1 249 résultats
Paris, Librairie Nouvelle (Imp. Lemercier), sin fecha (mediados del Siglo XIX), 38,5 x 28 cm., rústica editorial, 10 láminas litografiadas. (Algunos puntos de óxido).
Paris, Librairie Nouvelle, (1853), 39 x 28,5 cm., 3 cuadernos con sus cubiertas originales impresas con un total de 30 litografías que comprenden la colección completa de esta serie titulada "Les invalides du Sentiment". (Cubiertas desprendidas).
1808Flo539<p>Good copy of this classic of equestrian humour</p><p>Incomplete copy with nine plates of 12 in the first book and 12 of 17 in the second book</p><p><em><strong>An Academy for Grown Horsemen</strong>; containing the Completest Instructions for Walking Trotting Cantering Galloping Strumbling and Tumbling with <strong>Annals of Horsemanship</strong>: Containing Accounts of Accidental Experiments and Experimental Accidents both Successful and Unsuccessful Communicated by Various Correspondents.</em></p><p>The text has been attributed to the artist Henry Bunbury and Francis Grose the antiquarian and compiler of a <em>Classical Dictionary of the Vulgar Tongue.</em> In the 19th century the humorous text was ascribed to Grose in <em>Catalogue of the library of the late Sir Francis Feeling </em>1836 John Bohn's <em>Catalogue of English Books </em>1843 Samuel Halkett's <em>Dictionary of the Anonymous and Pseudonymous Literature of Great Britain </em>1882 D.C. Sapp's <em>The Honey Jar </em>1898 etc. John C. Riely however in <em>The Age of Horace Walpole in Caricature</em> 1973 claims that Grose only contributed the introduction.</p><p>Henry William Bunbury 1750-1811 "drew chiefly in pencil or black and red chalk; but although he seems to have used the needle he was never successful as an etcher and his designs were generally reproduced by engravers mostly in stipple or dot. The three works by which he is best known belong to 1787: <em>A Long Minuet</em> <em>The Propagation of a Lie</em> and the volume of equestrian misadventures called <em>An Academy for Grown Horsemen</em> by Geoffrey Gambado. In 1791 appeared the <em>Annals of Horsemanship</em> a kind of sequel to the <em>Academy for Grown Horseman</em>." D.N.B. His other published works include Angelica Kauffman's<em> Angelica's Ladies Library </em>1794 <em>Bunbury's Illustrations of Shakspear</em> engraved by Bartolozzi 1796 <em>Tales of the Devil </em>1801 etc.</p><p>Brown quarter leather binding rubbed and scuffed spine with gilt title and decorative tooling marble boards rubbed and torn book block solid. Some fingermarks and general grubbiness throughout slight spotting to text and plates a couple of plates with neat paper repairs to rear. The copper plates mostly clean and bright one with partial handcolour by a previous owner.</p><p>Still a fun trot throught the miseries of horse-riding in the late 18th century</p> W. Baynes hardcover
1809Flo540<p>Very good copy of this classic of equestrian humour</p><p>First edition with the improved Thomas Rowlandson engravings of this popular book that went through many editions</p><p>Complete copy with 29 handcoloured copperplates engraved by Rowlandson after designs by Henry Bunbury</p><p><em><strong>An Academy for Grown Horsemen</strong>; containing the Completest Instructions for Walking Trotting Cantering Galloping Strumbling and Tumbling with <strong>Annals of Horsemanship</strong>: Containing Accounts of Accidental Experiments and Experimental Accidents both Successful and Unsuccessful Communicated by Various Correspondents.</em></p><p>The text has been attributed to the artist Henry Bunbury and Francis Grose the antiquarian and compiler of a <em>Classical Dictionary of the Vulgar Tongue.</em> In the 19th century the humorous text was ascribed to Grose in <em>Catalogue of the library of the late Sir Francis Feeling </em>1836 John Bohn's <em>Catalogue of English Books </em>1843 Samuel Halkett's <em>Dictionary of the Anonymous and Pseudonymous Literature of Great Britain </em>1882 D.C. Sapp's <em>The Honey Jar </em>1898 etc. John C. Riely however in <em>The Age of Horace Walpole in Caricature</em> 1973 claims that Grose only contributed the introduction.</p><p>Henry William Bunbury 1750-1811 "drew chiefly in pencil or black and red chalk; but although he seems to have used the needle he was never successful as an etcher and his designs were generally reproduced by engravers mostly in stipple or dot. The three works by which he is best known belong to 1787: <em>A Long Minuet</em> <em>The Propagation of a Lie</em> and the volume of equestrian misadventures called <em>An Academy for Grown Horsemen</em> by Geoffrey Gambado. In 1791 appeared the <em>Annals of Horsemanship</em> a kind of sequel to the <em>Academy for Grown Horseman</em>." D.N.B. His other published works include Angelica Kauffman's<em> Angelica's Ladies Library </em>1794 <em>Bunbury's Illustrations of Shakspear</em> engraved by Bartolozzi 1796 <em>Tales of the Devil </em>1801 etc.</p><p>Full red morocco leather binding by Root and Son spine with five raised bands gilt title and tooling neatly rebacked at some time with original spine relaid marble endpaper TEG book block solid. Interior very clean all plates under tissue guards copperplates with vivid hand-colour. "Capt. Grose" in ink in parentheses next to author's name Gambado on the front title page.</p><p>Engraved bookplate of Cortlandt Field Bishop American pioneer aviator balloonist autoist traveller and book collector on front endpaper.</p> Vernor, Hood and Sharpe hardcover
1809Flo542<p>Near fine copy of this classic of equestrian humour</p><p>First edition with the improved Thomas Rowlandson engravings of this popular book that went through many editions</p><p>Complete copy with 29 handcoloured copperplates engraved by Rowlandson after designs by Henry Bunbury</p><p><em><strong>An Academy for Grown Horsemen</strong>; containing the Completest Instructions for Walking Trotting Cantering Galloping Strumbling and Tumbling with <strong>Annals of Horsemanship</strong>: Containing Accounts of Accidental Experiments and Experimental Accidents both Successful and Unsuccessful Communicated by Various Correspondents.</em></p><p>The text has been attributed to the artist Henry Bunbury and Francis Grose the antiquarian and compiler of a <em>Classical Dictionary of the Vulgar Tongue.</em> In the 19th century the humorous text was ascribed to Grose in <em>Catalogue of the library of the late Sir Francis Feeling </em>1836 John Bohn's <em>Catalogue of English Books </em>1843 Samuel Halkett's <em>Dictionary of the Anonymous and Pseudonymous Literature of Great Britain </em>1882 D.C. Sapp's <em>The Honey Jar </em>1898 etc. John C. Riely however in <em>The Age of Horace Walpole in Caricature</em> 1973 claims that Grose only contributed the introduction.</p><p>Henry William Bunbury 1750-1811 "drew chiefly in pencil or black and red chalk; but although he seems to have used the needle he was never successful as an etcher and his designs were generally reproduced by engravers mostly in stipple or dot. The three works by which he is best known belong to 1787: <em>A Long Minuet</em> <em>The Propagation of a Lie</em> and the volume of equestrian misadventures called <em>An Academy for Grown Horsemen</em> by Geoffrey Gambado. In 1791 appeared the <em>Annals of Horsemanship</em> a kind of sequel to the <em>Academy for Grown Horseman</em>." D.N.B. His other published works include Angelica Kauffman's<em> Angelica's Ladies Library </em>1794 <em>Bunbury's Illustrations of Shakspear</em> engraved by Bartolozzi 1796 <em>Tales of the Devil </em>1801 etc.</p><p>Full tree-calf leather binding by Myers and Co 80 New Bond Street London rebacked with mottled spine with gilt title boards a little dry and rubbed new endpapers book block solid. Interior very clean all plates under tissue guards copperplates with vivid and delicate hand-colour. One text page 124 with repaired 3cm tear and paper fault that has caused a printing error with no loss to text.</p> Vernor, Hood and Sharpe hardcover
In folio, antiporta incisa e 210 tavole (di 212 mancano n. 43 e 134), legatura in piena pelle coeva con fregi in oro e tassello al dorso, cornice impressa a secco ai piatti. Il più importante e bel libro di calligrafia del secolo, e uno dei più interessanti libri di scrittura di tutti i tempi, frutto di un lavoro di anni e di un intero atelier di incisori. Comprende sia testi incisi di teoria che un grande numero di esempi di calligrafia, compresi alfabeti esotici. Fu uno dei primi esempi di libro uscito a fascicoli, qui nella prima edizione in forma di libro. Legatura con qualche abrasione e tracce di uso ai piatti, dorso restaurato; cinque tavole con marginali restauri.
A clean, unmarked book with a tight binding. Tears and spots on dust jacket. Full blue cloth boards. 9 1/4"w x 10 3/4"h. 346 pages. "Carved on the islands known as the Cyclades in the Aegean Sea, these fragile and aged objects of marble date between 3200 and 2200 B.C." Many photos and illustrations.
1971302199-MA6New York : The Benjamin Blom Inc. 1971. Hardcover. Good. Original gilt cloth full page b/w illustrations 1818913 pages folio. Reissue of the 1642 Latin edition.; Cover partly slightly discoloured. New York : The Benjamin Blom, Inc. hardcover
019838o.J. Sehr gut
019495G. G. Lange, Darmstadt. Papp-Mappe Sehr gut
19539013440London: Dutton 1953. 1st. Hardcover. Book fine Dust jacket fine. The dust jacket is price-clipped and has minor chips and closed tears to the extremities. <br/><br/> Dutton hardcover books
127p. Plus engraved frontis and full page plates. All edges gilt. 4to. Original full gilt decorated embossed cloth binding, very worn. Engraved plates have some soiling and foxing. A good candidate for rebinding. A wonderful contemporary insight into American Antebellum romantic ideas and ideals. Scarce. WOMEN 2
193117082110London: Jonathan Cape Printed by Walter Lewis at the University Press Cambridge 1931. Limited Edition. Hardcover. Near fine. Gill Eric. No. 129 of 160 octavo size 206 pp. signed by Eric Gill. Clothing has long been an integral part of society and can be used to reflect diverse religious and cultural identities. In this essay Eric Gill 1882-1940 discusses the significance of clothes in society and argues for a more egalitarian approach to clothing; for example Gill advocates the suitability of men's clothing trousers for women as a way to liberate the sexes and create a more equal society.<br/><br/>Gill provides wood engravings for the book illustrating his concepts and showcasing his masterful rendering of the technique; his illustrations have a slightly satirical slant while evoking the pathos of his arguments.<br/><br/>___DESCRIPTION: Quarter brown pigskin with marbled paper boards gilt rules and lettering on the spine top edge gilt fore- and bottom edges uncut illustrations include title page device "Woman Dancing" P712; "Art and Prudence" P714; "Clothes as Houses" P715; "Clothes as Workshops" P716; "Clothes as Churches and Town Halls" P717; "Clothes for Special Parts" P718; "The Tyranny of Tailors" P719; "Nature and Nakedness" P720; "Trousers" P21; and a tailpiece of "Trousers and Spats" P722; octavo 7.5" by 5.25" pagination: i-vii 1-2 3-196 197-198 1 colophon one of 160 copies this number 129 signed "Eric G" on the colophon.<br/><br/>___CONDITION: Volume is near fine with clean boards straight corners a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; some slight rubbing to the bottom edges of the boards and to the corners a faint stain to the gutter of Contents page and very slight cracking to the gutter at pages 128 and 129 but hinges are still tight.<br/><br/>___CITATION: Gill 22. <br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details. <br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind book we sell. Please contact us with any questions you may have we are here to help. Jonathan Cape [Printed by Walter Lewis at the University Press, Cambridge] hardcover books
Roy., 8vo., First Edition, with many hundreds of fine reproductions throughout; green buckram, upper board blocked in blind, gilt back, red endpapers, a near fine copy in unclipped dustwrappoer, the latter sunned at backstrip. A splendid survey, based on Skelton's limited edition of 1983.
8vo., First Edition thus, with numerous reproductions (many full-page) in the text; pictorial wrappers, a near fine copy. Published simultaneously with the cloth edition.
193117082110London: Jonathan Cape Printed by Walter Lewis at the University Press Cambridge 1931. Limited Edition. Hardcover. Near fine. Gill Eric. No. 129 of 160 octavo size 206 pp. signed by Eric Gill. Clothing has long been an integral part of society and can be used to reflect diverse religious and cultural identities. In this essay Eric Gill 1882-1940 discusses the significance of clothes in society and argues for a more egalitarian approach to clothing; for example Gill advocates the suitability of men's clothing trousers for women as a way to liberate the sexes and create a more equal society.<br /> <br /> Gill provides wood engravings for the book illustrating his concepts and showcasing his masterful rendering of the technique; his illustrations have a slightly satirical slant while evoking the pathos of his arguments.<br /> <br /> ___DESCRIPTION: Quarter brown pigskin with marbled paper boards gilt rules and lettering on the spine top edge gilt fore- and bottom edges uncut illustrations include title page device "Woman Dancing" P712; "Art and Prudence" P714; "Clothes as Houses" P715; "Clothes as Workshops" P716; "Clothes as Churches and Town Halls" P717; "Clothes for Special Parts" P718; "The Tyranny of Tailors" P719; "Nature and Nakedness" P720; "Trousers" P21; and a tailpiece of "Trousers and Spats" P722; octavo 7.5" by 5.25" pagination: i-vii 1-2 3-196 197-198 1 colophon one of 160 copies this number 129 signed "Eric G" on the colophon.<br /> <br /> ___CONDITION: Volume is near fine with clean boards straight corners a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; some slight rubbing to the bottom edges of the boards and to the corners a faint stain to the gutter of Contents page and very slight cracking to the gutter at pages 128 and 129 but hinges are still tight.<br /> <br /> ___CITATION: Gill 22. <br /> <br /> ___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details. <br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind book we sell. Please contact us with any questions you may have we are here to help. Jonathan Cape [Printed by Walter Lewis at the University Press, Cambridge] hardcover
19866176Council Bluff IA: Yellow Barn Press 1986. Hard Cover. Near Fine binding. 12mo. 4 blank 4 15 1 6 blank pp. frontis illus. Limited edition number 109 of 200 copies with signed note by the printer Neil Shaver on a Yellow Barn Press note card. As issued in blue cloth with printed paper label on the spine and the front cover. A bright clean copy in nearly Fine condition. Originally issued in 1921 by the St. Dominic's Press Shaver uses the line engravings originally employed in the first edition. One might comment on the contents but Gill's subtitle lets you know what you in for! Evan Gill 7. Yellow Barn Press unknown
19903115851Boston: David R. Godine. Fine in Fine dust jacket. 1990. First Edition; First Printing. Hardcover. 0879238534 . First American edition. Fine in fine dust jacket. 478pp. 9 1/4" X 12 1/4" Lovely copy. ; 9 1/4" 12 1/4"; 478 pages . David R. Godine hardcover
1970011151Barre MA: Barre Publishers 1970. 1st Edition Lim. Hardcover. VG. This one of 100 copies that has a suite of single-sheet engravings each signed by the artist in envelope on pastedown at rear of book not one of the 1000 as usually seen. Quarter leather over marbelized boards which is slightly sun-faded else near fine. Signed by the artist on colophon. Barre Publishers hardcover
1970011151Barre MA: Barre Publishers 1970. 1st Edition Lim. Hardcover. VG. This one of 100 copies that has a suite of single-sheet engravings each signed by the artist in envelope on pastedown at rear of book not one of the 1000 as usually seen. Quarter leather over marbelized boards which is slightly sun-faded else near fine. Signed by the artist on colophon. Barre Publishers hardcover books
1985R2-374nyChelsea Green Publishing Company 1985. hardcover. New. 6x1x9. Chelsea Green Publishing Company hardcover
1985I1361 Nh 3 5 02 52Chelsea Green Publishing Company 1985 New Hardcover and New DJ: Ships NEXT DAY M-F We give you an honest competitive prices ship next day provide tracking guarantee & exceptional customer service. If there is ever an issue we will resolve it for you so relax and smile. Be Wize. Make us your go-to bookseller. Chelsea Green Publishing Company hardcover
Fine English Paperback. Pbo. 4to. (28 x 20 cm). In Italian and Turkish. 131, [2] p., many b/w unnumbered plates. Acqueforti di Giorgio Morandi.= Giorgio Morandi'nin gravürleri. [Exhibition catalogue]. Istanbul, Museo d'Arte Moderna, 22 Giugno - 31 Juglio, 1990. Preface by Belkis Mutlu, Teodoro Cutolo, Michele Cordaro. Contents; Morandi artista Europeo = Avrupa sanatçisi Morandi., Federica Di Castro.; Morandi e l'incisione in Italia = Morandi ve Italya'daki gravür sanati., Fabio Fiorani.; Giorgio Morandi incisore all'acquaforte = Islak kazi gravür sanatçisi Morandi., Luigi Ficacci.; Catalogo = Katalog.; Apparati = Belgeler., A cura di Federica Di Castro, Luigi Ficacci, Giuseppe Trassari Filippetto.; Antologia critica = Elestiri antolojisi.; Biografia = Özgeçmisi.; Procedimento tecnico dell'incisione all'acquaforte = Islak kazi teknigi islemleri.
192517670Munchen und Leipzig: Georg Muller und Hans Von Weber c 1925. Second edition. Hardcover. Very Good. 4 Volumes each 5 1/4 x 8 inches. Second edition with the plates of the 1767 edition 1st was 1913 these not dated but circa 1925. Text in German. Condition is Very Good; Rubbing and soiling to the spines text and illustrations are perfect with no toning foxing stains markings etc. bindings are tight. STK Georg Muller und Hans Von Weber hardcover
Very Good French A fine original chromo-lithograph print from "Souvenirs de Constantinople" by Brindesi, printed in 1845. Framed, but will be sent no frame. 52x49 cm / 39x 44 cm print area. Stains on right bottom margins of the paper. The Ottoman navy, stationed in front of the Tophane Artillery barracks, is preparing to sail under the leadership of Kapudan Pasha's ship "Amiraute". Jean Brindesi was born in 1826 and worked primarily as a watercolour artist. During the Abdulmecid period (1831-1861), he worked on scenes involving soldiers in Istanbul. Two albums of lithographs after his drawings were produced by Lemercier in Paris: Elbicei Atika - Musee des Anciens Costumes Turcs de Constantinople, 1855, and Souvenirs de Constantinople, 1860; these two works are collections of picturesque views of the city of Constantinople. The originals are kept at the Istanbul Topkapi Palace Museum and at the University of Istanbul. (Source: Levantine Heritage).