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200887025Veenman Publishers. New. 2008. Paperback. 9086901077 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 224 pages; 1500 illustrations. Catalogue Raisonne Catalog Raisonné Complete Works Catalogus Het Complete Oeuvre Raisonnee Veenman Publishers paperback
1973C90655Riviere. As New. 1973. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - -- Text in French. 225 pages; 595 illustrations. Catalogue Raisonne Catalog Raisonné Complete Works La Vie Et L'uvre Oeuvre Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Riviere paperback
2000C93143Biro. As New. 2000. HARDCOVER. 2876602865 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- HARDCOVER. Text in French. 358 pages. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Biro hardcover
1913141271913 P., L'Edition d'Art H. Piazza, 1913, 1 vol. petit in-4° (237 x 175) relié plein maroquin cerise, dos lisse avec auteur et titre dorés et petite illustration mosaïquée représentant un scarabée, plat supérieur orné dune grande mosaïque dorée, crème et marron représentant une Apsara dansant reprise au plat inférieur, filet noir sur les coupes, tête dorée, doublures et gardes de box gris, encadrement des doublures de maroquin cerise orné de deux jeux de filets dorés avec fleurons en écoinçons, doubles gardes de papier marbré, couverture et dos illustrés conservés, étui bordé, (RENE KIEFFER), de 179 pp. - (3) ff. (table, justificatif et achevé d'imprimer). Dos très légèrement foncé, petit défaut de cuir sur le coin supérieur gauche du plat inférieur et petites taches sur les plats, parfait état par ailleurs dans une somptueuse reliure dart personnalisée de René Kieffer.
10833Collection complète, du n° 1 (été 1924) au n° 29 (printemps 1932). Nous joignons l'Index des années 1924-1928, paru sous forme de tiré-à-part joint au n° 22 (Hiver 1929). TOUS LES NUMEROS FONT PARTIE DU TIRAGE SUR VELIN PUR FIL LAFUMA (2e papier dont le nombre d'exemplaires est compris entre 150 et 300) et sont tous en bon ou très bon état. // Le n° 1 porte la mention manuscrite " Exemplaire sur Lafuma ", apposée par Auguste Morel qui a également signé cet exemplaire de ses initiales ; ce détail fait de cet exemplaire une belle pièce joycienne puisque dans ce premier numéro de " Commerce " paraît la première traduction en français d'un extrait d'ULYSSE de Joyce - traduction justement due au même Auguste Morel et à Valery Larbaud. // Rare et belle collection sur grand papier.
1923146010Paris: Albert Lévy 1923. With an outstanding provenance First and sole edition number 106 of 300 copies of this impressive and important monograph. This copy with a fine provenance: from the library of A. W. Bahr internationally renowned authority on and collector of Chinese art with his ownership stamps to volume I half-title. Abel William "Billy" Bahr 1877-1959 born in Shanghai to a German father and Chinese mother was brought up in China and later established himself as a coal merchant and general importer. "He was fluent in Chinese he embraced various aspects of Chinese culture and he had a close circle of Chinese friends - by no means a common state of affairs in the Shanghai of the period" Pearce p. 6. Bahr was the moving force in the groundbreaking 1908 Exhibition of Chinese Art held in Shanghai "the first exhibition in China that was made up exclusively of art objects" ibid. p. 21. Three years later he published Old Chinese Porcelain and Works of Art in China London: Cassell & Co. 1911 the de facto catalogue of the exhibition. His papers are held at the Smithsonian. For the French artist and designer Henri Rivière 1864-1951 it was Japanese art that held a particular fascination and he was an avid collector of both prints and ceramics. The present monograph followed his similar study of Islamic art La Céramique dans l'art musulman 1913 and is similarly beautifully produced the plates printed in lavish colour. The Chinese Korean and Japanese ceramics were taken mostly from private French collections including that of Rivière himself the celebrated grand amateur Raymond Koechlin the antiquities dealer Garbis Kalebdjian and the fashion designer Jacques Doucet. The preface is by Charles Vignier "the expert on Asian arts at the Hôtel Drouot the principal auction house in Paris. a key figure in introducing early Chinese art and later African art to avant-garde collectors in Paris including Henri Matisse and Roger Fry" Dumbarton Oaks retrieved 18 January 2021. 2 vols large folio. With 100 mounted colour plates additional integral colour illustrations in text leaves. Loose sheets as issued in decorated cloth portfolios with cloth ties patterned pastedowns. Ownership stamps to half-title. Cloth of first volume soiled general light browning and foxing to contents but illustrations fresh. A very good copy. Nick Pearce "Shanghai 1908: A. W. Bahr and China's First Art Exhibition" in West 86th: A Journal of Decorative Arts Design History and Material Culture Vol. 18 No. 1 Spring-Summer 2011 pp. 4-25. hardcover
1974C94065Arts Et Metiers Métiers Graphiques. As New. 1974. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine & unmarked tight to the spine - Text in French. 145 pages; illustrated with black and white as well as som color images. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Arts Et Metiers (Métiers) Graphiques paperback
19002081502111808461Hakueisha 1900. Soft Cover. Fine. Number of books: 1 Hakueisha paperback
18042937Charlestown: From Mr. Riviére to “Monsieur Rimert Employé dans les bureaux du Préfet Maritime à Brestâ€. Text in French. Arrived through Bordeaux with the town’s backstamp on the delivery address 32 Bordeaux 1804. Handwritten pre-postal letter in ink. Torn at the wax seal and at a folding with no effect on the text. Paper tanned at the foldings. Otherwise in fine condition. Handwritten pre-postal letter in ink. 3 pages on bifolium. Scarce pre-postal letter from Charlestown USA to Brest France by a Saint-Domingue-refugee dated in 1804.<p><br /> Written to Mr. Rimbert in Brest at the “bureaux du Préfet Maritime†by Mr. Riviére in Charlestown South Caroline who - according to his account - was taken from Saint-Domingue as a prisoner on parole to Jamaica after Rochambeau’s surrender to Dessalines in November 1803. Shortly he could leave Jamaica via Havana to Charlestown; the journey took him almost 80 days. Riviére informs Rimbert about meeting his uncle Mr. Verrier and his children in Jamaica and Havana reminds him of their old friendship and ask his help to forward his carrier in the marine administration in case he decides to go back to France.<p><br /> During the French Revolutionary uprisings thousands of French refugees from the West Indies arrived in the United States. Due to the conflicts of the Haitian Revolution 1790–1804 nearly 20000 mostly white planters gens de couleur and slaves fled the French colony of Saint Domingue to seek asylum mainly in American port cities such as New York Philadelphia Baltimore New Orleans and Charleston. The present letter adds a personal touch to this episode of history. From Mr. Riviére to “Monsieur Rimert, Employé dans les bureaux du Préfet Maritime à Brestâ€. Text in French. Arrived thro unknown
951Paris. Henri Flour. 1907. 4 to. pp. iv 176 4. 42 hors texte plates in color and monochrome and 103 other illustrations. The Deluxe edition of 100 on Rives en Dauphine Velin paper from the total edition of 1000. With a deckled edge. Original wraps bound in. The frontispiece and wrappers were designed by Georges Auriol who also designed the ornaments and type. A Portrait of Riviere by Theophile Steinlen. Original etchings by Riviere "Le coup de Vent" and "Enterrement aux Parapluies". The text includes a catalogue of Riviere's etchings lithographs and woodcuts. unknown
1672D20310London: F. Streater 1672. Hardcover. Very Good. Folio. Contemporary calf rebacked. Some ink notations including a recipe for 'plague water' ! on rear blank. Wing R 1563. With the rare engraved frontispiece. This engraving has the portraits of Riverius Culpepper Cole and Fernel. 8;645;110;463;32;. Small folio in contemporary calf newly rebacked. Foxing in parts. Worming of inner margins of first few leaves. Interesting associatlon item with a presentation note cn front blank "Samuel J. Mixter from L. Vernon Briggs 1912" then represented to "S.J. Mixter to Wm Jason Mixter 1921". Mixter is best remembered for his description of the herniated lumbar disc and its association with sciatia done with Joseph S. Barr in 1934 See Garrison Morton 4435. Lazare Riverius 1589-1655 was a celebrated French plysician who served the court of the King of France. A native medicine at Montpellier in 1622 and although late invited to teach at Toulouse and Bologna remained at description of aortic stenosis correction of many of the errors of Caien. rie was early end strong proponent of the works William Harvey on blood circulation. The pesent work contains transiations of his Praxis mieuieu and Observationum medicarum centuriae quatuor as well as a translation of Fernel's Constliorium medicinalium libr one of the most orderly study of Fernel's writings. <br /> <br/><br/> F. Streater hardcover
951Paris. Henri Flour. 1907. 4 to. pp. iv 176 4. 42 hors texte plates in color and monochrome and 103 other illustrations. The Deluxe edition of 100 on Rives en Dauphine Velin paper from the total edition of 1000. With a deckled edge. Original wraps bound in. The frontispiece and wrappers were designed by Georges Auriol who also designed the ornaments and type. A Portrait of Riviere by Theophile Steinlen. Original etchings by Riviere "Le coup de Vent" and "Enterrement aux Parapluies". The text includes a catalogue of Riviere's etchings lithographs and woodcuts. unknown books
192355594Paris: Henri Floury 1923. Limited first edition Deluxe edition. Hardcover. vg. 1/75. 242 2pp. 4 pages of ads bound in. Period 3/4 dark green morocco over green decorative paper boards. Spine sunned to brown color. Raised bands and gilt lettering on the spine. Marbled endpapers. Original illustrated wrappers bound in. This is #57 from a deluxe limited edition of 75 numbered copies printed on Japan paper which include an additional "before lettering" version of the front wrapper graphic self-portrait of Cezanne an original etching by Cezanne "Portrait de Guillaumin" and an additional full page color plate reproduction "Les Terres Rouges" aka "The Bellevue Plain". Numbered on the colophon at the front.<br /> <br /> This finely produced monograph on Paul Cezanne written by his friend art critic George Riviére 1855-1943 serves as a biography as well as an early catalog raisonne of the artist's work. The book is profusely illustrated with a total of 60 beautiful plates interleaved throughout reproducing 38 individual pieces by Cezanne. These plates include the previously mentioned additional material for the deluxe edition as well as the frontispiece painted portrait of Cezanne's father by the artist. The plates are printed variously in b/w or high quality full color offset as well as gorgeous full color b/w or sepia-toned gravure images. Many of the works are represented via two plates each with a color variant in printing i.e. b/w and sepia or variant of the full color printing. In addition there are a total of 56 in-text illustrations which are b/w offset reproductions. <br /> <br /> The appendix section at the back contains a table of contents lists of plates and in-text illustrations a detailed chronological list of the artist's work an exhibition history and a record of sales for Cezanne's artwork.<br /> <br /> Bound in at the rear is a 4-page illustrated advertising pamphlet for this Paul Cezanne work issued by publisher Henri Floury. The final page contains text advertising other fine art monographs published by Floury including Riviére's work on Renoir.<br /> <br /> Spine re-backed and sunned. Front and back boards bumped along the side edge. Interior with some foxing to the free endpapers frontispiece half-tile and title page. Additional very sporadic minor to light foxing to pages throughout mostly confined to the margins with the majority of text and images clean and vibrant. Age toning to some pages. Binding and interior in very good condition overall. George Riviére 1855-1943 was publisher art critic and artist. He was a close associated and friend of a number of the impressionist and post-impressionist French artists including Cezanne and Renoir. He published the art periodical "L'Impressionniste" and other works on the subject. He was father-in-law to Cezanne's son.<br /> <br /> The first complete catalog raisonne for Cezanne would not be published until 1936. Henri Floury hardcover
17504284Genève, Barillot et Fils, 1750. In-4 de XXIV-363p., pleine basane brune. Dos à nerfs orné de filets et fleurons dorés.
192213050London: Macmillan & Co. 1922. With a preface by Austin Dobson. Illustrations by Hugh Thomson. Pp. xxxviii 305. 18.1 x 11.8 cm. 8vo. bound by Riviere in one of their rare 1920s Art-Deco stained leather pictorial bindings of full brown polished calf with a panel of deep blocked lettering in black above an image of a country church made from onlaid block-stamped calf variously stained in browns and greens on the back is an image made in the same way of soup in a blue bowl with label and a clay pipe and on teh spine a candle stick and letteres in gilt with flower gilt tooling turn-ins with a double gilt fillet marbled endpapers all edges gilt. Housed in the original faux crocodile box made from stiff board and lined with felt. The box is worn otherwise an exceptionally good binding. In an exceptional and rare Art Deco Riviere binding Macmillan & Co. hardcover
1921342794Paris: H. Floury 1921. Hardcover. Very Good. First edition. Quarto. 4 273 3pp. Contemporary maroon cloth gilt spine titles with the front wrap a color lithograph bound-in. With 95 in-text gravure illustrations 56 monotone and color gravure plates 12 in color one original drypoint etching by Pierre-Auguste Renoir "Jeunes Filles Fleurissant Leurs Chapeaux" and one color lithograph "Tête de Jeune Fille" the front wrap. Very good with moderate soiling to the boards and the usual age-toning at the edges of the text pages; the plates are clean and bright. H. Floury hardcover
26060301N.p.ca 1800-1810 n.p. Single sheet map 32 x 47 cm.a bit of mild foxing old verso repairs English and Romanized Chinese place names old folds as is some very minor loss right & left edges else solid. EARLY AND OBSCURE WORK. RARE . . . . A VERY EARLY PRINT OF THE PEARL RIVER ESTUARY . . This is clearly an early and most obscure area map. It shows Canton at the upper left corner with the various confluenc- es of the Pearl River Choo Keang or now Zhu Jiang as it meanders down to the Great Western Channel and all of the islands around Hong Kong: Keangshan Island Lantao Lintin Lemma Channel Macau and the islands near it. Essentially all islands from the Pacific Ocean as it enters the whole estuary. . This work is basically a map of the Canton and the whole estuary showing virtually all of the islands and coastal lines. It also uses such early names as the "Bogue" aka Boca Tigris and shows a good number of Chinese characters for place names with the associated tanslated Romanization so the map can be read by foreigners as well as Chinese. translating. . Although undated this map appears to be made in an early time as Hong Kong while cited is not central and of no significance and is in fact to the extreme right and barely noticeable. The map was clearly done before Hong Kong had any role of importance indicating an early work. This was likely done during the time of Canton trade so it was more of a navigational guide rather than one used to point out any specific areas other than the Canton Estuary. . Because of its clarity and use of Chinese characters one could also ascribe the use to navigators who employed Chinese pilots to assist in sailing though the islands into the Pearl River to Canton and Whampoa or to Macau and its passages to Canton. . . unknown
17400056271740 S. l. n. e. [Amsterdam, Pierre Mortier], 1740. In-quarto (257 X 205 mm) veau fauve marbré, supra-libris (lettre « V ») doré au centre des plats, dos à nerfs orné, pièce de titre maroquin grenat, tranches rouges (Reliure de l'époque) ; portrait-frontispice, (2) ff. de faux-titre et titre, XL-284 pages, 6 planches hors-texte. Quelques feuillets uniformément brunis.
20495A Londres, chez Jean Nourse, Libraire ; et se trouve à Paris, chez Desaint, 1767, in-4 de (2)-VII-(1)errata-511 pp., reliure de l'époque, de plein veau fauve, dos lisse orné d'un décor "à la grotesque" doré, pièce de titre de maroquin brun, usure et manque à la coiffe supérieure, charnière supérieure fragile, coins inférieurs émoussés, sinon bon exemplaire.
17133648A La Haye, chez Henry Scheurleer, 1713. In-12 de 508-(8) pp., maroquin bleu, dos orné à nerfs, triple filet doré d'encadrement sur les plats, dentelle intérieure, tranches dorées sur marbrure (David).
1926116316Paris Gallimard 1926-1928 4 vol. reliés 4 vol. in-4 tellière, demi-maroquin lavallière à coins bordé de filets dorés, dos à nerfs soulignés de pointillés dorés, triple filet et guirlande dorés en encadrement des caissons, têtes dorées, non rognés, couvertures et dos conservés (P.L. Martin), 351, 396, 380 et 388 pp., fac-similés en frontispice. Édition originale de cette célèbre correspondance qui se lit comme un roman d'apprentissage. Jacques Rivière et Henri Fournier se rencontrent en octobre 1903 au lycée Lakanal de Sceaux, où ils préparent le concours d’entrée à l’École Normale Supérieure. De tempéraments différents, rien ne les prédestine à nouer un lien d'amitié si ce n'est leur goût commun de la lecture. C'est en découvrant "Tel qu'en songe" de Henri de Régnier que les deux jeunes gens accèdent aux sortilèges de la littérature, une illumination qui décide de leur vocation d'écrivain, mais chacun selon sa manière : d'un côté l'homme appliqué qui prendra les commandes de la Nouvelle Revue française ; de l'autre, l'auteur fougueux du Grand Meaulnes, qui tombera au front en 1914. Chaque volume est l'un des 109 exemplaires de tête réimposés et numérotés sur vergé Lafuma-Navarre (n°26). Superbe ensemble, dans d'élégantes reliures signées de Martin.
1926116316Paris Gallimard 1926-1928 4 vol. reliés 4 vol. in-4 tellière, demi-maroquin lavallière à coins bordé de filets dorés, dos à nerfs soulignés de pointillés dorés, triple filet et guirlande dorés en encadrement des caissons, têtes dorées, non rognés, couvertures et dos conservés (P.L. Martin), 351, 396, 380 et 388 pp., fac-similés en frontispice. Édition originale de cette célèbre correspondance qui se lit comme un roman d'apprentissage. Jacques Rivière et Henri Fournier se rencontrent en octobre 1903 au lycée Lakanal de Sceaux, où ils préparent le concours d’entrée à l’École Normale Supérieure. De tempéraments différents, rien ne les prédestine à nouer un lien d'amitié si ce n'est leur goût commun de la lecture. C'est en découvrant "Tel qu'en songe" de Henri de Régnier que les deux jeunes gens accèdent aux sortilèges de la littérature, une illumination qui décide de leur vocation d'écrivain, mais chacun selon sa manière : d'un côté l'homme appliqué qui prendra les commandes de la Nouvelle Revue française ; de l'autre, l'auteur fougueux du Grand Meaulnes, qui tombera au front en 1914. Chaque volume est l'un des 109 exemplaires de tête réimposés et numérotés sur vergé Lafuma-Navarre (n°26). Superbe ensemble, dans d'élégantes reliures signées de Martin.
190725338Paris Henri Floury, imprimerie Geneviève Lahure et Maison Verneau 1907 Paris, Henri Floury, imprimerie Geneviève Lahure (typographie) et Maison Verneau (lithographies), 1907, fort volume in-4, reliure en buffle lie de vin, couverture illustrée par Georges Auriol et dos conservés, reliure postérieure.
19273138Paris, François Bernouard, 1927. un volume in-4 (272 x 220 mm) broché de 36 ff. les 2 premiers et dernier blancs, 5 planches, couverture imprimée en deux couleurs. Édition originale, illustrée de 5 EAUX-FORTES ORIGINALES DE LÉONARD FOUJITA. Tirage limité à 301 exemplaires, celui-ci l' un des 275 numéroté sur vergé de Rives (n°158), en parfait état d'origine. - ENGLISH DESCRIPTION: Paris, François Bernouard, 1927. one volume in-4 (272 x 220 mm) paperback of 36 ff. the first 2 and last blank, 5 plates, cover printed in two colors. First edition, illustrated with 5 ORIGINAL ETCHINGS BY LÉONARD FOUJITA. Limited edition of 301 copies, this one of 275 numbered on Rives paper (n°158), in perfect original condition.
1787ST19529aLondon: Printed for A. Strahan; T. Cadell; and W. Creech 1787. Third Edition; First London Edition First State with "stinking" instead of "skinking" in "To a Haggis". 210 x 126 mm. 8 1/4 x 5". xlviii 13-372 pp. With half title and the subscriber list to the Edinburgh edition. <br/> VERY FINE RED CRUSHED MOROCCO GILT BY RIVIERE & SON stamp-signed on front turn-in cover with French fillet border raised bands spine compartments with acorn-and-lancet central ornament floral vines at corners gilt lettering turn-ins with complex gilt roll marbled endpapers all edges gilt. Engraved frontispiece portrait of Burns. Gibson p. 6; Egerer 2. ◆Perhaps pressed not washed but AN ESPECIALLY FINE COPY quite clean and fresh internally IN A SPARKLING BINDING with no signs of use.<br/> <br/> This is one of the most famous poetic publications in history offered here in a most attractive copy of the first London printing following an Edinburgh edition the same year and the extremely rare Kilmarnock first edition of 1786. Burns issued the poems at the age of 27 in order to raise passage money for a voyage to Jamaica where he had been offered an agricultural post on a plantation. At a time when his contemporaries were searching for the "natural bard" and in the process had unearthed poetical threshers poetical milk maidens and poetical cobblers the charming plowman Burns delivered his simple and beautiful lyrics with most propitious timing. He found himself famous almost at once and his fame has not faltered over time even though after the appearance of the present work he did little during the rest of his life except write songs and drink. The very attractive binding is the work of one of the longest-lived English binderies. Robert Riviere began as a bookseller and binder in Bath in 1829 then set up shop as a binder in London in 1840; in 1881 he took his grandson Percival Calkin into partnership at which time the firm became known as Riviere & Son. The bindery continued to do business until 1939 when it was acquired by George Bayntun of Bath a firm that is still producing fine work and is still in family hands. Printed for A. Strahan; T. Cadell; and W. Creech unknown
