoenberg and millions of music lovers for generations to come. Addresses a controversial issue long-neglected by biographers and critics: Did Brahms sire an illegitimate child and in the absence of concrete evidence did he leave behind clues in his allusion-rich music" On Brahms . The point of listening to truly great music is to discover and experience in all its richness and fullness a particular and unique "sound world". It is not just about un-knotting music's closely intertwined elements melody rhythm harmony tonal color/instrumentation and as pleasurable as listening to various song traditions can be the "sound world" offers a much more complex therefore demanding fusion never heard before or not heard before with the same emphasis intensity and beauty. An absolute "must-have" title for Bach Beethoven and Brahms listener/collectors. This title is a classic. This is one of few copies of the Slipcased Set still available online and is in especially fine condition: Clean crisp and bright. A scarce set thus. 3 CD's attached at the end of each volume. Three of the greatest composers of all time. A fine set. . ISBN 1574671928. Amadeus Press hardcover
100104460Editions Cosmopolites. Bon état circa 1930 couverture défraîchie un peu frottée intérieur propre bonne tenue. in12. Sans date. Relié. Editions Cosmopolites unknown
21541P., Editions Cosmopolites, 1930, in 12, cartonnage de l'éditeur (légèrement fané), 59pp.
100104460Editions Cosmopolites in12. Sans date. Relié.
1977140394Leipzig, Dt. Vlg. f. Musik, (1977). M. einigen Faks. 423 S. OLwd. Einleitung m. Unterstreich. u. Margin. (Beethoven-Studien 2)
163pp.+ 12pp. met zw/w ills., in de "Davidsfonds keurreeks" nr.16, originele omslag (licht verkleurd), 20cm., goede staat, [bevat vnl. Vreemde musici verblijven te Antwerpen (pp.7-100), en De Vlaamsche afkomst van Beethoven, een samenvatting (pp.134-160)], M97899
163pp.+ 12pp. met zw/w ills., in de "Davidsfonds keurreeks" nr.16, ingebebonden in gecart. band met titel in goudopdruk op rug, 20cm., goede staat, [bevat vnl. Vreemde musici verblijven te Antwerpen (pp.7-100), en De Vlaamsche afkomst van Beethoven, een samenvatting (pp.134-160)], M97900
1936M97899, Davidsfonds 1936 163pp.+ 12pp. met zw/w ills., in de "Davidsfonds keurreeks" nr.16, originele omslag (licht verkleurd), 20cm., goede staat, [bevat vnl. Vreemde musici verblijven te Antwerpen (pp.7-100), en De Vlaamsche afkomst van Beethoven, een samenvatting (pp.134-160)], M97899
1936M97900, Davidsfonds 1936 163pp.+ 12pp. met zw/w ills., in de "Davidsfonds keurreeks" nr.16, ingebebonden in gecart. band met titel in goudopdruk op rug, 20cm., goede staat, [bevat vnl. Vreemde musici verblijven te Antwerpen (pp.7-100), en De Vlaamsche afkomst van Beethoven, een samenvatting (pp.134-160)], M97900
198317538BBMünchen, Heyne (= heyne Taschenbuch 928), 1983. 8°, 204 S., illustr. original Kartonage (Paperback), 17. Auflage sehr schönes, sauberes Exemplar ohne Anstreichungen, ohne Vorbesitzvermerke, ohne Eckknicke etc. - mit schönem Rücken und Titelglanz.
14806London/New York/Zurich, Ernst Eulenburg Ltd, Edition Eulenburg n° 803, sans date (no date), 1 volume in-12 broché (softcover), 30 pp. Partition. VERY GOOD CONDITION. TRES BON ETAT.
1803500025622London: Monzani & Cimador 1803. First Edition. . Paperback. Good. 8pp disbound Folio. Monzani & Cimador began in 1800 and were at 2 Pall Mall between 1800 and 1803. Therefore published in Beethoven's Lifetime. Beethoven 1770 - 1827 so this is early period. Reputedly the12 Waltzes are "seldom heard". British Library & National Library of Australia have copies but noone else apparently so rare. <br/> <br/> Monzani & Cimador paperback
182717431Vienna: N. Artaria 1827. First edition. Used; Like New/Used; Like New. Full score to Beethoven's String Quartet in B flat op. 130. PN M.A. 870. 67 pp. Wear to spine and edges; significant foxing and scattered water damage to the internal pages mostly around the margins but overall very good. Upright folio. 10.5 x 14 inches 26.5 x 36 cm.<br>First edition of the score of the quartet which was first performed on March 21 1826—the third and last of the great quartets commissioned by Nikolai Galitzin."After completing the Ninth Symphony in early 1824 Beethoven spent the two and a half years that remained to him writing. exclusively in the medium of the string quartet. The five late string quartets ops. 127 130 131 132 135 contain Beethoven's greatest music or so at least many listeners in the 20th-Century have come to feel." New Grove 2: 387. Kinsky-Halm 394-395<br> N. Artaria unknown books