GERVAISE (Dom François-Armand)Livre Rare Book
8 223 résultats
1720002791Paris, Jean Musier et François Barois, 1720
166620195Lyon, Charles Mathevet, 1666 ; soit trois parties reliées en un volume in-12, veau marbré, dos à nerfs décoré et doré, pièce de titre havane, roulette sur les coupes, tranches rouges (reliure ancienne) ; [16], 454 pp., [1] f. bl., [1] f., [12], 215, [1 bl.] pp. ; Frontispice qui porte en titre “Le médecin libéral à son Malade, tourmenté des vives appréhensions de la Mort”.
1780000925Londres (Paris, Cazin) 1780
2016BN125581Springer London 2016. 2016. Softcover. Process Automation Handbook <br/><br/>Process Automation Handbook Jonathan Love Springer London paperback
CBS 9781846282812USA Edition . New. Brand New! Fast Delivery US Edition and ship within 24-48 hours. Deliver by FedEx and Dhl & Aramex UPS & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 6-10 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India United states & United Kingdom. Depending on your location and availability. unknown
19282111080487xbvkParis, Éditions des Chroniques du Jour - Grande Librairie Universelle, 1928. XXXIX (I) pages of text with 5 intercalated wholepage self-portraits on singleside printed plates; 1 sheet 'Planches', 30 singels. printed plates depicting the artist's works from 1925 to 1928, 1 per plate; text and plates printed on this paper resp. thing cardboard-sheets. - Slightly later 'jeans-like' blue cloth binding, both panels completely covered with the tipped-on green-titled front- and blank rear cover of the original creme-colour paper-bound original, the olive-grey endpapers decoratively marbled in green-red-black- and silver; 4to.(ca. 28 x 23 cm).
1894AMO-4216Mémoires d'une glace. Album absolument inédit en noir. Par Albert Guillaume. Préface de Paul Hervieu. H. Simonis Empis, éditeur, s. d. (1894). Format 35,5 x 28 cm. Couverture illustrée en couleurs (premier plat) et 26 planches imprimées en noir au trait. (avec 1 feuillet de faux-titre, 1 feuillet de titre et 2 feuillets de préface). Superbe et très rare tirage de luxe sur papier de Chine à 10 exemplaires seulement signé par l'artiste (avec 15 ex. sur Japon) Exemplaire dérelié. Tête dorée. Très bon état de fraicheur des couvertures (les deux plats sont conservés en très bon état). Intérieur parfait sans rousseurs. A noter une déchirure marginale sans manque au bord extérieur de trois feuillets, sans atteinte au texte ou à la gravure. A relier (un cartonnage papier serait le bienvenu). Voir photos de l'annonce. Très rare dans ce tirage.
12946Paris, Isidore Liseux, Editeur, première édition, 1893. Edition à tirage limité à trois cents exemplaires (No 267). 1 volume in-8,broché, couvertures souples imprimées un peu poussiéreuses, 396 pp., bon état général. Cette première édition ne possède pas les planches photographiques parues dans la 2e édition de 1927.
1891980T78London: J. M. Dent & Co 1891. Cloth. Very Good Indeed. 8.5" by 5.5". None. A smart ten volume set of the large paper edition of Thomas Love Peacock's works limited to one hundred copies. Complete in ten volumes. Large paper edition limited to one hundred copies of which this is number twenty-nine. With a frontispiece to each volume. A collection of works written by Thomas Love Peacock an English novelist poet and official of the East India Company. Peacock is noted for his satirical novels each with the same basic setting: characters at a table discussing and criticising the philosophical opinions of the day. Edited by Richard Garnett a British scholar librarian biographer and poet who was keeper of printed books at British Museum from 1890 to 1899. This set contains: Calidore & Miscellanea 1891. Being a collection of shorter works including Calidore: A Fragment of an Unfinished Romance The Four Ages of Poetry and Horae Dramaticae I-III amongst others. Crochet Castle 1891. Peacock assembles a group of eccentrics each with a single monomaniacal obsession and derives humour and social satire from their various interactions and conversations at Crochet Hall. Gryll Grange 1891. Complete in two volumes. The author's final novel beginning with a discussion around the dinner table of Mr. Gryll in which his friend the genial gourmet the Rev. Dr. Opimian holds forth on misnomers fish and the contemporary fashion for lectures. Headlong Hall 1891. As four visitors arrive at Headlong Hall they find further guests and are lead through a series of dinners and Christmas celebrations by Squire Headlong. Maid Marian 1891. A novella set against the backdrop of medieval England focusing on themes of romance adventure and social justice. Following noble Matilda Fitzwater and her intended the Earl of Huntingdon who is embroiled in conflict with the king's authority. Melincourt 1891. Complete in two volumes. A satirical novel in which an orangutan called Sir Oran Haut-ton is put forward as a candidate for election as a Member of Parliament. The Misfortunes of Elphin 1891. A short historical romance set in sixth century Wales which recounts the adventures of the bard Taliesin the princes Elphin ap Gwythno Seithenyn ap Seithyn and King Arthur. Nightmare Abbey 1891. A novella which makes good-natured fun of contemporary literary trends. It follows the fortunes of Christopher Glowry a morose widower who lives with his only son Scythrop in the isolated family mansion Nightmare Abbey. In the original full cloth binding. Externally smart with light rubbing to the extremities and fading to the spines and board edges. The odd small mark. Internally firmly bound. Pages are very bright and clean. With age toning and minor spotting to the endpapers. Previous owner's bookplate to the front pastedown. Very Good Indeed J. M. Dent & Co hardcover
19352083002117401949Hi u-hin 1935. Soft Cover. Fine. Volume: 1 Hi u-hin paperback
176656940Amsterdam, Marc-Michel Rey, 1766. Small 8vo. Contemp. full mottled calf. Richly gilt spine. IV,207,(23) pp. Without the map. Clean, faint marginal brownspots.
176656940Amsterdam Marc-Michel Rey 1766. Small 8vo. Contemp. full mottled calf. Richly gilt spine. IV20723 pp. Without the map. Clean faint marginal brownspots. <br/><br/><em>The contemt of this volume which is volume II of Gerhard F. Müller's. "Voyages et Découvertes faites par les Russes le long des Côtes de la Mer glaciale & sur l'Océan oriental. is wholly devoted to the description of the Amur River and its borderlines as extracted and translated from Nicolaus Witsen's work "Sur la Tartarie Septentrionale & Orientale" Noord en Oost Tartarye Ofte Bondig Ontwerp Van eenig dier Landen en Volken. Amsterdam 1692."In the nineteenth century Russian historians and ethnographers discovered that Witsen had used many Russian sources that had since been lost and they praised Noord en Oost Tartarye ‘as the most remarkable book about Asiatic Russia ever written by a foreigner.’ During the Soviet period Witsen was seen as scholar who had ‘opened up a new era in the study of Siberia.’ Nowadays he is respectfully mentioned on many local Russian websites as the first to have reported on their town province nationality or language."huygens.knaw.n. </em> unknown
0515L970655Very Good. Women in Love. N.Y.: Privately Printed for Subscribers only 1920. First Edition #112 of 1250 numbered copies. Very tall 8vo original blue buckram gilt spine lettering untrimmed. Covers nice with brief rubbing and dusting rear hinge split text firm and very clean. Roberts A15a. As Bready notes "Initial publication prior to U.S. trade edition by Thomas Seltzer later in 1920 and a London edition in 1921. Lawrence completed the manuscript in 1916 but British publishers felt his reputation after "The Rainbow" would cause this risky novel to be quickly suppressed. Seltzer actually arranged for printing of this edition in 1920 hardcover
6304887Springer pp. xlviii 1093 1st Edition . Hardback. New. Springer hardcover
1755000755Paris Desaint & Saillant, Vincent 1755
In-4°; 4 volumi: 1° vol. pp. XVI, 332 (1), 10 c. di tav.; 2° vol. pp. 382 (1) , 26 c. di tav. più 3 grandi tavole ripiegate : “Genealogia degli eroi de romanzi ch’ebbero per fondamento le origini e Franchi e la storia di Carlomagno, de suoi paladini e loro discendenti.” ; “ Tavola Genealogica degli eroi de romanzi ch’ebbero per argomento le origini e le imprese de bretoni.” ; “Tavola genealogica degli eroi de romanzi ch’ebbero per argomento le origini e le imprese de Gaulesi.” 3° vol.: pp. VIII, 430 (2). 4° vol ( “Bibliografia dei romanzi e dei poemi romanzeschi d’Italia.”), pp.VII (1), 304. Lagature in mezza pelle, incisioni in oro al dorso.
111298A Paris, Librairie Théophile Belin, 1899, 2 volumes in-4 de 310 x 220 mm environ, 2 ff. blancs, 2 ff. (faux-titre, titre), xxiv pages (Avant-propos, Epitre, Préface), 96 pages, 2ff. - 2 ff. blancs, 2 ff. ( faux-titre, titre), 144 pages, 2 ff. blancs. Cartonnages roses, dos bruns lisses portant titres dorés sur pièces de cuir bordeaux.Tirage unique à deux-cent-cinquante exemplaires, celui-ci porte le numéro 210. Complet des 26 figures sous serpente, en 3 états (avant la lettre, en noir, en couleurs), en sus chaque volume comprend in-fine une décomposition couleurs en 4 planches d'une figure reproduite dans l'ouvrage. Cartonnages solides mais peu esthétiques (dos griffés et salis, mors apparents), tranches et gardes brunies ainsi que des rousseurs sur les feuillets liminaires et en fin de volume, en revanche corps de texte en bon état et planches d'une grande fraîcheur.
20180Amsterdam, chez Jean Fred. Bernard, 1735. 3 vol. in-12, LXVIII-362 pp. + 424 pp. + 384 pp. demi-basane à coins mouchetée havane, dos long orné de filets et fleurons dorés, pièce de titre rouge, pièce de tomaison rouge, tranches mouchetées de bleu et rouge (reliures défraîchies, petites rousseurs).
1940196731940 Gouache et collages signés en bas à droite, titrés, maquette pour "Rouge Baiser", (1940), 16 x 20 cm., encadrés.
1817023400Phila.: Moses Thomas. Poor. 1817. Disbound. disbound Volume 1 ONLY of a 2 volumes set 1st American edition very scarce. Probably the 1st American edition though apparently an edition was published in New York this same year by Kirk & Mercein. The American Monthly Magazine and Critical Review in 1817 said of this work-"This book has the worst of all faults in a work designed for amusement-that of being extremely tedious. The Author has attempted to introduce various political philosophical and if we may so speak sentimental opinions in the form of a story; and in so doing he has produced a jumble from which the reader can extract no interest and very little information. On this last point we would speak with some diffidence for the work has an air of mystery and may contain stores of recondite knowledge which our vision bedimmed by its powerful soporific influence had not the keenness to detect. The writer certainly appears to be a man of some knowledge and latent but he has learned nothing of the art of writing in a popular manner. His perpetual stateliness perpetually tires and his manner of trifling which he frequently attempts reminds us of the mode in which Goldsmith said Doctor Johnson would write fables-' His little fishes talk like whales.'"; Sm. 8vo . Moses Thomas unknown
1975563H4328USA: Almo Publications. Fair. 1975. First Edition. Paperback. 64 pages. Full-page black and white photos of each band member. Two-page black and white photo of the band on-stage. Includes sheet music for voice and piano with guitar chords for these classic Beach Boys songs: Barbara-Ann; Custom Machine; Dance Dance Dance; Do It Again; Do You Remember; Do You Wanna Dance; Don't Back Down; Drive-In; 409; Good To My Baby; Hawaii; In the Parkin' Lot; The Little Girl I Once Knew; Little Honda; Pet Sounds; Please Let Me Wonder; Salt Lake City; Spirit of America; Surfer's Rule; This Car of Mine; We'll Run Away; When I Grow Up To Be A Man; Wild Honey; Wouldn't It Be Nice; A Young Man's Gone. Unmarked with somewhat above-average wear and soiling. Binding intact. A worthy vintage copy of this great Beach Boys memento.; 4to - over 9¾" - 12" tall; The Beach Boys Brian Wilson Songbooks Barbara-Ann; Custom Machine; Dance Dance Dance; Do It Again; Do You Remember; Do You Wanna Dance; Don't Back Down; Drive-In; 409; Good To My Baby; Hawaii; In the Parkin' Lot; The Little Girl I Once Knew; Little . Almo Publications paperback
1838AMO-3063aris, Charpentier, Libraire-éditeur, 1838. [Imprimerie d'Ad. Everat et Cie]. 1 volume in-18 (18 x 11,5 cm) de XXII-408-(2) pages. Reliure demi-cuir de Russie vert sombre, dos lisse orné de roulettes dorées, plats de papier marbré, doublures et gardes de papier blanc, coins de parchemin (reliure de l'époque). Reliure en excellent état. Intérieur très frais malgré les rousseurs habituelles (les premiers et derniers feuillets étant plus touchés que les autres). Nouvelle édition. Première édition Charpentier dans ce format. L'édition originale de la Physiologie du mariage de Balzac parait à la fin de décembre 1829 sous la date de 1830, en 2 volumes in-8. Une deuxième édition voit le jour en 1834, également en 2 volumes in-8. On trouve ensuite les quatre éditions Charpentier. La première en 1838, la nôtre, inaugure avec quelques autres premiers titres le lancement de la Bibliothèque Charpentier dans le format in-18 anglais, dit format Charpentier, puis viennent les éditions de 1840, 1843 et 1848. C'est pour contrecarrer la contrefaçon belge que Gervais Charpentier crée sa collection in-18, de typographie compacte et à bon marché. Une contrefaçon belge parait d'ailleurs en 1834 à Bruxelles chez Méline. La publication de la Physiologie du mariage fit scandale, mais le Tout-Paris le considéra comme un événement et le succès pour Balzac fut sans précédent, d’autant plus qu’on voulait savoir qui se cachait sous la signature anonyme du jeune célibataire qui devint aussitôt un auteur à la mode (1830). A la fois essai, méditation, et récit, le texte oscille entre l’étude de mœurs et le traité analytique. C’est d’ailleurs dans ce dernier genre que la cinquième édition de l’ouvrage (Furne) classera l’œuvre en 1846 dans la section Études analytiques de la Comédie humaine. Mais malgré son caractère osé (pour l’époque), sa structure peu conforme au roman balzacien, la Physiologie jette les fondations de la Comédie humaine. Quelques aphorismes Balzaciens sur la femme et le mairage : Une femme honnête est essentiellement mariée. Une femme honnête à moins de quarante ans. Une femme mariée dont les faveurs sont payables n’est pas une femme honnête. Quand un homme a gagné vingt mille livres de rente, sa femme est une femme honnête, quel que soit le genre de commerce auquel il a dû sa fortune. Une femme honnête est celle que l’on craint de compromettre. La femme d’un banquier est toujours une femme honnête ; mais une femme assise dans un comptoir ne peut l’être qu’autant que son mari fait un commerce très-étendu et qu’elle ne loge pas au-dessus de sa boutique. Un volume savoureux où l'humour grinçant et réaliste est présent à chaque ligne. Très bel exemplaire conservé dans son élégante première reliure de l'époque. Cette édition au format in-18 de la Physiologie du mariage de Balzac marque une date importante dans l'histoire de l'édition au XIXe siècle.
17922010190013Wilmington Del. : James Adams 1792-01-01. First Edition. Hardcover. Good. 18th Century Delaware Printing: A theological work on Grace Bound in contemporary leather. Gilt ruled spine. 244 pages ; 18 cm. Title margin browned. Marginalia on paste downs early signatures preface page. Occasional scattered staining. "By the worthy and eminently pious Christopher Love Minister of the Gospel in Laurence-Jury London ; --who was beheaded on Tower-Hill in the time of Cromwell's usurpation being the last he preached." Evans 24482. James Adams hardcover
1967191651967. Columbia Pictures Corporation To Sir With Love 1967 documents the emergence of Sidney Poitier as a central figure in global Black cinema and the articulation of race authority and education within a transatlantic context during the Civil Rights era. The film places a Black teacher in a working-class London classroom foregrounding questions of discipline respectability and interracial social dynamics. These lobby cards provide visual evidence of how Poitier's screen persona functioned within narratives of moral authority and social mobility supporting research into African American film history postwar race relations and the international circulation of Black cultural figures.<br /> <br /> Archive of 11 original lobby cards issued by Columbia Pictures Corporation measuring between approximately 10 x 7.5 inches 10 x 8 inches and 14 x 11 inches comprising four color and seven black and white photographic stills. Each card features Sidney Poitier in staged scenes from the film including classroom interactions moments of confrontation and instruction and scenes of social engagement with students and colleagues. Notable images include Poitier receiving guidance from a fellow instructor on classroom management interacting with the school headmaster and participating in both boxing and dance sequences reflecting the narrative's blending of discipline and personal connection. Co-star Pamela Dare appears in select images emphasizing interpersonal dynamics central to the film's storyline. Several cards bear verso markings including 1960s distribution stamps and one example with a CBS Studios pastedown referencing a 1972 television broadcast indicating continued circulation beyond the initial theatrical release.<br /> <br /> Produced at a moment when Sidney Poitier had already become the first African American actor to win the Academy Award for Best Actor the film and its promotional materials contributed to shaping his public image as a figure of dignity restraint and institutional authority. To Sir With Love extended this image into an international setting situating issues of race and class within the British educational system while maintaining resonance with American audiences during a period of civil rights struggle and social change. The lobby cards offer insight into how Black masculinity and leadership were visually constructed and marketed in late 1960s cinema. Minor edge wear and light handling marks with occasional verso stamps and pastedown; images remain sharp and colors well-preserved; overall very good. A cohesive visual archive of Sidney Poitier's role in redefining Black representation in mainstream film. unknown
