34 831 résultats
201613054Paris, Société continentale d'éditions modernes illustrées , 1971 ; in-8, 362 pp., cartonnage de l'éditeur.
205821Paris, Imprimerie nationale, (An 8) in-8, 12 pp., en feuilles. Légèrement défraîchie.
21482Paris, Imprimerie de Rignoux, s.d. 13 parties en 1 vol. in-8, 32-40-32-40-43-40-40-27-47-40-39-48-45 pp., demi-basane havane, dos long orné de filets dorés, tranches mouchetées (manques et épidermures, pâles rousseurs).
13923Petit volume in-8 (19,5 x 14 cm) de 14 fascicules réunis par un système de languette métallique et deux écrous. Un premier feuillet de couverture porte le nom manuscrit de Marie-Louise Montat ; sur le second se lit le titre : "Notre livre de vie, 1929-1930. Créchy". Chaque fascicule est précédé d'une couverture de papier coloré (vert, mauve ou beige) illustrée d'une composition d'enfant en linogravure. D'autres illustrations du même type parsèment le volume. La numérotation des pages ou des histoires est "fantaisiste" mais il manque le fascicule 14 de début juillet 1930 et certainement quelques pages.
18712437Charterhouse School 1871. Hardcover. Very good. Dates: 1871-1877 and 1910. Small 4to. 37 ff. mostly with newspaper clippings neatly pasted in on both sides 4 ff. in manuscript "Summary of Scores" from 1871-1877 and 1910. Several leaves excised; it is possible that the present album had been re-purposed. On a few of the stubs appear fragmentary MS notations suggesting that the notebook may have once been divided alphabetically. We find on certain stubs "Ai" followed immediately by "Ao" and then several leaves later: "Her. - Hes" followed by "Io." Binding rebacked with smooth calf. In very good condition. Highly interesting homemade album of Cricket Scores available nowhere else specifically documenting the triumphs of three young members of the Blomfield family namely: E.G. Edward George C.J. Charles James and R.T. Reginald Theodore. One wonders if the present album was created in order to promote friendly competition between the brothers two of whom went to Haileybury School and one went to Charterhouse; all three went up to Oxford. There are scores and game synopsis of matches were between Haileybury Charterhouse Marylebone Cricket Club MCC Westminster Trinity College Oxon. Exeter Oxon. and more. One of the more interesting features about the album is that it provides a fascinating record of one family's love of the game:<br /> <br /> ¶ Edward George 1853-1885 entered Charterhouse School London in 1865 and transfer upon the School's removal to Godalming in 1872; in 1873 he went to Trinity College Oxon. where he earned a B.A. in 1877 and M.A. in 1879; thereafter he served as Curate of St. Mary's Portsea until 1883 and then Vicar of St. Mark's Woolston until his death in London in 1885.<br /> <br /> ¶ Charles James 1855-1928 went to Haileybury School; he underwent military training at Sandhurst and served as an army officer in India Sudan and Natal. He attained the rank of Major General before his retirement in 1917. NB: this individual is not to be confused with a noted architect of the same name b. 1862 d. 1932. <br /> <br /> ¶ Reginald Theodore 1856-1942 also went to Haileybury School; he earned his B.A. from Exeter Oxon. in 1880 and M.A. in 1884. He became an architect and was knighted in 1919. He is remembered mainly for his work designing British war memorials. <br /> <br /> ¶ The parents of the three young men were Rev. George John and his first cousin Isabella Blomfield of Bow Devonshire whose own father Charles James Blomfield was Bishop of London. <br /> <br /> ¶ At the end is a "Summary of Scores" for the years 1871-1877. Following this in a different hand is the year 1910; although the initial of the last name "Blomfield" remains the same the other initials belong to Reginald Thomas and his two sons Henry George and Austin. <br /> <br /> ¶ See Stedman Charterhouse Register 1872-1900 passim. CATALOGUER'S NOTE: We are grateful to Catherine Smith Archivist of Charterhouse School for much useful information concerning the Blomfield Family. hardcover
193058055Portland OR: Hollywood College of Music Dancing & Fine Arts Baker Studio Granada Studio La Vere Photo Shoppe Photo Craft Studios ca. 1930-1933. Oblong 4to. 24 original photographs all preserved in archival mylar sleeves sized 6.25 x 7 in. up to 8 x 10 in. some w/ photographer’s imprint w/in negative others w/ manuscript captions added a few w/ annotations and/or photographer’s instructions on versos all with bright strong contrast a few w/ offsetting from previous mounting on versos and one w/ very small pinholes at corners from prior mounting. Recent cloth binder stamping front cover excellent grouping. These photographs vividly document the dance and music studio operated by Annabelle Knowles reflecting the fast evolving costumes and aesthetics of the twilight of the Roaring 20’s as the U.S. descended into the Great Depression. These photos also clearly reflect the influence of Gus Edwards 1879-1945 vaudeville’s premier producer of kiddie acts and who had produced and released the shorts “Kiddie Revue†in 1930 and 1931. His influence was not only driven by his songs “By the Light of the Silvery Moon & “School Days†but also discovering such stars as Groucho Marx Eddie Cantor Mae Murray Sally Rand and many others. The images depict girls in two-piece outfits in front of Art Deco staging for “Body and Soulâ€; bare-backed girls in Flapper Era inspired costumes for chorus line “Kiddie Revueâ€; song and dance routines featuring Ronald Chetwood in top hat with Marcile Shillito Virginia Collins and chorus line in Jazz Age era costumes and canes; and several show Barbara Jane Wicks Shirley Jay Mulkey and Sunny Dentler in Spanish inspired costumes for “Baby Vanities.†Another shows adolescent boy and girl dance team in an “Apache†dance inspired costume number. The Hollywood College of Music Dance & Fine Arts offered classes and instruction in all ages with the last few photos showing teenage girls in chorus line with short hair coquettish expressions and teamwork or chorus line numbers. Annabelle Knowles 1900-1989 was a musician and dancer who founded the Hollywood College of Music Dancing & FIne Arts at 4112 NE Sandy Blvd. some time in the late 1920’s. Most of the street directory references focus on 1929-1932 and her British-America theatre-director husband at the time Vincent Knowles 1883-1944 worked at the studio as well. Baker 1882-1972 was a longtime commercial studio photographer in Portland OR who had initially begun as a photographer with noted tourist travel guide Howard Eaton photographing tours through National Pakrs. Beem 1892-1984 was founder and photographer at Granada Studio located in the 1930’s at 515 Swetland Building in Portland. Centlivere 1878-1964 owned and operated La Vere Photo Shoppe and Photo Craft Studios on Sandy Blvd. in Portland for nearly all of his career. We could find no similar collections or photographs or even references to Annabelle Knowles and very few examples of any of these three photography studios in institutional holdings. Hollywood College of Music, Dancing & Fine Arts, Baker Studio, Granada Studio, La Vere Photo Shoppe, Photo Craft Studios, hardcover
188510632Paris, Dunod, 1885 ; in-8, broché ; (1) f. blanc, (6), 266 pp., (1) f. blanc, portrait par Jules Lefebvre gravé à l’eau-forte par Léon Gaucherel en frontispice, couverture verte imprimée.
19559Paris, A. Maeght éditeur, 1953. In-folio, non paginé, en feuilles couverture originale illustrée.
19561Paris, A. Maeght éditeur, 1952. In-folio, 8 pp., en feuilles couverture originale illustrée (très légère insolation des marges).
19568Paris, A. Maeght éditeur, 1956. In-folio, non paginé, en feuilles couverture originale illustrée (très léger jaunissement des marges).
189741634Salt Lake City: Geo. Q. Cannon & Sons Company 1897. First edition. Hardcover. Tall thin octavo 25 cm Dark green cloth over boards with a gilt stamped title and decorative borders on the front cover. Very good. There is a 2" split in the cloth along the rear joint and a thin layer of glue has been applied to the spine from the head to the foot. The underlying boards are exposed occasionally along the edges. There are a handful of very minor stains on the covers. This copy once belonged to the Deseret Sunday School Union and has several library markings on the endpapers and title page and a handwritten notation at the foot of the spine. There is a small loss from the top fore edge corner of the front free endsheet. Flake 1551. Lessons include Jesus as a Boy Jesus and the Woman of Samaria The Parable of the Sower The Last Supper The Visit of Jesus to the Nephites Cain and Abel The Necessity of a Latter-day Prophet Joseph Smith's First Vision and more. Geo. Q. Cannon & Sons Company hardcover
2092902143300346Kiyu dojin N.A. Soft Cover. Fine. Number of pages: 1 47 Size: 25.7x18.1cm Kiyu dojin paperback
61952Holland 18th Century. . Water-colour on Dutch laid paper some light spotting and toning to paper. Framed and glazed overall size: 38.7cm x 45.7cm. Dimensions: 180 x 130mm. 7 x 5 inches.<br /> From a "Tulip Book" in the manner of Anthony Claesz who produced his own "Tulip Book" in c. 1641. These florilegia were commissioned to illustrate the differences between varieties of tulip bulb which at the time demanded such high prices. The beauty of these works ensured that their images would be copied for decades to come by amateur painters and gardeners alike. Claesz was a Dutch master in his own right with several highly accomplished works to his name. However as with most of the great Dutch masters of this period they happily supplemented their income by illustrating such books. It also allowed them to study in detail subjects that would later be incorporated in their great flower pieces.<br /><br />Provenance: Private Dutch collection.<br /> [Holland, 18th Century]. unknown
60722Holland 18th century. . Water-colour on Dutch laid paper some light toning. Framed and glazed overall size: 38.7cm by 45.7cm. Dimensions: 18 by 13cm. 7 by 5 inches.<br /> From a "Tulip Book" in the manner of Anthony Claesz who produced his own "Tulip Book" in c.1641. These florilegia were commissioned to illustrate the differences between varieties of tulip bulb which at the time demanded such high prices. The beauty of these works ensured that their images would be copied for decades to come by amateur painters and gardeners alike. Claesz was a Dutch master in his own right with several highly accomplished works to his name. However as with most of the great Dutch masters of this period they happily supplemented their income by illustrating such books. It also allowed them to study in detail subjects that would later be incorporated in their great flower pieces.<br /> [Holland, 18th century]. unknown
60952Holland 18th century. . Water-colour on Dutch laid paper light paper toning. Framed and glazed overall size: 38.7cm x 45.7cm. Dimensions: 180 x 130mm. 7 x 5 inches.<br /> From a "Tulip Book" in the manner of Anthony Claesz who produced his own "Tulip Book" in c. 1641. These florilegia were commissioned to illustrate the differences between varieties of tulip bulb which at the time demanded such high prices. The beauty of these works ensured that their images would be copied for decades to come by amateur painters and gardeners alike. Claesz was a Dutch master in his own right with several highly accomplished works to his name. However as with most of the great Dutch masters of this period they happily supplemented their income by illustrating such books. It also allowed them to study in detail subjects that would later be incorporated in their great flower pieces.<br /><br />Provenance: Private Dutch collection.<br /> [Holland, 18th century]. unknown
60719Holland 18th Century. . Water-colour on Dutch laid paper some light toning. Framed and glazed overall dimensions: 38.7cm by 45.7cm. Dimensions: 18 by 13cm. 7 by 5 inches.<br /> From a "Tulip Book" in the manner of Anthony Claesz who produced his own "Tulip Book" in c. 1641. These florilegia were commissioned to illustrate the differences between varieties of tulip bulb which at the time demanded such high prices. The beauty of these works ensured that their images would be copied for decades to come by amateur painters and gardeners alike. Claesz was a Dutch master in his own right with several highly accomplished works to his name. However as with most of the great Dutch masters of this period they happily supplemented their income by illustrating such books. It also allowed them to study in detail subjects that would later be incorporated in their great flower pieces. <br /><br />Provenance: Private Dutch collection.<br /> [Holland, 18th Century]. unknown
17853784<b><i>Founding of Harvard Medical School</i></b><br /><br /><i>The Boston Magazine</i> was published from October 1783 to December 1786 and was the first magazine to be published in Boston in the aftermath of the American Revolution. A major attraction of this issue is the presence of the front and rear printed wrappers although they are frayed and detached. The front wrapper features a large woodcut of the State House and surrounding buildings in Boston.The first 3 1/2 pages of the<i> Magazine</i> are Harvard's announcement from September 1783 of the creation of "the Medical Institution" now known as Harvard Medical School. This is followed by about two pages of an address "to the students in physic" i.e. the medical students reflecting upon the first two years of the medical school and outlining the requirements for a medical degree. About two pages are devoted to the sailing directions into and out of Plymouth Harbour. A brief news item in the "Monthly Chronology" reports a meeting to be held in October in Falmouth in the District of Maine on creating a "separate government" for the eastern counties -- a very early report on a separation that would not happen for another 35 years. Issues of <i>The Boston Magazine</i> in the original wrappers are extremely uncommon.<b>References</b>: Mott<i> A History of American Magazines 1741-1850</i>: Vol. I p. 28. Richardson <i>A History of Early American Magazines 1741-1789</i>: pp. 212-227. Lomazow <i>American Periodicals</i>: 15. <br /><br /><br /><b>Condition:</b> Signatures loose. Front and back wrappers present but frayed and detached; top 1/2" or so of front wrapper lacking. Occasional spotting. Interior pages very good. ICN 2933. Printed and published by Edmund Freeman
20082092902137601839Chunghwa Book Office Publishing 2008. Soft Cover. Fine. Number of pages: 972 pages Size: A5 Number of books: 2 Chunghwa Book Office Publishing paperback
201107145Turckheim, Société Wickram, 1953 ; in-4, broché, couverture illustr. N°2 très bon état - exemplaire n°3/150 sur papier offset supérieur.
34167Lyon, Bibliothèque Municipale, 1990, in 8° broché, 192 pages ; illustrations in et hors-texte ; couverture illustrée.
009775[Ecole Centrale de Clermont-Ferrand] Joseph Jeudy-Dumonteix (1759-1832), avocat, bâtonnier, professeur d'histoire puis de législation ; Jean-Marie Depons [de Pons de Frugières] (1735-1811), professeur de langues anciennes ; Jean-Pierre-François-Régis de Roquecave (1761-1836), professeur de mathématiques, docteur ès sciences ; François Grangier de Lamothe (1757-1822), homme politique, membre du jury ; P.S., 18 fructidor an 10 [5 septembre 1802], 1p in-folio. Certificat pour un élève ayant suivi les cours de législation à l'école centrale du département du Puy-de-Dôme. Signé à deux reprises par le professeur, par deux autres professeurs et par deux membres du jury (l'un non identifié). L'élève est Hugues Michel, qui sera avocat et bâtonnier de l'ordre des avocats de Clermont-Ferrand. Rare témoignage de cette école n'ayant existé que de 1796 à 1803 ou 1804. [318]
1141Lyon, Imprimerie Roche (Ecole Centrale Lyonnaise), 1931, in 4 broché, 208 pages ronéotypées ; quelques figures.
207510Alençon, Imprimerie des Malassis, an VII (1799) in-8, 59 pp., broché sous couverture d'attente de papier bleu défraîchie, mouillure claire en tête.
73376Paris, Bourdonnements, sans date, grand in 4°, cartonnage bleu de l'éditeur, 113 pages de texte et une soixantaine de pages de publicités.
31331P., Bédécom S.A., 1981, in 4° relié pleine toile noire décorée de l'éditeur, 219pp. ; nombreuses illustrations. Bel exemplaire.
