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190662652St. Louis MO: Holt St. Louis Streets Dept. 1906. Forty-four of 46 original linen-backed panoramic silver gelatin photographs comprised of 116 approx. 8 x 10 in. images divided into 2-4 panel panoramic photographs w/ captions neatly written w/in negatives at lower fore-edge annotations in red & black ink occasional pencil notes sectional numbers on versos edgewear & rubbing some lifting to fore-edges of some of the images creasing soot soiling to versos minor over-exposure to some images still a VG archive. This historic archive of panoramic photographs meticulously document the now largely disappeared and built-over River des Peres in a Ruscha-like manner and if pasted end-to-end would span nearly 100 feet. Capturing the River des Peres Valley which still meandered at the beginning of the 20th-Century along the Western boundaries of St. Louis MO and reveal a fast-growing Western city industrializing and appropriating the marshy lowlands farms and rural areas into factories breweries and railroad routes. Eleven of the images wind through Forest Park where much of the river had been channeled in 1904 through wooden sewers and culverts in order to cut down on the stench and prepare the park for the 1904 St. Louis World’s Fair. Holt 1866-1925 was renowned for his excessive photographic documentation leading groups of city engineers armed with large format cameras shooting on glass plate negatives recording the sprawling activities of the burgeoning St. Louis community in the Progressive Era. As evidenced by this meticulously shot archive of panoramic images Holt and his team document from the Mouth of River des Peres looking North with railroad bridge in right foreground and steamers in the river alongside the banks. The images continue along the River des Peres capturing the brewery next to the Railroad and between Broadway & Alabama Ave.; the sprawling unidentified factory on Webster; and also demarcating where the City Limits Stones were set and what numbers. A four-panel panoramic photo denotes the Saints Peter & Paul Cemetery on Gravois Avenue followed by others indicating different distances from Gravois Road bridges and houses along the road a road grading and roadbuilding team West of Gravois and then recording the rural lowland areas Southwest of Gravois and then towards Echelberger Street. About halfway through the series the images begin capturing more industrial and suburban development including the St. Louis & San Francisco Railroad Line Frisco RR telephone poles along Fyler Ave. Frisco RR stone station on Fyler with nearby culvert; the Hirsch Rolling Mill Co. complex with railcars labeled and carrying steel and railroad bridge in the distance. The photos show the River des Peres winding around revealing the Clifton Heights in the background; between Knox and Sulpher Ave. with Fire Engine House in the right foreground and many different railroad company cars including those for the Cotton Belt Line the Chicago Peoria & St. Louis RR the Missouri Kansas & Texas RR; and many for the Frisco RR. Several photos shot by Holt and his team May 10 1906 capture the sprawling Laclede Fire Brick Manufacturing Co. complex the Frisco RR Arch Bridge and even a Birds-Eye view. Other photos approaching Forest Park also depict the Police Headquarters Stables the Forest Park Highlands and once in the Park a group of boys playing baseball in the lower foreground. The final three-panel panoramic photo was taken looking West with Delmar Blvd. on the right and the Frisco RR trestle in the middle foreground Delmar Garden in the background and center field filled with the trestle stretching over the River des Peres. Unsurprisingly this cataloguer could find no similar partial or extant collection of images and the original negatives appear to have probably been dumped by St. Louis City Hall housecleaning around 1950 when they offloaded the thousands of photos shot by the Holt for the Street Department. The historically invaluable images were all sold at an auction comprising three 13 foot high stacks of negatives nearly all of them on glass. Purchased originally by Swekosky the collection was lent to Dick Lemen of Moline IL who cleaned printed and enlarged the photos purchased them and later donated the remnants of what he preserved to the St. Louis Mercantile Library. These photographs capture a Western waterway almost entirely displaced with nearly all of its original route completely rebuilt as it was engineered to operate as the backbone of the St. Louis sewer system and almost completely underground with just a few sections near the mouth with a channel and paved bans. In 1904 the Forest Park section was covered in a “large wooden box†to prevent visitors to the World’s Fair from breathing the unhealthy stench and after a 1915 flood backed up sewers killed 11 people in flooding and destroyed over 1000 homes chief engineer Horner was ordered to prepare a plan to completely control and build over the River des Peres. It still carries storm water and sewage in separate pipes and now that the channel has almost no direct source from the Mississippi River and all of the lowland meadows wetlands and areas that existed at the beginning of the 20th Century have been entirely paved over there largely remains no water to supply the river itself. Some of the River at the site of the former Carondelet Coke Plant has been largely remediated and a short piece connected to the Mississippi Greenway near River City Casino. See: Kelly Moffitt Salvaged Photographs from the St. Louis Street Department circa 1900-1930 Catalogued in New Book St. Louis on the Air St. Louis Public Radio Aug. 2 2017; Enter Dick Lemen Dr. William G. Swekosky The collection Grows Unwieldy Lafayette Square Archives 2020; Michael Allen The Harnessed Channel: How the River Des Peres Became a Sewer Preservation Research Office Nov. 27 2010; Chris Naffziger Reconnecting with the Roots of River des Peres in St. Louis Terrain Magazine 2022. Holt, [St. Louis Streets Dept.], unknown
1842LL 513<p><strong>El Museo de ambas Américas.</strong></p><p>Polished black morocco paneled in blind spine titled and decorated in gilt. Subscribers' lists in volumes 1 & 3. Provenance: Bookplate of Jose Maria Andrade 1807-1883 the famous Mexican bibliophile and publisher. FIRST EDITION AND A COMPLETE RUN of all 36 issues of this very early and important Chilean periodical. The year 1842 marked a "before" and an "after" in the intellectual development of Chile. Along with the creation of the University of Chile one of the most significant milestones of that year was the crystallization of a literary movement that would end up acquiring a foundational character not only in regard to Creole intellectual output but also to link it with political discourse. At the head of this project were José Victorino Lastarria and Francisco Bilbao among other thinkers who sought to infuse society with the revolutionary ideals of freedom equality and fraternity using above all the periodical press. The cultural activity in the crucial year 1842 was matched in by appearance of three publications that would mark the course of the intellectual movement: Revista de Valparaíso El Semanario de Santiago and El Museo de ambas Américas The Museum of both Americas. This triad reflects the fundamental role that the port of Valparaíso played as the transfer point for European ideas which then radiated to the capital. El Museo de ambas Américas shows the state of the social political and economic views of the Chilean intellectual culture of the period. Its cosmopolitan spirit is evident in the declaration of principles of the magazine and is also reflected in the themes developed there. Edited by the Colombian Juan García del Río the publication played a central role in the controversy between Chileans and Argentines and in the creation of the intellectual movement that would reach its consolidation with the Revista de Santiago. The magazine contains numerous articles on the continental spirit and on the idea of America forged since Discovery and Conquest. It also highlights the concerns about education which for those years was a central issue in the discussions of the intellectual movement as well as public hygiene policies and their link with the development of the Republic. The reflection on history and culture became more and more intense as the century progressed and El Museo de ambas Américas reflects this concern. The erudite character of the magazine is shown in its "Efemérides" and its "News and curious facts". Scarce. We could locate only one at auction in the last 50 years. Sabin 51564. Palau 186430. WorldCat US Libraries: 11 copies. Yale Stanford Harvard BL Universities of Stony Brook Michigan Iowa S. Illinois N. Carolina Houston and Texas at Austin.</p> Imprenta de M. Rivadeneyra
132469aafLausanne, André et Pierre Gonin, 1978, in-4to, 2 ff. (p. de garde blanches) + 62 p. + 2 ff. (colophon) + 2 ff. (p. gardes blanches), ill avec 22 eaux-fortes originales de Pietro Sarto dont 1 en sépia sur la couverture (répétée en couleur au frontispice), 8 en couleur h.-t., dont une à double page, et 13 en noir dans le texte + la suite de 8 gravures en couleur dont une double tirée sur chine + 1 aquarelle originale signée + une plaque de cuivre barré originale (repres. le frontispice). L'un des 15 exemplaires de tête numérotés sur Japon nacré, nominatif, (après 1 ex. unique) lettré de A à O ‘Ex. A’, signé par l’artiste et les éditeurs, emboîtage 33 x 27 cm., étui bordé en d.-parchemin titrée au dos, chemise avec couverture illustrée d'une gravure originale.
1804PHO-1187Paris, F. Buisson, 1804. 3 vol. in-8 de texte et 1 atlas de planches .Texte : I/ xv-[1]-408 pp. ; II/ [2] sq., 431 pp. ; III/ [2] sq., 473 pp. ; Atlas de 4 pp., 58 planches et cartes , relié demi basane époque (atlas reliure moderne) , coiffes usées, mouillure et quelques rousseurs dans l'atlas . Édition originale avec l'atlas complet des 58 cartes et planches dont 1 en couleur ,gravées en taille douce par Adam, Blondeau, Fortier, Dorgez, B. Tardieu d'après les dessins de l'auteur.
1903ST20957London: John & E. Bumpus 1903. 211 x 140 mm. 8 1/2 x 5 1/2". 86 pp. <br/> LOVELY GREEN MOROCCO GILT AND INLAID FOR J. & E. BUMPUS stamped in gilt on rear turn-in LIKELY BY RIVIERE & SON upper cover with gilt fillet frame central panel with densely blind-stamped leafy vines on a gilt pointillé background accented with onlaid red morocco dots large oval at center and four smaller ovals all framed by gilt beads the central oval adorned with four gilt and onlaid red and white morocco Tudor roses 10 more such roses at corners and along the sides of outer frame lower cover with gilt fillet frame raised bands spine compartments with blind-stamped leafy sprig on pointillé ground with onlaid black ivory and red morocco dots gilt lettering turn-ins with gilt border gilt trio of leaves at corners all edges gilt. With engraved frontispiece portrait title page vignette two headpieces and two tailpieces. Upper cover and spine evenly faded to olive green likely from being displayed just a hint of bowing to boards but A VERY FINE COPY the text entirely clean fresh and bright and the binding unworn.<br/> <br/> This lovely printing of Spenserian poetry comes in an unusual and skillfully executed binding likely by Riviere & Son which was producing some of its very best work at the time of publication. The poems here were inspired by Spenser's courtship of and 1594 marriage to his second wife Elizabeth Boyle. Day calls "Amoretti" "a unique sonnet sequence in Renaissance England" and he is unreserved in his praise for "Epithalamion" calling it "the most beautiful nuptial poem in English and perhaps in any language." Spenser 1552 - 99 was the first modern English poet to achieve major stature and Day points out that those "influenced by Spenser are virtually a roster of the great English poets since his time" among them Milton Wordsworth Keats Rossetti and Tennyson. Bumpus bindings were done for the bookselling firm of John and Edward Bumpus founded in 1780. The firm long enjoyed a reputation as purveyors of fine and beautiful bindings without ever operating a bindery. Instead they outsourced the work to the best binders of the day including Riviere and Morrell the former being a likely choice here. The combination of swirling blind-stamped vines a densely stippled background and onlaid blossoms demonstrates creativity in design proficiency in a range of finishing techniques and meticulous execution. The five blank ovals on the upper cover bring to mind the layout of Cosway bindings a specialty of the Riviere firm in which those ovals would be filled with miniature paintings on ivory under glass. Cosway bindings could sometimes be ornate to the point of being overwhelming so the blank ovals here are a welcome moment of restraint amid the animation of the cover design. Apparently an earlier owner enjoyed displaying this binding--as who would not--and the leather has mellowed to an olive green--which may actually be a more pleasing foundation for the decoration than the original brighter green. Certainly the book saw no other use as the contents are as fresh as the day the volume left the printer. John & E. Bumpus unknown
23765Paris, Regnauld Chaudière, 1611. Un fort volume petit in-8 de (8)ff. dont le titre, (8)ff. (tables des chapitres), 1104 pages (mal numérotées 1024) et (27)ff. de table des matières. Saut de la p.912 à 919 sans manque, quelques erreurs de pagination. Petit trou vers en début d'ouvrage avec perte de quelques lettres de la p.101 à 130, en marge p.971 à 981 sans perte de texte, une petite mouillure marginale à plusieurs feuillets (principalement aux 20 premiers ff. et 20 derniers feuillets) et restauration angulaire à la page de titre et p.1059. Veau brun d'époque, dos renouvelé, le dos d'origine conservé, coins restaurés.
192317.0349Santander: s.i 1923. 1ª ed. Rústica cubierta impresa a 2 tintas con título y ilustración de Cossío. 16.5x22.5. 21 xilografías a toda plana y viñetas de Pancho Cossío. s.i paperback
1893160511893 PARIS, Alphonse Picard, CAEN,Henri Delesques, 1893, N° 1, 3, 5 & 6 - Broché - In-8 - Couverture imprimée avec médaille au nom d'Arcisse de CAUMONT - Importante iconographie : nombreuses planches PP Ht & illustrations en texte - 85 pages & Pagination 191 à 589 - Bon exemplaire, Intérieur très frais.
18936415981 volume 4to (79 quarter-leather, 1 paperback and 1 vol. - 51 - in 4 paperback issues), among which we can particularly point out : Vol. 4 (estampe en couleurs de Fernand Khnopff et estampe en couleur et relief) ; 5 (2 estampes en couleurs dont une par Boutet de Monvel) ; 7 (plusieurs estampes en couleurs dont le bourg de Perros-Guirec par Henri-Rivière, eau-forte par Charlton) ; 9 (plusieurs estampes en couleur dont Helleu et estampe en couleur et relief) ; 10 (dont dessin gaufré par Alexandre Charpentier) ; 11 (dont "Pierrot et Pierrette by Mrs Dearmer) ; 12 (dont bois gravé sur papier bleu par Lepère, et bois gravé en couleur par Nicholson) ; 13 (dont "Ombre chinoise" sur calque par Caran d'Ache, eou gravure en relief "Bath-Room by A Charpentier) ; 15 (dont portrait de Puvis de Chavannes par Valloton, estampes de Henri Rivière) ; 17 (contains "Beauty's awakening, a Masque of Winter and Spring) ; 18 (from october 1899, with Special winter-number 1899-1900 : Modern bookbinding and their designers et sa traduction française ) ; 20 (with "Modern British watercolour drawings) ; 21 (dont "The Queen of Hearts" by Percy Gossop) ; 23 (dont a Scene in Dido an Aeneas by Gordon Craig) ; 26 (1902 avec traduction française) ; 27 (dont eaux-fortes par Alphonse Legros) ; 29 (avec traduction française pour septembre) ; 30 (avec traduction française) ; 31 (avec traduction française, 1 planche et un cahier débrochés) ; 32 (avec traduction française) ; 33 (avec traduction française) ; 34 (avec traduction française) ; 39 : An exhibition of Portraits (avec traduction française) ; 44 (avec les couvertures portant "Revue mensuelle avec traduction française) ; 51 (paperback, spines used, in4 issues) ; 61 (Until Issue n° 254, May 1914) ; For the special numbers, we have 21 "bis" : 11 : Art supplements : The Salon Champs Elysées Paris 1897, The Salon Champ de Mars Paris 1897, Art at the New Gallery London 1897 ; 13 : A Record of Art in 1898 ; 21 : Modern pen drawings : European and american ; 23 : Modern British Domestic Architecture and Decoration, 1901 (avec traduction française) ; 24 : Modern design in Jewellery and Fans, 1902 ; 26 : Modern Etching and Engraving (avec traduction française) ; 27 : Corot and Millet with critical Essays by Gustave Geffroy and Arsène Alexandre ; 28 : Masters of English Landscape Paintings ; 30 : The Genius of J.M.W. Turner, R.A. ; 31 : The Royal Academy from Reynolds to Millais (avec traduction française) ; 33 : Daumier and Gavarni with critical and biographical notes by Henri Frantza and Octave Uzanne ; 35 : Art in Photography with selected examples of European and American Work (avec traduction française) 1905 ; 36 : The Mansions of England in the olden time, by Joseph Nash, 1906 (avec traduction française) ; 37 : The Royal Institute of Painters in Watercolours Spring 1906 ; 37 ter : Year-Book of decorative Art 1906 ; 40 : Royal Scottish Academy ; 40 ter : Year-Book of decorative Art 1907 ; 42 : The Gardens of England in the Southern & Western Counties (avec traduction française) ; 42 ter : Year-Book of decorative Art 1908 ; Paperback : Les Habitations Villageoises en Angleterre Numéro de Printemps 1912
1938180153Jiujiang China: 1938-39. The aftermath of the Battle of Wuhan An appealing group of photographs the unnamed photographer perhaps an oil consultant sent upriver to Jiujiang to evaluate the impact of the Battle of Wuhan a four-month engagement that saw one million Chinese troops defend five provinces. Japanese troops took Jiujiang in summer 1938 and killed almost 100000 civilians. According to the accompanying booklet of captions the images were taken between December 1938 and May 1939 while travelling with Wenchow a steamer built in 1923 for the China Navigation Company. The ship travelled under the protection of HMS Ladybird a British gunboat with experience of clashing with the Japanese on the Yangtze. The images are far more varied than typical travel albums documenting the impact of Japanese aggression. Four show members of the crew dealing with a Chinese mine in the river. After attempts to blow it up with gunfire fail they try TNT. "We didn't get a big bang because it was found to be water-logged and therefore a dud." Other photographs picture one of the many unexploded Japanese destroyer shells encountered during the cruise and ongoing minesweeping activities. Elsewhere they encounter houses destroyed by the Japanese advance. The Jiujiang oil installation of the Asiatic Petroleum Company is visible in the distance of the third image. Heading to the installation they see the village that sprang up around the installation as Chinese residents fled the Japanese advance. The Japanese are suspicious of guerilla attacks and order the village dismantled. "They also accused us of being spies and receiving information about the conditions in Kuling and that wasn't a bad guess either." Wenchow offers refuge to 400 refugees. As a foreigner he can still find escape from the local suffering documenting the sights and sounds of his journey and exploits with foreign friends. On leaving Jiujiang for Shanghai he is seen off "with the usual firecrackers on the end of a bamboo pole. Thought once or twice they were a bit nearer to the seat of my pants than was necessary. However there was nothing singed." But the voyage back to Shanghai is made not by steamer but by gunboat. Landscape quarto album 200 x 260 mm. Original black and silver textured paper 8 card leaves with window mounts on both sides holding 79 gelatin silver amateur snapshots c. 55 x 80 mm or reverse one photograph now lacking. Each image numbered below in pencil corresponding to 16-page booklet of typed captions secured with metal pins and loosely inserted. Album with some wear and rubbing inner hinges sometime strengthened with paper photographs generally bright and well preserved occasional silver mirroring and fading: a very good collection. unknown
1767119925London: John Nourse and Desaint Paris 1767. Praised by Adam Smith - the second of Schumpeter's physiocrat textbooks First edition by "the ablest expositor of this i.e. Physiocratic system" McCulloch written following Le Mercier's retirement from Parliament in 1759. Praised by Adam Smith and Diderot amongst others L'Ordre naturel was according to Palgrave considered more highly than De l'Esprit des loix by some of Le Mercier's contemporaries. The author argues that there is a natural law of property which is based on the physical order of nature and which underlies all other laws. Taxation and the use of public revenue by the ruler are both governed by the natural law of property. Schumpeter lists this work as the second textbook of Physiocrat orthodoxy the first being Mirabeau's Philosophie rurale. Quarto 255 x 195 mm. Contemporary French mottled calf triple-rule border in blind to covers spine ruled and decorated gilt in compartments red morocco label marbled endpapers red edges green silk ribbon marker. Joints and corners professionally repaired occasional light spotting; a very good copy. Goldsmiths' 10269; Higgs 3979; Kress 6475; Mattioli 1959; Sraffa 3258. unknown
1822255109London: Henry Berthoud 1822. First. hardcover. good. followed by Teatro Critico Americano; or a Critical Investigation and Research in into the History of the Americans. By Paul Felix Cabrera. 19 lithograph plates one folding. xiii 128pp. 4to later 19th century 1/2 black morocco morocco worn near spine ends and on front cover edges of boards lightly worn very light foxing to some page margins including margins of most plates ex-lib. London Henry Berthoud 1822. First Edition<br/><br/> "Captain Del Rio examined the now famous ruins of Palenque in 1787 but his manuscript report remained in the provincial archives of Guatemala until a short time prior to their translation and publication in the present form. The translator gave so literal a version that he did not change the references in the body of the work which referred to drawings that had been irrecoverably lost. Captain Del Rio's Report occupies pp. 1 to 21 and in the remainder of the work Dr. Cabrera attempts to establish the theory that the figures upon the monuments of Palenque prove a connection between the Egyptians and the Aboriginal race which constructed them.From the occurrence of an eclipse recorded 291 years before Christ corresponding with the same date in the Mexican calendar he constructs a table of the Mexican years." Field 231. "The first published work on Mayan archaeology." Sabin 71446. The plates are by Jean Frederick Maximilien de Waldeck after Ricardo Almendariz. Ex libris from the Minnesota Historical Society with their rubberstamps on the bottom of the title page including their withdrawal stamp.<br/><br/> Henry Berthoud unknown books
1822255109London: Henry Berthoud 1822. First. hardcover. good. followed by Teatro Critico Americano; or a Critical Investigation and Research in into the History of the Americans. By Paul Felix Cabrera. 19 lithograph plates one folding. xiii 128pp. 4to later 19th century 1/2 black morocco morocco worn near spine ends and on front cover edges of boards lightly worn very light foxing to some page margins including margins of most plates ex-lib. London Henry Berthoud 1822. First Edition<br/> <br/> "Captain Del Rio examined the now famous ruins of Palenque in 1787 but his manuscript report remained in the provincial archives of Guatemala until a short time prior to their translation and publication in the present form. The translator gave so literal a version that he did not change the references in the body of the work which referred to drawings that had been irrecoverably lost. Captain Del Rio's Report occupies pp. 1 to 21 and in the remainder of the work Dr. Cabrera attempts to establish the theory that the figures upon the monuments of Palenque prove a connection between the Egyptians and the Aboriginal race which constructed them.From the occurrence of an eclipse recorded 291 years before Christ corresponding with the same date in the Mexican calendar he constructs a table of the Mexican years." Field 231. "The first published work on Mayan archaeology." Sabin 71446. The plates are by Jean Frederick Maximilien de Waldeck after Ricardo Almendariz. Ex libris from the Minnesota Historical Society with their rubberstamps on the bottom of the title page including their withdrawal stamp.<br/> <br/> Henry Berthoud unknown
176766881London and Paris: Chez Jean Nourse and Chez Desaint 1767. An Important and Representative Physiocratic Work<br> <br> LE MERCIER DE LA RIVIÈRE Pierre Paul. L'Ordre naturel et essentiel des sociétés politiques. London: Chez Jean Nourse Libraire; & se trouvé à Paris Chez Desaint Libraire 1767.<br> <br> First quarto edition published in the same year as the first twelvemo edition. Measures 10 x 7 3/4 inches. 6 viii 511pp 1blank.<br> <br> Contemporary French mottled calf spine elaborately gilt-stamped with five raised bands. Marbled endpapers all edges red. Previous owner's old ink notes on front free endpaper. Housed in a custom quarter brown morocco clamshell gilt-stamped.<br> <br> One of the most important French economic texts of the period representative of physiocratic views and concepts. This work brought about the attack by Mably in his Doutes proposés aux philosophes économistes sur l'ordre naturel et essentiel des sociétés politiques 1768.<br> <br> Higgs Bibliography of Economics 3980. Goldsmiths' 10270. Higgs 3980. Kress 6475 quarto edition. Marsh/Hollander 1992 quarto edition. BM XV p. 9 col. 468 quarto edition.<br> <br> HBS 66881.<br> <br> $5000. Chez Jean Nourse and Chez Desaint unknown
19215013<p><b>Pierre-Auguste Renoir. Renoir et ses amis</b><b>. Deluxe edition with a dry point by Renoir in double state. </b>Riviere George. Paris: Floury 1921. DELUXE edition. One of the 150 copies on Japon Paper with one original drypoint by Renoir "Le chapeau epingle" Delteil 8 in double state black and sanguine and one color lithograph "Tete de jeune fille" on front cover. The book is enriched with many illustrations on diverse paper and size. Rebounded with original soft cover well preserved inside.</p> Floury hardcover books
18222412260012Henry Berthoud and Suttaby Evance and Fox London 1822. First Edition. Hardcover. Good. The first published work on Mayan archaeology. 4to. Bound in contemporary cloth-backed blue boards. Rebacked with renewed spine. Collated: xiii 128 pages. 17 lithographic plates. Scattered foxing. "Captain Del Rio examined the now famous ruins of Palenque in 1787 but his manuscript report remained in the provincial archives of Guatemala until a short time prior to their translation and publication in the present form. The translator gave so literal a version that he did not change the references in the body of the work which referred to drawings that had been irrecoverably lost. Captain Del Rio's Report occupies pp. 1 to 21 and in the remainder of the work Dr. Cabrera attempts to establish the theory that the figures upon the monuments of Palenque prove a connection between the Egyptians and the Aboriginal race which constructed them. From the occurrence of an eclipse recorded 291 years before Christ corresponding with the same date in the Mexican calendar he constructs a table of the Mexican years." Includes a longer appendix Paul Felix Cabrera's "Teatro Critico Americano; or A Critical Investigation and Research into the History of the Americas." - Field 231. Sabin 71446. Palau 268187. Henry Berthoud, and Suttaby, Evance and Fox, London hardcover
33669Paris, Secrétaire général : Georges Bataille. Du n° 1, avril 1929 au n° 7, décembre 1929 et du n° 1, 1930 au n° 8, 1930. Collection complète. 15 numéros en 15 livraisons in-4 brochées, sous 2 emboîtages (29,5 x 24 cm) Doctrines, archéologie, beaux-arts, ethnographie. Magazine illustré paraissant dix fois par an. Textes de Georges Bataille, Jacques Baron, Alejo Carpentier, Robert Desnos, Carl Einstein, Roger Gilbert-Lecomte, Marcel Griaule, Juan Gris, Eugène Jolas, Marcel Jouhandeau, Michel Leiris, Georges Limbour, Jacques Prévert, Raymond Queneau, G. Ribemont-Dessaignes, Georges Henri Rivière,André Schaeffner, Roger Vitrac, Georges-Henri Rivière, André Schaeffner, etc.- Nombreuses reproductions duvres dart et dobjets ethnographiques de Hans Arp, Constantin Brancusi, Giorgio de Chirico, Alberto Giacometti, Juan Gris, Henri Laurens, Fernand Léger, André Masson, Joan Miró, Pablo Picasso, Joseph Sima etc. - Photographies de Jacques-André Boiffard, Élie Lotar, etc. Complet de tous les "English supplément" dans les numéros de la première année en fin de chaque fascicule et du bulletin de souscription détachable imprimé en rouge présent dans le n°3 de la deuxième année. A part un frottement sur la couverture des 2 premiers n°, très bel état de fraîcheur.
1913ST20673Paris: L'Édition d'Art H. Piazza 1913. ONE OF 12 COPIES on Japon with an original watercolor and two additional states of illustrations and 50 on Japon with one additional state of illustrations and 288 on vélin à la cuve. 238 x 165 mm. 9 3/8 x 6 1/2". 179 1 pp. 3 leaves. <br/> HANDSOME CARAMEL-COLORED MOROCCO DRAMATICALLY DECORATED IN GILT AND BLIND BY DURVAND stamp-signed on front turn-in covers with a wide gilt border of round flowers and scrolling vines flanked by dotted rolls surrounding a similar border tooled in blind front cover with a central panel similarly decorated with a central seated figure in blind surrounded by a solid gilt aureole smooth spine decorated with a similar gilt design of flowers and vines with a seated figure at the head and tail wide turn-ins with four gilt rules chocolate brown watered silk endleaves leather hinges top edge gilt. Original red and gold printed paper wrappers bound in. In a slightly worn felt-lined marbled paper slipcase. Text within decorative chromolithographed frames elaborate borders to title page and to beginning pages of the five chapters hybrid beasts on the limitations page and in the colophon two full-page color plates in a similar style WITH 51 POCHOIR COLOR ILLUSTRATIONS BY JOSEPH DE LA NÉZIÈRE nine of these full page THESE REPEATED IN TWO ADDITIONAL STATES one in monochrome on vélin à la cuve and one in pochoir on Japon plus AN ORIGINAL WATERCOLOR FRONTISPIECE by Joseph de La Nézière. A few faint smudges internally if you look hard to find them but A VERY FINE COPY extremely fresh and clean in a gleaming binding.<br/> <br/> This is an especially opulent production in a memorable binding from a major publisher of bibliophile editions. Our binder Durvand 1852-1924 operated one of the finest workshops in turn-of-the-century Paris and trained a number of talented artisans. In 1900 he was awarded a silver medal for his bindings at the Universal Exhibition and according to Flety he was devoted to improving the craft of binding right up to his death. Here the rich texture of the profusely used blind and gilt decoration creates the wonderful effect of a gleaming temple emerging from the shadow of a dense forest. This sumptuous covering is well-suited to the book's contents comprising vivid descriptions of life in the exotic Far East by an author familiar with the region. Lawyer and judge Paul-Louis Rivière 1873-1959 specialized in French colonial law and spent time living in Siam now Thailand. The richly colored plates are by noted Orientalist painter Joseph de La Nézière 1873–1944 who travelled widely in North Africa and the Far East. While he is known primarily for his landscapes and portraits this is apparently the only book that La Nézière illustrated. One of just a dozen deluxe copies ours includes three complete suites of the illustrations two beautifully colored with pochoir with glowing buttery light being used to great effect. The original watercolor frontispiece is especially lovely the scene of boaters at sunrise gleaming with the rising sun on the graceful palms and shimmering water. As lovely as the binding and the illustrations are the dazzling condition here is one further recommendation for the book. L'Édition d'Art, H. Piazza unknown
1852951865London: Edward Moxon, Dover Street. 1852. Octavo, ca. 197 x 124 mm. (Einband minimalst berieben, erste und letzte Blätter braunfleckig, sehr schönes Exemplar) [10 Warenabbildungen] vi, [1], [1 blank], 165, [2], [1 blank] pp. - 8 pp. (List of Books). Ganzleder Handeinband mit reicher Vergoldung,
194813286JNew York: Random House 1948. First Edition. The basis for Red River the classic Howard Hawks directed 1948 Western film starring John Wayne and Montgomery Clift for which Chase co-authored the screenplay. Hardbound in original tan cloth. Fine copy in a near fine bright dust jacket with a few tiny mends by an expert paper conservationist. Attractive copy. Enclosed in a custom clamshell box. In a career of many fine films John Wayne’s three greatest performances are considered those in The Searchers She Wore a Yellow Ribbon and Red River where Wayne plays the hard-edged cattle drive boss Tom Dunson. Red River has been selected by the Library of Congress as a national film treasure. A very scarce book in jacket. Random House hardcover books
1925188317Beijing & Shanghai: Yangtse River Commission 1925-26-28. Measuring China's longest river First editions of these invaluable technical publications which record a wealth of data from gauging stations across hundreds of charts and diagrams. The Yangtse River Commission was formed by presidential order in December 1922 and the American engineer George Gottlieb Stroebe 1877-1965 served as the first head of its survey department. After several years of operation the commission switched its focus to the middle section of the river stretching from Hankou to Yichang. In 1925 it installed new gauges and discharge measurement stations while also collecting data with equipment maintained by the customs service. Until 1926 inclusive reports were released in the name of the commission's technical committee before responsibility transferred to the Ministry of Communications. The table of contents for the fifth annual report 1926 calls for 221 plates but numbers 150-221 were not issued. 3 works bound in 1 octavo 255 x 180 mm. Together 351 diagrammatic plates 2 folding tables; tables in text. Text in English and Chinese. 1966 tan buckram by the Heckman Bindery Indiana label on rear pastedown spine lettered in black original green card wrappers bound in. Ex-Library of Congress with its ink stamps and shelf-marks on the original wrappers index card holder on rear pastedown and "duplicate" deaccession stamp on front free endpaper. Contents toned one original wrapper creased at foot occasional marking and offsetting internally couple of short closed tears: very good. hardcover
1919189703Paris: E. Leroux/Challamel Atlas volume only 1919. Hardcover. Good: All covers have general wear corner/edge damage. Spines have leather peeling. Bookblocks have age toning staining. Interior pages have age toning. French language text. Marbled boards. Brown leather spines. Gilt lettering on 5 raised band spines. Decorative interior covers and end pages. illustrations maps some color. Work published under the auspices of the Ministry of Foreign Affairs the Ministry of Colonies and the Ministry of Education and Fine Arts. All text is in French below are English translations of what is present.<br /> <br /> Contents: 1. Statement of the work of the mission : introduction first and second periods 1879 to 1889 / by Auguste Pavie . 1901 - 2. Statement of the work of the mission : third and fourth periods 1889 to 1895 / by Auguste Pavie .1900 - 3. Geography and Travels in Laos and Among the Savages of Southeastern Indo China/ by Captain Cupet. 1900 - 4. Travels in the center of Annam and Laos and in the wild regions of eastern Indo-China / by Captain de Malglaive and by Captain Rivière; introductions by Auguste Pavie. 1902 - 5. Travels in upper Laos and on the borders of China and Burma / by Pierre Lefèvre-Pontalis; introduction by Auguste Pavie . 1902 - 6. Passage of the Mekong to Tonkin 1887 and 1888 / by Auguste Pavie . 1911 - 7. March Journal 1888-1889. Events of Siam 1891-1893 / by Auguste Pavie . 1919 - 8. Atlas/ by Auguste Pavie. 1903 - 9. Miscellaneous Studies Part III research on the natural history of Eastern Indo-China by Auguste Pavie. E. Leroux/Challamel (Atlas volume only) hardcover
18441A Londres, Chez J. Nourse, & se trouve à Paris, Chez Desaint, 1767. (2), vii, (1, Fautes à Corriger), 511, (1) pp. 4to. Contemporary marbled calf, spine richly gilt with raised bands, red label with gilt lettering, paper label in upper compartment of spine, marbled edges. Weulersse, i, p. xxviii; Kress 6475; Goldsmiths 10269; Higgs 3979; INED 2794; Einaudi 3307 (the 8vo edition in 2 volumes). First edition, the rare 4to edition. The rare 4to edition by 'the ablest expositor of this (the physiocratic) system' (McCulloch). Adam Smith and Diderot praised it among many others, Catherina II of Russia invited the author to her court, and according to Palgrave, the work was at the time considered more highly than l'Esprit des Loix by some contemporaries. It provoked Voltaire's l'Homme aux quarante écus and Mably's vehement criticism in his Doutes proposés aux Philosophes économistes. Schumpeter lists this work as the second text-book of physiocrat orthodoxy (the first being Mirabeau's Philosophie rurale). - Corners a bit bumped, a large armorial plate on the front paste-down, copy from the Fürstlich-Starhemberg'sche Familien Bibliothek, Schloss Eferding, small stamp on title reading 'Aus Schloss Haus 1893', a very nice copy with large margins.
Unread. As new. Number 216 of limited edition of 350 copies. Signed by co-author R.E. Gosnell. "Few publications, if any, of similar size and excellence have been produced in Canada." - From Editor's Foreword. Part I includes 210 pages and eighteen chapters which constitute "a survey of events from the earliest times down to the Union of the Crown Colony of British Columbia with the Dominion of Canada." Part II is "a history, mainly political and economic, of the Province since Confederation up to the present time." Part I is preceded and followed by dozens of tissue-protected black and white portraits of individuals influential in the early history of the province, complete with their brief biographies upon the tissue. Part II comprises eighteen chapters over 226 pages plus 5 pages of addenda followed by dozens of tissue protected portraits of "some of the men conspicuous as present day factors in development." Top edge gilt. Gilt lettering upon backstrip. Marbled endpapers. Exceptionally clean, bright, and unmarked with zero wear. Brown suede exterior appears as fresh as the day it was applied over 100 years ago. This majestic fourteen pound tome measures 13" x 10.5" x 4". A magnificent acquisition for any serious collector of British Columbia history. A better copy will not be found. [Lowther 1607, Hale 2523, Edwards & Lort 3177, Strathern 495] Book
194816388JNew York: Random House 1948. First Edition First Printing. The novel basis for Red River the classic Howard Hawks directed 1948 Western film starring John Wayne and Montgomery Clift for which Chase co-authored the screenplay. Hardbound in original tan cloth. A rare book especially in dust jacket. Some minor offsetting from a clipping listing the film cast on the adjacent copyright and dedication pages Near fine in a clean tight copy in a near fine bright dust jacket with a few tiny mends by an expert paper conservationist. 216 pages. Enclosed in a custom clamshell box. In a career of many fine films John Wayne’s three greatest performances are considered those in The Searchers She Wore a Yellow Ribbon and Red River where Wayne plays the hard-edged cattle drive boss Tom Dunson. Red River has been selected by the Library of Congress as a national film treasure. Random House hardcover