1 249 résultats
1550ABC_49514Italy 1550. 17th-century gold-tooled brown calf sewn on 6 supports with the corresponding raised bands on the spine a red morocco title label on the spine with the title "Novissima urbis Romae descriptio" lettered in gold gold-tooled board edges. Large oblong folio ca. 59 x 42.3 cm. With 76 full-page engravings and 12 full-page etchings. Remarkable album with 77 beautiful examples of 16th-century Italian cartography all in very fine dark impressions. The collection includes plans of important Italian towns such as Rome Venice Genoa Naples Milan Florence Palermo Siena Bologna and Pisa as well as detailed views of individual buildings and monuments in Rome. They are engraved by several cartographers from the school of Antonio Lafreri 1512-1577 primarily Claudio Duchetti d. 1585 Matteo Florimi d. 1613 and Lafreri himself. Florimi's works are among the rarest of the Lafreri school map makers especially his Siena imprints of which several have here been included.In the middle of the 16th century Italy was the centre of map production and distribution in Europe. This industry primarily took place in Venice and Rome. The most notable of the publishers in Rome was Lafreri. His most important and most popular work is the Speculum Romanae magnificentiae a collection of plans an views of Rome's monuments; no two copies of the Speculum are the same. The present collection contains more than thirty plates from the Speculum. When Lafreri died his nephew Claudio Duchetti inherited the company. He continued to produce the Speculum plates but often made small adjustments and signed his own name at the bottom. Most of the Speculum plates in the present album are by Duchetti. After his death the copperplates were sold to other publishers such as Giovanni Orlandi before 1590-after 1640 who reissued them. The majority of the plates in the present album were printed by Orlandi in 1602.The album further contains 32 engraved city plans mostly of Italian towns although a few foreign cities are also included; one of the rarest is the view of Moscow which is also included here. The collection ends with a incomplete series of 11 etchings of landscapes and biblical scenes.A list of contents is available upon request.With the bookplate of Louis Routy de Charodon seigneur de Grésigny and Charodon 1710-1794 on the front pastedown and remnants of another bookplate above. The boards are somewhat scratched and stained the spine shows traces of use the edges of the boards have been professionally restored and the boards have been lengthened to fit the maps. The maps are slightly browned some are slightly foxed the first few maps have been mounted onto 17th-century leaves the longer maps are somewhat soiled on the fore edge three maps are restored at the fore edge and one at the bottom edge some maps have been cut slightly short. Otherwise in good condition.l Cf. Parshall P. "Antonio Lafreri's "Speculum Romanae magnificentiae"" in: Print Quarterly vol. 23 1 2006 pp. 3-28. hardcover
198559810Great Barrington MA: Penmaen Busyhaus Publications 1985. Limited Edition "Out of Series" Print Set not numbered not in linen slipcase/box. Prints. Near Fine. Folio 39 cm Two suites of loose prints the suites are issued in two states. 13 prints printed on white paper 12 of which are signed; 13 prints printed on cream-colored paper 12 of which are signed. The images on the cream-colored paper are the same as the images on the white paper the only difference being the paper. The 13th print in each suite is by Lynd Ward which are not signed as he passed away in June of 1985 just before the project was completed. Does not contain the introduction by Leonard Baskin or the descriptive letterpress text. With signed self-portraits by the following artists: <br /> <br /> -Fred Becker 1913-2004. Born in Oakland California and active in St. Louis Missouri and New England. <br /> <br /> -Jack Coughlin b. 1932. Born in Greenwich Connecticut. He studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is most known for his portrait wood engravings etchings and lithographs of literary figures and musicians. Information obtained from Brier Hill Gallery Boston MA. <br /> <br /> -John DePol 1913-2004. A New York printmaker and wood engraver. His press was Endgrain Press. <br /> <br /> -Fritz Eichenberg 1901-1990. A German/American artist. Considered a master of wood engraving. Eichenberg's first big commissions came with Crime and Punishment and Gulliver's Travels for the Limited Editions Club. His images often depict suffering and poverty. His positions included director of Graphic Arts Center in Brooklyn and a teacher of Graphics at New York's Pratt Institute. Westmont Ridley-Tree Museum of Art <br /> <br /> -Raymond Gloeckler 1928-2022. Born in Portage Wisconsin. While still a student he taught art via a government program in rural schools. Later he was employed as a professor at UW-Madison between 1961-1993. "Gloeckler is known for his highly detailed caricatures and bold expressive satire and commentary. His prints and paintings comment on humanity's follies and foibles in a unique light-hearted style defying art world trends." - Gallery of Wisconsin Art <br /> <br /> -James Grashow b. 1942. An American sculptor and woodcut artist. "James Grashow was born in Brooklyn in 1942 and has been creating works that address themes of man nature and mortality since the 1960's" "The scale of his work ranges from large environmental installations through which the viewer traverses to the delicate and contained world of his houseplants where homes and buildings replace flowers and buds in intricately constructed bouquets." - The artist's website <br /> <br /> -Judith Jaidinger b. 1941. One of the two female artists represented here. Born in Chicago Illinois. "Judith Jaidinger's obsession with cutting began in her 1960s student days at the School of the Art Institute and is linked to her equally long frankly sensuous relationship with boxwood. She was introduced to both in an engraving class taught by British-born print-master Adrian Troy. "At the same time printing industry technology had moved on supplanting woodblock engravings with line drawings and photography. 'A dying art' Jaidinger says. It was also a seriously slumping industry. But in the 1960s in Chicago hub of an enormous catalog business there were still a few commercial wood-engraving establishments turning out the precise detailed images more typical of the previous century. One of them Sander Wood Engraving on Dearborn Street was where Professor Troy a committed modernist sent his students to buy the best material: rare English-grown boxwood blocks. "'He warned us' Jaidinger recalls 'If you go to Sander and buy your wood from them don't look at what those engravers are doing. I don't want you to be influenced by them.' "That made it irresistible." - Reader- Chicago's alternative nonprofit newsroom <br /> <br /> -Stefan Martin 1936-1994. Born in Elgin Illinois and a graduate of the Art Institute of Chicago. He was also active in Roosevelt New Jersey. His work is held in private museums and collections throughout the world including the Metropolitan Museum and the Smithsonian Institution. <br /> <br /> -Michael McCurdy 1942-2016. American author illustrator and publisher. Born in New York City. McCurdy served as an instructor at the School of the Museum of Fine Arts at Concord Academy and at the Book Arts Laboratory of the Wellesley College Library. He founded Penmaen Press 1968-1985. Information obtained from Brier Hill Gallery Boston MA. <br /> <br /> -Barry Moser b. 1940. The owner and operator of The Pennyroyal Press and the illustrator of over 250 books including Moby Dick The Divine Comedy and a highly regarded edition of The Bible. "Barry Moser is probably the most important book illustrator working in America today." - Nicholas Basbanes <br /> <br /> -Gillian Tyler b. 1935. Born in Baltimore Maryland. She is an illustrator that works primarily in children's books. <br /> <br /> -Herbert Ogdon Waters 1903-1996. Born in China. Waters came to the United States and studied at the Pennsylvania Museum School of Industrial Art in Philadelphia the Art Institute of Chicago and Harvard University. He was a public school art instructor under the auspices of the Works Progress Administration's Federal Arts Project. He later taught art at the University of New Hampshire at Durham and at the Holderness School in Plymouth New Hampshire. Information obtained from Brier Hill Gallery Boston MA. <br /> <br /> -Lynd Ward 1905-1985. The 13th print in each suite is by Lynd Ward which are not signed as he passed away in June of 1985 just before the project was completed. <br /> <br /> Originally issued in an edition of 250 boxed sets. Penmaen Busyhaus Publications unknown
180417061804 Couverture rigide Paris, Marcilly, 1804. Un volume in-24 (11 x 6,5 cm), cartonnage maroquiné de l'éditeur, dos lisse orné, roulette dorée d'encadrement sur les plats, fermoir maroquiné (sans son crayon), tranches dorées, coiffe supérieure fendue, coins émoussés. Titre gravé, calendrier révolutionnaire en 2 feuillets dépliants ornés de petits bandeaux illustrés, 1-20 et 45-62 pages (pagination non continue), 24 pages et 21-44 pages (pagination non continue), 30 feuillets blancs avec filigrane destinés à la prise de notes, almanach illustré de 12 figures gravées autour de la mode, rousseurs éparses. La pagination non continue s'explique par le fait que les feuillets dédiés au budget (pages 21-44) ont été déplacés en fin d'ouvrage ; exemplaire bien complet. Sous le Premier Empire, les almanachs étaient des publications très prisées, mêlant informations pratiques, divertissement et illustrations. Ils pouvaient être généralistes ou spécialisés, comme l’Almanach des Modes et de la Parure. Le nôtre contient des chansons, des notices historiques sur la mode et la toilette, ainsi que des pages dédiées à la gestion du budget, et en fin d’ouvrage, des feuillets blancs pour prendre des notes. Charmant almanach illustré témoignant de l’élégance du Premier Empire. Bon exemplaire, en assez bon état.
17494New York: Edmond Jones & Co. Hardcover. Very good overall. The color plates in fabulous condition providing an intimate look at this great city during the Civil War. Particularly beautiful plates include the color engraved frontispiece the US Ironclad Steam Ship the Metropolitan Police Headquarters at Mulberry St. the Old Bowery Theatre 1860 the Clendening Mansion the Interior of the Somerindyke House Greenwich Street below Thames Street the Theological Seminary the Ladies Union Aid Society Part of the House where Talleyrand lived Somerindyke Estate the Jackson Ferry Old Storehouses Corner Pearl and Chatham View of Harlaem from Morisania Residence of Late Mayor Tieman's Father View of Baxter late Orange St. between Hester and Grand and the Junction of Canal and Walker Street near Centre St. Thick 8vo xii 852pp three folding maps at frontis. With many color plates some folding and duotones. Spine ends rubbed top of hinge at spine w short split. Internally very good the plates are immaculate. Edmond Jones & Co hardcover
186517495New York: Edmond Jones & Co 1865. Hardcover. Very good overall. The color plates in fabulous condition providing an intimate look at this great city during the Civil War. Particularly beautiful plates include the color engraved frontispiece and many color engraved street views including: Christian Gunther Esq Father of the Present Mayor; Old Frame House Peck Slip; the Audubon Estate detached; Harlem Lane from Central Park to Manhattanville; Stewart's House 54th Betw Broadway and 7th Ave.; Old Dutch Farmhouse 7th Ave & 50th St.; Grocery & Tea Store Cor. Spring & Crosby St 1826; North Moore St 1865; Twin Frame Houses 33rd & Lexington; Oldest House Foot of Murray Hill 3rd Ave & 34th St.; Old Residence Cor. Madison & 40th; Keyser Estate Cor. 4th Ave & 40th St.; Cargle Estate 60th St & 10th Ave.; Caster Estate betw. 35th and 36th & Lexington Ave.; and Tammany Hall 1830. Many b&w engravings. Small 8vo folding map 879pp. Green gilt stamped cloth. Spine ends rubbed top of hinge at spine w short split. Internally folding map of New York detached short split at one fold; small prev owner bookplate Louis B. Tiemann o/w very good; the color plates are immaculate. Edmond Jones & Co hardcover
1829List3693Philadelphia 1829. Folio 2 pp. Tear to title page some chips to margins with loss good condition overall. An early Philadelphia theatrical music imprint by I. T. Norton credited on the sheet as “I. T. Norton R.A.M. Composer & Director of the Music to the Chestnut St. Theatre.†Norton served as musical director at the Second Chestnut Street Theatre during the late 1820s a period when the house mounted a mixture of melodrama burletta opera excerpts and popular entertainments requiring resident musical supervision and arrangement. Theatre directors of music routinely composed incidental numbers glees and topical songs for stage performance and subsequent publication bridging the repertory of live performance and domestic music-making.<br /> <br /> Mister Punchinello! draws upon the well-known Punch and Judy puppet tradition. The text is lyrically straightforward built around the repeated refrain “Oh mamma I must be married to Mister Punchinello†suggesting a number intended for accessible vocal delivery rather than elaborate dramatic structure. The R.A.M. designation appended to Norton’s name—presented without elaboration on the imprint—appears as a professional credential typical of early nineteenth-century music publishing though he very well may have never attended the Royal Academy of Music.<br /> <br /> A representative survival from the intersection of Philadelphia theatre culture and early American sheet music production. OCLC locates about a dozen copies across multiple entries. unknown
19897372Lebanon PA: Red Howler Press 1989. Soft Cover. Near Fine binding. Octavo. 20 pp. plates. Limited edition numbered 22 of 50 copies signed by Zundenfel and Moyer on the colophon. As issued in Japanese stab-sewn stiff papers wrapper with blind-stamped title on the front cover; 6 striking prints were engraved on end grain maple blocks and printed on Kitakata Japanese paper. Each engraving is additionally signed by Moyer and numbered 22/75. A bright copy without wear. Uncommon and delightful. Red Howler Press unknown
17713835<p>Three engravings by Paul Revere are certainly the most distinctive feature of this Boston almanac for 1772 namely:</p><p>Miss Emma Leach a dwarf born in Beverley Massachusetts on front cover.</p><p>The Patriotic American Farmer John Dickinson.</p><p>Mrs. Catharine M'Caulay.</p><p>Almanac making in colonial America was a rather unscrupulous affair at times. The notion of copyright was unknown among publishers. Indeed almanac piracy or perhaps liberal borrowing was the accepted industry practice.</p><p>The present almanac offers an excellent example of heavy borrowing. The Boston Ames <em>Almanack </em>for 1772 was published in two versions: one by Ezekiel Russell and the other a pirated version by an unnamed printer/publisher. The text and images of the two are very similar although the cuts of the three subjects differ very slightly between the two almanacs. Paul Revere's daybook for December 1771 identifies <strong>two</strong> purchasers of plates for a 1772 Ames almanac Ezekiel Russell and Edes & Gill. Within a matter of a week it's apparent that Revere produced two sets of plates of the same subjects for competing almanacs.</p><p>In an advertisement for Russell's version of the Ames almanac he "hopes that the publick with their usual impartiality will give him preference in buying of his Ames' genuine almanac before any pirated edition." Revere's contributions were in both the original and this pirated edition of the almanac.</p><p><strong>References: </strong> Evans: 11961; Drake <em>Almanacs of the U.S</em>.: 3205; Brigham <em>Paul Revere's Engravings</em>: pp. 202-203; Hamilton <em>Early American Book Illustrators and Wood Engravers</em>: 56; O'Neal <em>Early American Almanacs</em>: 115 mistakenly citing Russell as publisher.</p><p><strong>Condition:</strong> Disbound; leaves are separated with a later paper reinforcement in the gutter of two leaves. Chipping to lower corners of two leaves. Scattered mostly light staining and a few spots of foxing. Good.</p><p>ICN 7815.</p> [Printed by T. & J. Fleet and Edes & Gill. Price 2s. 8d. per dozen, and six coppers single. ]
CORV-BBP-14980Unknown. Loose Leaf. Very Good. Very good. Folio sheet. 6 inch by 9 1/8 inch illustration on a page pulled from the News. No text accompanies it. > Language: English > Size: Folio > Media/Binding: Unbound Unknown unknown
CORV-BBP-14981Unknown. Loose Leaf. Very Good. Very good.Top half of folio sheet from the News featuring the illustration along with a single column on her visit to England and a bit of political/social background. 2pp. > Language: English > Size: 4to > Media/Binding: Unbound Unknown unknown
CORV-BBP-15859Unknown. Loose Leaf. Very Good. Very good. 4to sheet. 9 1/4 inch by 6 inch illustration on a page pulled from the April 18 1874 issue of the Illustrated London News. Shows a carriage in procession with sailors and others lining the road in front of a small church. No text accompanies it. > Language: English > Size: 4to > Media/Binding: Unbound Unknown unknown
196953774New York, The Rosenbach Company u.a., 1937-1969. Fol. Mit sehr zahlr., tlw. ganzs. bzw. farb. Abbildungen im Text u. auf Tafeln sowie einer gefalt. Beilage. Zus. ca. 3180 S., OLwd.-Bde. (Bde. 1-5) bzw. OUmschläge (Lieferungen 1-10).
195266759Mansfield, Martino Fine Books, o. J. (Nachdruck der Ausgabe Florenz 1937-1952). 4°. Mit Abbildungen u. einer mehrf. gefalt. Beilage. Zus. ca. 2.520 S., OLwd.-Bde.
1843Couverture rigide Sans lieu, sans nom d'éditeur, sans date [Paris, Just Tessier, circa 1838]. Un volume d'atlas in-8 (22 x 15 cm), reliure demi-veau de l'époque, dos lisse orné de filets dorés, titre doré, papier marbré sur les plats, quelques frottements au dos. Recueil de 34 gravures sur bois hors-texte montées sur onglet, rousseurs éparses. Sont notamment représentées parme les scènes historiques et les portraits : "Prédication du moine Augustin devant le roi Ethelbert", "Portrait de Guillaume le conquérant", "Richard Coeur-de-Lion au Camp des Croisés" et "Richard II au milieu des paysans insurgés". Gravures d'après les dessins de Lefèvre, Jacques et Dufort, Charpentier, Cabasson, Lécurieux, T. Johannot, dans le style romantique de l'époque. Certaines ont été gravées par Orrin Smith. Bon exemplaire bien complet de sa suite d'illustrations historiques, en assez bon état.
199637165Lewisburg PA: The Press of Appletree Alley 1996. Hardcover. Fine. Hardcover. Number 101 of 145 copies. Dante Gabriel Rossetti and William Michael Rossetti were two of the original members of the Pre-Raphaelite Brotherhood founded in 1848. The Rossetti brothers were central to the organization. This book prints selected correspondence that they had with friends and associates collected at the Ellen Clarke Bertrand Library at Bucknell University. The letters provide an inside view of the thoughts interests and activities of these two pivotal figures from the preface. Bound by Don Rash and Nicolyn Rosen in beautiful pink red and black marbled paper on the cover created by Iris Nevins with a burgundy cloth spine and rear cover. Title in silver to spine. Hand set in 14 pt. Van Dijck type and printed on Somerset Heavyweight paper. The two wood engravings by Linda Holmes were printed directly from the blocks. Designed set and printed by Juanita Bishop and Barnard Taylor. In fine condition. Measures 6.5 x 9.5 inches. 45 pages. PRI/030824. The Press of Appletree Alley hardcover
19788969North Brookfield MA: Thistle Hill Press 1978. Original Wrappers. Near Fine binding. Quarto. 24; 8 pp. frontis plate illus. Limited edition number 71 of 500 copies signed by Neal and Eichenberg at the colophon. As issued sewn into printed wrappers with full page wood engraving by Eichenberg serving as a frontispiece. Another similarly printed and sewn booklet with title page and colophon serves as a folder for a loose wood engraving of the frontispiece—this signed and numbered by Eichenberg on the bottom margin; all houses in publisher's slipcase with printed paper labels. Only light rubbing to the slipcase but the contents are nearly fine. A striking engraving portions of which have been employed to decorate the covers of each booklet as well as each colophon. This is an interesting allegory of the costs of excess. Thistle Hill Press unknown
First edition, large folio, [2], 2pp., without the list of subscribers, engraved frontispiece and 10 engraved plates with a total of 26 portraits of royalists, letter-press title and preface, some minor spotting and light browning but overall the plates are very clean and bright, expertly rebound in cont. style calf calf, marbled boards, red morocco spine label, an attractive copy. Rare: ESTC locates only three copy in the UK (all at Oxford) and four copies in North America. A reason for the scarcity of the complete volume may be found in a note on the title page, which advises that: "As these Prints are an agreeable Ornament for Rooms, they may be had of the Proprietors in neat black Frames and Glasses". Vertue's parents had served in the court of the exiled James II, and the publication of this volume in praise of loyal servants to the Stuart crown in the year of Culloden may well suggest Jacobite sympathies. This may be signalled by couplet from Pope quoted in the frontispiece: "Rich Industry Sat Smiling on the Plain | And Peace, and Plenty, told a Stuart's reign."
19886177Council Bluffs IA: Yellow Barn Press 1988. Hard Cover. Near Fine binding. Octavo. 6 27 3 pp. frontis illus. Limited edition number 176 of 200 copies. Backed in red cloth with pastepaper over boards. A fresh copy with very faint rubbed spots to the fore-edge of the front board; clean throughout. A beautiful production with a frontispiece and three in-text engravings by DePol. Yellow Barn Press unknown
1528140834.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
192954957Waltham Saint Lawrence UK: The Golden Cockerel Press 1929. first thus. Hardcover. Very good. 5 x 8 in. Black and red cloth boards. Engravings by Eric Ravilious. Condition is VERY GOOD ; covers very clean a touch toned at edges with minor edge wear. Binding tight. Spine titles bright. Text very clean with no markings or names. Naut. RGR. The Golden Cockerel Press hardcover
1929129480Golden Cockerel Press 1929. Hardcover. Very Good. Limited edition #93/500 black cloth over red boards titles and top edge gilt. Engravings by Eric Ravilious. Tight binding no marks now in clear mylar jacket. Please email for photos. Golden Cockerel Press hardcover
1929Lib29183BC6mhThe Golden Cockerel Press 1929. Hardcover. Very Good. Book is in very good condition. Red boards with black spine gilt lettering on spine. Clean text with tight spine. Foxing to front fly page and rear page fortunately text is clean. 156pp. Limited edition 154/500 copies. The text is in the original formatting of the 1824 text. Some chipping to the top and bottom of the spine. The Golden Cockerel Press hardcover
1330169999.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
197391295(Memmingen, Edition Curt Visel, 1973). 1 Bogen mit Mittelbugfalte. Text (9 Strophen, links) in Baskerville 10 Punkt, rechts die Radierung. Bogenmaß 28,5 x 39,5 cm. Plattenmaß 22,7 x 14,6 cm. Unter Kart.-Passepartout.
1963ART949ESSAI3Paris, Editions Aimery Somogy, 1963. in-8 (15 x 21), 255 pp., nombreuses illustrations N/B, index, broche, couverture illustree.