21 365 résultats
2016116070Mack. New. 2016. Hardcover. 1910164194 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . Mack hardcover
2014108824Mack. New. 2014. Hardcover. 1910164011 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . Mack hardcover
198666684Museum of Fine Arts. New. 1986. Paperback. 0878462767 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 156 pp. With 54 col. Ills. 28 x 23 cm. -- with a bonus offer-- . Museum of Fine Arts paperback
197670551Stefanie Maison and Hazlitt Gooden & Fox. As New. 1976. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 52 pp. illus. bib. Notes; 25 cm. VG. .First Edition. Soft Cover. Very Good. 8vo - over 7!" - 9!" tall. Exhibition Catalogue. Stefanie Maison and Hazlitt Gooden & Fox -- with a bonus offer-- . Stefanie Maison and Hazlitt, Gooden & Fox paperback
201296497Nazraeli Press. New. 2012. Hardcover. 1590053311 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 128 pp. 62 illus. 60 in color. -- with a bonus offer-- . Nazraeli Press hardcover
200161875Oxford University Press Distribution. New. 2001. Paperback. 0892366605 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - 142 pp. With 56 ills. 29 col. . 20 x 16 cm. -- with a bonus offer-- . Oxford University Press (Distribution) paperback
200061552Aperture. New. 2000. Hardcover. 0893819174 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 80 pp. With 154 ills. 20 col. . 30 x 24 cm. -- with a bonus offer-- . Aperture hardcover
201190001KWS Publishers. New. 2011. Hardcover. 0981773664 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 168 pp. -- with a bonus offer-- . KWS Publishers hardcover
199793101Pandanus Press. New. 1997. HARDCOVER. 064630898X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- HARDCOVER. 152 pages; well-illustrated with color and with black and white images. -- with a bonus offer-- . Pandanus Press hardcover
199380494Rizzoli. New. 1993. Hardcover. 0847814866 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 414 pages many color illustrations biog. bibliog. chrono. 4to. -- with a bonus offer-- . Rizzoli hardcover
199581492Yale University Press. New. 1995. Paperback. 0300064489 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ASIN: B002Y299GI. Xi 398 pages; illustrated; 8vo. -- with a bonus offer-- . Yale University Press paperback
199982413Harry N. Abrams; Museum. New. 1999. Paperback. 0810969238 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - Corresponds to ISBN: 0810969238. 192 pages 242 illus. 158 in color 4to. -- with a bonus offer-- . Harry N. Abrams; Museum paperback
199883278Harry N. Abrams. New. 1998. Hardcover. 0810941384 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 168 pages 95 illus. 85 in color 8vo. -- with a bonus offer-- . Harry N. Abrams hardcover
200979481D. A. P. New. 2009. Hardcover. 8492480386 . - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Immediately available. Ships within one business day. Text in English. With 56 ills. 22 x 22 cm. -- with a bonus offer-- . D. A. P. hardcover
199281491Random House Distribution. New. 1992. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- xi 398 pages illus. 8vo. -- with a bonus offer-- . Random House (Distribution) hardcover
5952249-nnew. unknown
6050Title framed within typographical ornaments. 4 p.l. 219 1 p. 4to orig. decorative brown morocco with gilt armorial device and mottos on upper cover corners a trifle rubbed flat spine gilt a.e.g. N.p.: Chiswick Press "Privately Printed" 1883. One of forty copies of this rare catalogue in the deluxe presentation binding. Fox Strangways 1847-1905 possessed a vast collection of family portraits and Old Master paintings spread across a house in London at 42 Belgrave Square and three country houses Melbury House and Abbotsbury Castle in Dorset and Redlynch House in Wiltshire. The catalogue was compiled by his mother Amelia Fox Strangways. The 4th Earl William Thomas-Horner Fox Strangways 1795-1865 uncle of the 5th Earl and a prominent diplomat was posted throughout Europe most notably Italy where he was an early proponent of artists from the period of Giotto and Cimabue. Despite his enormous contributions to the family collection the 4th Earl's name is curiously not found in this catalogue. In 1913 a fire destroyed Abbotsbury Castle and its contents making this an essential record of that part of the collection. Many of the paintings purchased by the 4th Earl were bequeathed to Christ Church Oxford and to the Ashmolean Museum. The catalogue lists 352 paintings arranged by house then by room. Many have lengthy descriptions about the artists and provenance. Fine copy lacking the errata slip. unknown books
159260391Rostock Stephan Mölleman 1592 4to. In contemporary limp vellum. Extremities with light soiling and miscolouring. Front free end-paper annotated in contemporary hand. Three leaves T-Tiii with repairs with loss of text and woodcut. Title-page and colophone supplied in facsimilie. Internally with light occassional browning but in general good condition. 272 ff f. 272 erroneously printed as f. 273 with 44 woodcut illustrations in text. <br/><br/><em>Later Rostock edition of the famous epic. Circulating from the 12th-century and derived in part from Aesop Reynard the Fox is one of the most popular and enduring beast-epics. Reynard the Fox is a collection of fables that originated in medieval Europe and the exact authorship is unknown. The stories were likely passed down orally before being written down in various versions over the centuries. The fables with the wily fox as a central character lent themselves to satire and it became a vehicle used by the Protestant reformers and others. The Low-German version first appeared at Lubeck in 1498 and the Rostock editions which followed from 1517 facilitated the spread of the epic towards the east. The woodcuts had previously illustrated the 1539 Rostock edition of which 36 are attributed to Erhard Altdorfer. Stylistically they depend on the first Lubeck and Rostock editions. </em> hardcover
159260391(Rostock, Stephan Mölleman, 1592) 4to. In contemporary limp vellum. Extremities with light soiling and miscolouring. Front free end-paper annotated in contemporary hand. Three leaves (T-Tiii) with repairs with loss of text and woodcut. Title-page and colophone supplied in facsimilie. Internally with light occassional browning but in general good condition. 272 ff (f. 272 erroneously printed as f. 273) with 44 woodcut illustrations in text.
19696567Somerville MA: Abyss Publications 1969. First Edition. Quarto 28cm; mimeographed sheets recto and verso side-stapled into pictorial card covers; ii1211pp. While not called for this copy has been signed by Bukowski on the title leaf. Subtle toning to margins of first and last leaves light wear and handling to wrappers with a few very faint splash marks to front cover which is pulling away slightly from the upper staple; contents clean complete; Very Good or better. Offered together with a set of unbound proof sheets for a later revised edition apparently unpublished of the same title - this one bearing an introduction not printed in earlier editions dated November 1988. Mild handling else Fine housed in a dark yellow clasp-bound envelope with "Fox / Proofs" written in pencil in an undetermined hand.<br /> <br /> Offered together with four pieces of correspondence between Fox Jeffrey Weinberg John Martin and Charles Bukowski regarding publication:<br /> <br /> 1. 2pp typed letter signed from Fox to Jeffrey Weinberg dated October 31 1985 on a sheet of Fox's pale grey laid paper stationary measuring 8.5" x 11". 61 lines signed "Hugh / Connie" in red pencil. Fox relays some information regarding the publication history of Charles Bukowski: A Critical and Bibliographical Study expressing his interest in Weinberg publishing a revised edition and soliciting his input on any changes he felt necessary. He also goes on at length quite candidly regarding long history as a transvestite his recent visit to "a sex-change doctor" in New York undergoing hormone therapy and the tension between "being MALE FATHER IRISH CATHOLIC TEACHING AT A CATHOLIC UNIVERSITY and feeling FEMALE MOTHER PAGAN all my life.". Old horizontal folds from mailing some handling else well-preserved.<br /> <br /> 2. Typed letter signed from John Martin to Jeffrey Weinberg dated June 16 1989 on a single sheet of Black Sparrow Press stationary measuring 8.5" x 11". 26 lines signed "Sincerely John." Bukowski's friend and long-time publisher mentions discussing Weinberg's plan to publish a revised edition of Fox's Charles Bukowski: A Critical and Bibliographical Study sending him a copy of the book to gauge his thoughts. "Hank called to say that he had always disliked the book and didn't want it reprinted. I explained to him that we had no control over the narrative portions of the book but that we could withhold permission to quote from his poems." Old horizontal folds from mailing some handling one small spot of correction fluid and a faint diagonal crease. <br /> <br /> 3. Photocopied computer-generated TLS from Bukowski to John Martin dated 6-16-89 on white bond measuring 8.5" x 11". The text is brief confirming Bukowski's thoughts on republication of Fox's work: "I'd rather that the Hugh Fox work on my early books not be reprinted. I find the work both hasty and a bit dull. No good purpose could come of a reprint." Old horizontal folds from mailing with some mild handling.<br /> <br /> 4. Photocopied TLS from Fox to Jeffrey Weinberg printed on white bond measuring 8.5" x 11" dated June 25 1989 and signed in ink "Best Hugh". A brief but strongly-worded letter responding to both Martin's and Bukowski's sentiments regarding republication of his book. "Poets and other writers have no censorship control over what is written about them -- including reasonably short quotes from their works. Bukowski has no say over the reprint of this book. When I first sent it to him he was delighted by it. Whatever the old poet now on the brink of death thinks lashing out in anger at Time and Dissolution is totally irrelevant. My advice is -- GO AHEAD AND PUBLISH THE BOOK AND DON'T LET EMBITTERED LITTLE HITLERS DESTROY THE FIRST AMENDMENT." Old horizontal folds from mailing with some light handling.<br /> <br /> The first critical and bibliographical study of the works of Charles Bukowski predating Sanford Dorbin's A Bibliography of Charles Bukowski published by the Black Sparrow Press the same year. Fox 1932-2011 was an author and scholar who taught American literature at Loyola University in Los Angeles. In addition to critical studies of Bukowski and Lyn Lyfshin they wrote numerous volumes of poetry under the name Connie Fox and in 1968 founded Ghost Dance: The International Quarterly of Experimental Poetry which they edited for 27 years. The first edition of his critical work on Bukowski is uncommon in commerce and this is the first example we've seen signed by Bukowski himself. Abyss Publications unknown
1920148871Paris: Editions Nilsson 1920. First French Edition a trade softcover original preceding the first English language edition by nine years. Text in French. Cover illustration by Maggy Monier. Rare.<br /> <br /> A seminal horror novel written by one of the most important French genre fiction writers of the early twentieth century. The basis for several films including the classic German silent film starring Conrad Veidt "The Hands of Orlac 1924 and its American rival the sound version starring Peter Lorre "Mad Love" directed by emigre Karl Freund for MGM in 1935 and today considered one of the greatest horror films of the 1930s. <br /> <br /> Very Good in illustrated wrappers. All edges uncut. Slight lean some vertical wrinkling to the spine small chips at a couple of corners and wrappers foxed particularly rear wrapper.<br /> <br /> Barron 1999 4-125. Bleiler 1948 US. Clute & Nicholls US. Hubin 1994 US. Locke US. Reginald 12140. Senn US. Editions Nilsson unknown
1977YRG-502Fort grand infolio (39x31 cm), reliure d'art Chr. Grégoire, sous emboitage, 148 pages, Pointes sèches originales de Pierre Letellier. Tirage limité à 150 exemplaires numérotés, le XXI, un des XXXIV réservé aux amis des sociétaires et collaborateurs. Il 148 pages. Dos légèrement insolé. Cercle des Bibliophiles de la Maison de la Chasse et de la Nature. Paris.
3 vols., 8vo., First Edition, on laid paper; handsomely bound in uniform burgundy full crushed morocco, sides with gilt frame borders, backs with raised bands, second and fourth compartments lettered and ruled in gilt, all other compartments tooled in gilt, gilt tops, hand-made endpapers, ribbon markers, a most attractive set ideal as a gift or for presentation. Elegant set of first editions of Sassoon's 'fictitious' autobiography in which his story is told by 'George Sherston'.
1931320507New York: Scribner 1931. Limited. hardcover. fine. N.C. Wyeth. 14 tipped in color plates tissue guards deckled edges 4to vellum backed spine with gilt lettering. decorative blue and gold textured cloth original glassine wrappers and original board box. New York: Scribner 1941. A fine copy in a lightly worn box.<br/> <br/> Number 13 of 512 copies signed by the Illustrator of which the first 12 were for presentation.<br/> <br/> Scribner unknown
1937CLL-118Bruxelles, Les Éditions de Belgique, 1937 In-4, 121 pp., (1) f., demi-maroquin vert, dos à nerfs orné de caissons de filets à froid, tête dorée, non rogné (Laurenchet).
