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16-3933Paris: Chez Naderman circa early 19th Century. Engraved sheet music. 35 x 27 cm. Printed on laid rag paper. 62 pages. First page defective with losses in lower right quadrant.Light to moderate stains. Stamp with text: Editeur du Musique du Roi.Expertise by Thierry BODIN - 01 45 48 25 31Syndicat Français des experts Professionnels en Oeuvre d'ArtLudwig van Beethoven's Opus 1 is a set of three piano trios written for piano violin and cello first performed in 1795 in the house of Prince Lichnowsky to whom they are dedicated.The trios were published in 1795.François-Joseph Naderman est un compositeur harpiste facteur éditeur de musique et professeur de harpe né le 5 août 1781 à Paris où il est mort le 2 avril 1835.The first of the composer's published works which the composer thought to be important enough to be given an opus number. The trios were composed in 1794 and 1795 possibly with older precursors for the first trio from Beethoven's first years in Vienna in 1792/93. First performed at a private concert in the home of his patron Prince Lichnowsky at which Beethoven's former teacher Joseph Haydn was present. Ferdinand Ries writes about the evening in his "Biographischen Notizen über Ludwig van Beethoven" from 1838 "The three trios by Beethoven Opus 1 were to be played to the artistic world for the first time at a soirée held at Prince Lichnowksy's. Most artists and music lovers had been invited in particular Haydn whose pronouncement was eagerly awaited by all. The trios were played and caused a great stir. Even Haydn said many nice things about them but advised Beethoven not to publish the third one in C minor. This greatly surprised Beethoven as he considered it to be the best one and today it is still the one that is most popular and which is the most effective. So Haydn's remark angered Beethoven and made him think that Haydn was envious jealous and wanted to do him an injustice. I must admit that when Beethoven told me this I did not believe him. I therefore took the opportunity to ask Haydn himself. His answer did however confirm what Beethoven had mentioned as he said he did not think that this trio would be understood very quickly or easily and that the public would not take to it very well." Paris: Chez Naderman, circa early 19th Century. unknown
16-3935Paris: Chez Naderman circa early 19th Century. Engraved sheet music. 35 x 27 cm. Printed on laid rag paper. 10 pages. This is the section for the Violincello.2 17 1 pages Very clean. Expertise by Thierry BODIN - 01 45 48 25 31Syndicat Français des experts Professionnels en Oeuvre d'ArtLudwig van Beethoven's Opus 1 is a set of three piano trios written for piano violin and cello first performed in 1795 in the house of Prince Lichnowsky to whom they are dedicated.The trios were published in 1795.François-Joseph Naderman est un compositeur harpiste facteur éditeur de musique et professeur de harpe né le 5 août 1781 à Paris où il est mort le 2 avril 1835.The first of the composer's published works which the composer thought to be important enough to be given an opus number. The trios were composed in 1794 and 1795 possibly with older precursors for the first trio from Beethoven's first years in Vienna in 1792/93. First performed at a private concert in the home of his patron Prince Lichnowsky at which Beethoven's former teacher Joseph Haydn was present. Ferdinand Ries writes about the evening in his "Biographischen Notizen über Ludwig van Beethoven" from 1838 "The three trios by Beethoven Opus 1 were to be played to the artistic world for the first time at a soirée held at Prince Lichnowksy's. Most artists and music lovers had been invited in particular Haydn whose pronouncement was eagerly awaited by all. The trios were played and caused a great stir. Even Haydn said many nice things about them but advised Beethoven not to publish the third one in C minor. This greatly surprised Beethoven as he considered it to be the best one and today it is still the one that is most popular and which is the most effective. So Haydn's remark angered Beethoven and made him think that Haydn was envious jealous and wanted to do him an injustice. I must admit that when Beethoven told me this I did not believe him. I therefore took the opportunity to ask Haydn himself. His answer did however confirm what Beethoven had mentioned as he said he did not think that this trio would be understood very quickly or easily and that the public would not take to it very well." Paris: Chez Naderman, circa early 19th Century. unknown
16-3932Paris: Chez Naderman circa early 19th Century. Engraved sheet music. 35 x 27 cm. Printed on laid rag paper. 10 pages. This is the section for the Violino. Light to moderate stains. Expertise by Thierry BODIN - 01 45 48 25 31Syndicat Français des experts Professionnels en Oeuvre d'ArtLudwig van Beethoven's Opus 1 is a set of three piano trios written for piano violin and cello first performed in 1795 in the house of Prince Lichnowsky to whom they are dedicated.The trios were published in 1795.François-Joseph Naderman est un compositeur harpiste facteur éditeur de musique et professeur de harpe né le 5 août 1781 à Paris où il est mort le 2 avril 1835.The first of the composer's published works which the composer thought to be important enough to be given an opus number. The trios were composed in 1794 and 1795 possibly with older precursors for the first trio from Beethoven's first years in Vienna in 1792/93. First performed at a private concert in the home of his patron Prince Lichnowsky at which Beethoven's former teacher Joseph Haydn was present. Ferdinand Ries writes about the evening in his "Biographischen Notizen über Ludwig van Beethoven" from 1838 "The three trios by Beethoven Opus 1 were to be played to the artistic world for the first time at a soirée held at Prince Lichnowksy's. Most artists and music lovers had been invited in particular Haydn whose pronouncement was eagerly awaited by all. The trios were played and caused a great stir. Even Haydn said many nice things about them but advised Beethoven not to publish the third one in C minor. This greatly surprised Beethoven as he considered it to be the best one and today it is still the one that is most popular and which is the most effective. So Haydn's remark angered Beethoven and made him think that Haydn was envious jealous and wanted to do him an injustice. I must admit that when Beethoven told me this I did not believe him. I therefore took the opportunity to ask Haydn himself. His answer did however confirm what Beethoven had mentioned as he said he did not think that this trio would be understood very quickly or easily and that the public would not take to it very well." Paris: Chez Naderman, circa early 19th Century. unknown
114379Hamburg chés Jean Auguste Böhme ca. 1815. Folio. Engr. title 32-45 engr. pp. Disbound. Only the piano part to the third sonate. A reprint by Böhme in Hamburg. The three sonatas for pianoforte and violin and dedicated to Salieri were composed in 1797-98 and performed in December 1798. First published by Artaria in 1799. unknown
RO50013512A. Farrenc. XIXème. In-4. En feuillets. Bon état, Tâchée, Dos satisfaisant, Quelques rousseurs. 20 pages. Imprimé sur du papier à la forme.. . . . Classification Dewey : 780.26-Partitions
RO50013513A. Farrenc. XIXème. In-4. En feuillets. Bon état, Tâchée, Dos satisfaisant, Quelques rousseurs. 23 pages. Imprimé sur du papier à la forme.. . . . Classification Dewey : 780.26-Partitions
RO50054349INCONNUE. XIX° SIECLE. In-Folio. En feuillets. Etat d'usage, Livré sans Couverture, Dos satisfaisant, Déchirures. 14 pages de partitions paginées de 70 à 83. Oeuvre 13. Quelques rousseurs. Déchirure sur la page 75/76, sans réelles conséquences sur la lecture une fois renforcé.. . . . Classification Dewey : 780.26-Partitions
RO50057638HENRY LEMOINE & CIE. NON DATE. In-4. En feuillets. Etat d'usage, Couv. convenable, Dos satisfaisant, Papier jauni. 36 pages de partitions pour piano et violon + 10 pages de partitions pour violon seul. Annotation discrète sur le haut du premier plat. Bords de pages parfois frottés.. . . . Classification Dewey : 780.26-Partitions
RO50057639HENRY LEMOINE & CIE. NON DATE. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Papier jauni. 29 pages de partitions pour piano et violon + 9 pages de partitions pour violon seul. Annotation discrète sur le haut du premier plat. Bords de pages parfois frottés.. . . . Classification Dewey : 780.26-Partitions
RO50065900Non lisible. Non daté. In-Folio. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 20 pages de partitions en noir et blanc.. . . . Classification Dewey : 780.26-Partitions
25063Paris, chez Sieber, A la flûte enchantée, sans date (circa 1830), partition in-folio brochée de 20 pp sans couverture. Quelques rousseurs, anciennes mouillures marginales, sinon bon état.
RO50040973COLLECTIF.. Non daté. In-4. Broché. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur acceptable. 7 pages de partitions. Tampon de Pierre Beau.. . . . Classification Dewey : 780.26-Partitions
8451Paris, Payot, 1931 14 x 23, 285 pp., 8 gravures hors texte, broché, bon état
GOR009733449Paperback. Very Good. paperback
131658Leipzig u.å. 4to. I 3 priv. shirtingbd. 351 68 62 s. Noter. . <br/><br/><em>Boken befinner seg på et fjernlager og ekstra leveringstid må beregnes! </em> unknown
a64663Leipzic c. 1820. Breitkopf & Hartel. Piano music score. Oblong 4to. 41pp. wraps. Good moderately foxed. Scarce. paperback
182622986Wien: Tobias Haslinger PN 2582 1826. Oblong folio and folio. Disbound. Piano: 1 title 2-50 pp. Violoncello: 12 pp. Engraved. Price printed in two currencies: "f. 5_C.M." above "Reichstthaler sign 3.8 gr." below. With "Amsterdam: Theune & Comp." overpaste to foot of title.<br /> <br /> Decorative title with coat of arms surrounded by stylized sunrays and clouds. <br /> <br /> Edges browned and slightly dampstained; slight offsetting and bleeding of imprint; lower outer corner of cello part slightly creased; violin part lacking. With header "221" added in manuscript to all pages. A later issue printed from plates of the first edition. LvBWV I p. 625. Tobias Haslinger [PN 2582] unknown
RO50008068Au ménestrel. XIXème. In-4. En feuillets. Bon état, Tâchée, Mors fendus, Rousseurs. 7 + 7 + 43 pages. Ornements en couverture de E. Delay.. . . . Classification Dewey : 780.26-Partitions
RO50008869Enoch & cie. XXème. In-4. Broché. Bon état, Tâchée, Dos frotté, Intérieur frais. 46 pages. Ornements en couverture et en page titre.. . . . Classification Dewey : 780.26-Partitions
RO50028647Enoch & cie. début XXème. In-8. En feuillets. Bon état, Livré sans Couverture, Dos satisfaisant, Quelques rousseurs. 4 pages.. . . . Classification Dewey : 780.26-Partitions
RO50034984PETERS. Non daté. In-4. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Rousseurs. 71 pages de partitions, titre et auteur doré sur le dos.. . . . Classification Dewey : 780.26-Partitions
RO50034985PETERS. Non daté. In-4. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 80 pages de partitions, titre et auteur doré sur le dos.. . . . Classification Dewey : 780.26-Partitions
RO50034986PETERS. Non daté. In-4. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Rousseurs. 351 pages de partitions, titre et auteur doré sur le dos.. . . . Classification Dewey : 780.26-Partitions
RO50040300A. DURAND ET FILS. non daté. In-4. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 104 pages. partitions pour piano violon et violoncelle. . . . Classification Dewey : 780.26-Partitions
RO50040546PETERS.. Non daté. In-4. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 80 pages de partitions.. . . . Classification Dewey : 780.26-Partitions
