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Københaffn, (Hans Vingaard), 1557. 4to. Indbundet samlet i et senere enkelt hldrbd. fra omkr. 1850. Med brugsspor men repareret. Ad. 1: Titelblad trykt i sort/rød med sammensat træskåren ramme. (8),160,(1) blade - 2. Titelblad med træskåren ramme. (3),48 blade. - 3. Titelblad med træskåren ramme. (4),32,(12) blade (heraf de sidste 12 blade Apoteckerfortegnelsen). - 4. Titelblad med sammensat træskåren ramme. (7),20 blade. - 5. Titelblad med træskåren ramme. (5),10,(1) blade. Gennemgående i god stand, men her og der med brunpletter, brugspletter særligt på de første blade. Nogle af trykkene har et blankt blad til slut, disse er ikke tilstede i samlingen.
Roma, Apud Antonium Bladum Asulanum (on colophon), 1531, mense Septembri. 4to. Sown, uncut and unbound. Title-page and a few other leaves with a bit of minor brownspotting " overall a very nice and well-preserved copy of this beautifully printed, extremely scarce work. Two quires with loose leaves. Floriated large initial at beginning. [32] ff. (being title-page, 29 ff. text, 1 f. errata, 1 f. blank).
Oblong 4to (264 x 195 mm). 14 leaves with 10 pen-and-ink maps, hand coloured with watercolours. Tissue guards. Full giltstamped cloth binding with tughra of Mehmed V (ruled 1908-18) on upper and "Album" on lower cover. A hand-drawn album of maps showing the western parts of the Ottoman Empire, with legends in Ottoman Turkish. Maps include northern Greece (from Macedonia to Constantinople), the Bosporus, the Dardanelles, Halkidiki, Albania, Crete, etc. - Finely preserved.
600:445 mm (Plattenrand), Blattmaß 668:507 mm. Ferdinand Schmutzers ikonisches Freud-Portrait mit eh. Widmung und U. für "Herrn Dr. J. J. van der Leeuw zur freundlichen Erinnerung an | Sigm. Freud | 1933/34". - Über Schmutzers Portrait schrieb Freud 1926 in einem Brief an Marie Bonaparte: "Zum Geburtstag ist eine Radierung von Schmutzer fertig geworden, die mir ausgezeichnet scheint. Andere finden ihren Ausdruck zu streng, fast böse. Wahrscheinlich bin ich innerlich so" (10. V. 1926). - Der niederländische Theosoph und Autor Jacobus Johannes (J. J.) van der Leeuw war im Jahr 1933 mehrmals bei Freud in Behandlung gewesen. Für Freud war er der "Fliegende Holländer", da er 1933 den Flugschein erworben hatte und ein begeisterter Flieger war. Am 23. August 1934 fand Leeuws Begeisterung jedoch ein jähes Ende, als er am Rückflug von einer Konferenz in Johannesburg über Tansania abstürzte und ums Leben kam. - Provenienz: Aus dem Nachlass Ferdinand Schmutzers (so in Bleistift am rechten unteren Rand bezeichnet), später im Besitz des Psychoanalytikers und Bibliophilen Haskell Field Norman (1915-1996), zuletzt in belgischem Privatbesitz und von dort erworben. - Von unbedeutenden Kleinigkeiten am Plattenrand abgesehen ausgezeichnet erhalten. Vgl. Stanford 78 & 80. Norman 170 & 171 (andere Exemplare). Sigmund Freud, Briefe 1873-1939. Ausgewählt und herausgegeben von Ernst und Lucie Freud. 3. korr. Auflage (Frankfurt a. M., S. Fischer Verlag, 1980), S. 384.
8vo. 16 pp. No wrappers, stored in marbled half calf folder. Inscribed by the author. First printing of this important early Freud work, an offprint from the "Neurologisches Centralblatt" (1895.2). Inscribed by the author on the first page: "Hommage de l'auteur". - "Freud's first independent entry into the field of psychopathology. Having recognized the etiological link between hysterical symptoms and earlier traumatic sexual experiences, Freud was curious as to what part sexual-etiological factors played in the other forms of neurosis, then loosely grouped together under Beard's overly broad category of 'neurasthenia'. Defining a closely related group of symptoms under the term 'anxiety neurosis', Freud proposed detaching this symptom complex from neurasthenia. He also described the sexual etiologies of both genuine neurasthenia (inadequate relief of sexual tension) and anxiety neurosis (no relief from an unbearable amount of sexual excitement)" (Norman). - Some light staining and browning with insignificant edge flaws. Provenance: from the collection of the psychoanalyst and bibliophile Haskell Field Norman (1915-96) with his bookplate on the lower inside cover of the half calf folder; acquired from a Belgian private collection. Meyer-Palmedo/Fichtner 1895b. Grinstein 39. Stanford 20. Norman F31 (this copy).
Folio. Engraved title-page, (20), CXXVIII, (2), 200, (2) pp. With 2 heraldic engravings and 33 engr. plates. - (Bound with) II: Valentijn, François. Abhandlung von Schnecken, Muscheln und Seegewächsen, welche um Amboina und den umliegenden Inseln gefunden werden. Als ein Anhang zu G. E. Rumphs Amboinischen Raritätenkammer [...]. Ibid., 1773. VIII, 148 pp. With 18 (2 folding) engr. plates. Contemporary calf with label to gilt spine. First German edition. The Hessian scientist Rumpf had come to Ambon Island (part of the Maluku Islands of Indonesia) in 1635 as a member of the Dutch East India Company. His description of Ambonese seashells remains a classic of early marine biology. The plates of this edition are reversed copies of plates 17-49 of the Dutch original, published in 1705. - II: First German edition of the "Verhandeling der Zee-Horenkens en Zee-Gewassen" (1754). Valentijn was a preacher in the Ambon and Banda Islands and published an important description of East India. - Engravings of I bound at the end of the text. Second dedication leaf slightly spotty; otherwise very clean. Several engravings show slight creases to the margins. Several gatherings in II slightly browned. Binding slightly scuffed; spine and hinges restored, using mainly the old material. - Altogether a very nice copy. I: Ebert 19609. Landwehr, VOC 593. Graesse VI.1, 192. Nissen, ZBI 3519. - II: Nissen, ZBI 4215.
235 x 286 mm. Mounted on cardboard. With an autograph letter signed by Victor Beuttell (see below). School photograph depicting the boys of Westcott House, Sherborne School, 1930, including Alan Turing (second row, second from right) and his friend Victor Beuttell (third row, far right), with the housemaster Geoffrey O'Hanlon seated centre with his dog. - Alan Turing attended Sherborne School from 1926 to 1931 and made an impression the moment he started his school career by cycling the 65 miles to the school from Southampton (where he had arrived from his parents' house in France during the General Strike), via an overnight stop at Blandford Forum, a feat that made the local paper. As his school reports reveal he showed "considerable promise" but his masters often complained that he failed to express himself adequately - his physics master Henry Shorland Gervis urged, "Cambridge will want sound knowledge rather than vague ideas". Other influential figures at Sherborne were his mathematics tutors Dr Edwin Davis and Donald Eperson, who instilled in the boys a love of problem solving and puzzles. Turing the schoolboy appears to have been an eccentric character but by no means the reclusive loner as he is sometimes portrayed: "At Sherborne he became the 'Mathematician-in-ordinary' who would help boys with their homework, and in his penultimate term at Sherborne his housemaster wrote in this school report that 'He takes a fatherly interest in his dormitory, and no doubt imparts his learning and curiosity to them" (Rachel Hassall, Vivat! Sherborne School magazine). This photograph was taken in July 1930 just six months after the sudden death of Turing's great friend Christopher Morcom - an event, it has been argued, that became the catalyst for his future achievements. - One of the boys he helped was Victor Beuttell, son of the British inventor Alfred William Beuttell, three years his junior, who mentions Turing three times in his letter home. Drawn together by a mutual sympathy (Turing was grieving for Christopher Morcom and Beuttell's mother was terminally ill), they were given special dispensation by the housemaster to spend time together. Victor was "also one who neither conformed, nor rebelled, but dodged the system" (Hodges, A., Alan Turing: The Enigma, 2014, p. 72), and they bonded over a love of codes and ciphers, inspired by the book 'Mathematical Recreations and Essays', which Turing had chosen as his Christopher Morcom Prize, awarded in 1930. He was obliged to leave the school in the same year as Turing after his father suffered financial losses and having failed the School Certificate, "telling Alan that it was because of too much time spent on chess and codes" (Hodges, p. 88) but they remained close. Victor was the one lasting friendship Turing retained from his time at Sherborne. Turing stayed with the family regularly and helped Victor's father Alfred with his work on lighting, with Victor in turn visiting Turing in Cambridge. Their last meeting was in 1943 when they met for lunch in London, but kept in touch for the remainder of Turing's life. Indeed, according to Victor's son, they spoke on the telephone just the night before he died in June 1954. - With an autograph letter from Victor Beuttell signed ("With heaps of love / Viccie") to his parents, reporting on his recent exam results and mentioning Turing several times ("On the additional maths [...] I think, and so does Turing that at the least I got passing marks. I didn't like the paper [...] Chemistry. According to Turing, got 70% an easy credit [...] Physics [...] By mistake did 6 questions instead of 5 [...] Even then I got a Pass according to Turing. Not so bad [...]"; 2 pages on 2 ff. on lined file paper, folio (325 x 210 mm), Westcott House, Sherborne, undated). - Provenance: Victor Beuttell (1915-93); and thence by descent.
Franckfort am Mayn, (Colophon: Johan Feyrabendt), 1590. Folio. (40,5x26 cm.). Contemporary full pigskin over wood, 5 raised bands, panels stamped in blind on covers. 2 clasps. Binding professionally restored at edges and corners, but still with traces of use, some scratches and overall wear. End-papers renewed with old paper. Title-page printed in red and black inside a broad woodcut compartment depicting Dioscorides and the author and with printed mottos around ovals. Both the title-page and the large printer's device at the end are by Jost Amman. (10),460,(2),(35) pp. With more than 800 woodcuts of plants in the text and several illustrations of destilling apparatus in the section ""Von Distillier un Brennoefen"" (fol.456 ff.). A few leaves neatly repaired at corners and at outer margins. At foot of title an ink-erasement repaired. A few leaves with faint dampstainings to upper and right margins. A few scattered brownspots. Some margins slightly brownspotted. Leaves of index at end with some small wormholes. In general a well preserved copy, professionally restored where needed.
In-folio (cm. 50), cc. (70). Con bell'antiporta allegorica e 119 tavole, il tutto finemente inciso in rame. Elegante legatura coeva in piena pelle, dorso liscio con titoli e fregi in oro. Solo qualche lieve piccola gora marginale ad alcune carte, peraltro esemplare genuino ed in ottimo stato di conservazione. Si tratta della seconda edizione latina di questa celebre opera in cui William Cowper compie una sorta di plagio nei confronti di Bidloo. Di quest'ultimo utilizza infatti la maggior parte delle tavole qui presenti, aggiungendo note esplicative e solo una piccola sezione iconografica (in tutto solo 14 tavole sono opera sua). Probabilmente una della più affascinanti pubblicazioni mai apparse in campo medico in cui la raffigurazione medica si sposa con un'ispirazione artistica assai appropriata. Raro.
Venice, 1546. 4to. Contemporary full vellum. Neatly recased, endpapers renewed. A (mostly fairly faint) damp stain throughout and a marginal worm tract, far from affecting text. Inner blank margin of title-page re-enforced. Some contemporary marginal annotations. Woodcut title-vignette and woodcut printer's device to final blank verso. (4), 76, (4) ff.
Rome, Nicoloò Angelo Tinassi, 1672. Small 8vo. Near contemporary full calf biding with five raised bands to richly gilt spine. All edges of boards gilt. Hinges, capitals and corners with wear. Cords showing at front hinge, but still tight. Slight spotting to margins of title-page and some scattered brownspotting (not heavy). Overall a fine, unrestored copy with wide margins. Book plate to inside of front board and an old library stamp (Académie de Chirurgie) to title-page. (26), 455, (1) pp. Engraved frontispiece.
In-8 p. (mm. 212x151), p. pergamena antica, titolo oro su tassello al dorso, 20 cc.nn. (di Indici), 291 cc.num., 1 c.b., marca tipografica al frontespizio, ornato da testatine, grandi capilettera figurati a vignetta e finalini, inc. su legno. Questa edizione contiene 4 opere di Andrea Cesalpino e precisamente: i 5 libri della “Quaestionum peripateticarum”, dedicata al Sereniss. Franciscum Medicem // “Daemonum investigatio Peripatetica”, dedicata al Rev.iss Archiepiscopum Pisanum Petrum Iacobum Borbonium” // “Quaestionum Medicarum Libri II” e “De Medicament. facultatibus Lib. II”, entrambe dedicate al Sereniss. Ferdinandum Medicem”. Rara "seconda edizione" delle prime due opere, molto importante perchè aumentata di altre due (qui in "prima edizione"). L’Autore “medico, nato ad Arezzo (1519-1603), fu professore di medicina a Pisa dove aveva compiuto i suoi studi. Nel 1555 divenne Direttore dell’Orto Botanico; nel 1592 fu chiamato a Roma da Clemente VIII e tenne cattedra di medicina alla Sapienza. Fu medico e filosofo insigne; aristotelico per i suoi studi, appassionatissimo della botanica come della mineralogia, sostenitore fervente dell’indirizzo biologico, creatore di un sistema filosofico che, precorrendo i tempi, s’avvicina a quello di Spinoza. Nel campo della fisiologia della circolazione del sangue, attaccò la concezione galenica dell’inclusione del fegato nella grande circolazione. Dimostrò l’esistenza della circolazione polmonare, affermando che il sangue giunge nel polmone dal cuore e viene a contatto con l’aria che arriva all’estremità dei bronchi e che l’aria diminuisce il calore del sangue e lo tempera. La sua scoperta fu pubblicata nel 1571 nel suo libro "Quaestionum peripateticorum libri V", quindi mezzo secolo prima di quella di Harvey (1628). Essa sta strettamente in nesso con la sua concezione filosofica, secondo la quale egli ammette l’esistenza di un unico principio, chiamato "anima" una e indivisibile che regge tutte le funzioni del corpo, e ha sede nel cuore, dal quale mediante il sangue si diffonde per tutto il corpo. Cesalpino fu il primo a pronunciare, nel 1559, la parola "circolazione" e a osservare ciò che avviene nelle vene dopo la legatura del braccio. Quantunque la discussione intorno alla priorità della scoperta della circolazione sia tuttora vivace, gli storici moderni riconoscono a Cesalpino il merito di averne concepito con geniale acutezza di mente l’idea.. I libri di Cesalpino furono molto letti e discussi anche fuori Italia, soprattutto in Germania. Egli fu uno degli scienziati italiani che ebbero la maggior fama oltre i confini della patria e fu detto dai contemporanei il “papa dei filosofi”. Così “Enciclopedia Italiana”, Treccani, vol.IX, p. 866. Cfr. anche Castiglioni “Storia della medicina”, pp. 436-440 - Wellcome Library,1182 - Durling,925 - Garrison and Morton,756 - Camerini “Annali dei Giunti”,II,991. Leggerm. corto del marg. super.; con qualche fioritura, arross. e lievi aloni ma complessivamente un più che discreto esemplare.
Parts 1-4 (of 6) in 1 volume. 1mo (full-sheet leaves, ca. 37 x 54 cm). (2), VI, 1-20; (2), VII-VIII, 21-40; (2), IX-X, 41-62; (2) XI-XII, 63-102 pp. With a general title-page, 4 part-titles (each with a woodcut vignette) and 50 engraved plates (signed I-XLVIII, including VII bis and XXX bis): 22 after Pierre Joseph Redouté, 17 after L. Freret, 4 after Fossier, 2 after P. Jossigny, 2 after J.G. Bruguiere, and 1 each after James Sowerby, Cl. Aubriet and Prévost. Original publisher's pink paste-paper wrappers over boards. Preserved in a professionally handmade box, made for this book. First and only edition of a sumptuous botanical work by the French botanist L'Héritier de Brutelle (1746-1800). In this work L'Héritier describes a great number of new taxa, including many growing in his own garden (of more than 8000 plants), the gardens of his friends and in the Jardin du Roi. Hunt describes this work as L'Héritier's "magnum opus" and as a benchmark in the history of 18th century flower books: "The book is splendid in spacious description, its charming exotic plates, its implications for taxonomic history; and fascinating as an imposing piece of eighteenth-century bookmaking, with its series of fascicles printed on broadsheets, its bibliographical algebra" (Hunt). - This is also the first publication of a work by the young botanical engraver Pierre Joseph Rédoute (1759-1840), who engraved at least the 22 plates he drew himself. It is in this work that Redouté emerges as an extraordinary botanical artist, because L'Héritier asked him to draw the majority of the plates. On the "Stirpes novae" L'Héritier and Redouté collaborated for the first time, but after that they worked together more often, for example on the "Sertum Anglicum" (1788). Their friendship proved a determining factor in Redouté's career and enabled him fully to develop his extraordinary talents. - "Stirpes novae" is in 1mo format (each leaf comprising a full sheet) rather than folio, as many bibliographies state, with pagination, but without quire signatures. Although the "Stirpes novae" was intended for publication in the years 1784 and 1785 and the part-titles of the fascicles are dated thus, Stafleu & Cowan and Hunt note that these are not the actual dates of publication. The present first four (of six) fascicles were published in March 1785, April 1786, April 1786 and March 1788 respectively. Originally the "Stirpes novae" were to comprise two volumes, but only the six fascicles of the first volume were actually published. - Pink paper wrappers rubbed and some paper missing on the front and back board. Board edges and corners worn. A tear in plate XXXI, otherwise a rare book in good condition. De Belder 215. Hunt 673. Johnston 555. Nissen (BBI) 1190. Pritzel 5268. Stafleu/Cowan 4484. Cf. Buchheim, "A bibliographical account of L'Héritier's 'Stirpes novae'", in: Huntia, vol. 2, (1965), pp. 29-58.
4to. (54), 1389, (23) pp. With separate engr. title-page, full-page engr. coat of arms on the reverse of the letterpress title (printed in red and black), and 61 engravings on 60 plates (6 folding). Contemporary full calf with giltstamped title to elaborately gilt spine. All edges sprinkled in red. Second edition, vastly expanded from the first (published in 1662): an extensive treatise on the wonders of animal and physical nature, in which Schott relates exact scientific observations to fabulous phenomena such as demons, witches, and monsters, seeking to bring them into agreement with each other. Includes discussions of demonology, household spirits, St. Elmo's fire, comets and their portents, etc. "Tout serait à citer de cet énorme ouvrage véritable encyclopédie du merveilleux et de l'occulte" (Caillet"). Schott, from Königshofen near Würzburg , entered the Society of Jesus in 1627 and studied at Würzburg under Athanasius Kircher. He subsequently taught in Sicily for many years, but "he was anxious to satisfy a strong thirst for knowledge and to resume his connection with Kircher, whom he always revered as his master. Schott was able to satisfy his desire in 1652, when he was sent to Rome, where for three years he collaborated with Kircher on his researches. Schott decided that since Kircher did not have time to publish all that he knew and all the information communicated to him by Jesuits abroad, he himself would do it" (DSB). - Variously browned due to paper; a few tears to the final plate professionally repaired. A fine copy in its first binding with the price of acquisition ("comp. 1-12") on the flyleaf in a contemporary hand and an 18th century engraved bookplate (letter "T" with star of David, work of Carl Friedrich Holtzmann for an unidentified collector) on the pastedown. VD 17 39:120052P. De Backer/Sommervogel VII, 909, 8. Dünnhaupt 3818, 7.2. Nissen, ZBI 3746. Ferguson II, 340. Coumont, Witchcraft S31.2 ("Numerous very curious plates"). Dorbon-Ainé 4441. Caillet 10005 ("Ouvrage fort recherché"). Cf. DSB XII, 211.
In-8 p., 7 volumi, mz. pelle coeva (abrasioni ai piatti), dorso a cordoni con fregi e tit. oro, pp. 244; (2),239; 244; 245; (2),239; (2),240; (2),128. Magnifica raccolta completa di 393 tavole (la 330 è bis) per lo più incise in rame da Dell'Acqua e con squisita coloritura di Lazzaretti, tutte dettagliatamente descritte: sono 392 tipi di piante medicinali, poste in ordine alfabetico, dalla "A" di "Abete" alla "N" di "Nigella". Come precisa l'A.: "abbiamo.. unite colla descrizione delle piante officinali, le notizie dell'uso che se ne fa in medicina, le dosi, e la maniera di prescriverle secondo i Maestri antichi e moderni..". In Appendice al 7° vol.: "Repertorio delle piante medicinali" descritte nella Flora Medica del Dottor Fisico Antonio Alberti. Italia, s.d. Dedicato a S.A.R. il Principe Eugenio, Duca di Leuchteuberg e Principe di Eichstett, ecc., pp. (2),127, con bellissima antiporta disegnata ed inc. in rame da F. Pistrucci e colorata da Lazaretti, che raffigura Esculapio Dio della medicina con Flora, divinità delle erbe, e Apollo, fecondatore della natura, su un cocchio d'oro trainato da cavalli. Nel “Repertorio” sono suddivise, secondo la materia medica, le piante descritte nella "Flora": Piante acri - Astringenti - Alessifarmache - Alteranti - Piante amare - Analetiche - Antacide - Antelmintiche - Antiscorbutiche - Antisettiche - Antispasmodiche - Antisifilitiche - Afrodisiache - Aromatiche - Balsamiche - Cardiache - Carminative - Catartiche - Corrosive - Deostruenti - Diuretiche - Emetiche - Errine - Espettoranti - Galatofore - Menagoghe - Mucillaginose - Narcotiche - Nervine - Oleose - Rinfrescative - Stimolanti - Resinose - Stomachiche - Sudorifiche. Sono quindi elencati i 4 ordini dei veleni e le piante medicinali secondo il sistema di Linneo, suddivise per classi e ordini. Al fine, l'Indice generale. Rara "edizione originale", soprattutto se completa (La II ediz. è del 1836). Cfr. Nissen,10 e Pritzel,82 che citano quest'opera in soli 6 volumi, con 360 tavole - CLIO,I,63 la cita invece in 7 volumi, con 391 tavv. L'Indice generale elenca ben 599 piante contenute nei 10 volumi della "Flora". Evidentemente queste erano le intenzioni dell'autore ma la pubblicazione si arrestò col 7° vol. Alone su 4 pp. di Indice e qualche lieve fiorit. nel t., altrimenti bell'esemplare per la qualità delle tavole (solo 8 presentano sbavature di colore).
In-8°, V-XX, 283pp, (1c), XXXVI carte di tavola incise, occhietto, ritratto inciso dell’Autore sull’antiporta (Diomira Franchi dis. e M. Carboni inc.). Testo entro cornice xilografica, esemplare marginoso, legatura in piena pergamena rigida coeva, titolo in oro al dorso su tassello, tagli spruzzati in rosso. Si tratta della rara prima edizione del primo testo di odontoiatria in lingua italiana. Nel libro Campani descrive innanzitutto le qualità necessarie per il successo di un dentista: “giovane di spirito e pieno di coraggio… che abbia un cuore pietoso e una mano crudele”. Ha anche sottolineato che un dentista deve sapere a memoria tutto ciò che riguarda l'odontoiatria, per poter rispondere a qualsiasi domanda come un professore intelligente, invece che come un ciarlatano ignorante. Successivamente, descrive le conoscenze più accettate sullo sviluppo dei denti, la causa della carie e il suo trattamento. Descrive la placca come fluidi che circolano costantemente nelle radici dei denti, che sotto l'influenza del caldo e del freddo, condensano e coagulano per decomporre e ammorbidire lo smalto in modo graduale. I principali trattamenti per la carie discussi sono la limatura del dente e anche l'otturazione della cavità con lamina di piombo. Una parte significativa del testo è stata dedicata alle estrazioni e Campani ha descritto meticolosamente quali denti possono essere rimossi facilmente e quali denti è meglio lasciar stare. Il volume si conclude con alcuni capitoli sull'odontoiatria protesica. Alla fine del 1700, i denti artificiali venivano realizzati con avorio e legati insieme con catgut o seta. Campani descrisse anche l'uso di molle per agganciare ponti o dentiere ai denti vicini. In fine sono riprodotti gli attestati dei casi di maggior successo del dentista. Il libro di oltre 300 pagine e corredato di 36 illustrazioni incise, fu un successo nella Firenze di fine Settecento. Poletti, p.39 Wellcome II, p.292 In-8°, V-XX, 283pp, (1c), XXXVI copper engraved plates, half-title, copper engraved portrait of the Author at the frontispiece (Diomira Franchi dis. e M. Carboni inc). Wooden framed text with large margins, contemporary full hard vellum binding, gilt title at the spine on label, marbled edges. This is a rare first edition of the first text on dentistry in Italian language. In the book, Campani first describes the qualities necessary for the success of a dentist: "young in spirit and full of courage ... who has a compassionate heart and a cruel hand". He also stressed that a dentist must know everything about dentistry by heart, in order to be able to answer any question like an intelligent professor, instead of an ignorant charlatan. Next, he describes the most accepted knowledge about tooth development, the cause of tooth decay and its treatment. He describes plaque as constantly circulating fluids in the roots of the teeth, which under the influence of heat and cold, condense and coagulate to decompose and soften the enamel in a gradual manner. The main decay treatments discussed are filing the tooth and also filling the cavity with lead. A significant portion of the text was devoted to extractions, and Campani meticulously described which teeth can be easily removed and which teeth are best left alone. The volume ends with some chapters on prosthetic dentistry. In the late 1700s, artificial teeth were made with ivory and bond together with catgut or silk. Campani also describes the use of springs to hook bridges or dentures to neighboring teeth. Finally, the certificates of the dentist's most successful cases are reproduced. The book of over 300 pages is accompanied with 36 copper engraved illustrations and was a success in Florence at the end of the eighteenth century. Poletti, p.39 Wellcome II, p.292
4to. (20) pp. (final blank). With woodcut title border. 18th century marbled wrappers. Extremely rare first and only edition: a defence of astrology written against the criticisms of Martin Luther, quoting Avicenna and other Arabic scholars. "In 1520 Luther had published a comment to the decalogue, including among the violators of the first commandment also magicians, necromancers, and astrologers. Luther's hostility toward astrology was great; moreover, this anti-astronomical polemic on a religious basis was widespread enough as was the traditional, contrary attempt to show [...] the religious legitimacy of astrology. But, coming from a heretic such as Luther, this new attack on astrology could very easily be turned around. Laurent Fries, a physician and astrologer of Colmar, intervened in defense of the science of the stars with a short work (Ein kurtze Schirmred der Kunst Astrologie ... [A Brief Defense of the Art of Astrology], J. Grüninger, Strasbourg, 1520) written in the form of a dialogue between Fries himself and Luther. In this work Fries tried to show that astrology was, from a Christian point of view, perfectly orthodox and not therefore, as Luther had maintained, a pagan science" (cf. C. Ginzburg, Il nicodemismo [Turin, 1970], p. 30). Among the witnesses called by Fries in defense of astrology are not only the gospels and the great thinkers of antiquity, but also several of the great Muslim philosophers and physicians, including Ibn Sina (Avicenna), Muhammad ibn Zakariya al-Razi (Rhazes) and 'Ali ibn al-'Abbas al-Majusi (Haly Abbas). - Occasional insignificant browning; some smudging of printer's ink on second and third folio; contemporary correction and marginal note in ink on fol. A2v. Apparently removed from an old sammelband, numbered "37" at the head of the title by an early hand. Not a single copy is known in the trade; only one is listed via VD16 (in the Bavarian State Library in Munich; a variant imprint of the title is in Göttingen). VD 16, F 2861. USTC 644398. Not in Pegg, Hohenemser, Knaacke, Kuczynski etc.
Small folio (210 x 342 mm). 38, (2) pp. With engr. title vignette and 12 engr. plates by J. C. Berndt. Contemp. marbled boards. Only edition of this profusely illustrated collection of human malformations. "Achondroplasia is first described on page 30 and pictured on plate 11" (Garrison/M.). An English translation appeared in 1932 in R. H. Major's "Classic Descriptions of Disease". The versatile German anatomist S. T. von Soemmerring (1755-1830), one of the first members of the Senckenbergian Society, is hailed as the discoverer of the eye's Macula lutea, one of the earliest scholars to describe the Pterodactyl, and inventor of a telescope as well as of an electrical telegraph. He also was an early champion of smallpox vaccination. - Binding bumped at extremeties. Ms. inscription (c. 1820) on flyleaf: "Zum Beweise der reinsten Achtung | Aug. v. Tournier" [?]. Corners of flyleaf clipped; slight worming throughout (insignificant loss to text; more pronounced near beginning and end), otherwise fine. Extremely rare; last recorded on a German auction in 1964. Garrison/Morton 4306. VD 18, 14590689-001. E. Goldschmid, Entwicklung und Bibliographie der path.-anatom. Abbildung 78. OCLC 67960624.
in-4, pp. XX, 119 (invertite in fase di rilegatura le pp. 69-72), (1), legatura coeva in pergamena, tassello al dorso. Vignetta al titolo, testatine, finalini ed iniziali vegetali; completo di una tavola con l'originaria disposizione del Museo all'interno del Monastero di San Vitale e di LXXII tav. f.t., ripiegate in modo da favorirne la consultazione, raffiguranti il più ricco repertorio iconografico italiano di ferri chirurgici e apparecchiature meccaniche terapeutiche dl XVIII secolo (ferri, letti, tavole operatorie, poltrone, mobili, sistemi per il trasporto dei pazienti, fasciature...), la maggior parte sono firmate da Giovanni Lindemain. Prima ed unica edizione di quella che è l'unica testimonianza sopravvissuta di questa grandiosa istituzione museale medico-chirurgica che nacque nel 1746 a Ravenna sotto l'influsso delle nuove idee Settecentesche. La trasformazione della raccolta in Museo, con vere e proprie finalità collezionistiche e acquisto anche di materiale didattico illustrativo fu dovuta al dotto padre Ippolito Rondinelli; nella realizzazione di questa impresa si associò con il chirurgo locale Gaetano Bianchi. L'importanza che ebbe fin dall'inizio la collezione è testimoniata anche dalla collocazione dei materiali all'interno del complesso benedettino. Sebbene fosse uno dei maggior vanti della comunità, a partire dal 1797, a seguito delle soppressioni napoleoniche, la raccolta seguì un triste destino di dispersione. Nel 1862 si ha ancora traccia di qualche strumento, del quale venne effettuato il restauro. Il venire meno della funzione pratica del materiale ne segnò la fine. Buon esemplare di edizione estremamente rara e curiosa (antico timbro di possesso sull'occhietto).. Waller 8159. NUC ricorda solo l'esemplare di Yale Medical..
Moskva, 1927. 8vo. Contemporary black half calf with gilt lines and gilt Russian lettering to spine. Inscribed by Pavlov to front end-paper. Annotated in pencil and crayon throughout (by Podkopaev?). A fine and clean copy. 371 pp.
Lund, 1956. 4to. Minor signs of wear. A fine copy, With signature of ""Joh. Holtfreter"" to top of p. (1). 6 pp. + 1 plate.
London, 1885. 8vo. Bound in a recent grey paper binding with printed paper label to front board. Old library stamp on the title-page (Royal Medical Society Edinburgh). A faint vertical crease down the middle of the block. A nice and sound copy. (2), 33 pp. Illustrated.
4to. (12), 1060, (34), (2 blank) pp. With engraved frontispiece, engraved dedication and 6 numbered engraved plates. Contemporary calf, richly gold-tooled spine. First edition of a pharmacopoeia compiled by the French apothecary Moyse Charas (1618-1698). The pharmacopoeia begins with an extensive introduction to ancient (Galenic) and modern (chemical) pharmacy. Charas was among the protagonists in favour of the chemical pharmacy, however, he did not thoroughly reject the Galenic pharmacy. "The remainder of the volume was divided almost evenly between traditional and chemical preparations. … In a long section on the elements he openly took the side of the chemists stating that the four elements were insufficient to explain observations. … The chemical section included plates illustrating chemical equipment as well as chemical characters and symbols" (Debus). While Charas wrote several works, the present pharmacopoeia is his best-known and was soon translated into English (The royal pharmacopeia …, 1678), German and even Chinese, and as such the first European medical book translated into Chinese. - With the engraved bookplate of the Espich family ("Insign Espichiorum famil") and small label of the pharmacist Koenig. A few occasional spots, some stains to the title-page and page 9, a negligible waterstain at the head of some leaves, head of the spine chipped, but otherwise in good condition. Krivatsy 2371. Osler 2280 note. Wellcome II, p. 327. Cf. A.G. Debus, The French Paracelsians: the chemical challenge to medical and scientific tradition in early modern France (1991), pp. 130-131.
12mo. 84 pp. 19th-century aubergine morocco, gold-tooled spine and board edges, gilt edges. Extremely rare treatise on a panacea by Denis de Maubec, de Copponay de Grimaldy (1623?-1717). This curious author was alchemist, personal physician to the king of Sardinia and founder of the Académie chimique ducale-royale de Savoie. He is known from a few short treatises from the end of the 17th century and his posthumous work published by Jourdan de Pellerin in 1745. While his name seems to have been well known in the past - at least until the 19th century, when he is described as the "fameux charlatan Grimaldi de Copponay" - actual information on the author and his work appears to be scarce. - With the bookplate of the 19th-century French bibliophile Henri Joliet from Dijon, with his monogram CBMHI (Claude Bernard Marguerite Henri Joliet) and the motto "Plus penser que dire", and a manuscript note that he acquired the volume in Lyon in 1843. A faint dampstain at the head throughout and at the foot of the title-page, but otherwise in very good condition. Brunet III, 1539. WorldCat (4 copies). Cf. Brüning 4477 (collected works). Goldsmith, BM-STC French C 1465 (other work). Krivatsy 7581 (other work). Wellcome II, p. 390 (3 other works). The author not in NBG.
Small 4to (200 x 150 mm). (25) ff. With the woodcut arms of Philip III of Spain on title-page. Loosely inserted in contemporary limp sheepskin parchment. Very rare first and only edition of a "memorial" addressed to the king, Philip III of Spain. Cosme Novella was initially denied permission to practice the profession of pharmacist in the apothecary of his father-in-law who had recently passed away. During the inspections by the "Colegio de Boticarios" (College of apothecaries) they had found deficiencies in the operation of the apothecary, but Novella was finally admitted after intervention of a municipal jury. In 1601 he was appointed as inspector to the pharmacy of the Hospital Real y General, where he found serious deficiencies in their preparations of medicines. This angered the management of the hospital, who held a high position in the College of apothecaries. The College restarted their inspections of Novella's business and closed his store. The dispute then grew to a bigger scale, involving the royal chapter of pharmacists and physicians. In the present "memorial" Novella presents his case to the King. Ultimately, the royal decree would be in favour of Novella, and his pharmacy would be permitted to re-open. - With manuscript note on title-page. Some faint waterstains, two tiny tears in the fore-edge margins and the paste-downs detached from the boards, separating the bookblock from its binding. A good copy. Bibliographia medica Hispanica 537. Iberian books 41802. Palau 194700. Vicente Martínez Tejero, "Cosme Novella" in: Diccionario biográfico español (online). WorldCat (3 copies). Not in Krivatsy; Osler; Wellcome.