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193148849Brooklyn NY: Consolidated Lithographing Corporation 1931-1962. Two vols. Thick oblong elephant folio 24 x 20 x 6 in. 206; 190 pp misnumbered in ink manuscript on corners of each page. With 2375 chromolithograph and colour lithographed cigar labels and cigar box labels most printed with elaborate embossed & gilt borders many with raised lettering & printing ranging in size from 3.25 x 3.5 in. up to 12 x 18 in. outer cigar box wrappers 25 printer’s proof sample pages -- mostly for Doubleday Books and Garden City Press largely 4to and Folio sized 3 Lotos Club menus 30 elaborately printed samples of Christmas wrap for Seagrams Avon Reader’s Digest & Revlon 1 giant Seagrams Christmas promotional banner 5 ft. 9 in. x 4 ft. 3 in. several uncut proof sheets for Paul Jones and Philadelphia Gold Label Whiskey Labels and even game box labels many with extensive manuscript ink annotations indicating lithograph stone No. production run and amount and date printed. Contemporary gray-green buckram over heavy boards rounded leather reinforced corners thick card stock leaves some of the labels creased w/ minor damage some paper-clipped in multiple batches tipped-in to each other minor tears some leaves cropped with samples taken out in which the stones were no longer some labels removed edgewear rubbing to covers still a remarkable set of factory sample catalogues including numerous in-house typed memos printer’s notes and more. These colossal and striking factory sample catalogues for cigar box labels wonderfully display a chromolithographic advertising archive by one of the largest commercial printing firms in the United States from the Great Depression until the Kennedy Administration. Jacob A. Voice formed the Consolidated Lithographing Corporation around 1925 by merging Wm. Steiner & Sons Lithographers the label producing division of American Lithographic Co. in 1929 as well as two other companies. So by 1935 Voice’s company was printing 6500 different labels for over 4000 million cigars. From the 1880s until the 1950s cigar manufacturers were one of the most competitive and lucrative industries in the United States and they employed raised lettering embossing and chromolithography of exceptional quality using printing processes which remained largely unchanged until the mid-20th century when photo-mechanical colour printing largely replaced traditional lithography. These samples provide incredible visual historical records of the cigar-box labels appearing on the ends top and sides of boxes serving as vital advertising display material in cigar stores and with the inner beautifully printed labels on the inside of the lid drawing the attention of the customers. In addition these provide an invaluable cultural archive of the influence of cigars produced from Cuban Puerto Rican and Floridan tobaccos in the 20th century. Over 150 different cigar company labels are preserved in varying states some with special holiday labels others with different colour schemes for varying markets and many over decades showing the changing tastes of the consumer and the advertising art. Included are such companies as Alcazar Judge Wright Ardova Phillies Stetson Wabon Faustino Rubens La Magnitaz Treaty Bond especially striking with images of Napoleon & Jefferson Famous Players White Owl Juan de Fuca White Heather Hauptmann’s National Speaker -- Joe Cannon Havana Ribbon Villa Reina Jockeys Benson & Hedges El Macco La Palina Paramount Admiration -- E. Regensburg & Sons Wm. Penn Panatelas Socrates Muriel Gato Donalda Jose Arango Van Dyck Optimo Dutch Masters Moonshine Crooks and many others. In addition there are product labels included for White Rock Orange Soda Ginger Ale Cola Root Beer Yuban Coffee Prest-of-Flex watch bracelets Champion Prest-o-Slide Buckles Flagstaff Jellys & Preserves Rubinstein & Revlon Cosmetics and much more. Consolidated also served as the colour printers for many of the Doubleday Books published in the 1950s including McCracken Hoofs Claws & Antlers; McCracken Charles Russell; Dare Wright Lonely Doll; Palazzo Don Quixote and many others. The beautifully printed Christmas wraps for cigar companies liquor companies such as Seagrams as well as Rubinstein Avon and Revlon are striking with colour embossing and gold work. The large Seagrams Christmas advertising Banner for 1954 at over 5 feet tall is visually impressive and offers a superb example of mid-Century advertising artwork and printing by Consolidated. The numerous memos blue-lines and proof sheets inserted throughout offer a historical record of how these labels wraps posters and books were produced at the time. See: Rickards Encyclopedia of Ephemera 2000 pp. 94-96; Twyman A history of chromolithography pp. 189-191. Consolidated Lithographing Corporation, paperback
192061659New York: American Publishing & Engraving Co. J.J. Schultz & Co. 184 William St. Bookbinder ca. 1920-1939. Thick folio. 13 x 19 x 3.5 in. 135 leaves numbered reverse in pencil on versos of last half. on linen with 4274 camera-ready clipart samples all w/ inventory numbers rubber stamped below the image sized approx. 2 x 2 in. throughout arranged in montages of 24 28 32 & 40 per page each carefully mounted some crossed out w/ annotation “Killed†and others worn through at the lower right corner of some leaves while just a few have been removed and in once case clipped from the upper fore-edge of the leaf. Contemporary light gray/beige buckram soiled dampstained wear at fore-edges partially shaken rebacked still a VG- exemplar. An extraordinary printing & engraving firm’s factory sample catalogue for over 4000 of their camera-ready clipart advertisements for subscribing businesses following World War II through the Great Depression and the New Deal programs of President Roosevelt. This superlative archive of images traces Art Deco styles spanning nearly two decades advertising campaigns printing styles fonts and with almost not repeated images offered by American Publishing & Engraving Co. AP&E Co. to their extensive client list. In addition these engravings capture the revolutionary changes in American industry and commerce with nearly 50% devoted to the automobile industry including automobile manufacturers and dealerships accessory suppliers automobile repair public safety from bad driving the fast-growing electric motors and battery industries and more. Ford the Dodge Brothers Buick Studebaker Cadillac Plymouth Auburn Chrysler Essex Auburn-Cord DeSoto Hudson Terraplane and many others all are featured here advertising their service departments features speed and more. A significant portion also reveal the very real needs to wash the cars clean engines repaint the lacquer update the automobile tops replace batteries repair radiators and the always pressing need to maintain safety equipment and tires. Interspersed as well are automobile movers commercial body builders for trucks and commercial delivery vehicles with a significant percentage showing cylinder grinding engine rebuilding boiler repair and other very necessary secondary market needs as metal alloys and tolerances were far less durable with breakdowns an ever pressing problem for the motorist. Public safety notices reflecting the impact of the Progressive Era illustrate the dangers of the automobile with many indicating streetcars potentially hitting stalled cars which had not been repaired properly gridlock automobile accidents from ignoring traffic signals and police traffic officers as well as speeders hitting pedestrians or ignoring motorcycle police traps. Early in the sample illustrations are many reflecting the interest in building large Tudor Revival or Arts & Crafts homes installing electric lighting new furniture stylish clothes & shoes beautiful Oriental carpets and jewelry and watches for young flapper-era women. There are also promotional ads for Art & Stained Leaded Glass windows for homes interior decorators a panoply of beauty products many reflecting the Flapper Era hair and dress styles as well as evolution of the Art Deco lettering. As the AP&E Co. continued to add their sample engravings through the Great Depression not only is there a greater emphasis on repairing automobiles shoes recovering furniture and even repairing mattresses reflecting the belt tightening of the 1930’s but there are also increasing influences of more streamlined automobiles introduction of appliances such as refrigerators appearance of beer ads following the repeal of Prohibition and the fast growing radio industry. American Publishing & Engraving Co. based out of New York was one of a myriad of job printer engraving firms who emerged at the end of the 19th Century and initially specialized in publishing local histories and genealogies for historical societies by subscription typically with illustrations. Although this cataloguer could find no specific trade reference either in contemporary magazines or newspapers they appear to have operated out of the same locations as the Atlantic Publishing & Engraving Co. with some overlap and by the beginning of the 20th Century had largely dispensed with publishing local histories engraved portraits or vanity press projects. Contemporary court cases and other references indicate that they operated a subscription service for businesses advertising art to be run in magazines newspapers pulps or added to trade literature for matchbook covers business flyers etc. and by 1916-1925 were managed by Thomas W. Smith. No similar factory sample collection or published collection located in Worldcat. American Publishing & Engraving Co., J.J. Schultz & Co., 184 William St., Bookbinder, hardcover