8 292 résultats
19673974050Aperture Inc. 1967. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition suitable as a study copy. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item500grams ISBN: Aperture, Inc. hardcover
199800007262Aperture 1998 Ten volumes 150: Moments of Grace: Spirit in the American Landscape 151: Photographers on Photographers 152: Crossing Borders: Contemporary Czech and Slovak Photography 153: Rio De Luz 154: Explorations: Nine Portfolios 155: Optical Allusions: New Perspectives in Spanish Photography 156: Male/ Female 157: Steps in Space 158: Photography and Time 159: Aperture paperback
1993005073NY: Aperture. First edition. Original wrappers. Published NY: Aperture 1993 first printing. 4to. 9 1/2" x 11 3/4." 80pp. Fine . Fine. Soft cover. 1st. 1993. Aperture paperback
1961041273Rochester NY: Aperture 1961. Book. Near Fine. Soft cover. 1st Edition. 8vo - over 7¾" - 9¾" tall. Stiff b&w pictorial wraps. A very nicely preserved copy of one of the most critical issues of the photography journal showing only light shelf/handling wear. 40 pp. illus. w/ 2 b&w cover 25 interior plates. Aperture Paperback
200200007263New York: Aperture 2002 8 issues including the 50th anniversary issue #167. Aperture paperback
2008553<p>Istanbul: Ertuğ & Kocabıyık Publications 2008. New. Hardcover. Printed and hand-bound with exquisite Japanese cloth in Switzerland; presented in a slipcase. First edition. Medium folio; 48x35 cm. In English. 240 p. Colour ills.; 175 full-color plates and plans with drawings. Aphrodisias was a free and autonomous city within the Roman province of Asia in Western Turkey. It was best known for the sanctuary of its patron goddess Aphrodite and for its marble sculptors. The community prospered under the early and middle Roman empire first-second centuries AD when it built a complete set of marble buildings that made the town a proper city in ancient eyes. Aphrodisias sheds valuable light on interaction between Greek and Roman identity the functioning of empire religious conflict and accommodation and transition from antiquity to the Middle Ages. Aphrodisian sculptors are known to have worked abroad on prestigious commissions for example at Hadrian's villa at Tivoli. The surviving body of sculpture is rich and varied. There are statues of gods heroes emperors benefactors philosophers and athletes as well as mythological groups decorative figures and ornamental and figured relief sculptures. Many of the key pieces occupy key positions in the history of Roman art. The sculpture of the city is a legacy of unrivalled importance in this field. The archaeology of Aphrodisias gives a fuller more vivid picture of later classical art in its ancient context than is possible at any other site.</p><p>Note: Exceptionally large book 48x35 cm. and may require additional postage.</p> Ertuğ & Kocabıyık Publications hardcover
I7-SBAJ-B0EGPaperback. Good. Two volume set large and heavy paperbacks. Externally worn internally clean light yellowing some minor creases bindings firm. paperback
1995BOOKS021322IOakville ON: Oakville Galleries. Fine copy in very good dust jacket. 1995. 1st. softcover. 8vo ca. 300 pp. Rear flap of dust jacket printed on translucent film is detached . Oakville Galleries paperback
22978Jonathan Cape London 1991. First edition. Profusely illustrated with plates throughout. Large 4to 12 1/2 x 11 3/4 inches 312-pages. Oiginal cloth. Fine in the fine dust jacket. Weight 2.760 kg thus extra overses postage will be requested. Jonathan Cape, London, 1991. hardcover
199118195New York New York U.S.A.: Rizzoli Intl Pubns 1991. Like new condition in oversized black cloth hardcover and thick double folded photographic dustjacket. Clean and crisp no inscriptions or flaws. Tiny bit of wear to the dj else in As New condition. A study of fashion photography since 1945 which places it in the mainstream of popular culture. It links fashion to such influential figures as Walker Evans and Robert Frank and its implications transcend purely photographic history. Martin Harrison explores the role of magazine culture and the influences of art directors and editors who have both created and reflected the mood and tones of the post-war decades. With the participation of the greatest figures in the field from Richard Avedon and Irving Penn to Bruce Weber he presents some of the most famous fashion photographs of all time as well as many rare images. The involvement of artists such as Cindy Sherman and Robert Mapplethorpe is also examined whose work is peripheral to the fashion industry yet whose influence pervades the look and climate of the times. The conclusion is that fashion photography is no longer dinstinct from the lineage of art photography and has now become central to an understanding of modern culture and vidual media. First American Edition. Fine/Near Fine. Rizzoli Intl Pubns hardcover
1991BOOKS027372INew York: Rizzoli. Fine copy in fine dust jacket. 1991. 1st. hardcover. 4to 312 pp. . Rizzoli hardcover
199159770Jonathan Cape London 1991. First Edition. Hardcover. Very Good Condition/Very Good. Size: Folio 12 - 19". 312 pp. Internally clean. Binding firm. Dust Jacket slightly marked and partially faded. Edges slightly browned and marked. Profusely illustrated. Quantity Available: 1. Shipped Weight: 2-5 kilos. Category: Photography; Modern; Fashion Fabrics & Style. ISBN: 0224030671. ISBN/EAN: 9780224030670. Pictures of this item not already displayed here available upon request. Inventory No: 59770. . 9780224030670 This book is extra heavy and may involve extra shipping charges to some countries. Jonathan Cape hardcover
2005363170NY: Fraenkel Gallery/Hasselblad Foundation 2005. Hardcover. Very Good/Very Good. Hardcover 64 1stpages. The master photographer best known for his extensive insightful documentation of "the American social landscape"--from jazz musicians to factory hands to New York pedestrians and office workers zoning out at their keyboards--has recently been spending more time looking at the literal natural landscape. His monumental 2005 MoMA retrospective showed for the first time a new series of landscapes made in the American West while for Olives and Apples he has looked back over the last decade's work and culled a forest tree by tree. His docile subjects apple trees photographed in New York State and olive trees photographed in France Italy and Spain from 1997-2004 are presented in circumstances ranging from sunny leafy summer health to glittering winter ice-storm glory. Some of the most striking compositions are shot from just inside the reach of a tree's furthest twigs so that expanding branching limbs fill the frame stretching out around the viewer. Record # 363170 Fraenkel Gallery/Hasselblad Foundation hardcover
1862114866Paris: Librarie Militaire J. Dumaine . et chez l'Inventeur 1862. First Edition. Paperback. Paris Librarie Militaire J. Dumaine . et chez l'Inventeur 1862. Octavo 32 last blank 16 'Rapport . par M. A. d'Abbadie' pages with a small illustration in the first item plus in the second item a leaf of diagrams a very large folding plan with four inset illustrations and a frontispiece comprising an original albumen paper photograph 134 × 90 mm of the device laid down on a printed mount. Original printed blue wrappers slightly creased with the head of the spine a little bumped throughout; trifling insect damage to some top and bottom corner tips and a few creased corners at the rear; an excellent uncut copy with d'Abbadie's 'Rapport' entirely unopened. On the title page the printed address of Chevallier 'impasse de Saxe' has been ruled out and replaced in manuscript with the address printed on the front cover 41 rue Mazarine. Printed on the inside front wrapper is a 'Note de l'Inventeur'; on the outside rear wrapper there is a list of three works from the same publisher. Auguste Chevallier's ingenious photographic plane-table produced a disc-shaped horizontal panorama by means of a rotating lens. Comparing images taken at different vantage points allowed the surveyor accurately to calculate distances and heights as with a regular plane table but with less room for human error in taking observations. This publication comprises two testimonials for the invention. Librarie Militaire J. Dumaine ... et chez l'Inventeur paperback
1931028983Rochester: Eastman Kodak 1931 1932 1934 1935 1936 1931. 1st Edition . Soft cover. Very Good. Nine Issues 1931-1936 12 5/8" X 10". Printed Covers Overlapping The Text Block Glossy Pages With High Quality Commercial/Industrial Photographs Throughout Each Attributed To A Company Rather Than To A Specific Photographer. Light Wear And Shallow Chipping Where Covers Overlap Text Block Contents Fine No Names Or Marks. International Postage At Considerable Additional Cost. <br/> <br/> Eastman Kodak 1931, 1932, 1934, 1935, 1936 paperback
2006351767NY: W. W. Norton & Company 2006. 1st. Hardcover. Very Good/Very Good. Hardcover in a bright dust jacket. Like many who grew up during the spread of sprawl--with its predictable landscape of housing developments shopping malls interstate highways and big-box construction--acclaimed photographer Jeff Brouws is drawn to places that still embody the vernacular past as well as to those that starkly portray the soulless franchised American landscape. What began as cultural geography of Main Streets became a visual critique of the myth of upward mobility that created this car-centered paved-over universe. Some images look outward to the edges of suburbia where sprawl is encroaching upon nature. Others turn inward documenting the devastated inner cities. All the stunning color photographs reflect the complex beauty and desolation of visual life in our time. 100 color photographs. Record # 351767 W. W. Norton & Company hardcover
2006351766New York : W. W. Norton & Company 2006. 1st. Hardcover. Hardcover in a bright dust jacket. Like many who grew up during the spread of sprawl--with its predictable landscape of housing developments shopping malls interstate highways and big-box construction--acclaimed photographer Jeff Brouws is drawn to places that still embody the vernacular past as well as to those that starkly portray the soulless franchised American landscape. What began as cultural geography of Main Streets became a visual critique of the myth of upward mobility that created this car-centered paved-over universe. Some images look outward to the edges of suburbia where sprawl is encroaching upon nature. Others turn inward documenting the devastated inner cities. All the stunning color photographs reflect the complex beauty and desolation of visual life in our time. 100 color photographs. Record # 351766 W. W. Norton & Company hardcover
19995570212Nazraeli Press 1999. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item600grams ISBN:3923922795 Nazraeli Press hardcover
20003983772Nazraeli Press 2000. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item600grams ISBN:3923922795 Nazraeli Press hardcover
1917339<p>An original antique sepia photograph titled "British Labour Delegation to Russia. April 1917" identifying the men as "Wm. Sanders W. Thorne E.Bowe Interpreter J. O'Grady". Photographer / location not credited. Overall size 30.4cm x 24.8cm photograph size 14cm x 19.5cm. Mounted on card. Not framed. The card mount has some corner bumping. The photograph has small surface abrasions mainly to lower edge and upper right corer. The mount has some dusting and edge wear.</p><p><i>A related photograph exists depicting the Labour Delegation possibly August 1917 though again including J. O'Grady and W. Thorne among the Russian soldiers who had refused to fire upon the people at the onset of the Russian Revolution and is preserved among the papers of Ron Todd in the Warwick Digital Collection. </i></p><p><i>In February 1917 with Russia exhausted by three years of war a series of strikes and bread riots in Petrograd led to the collapse of autocratic rule and the abdication of Tsar Nicholas II. In Britain the socialist movement greeted the fall of the Romanov dynasty with unanimous enthusiasm but found itself divided on the way forward and on questions of war and peace. Across the country meetings passed resolutions conveying fraternal greetings to the Petrograd Soviet of Workers' and Soldiers' Deputies one of two competing centres of revolutionary power and calling for peace in Europe. Others supported the internationally-recognised Provisional Government and shared its determination to pursue the war with Germany to a victorious conclusion. Several British labour delegations visited Russia and the Soviet Union during the period in question – one in 1917 another in 1920 a third in 1925 and finally the Women's Delegation of 1925. Their composition and objectives varied considerably reflecting the labour politics of their time – for instance the 1917 delegation met with the Provisional Government and urged support for the continuation of the First World War whereas the 1920 delegation against the backdrop of Hands Off Russia was staunchly anti-interventionist.</i></p> Not Known
1994BOOKS029841IMexico City: Studio Beatrice Trueblood. Nearly fine copy in nearly fine dust jacket. 1994. 1st. hardcover. 4to ca. 140 pp. Inscribed & signed by photographer Adrian Burns on the half-title page Prologue by Carlos Monsivais; coordination & design by Edwina Burns . Studio Beatrice Trueblood hardcover
20102201Paris: Éditions Langlaude 2010. First Edition First Printing. Hardcover. Fine in original pictorial paper-covered boards. Oblong folio. 15.75 x 13 in. 79 pp. Fully illustrated with color reproductions of photographs. Text in French. Éditions Langlaude hardcover
75-4324Tucson: Center for Creative Photography University of Arizona 1977. 4to. Stapled Wrap ca. 30 pp. Very Good ToningProvenance: Richard A. Lorenz 1952-2001 author art conservator curator and artist Berkeley California. As a trustee of The Imogen Cunningham Trust Mr. Lorenz organized and curated exhibitions of Cunningham's photographs. Tucson: Center for Creative Photography, University of Arizona, 1977 unknown
2007107999Instanbul. Very Good in Very Good- dust jacket. 2007. Hardcover. 9757632139 . Text in English only. Large Hardcover In Very Good Condition with the spine mildly cocked in a very good minus dust jacket with wear and bumping to the corners and edges. ; 13.2 X 10.1 X 1.5 inches . hardcover
200423806Istanbul: Edition M YGS 2004. hardcover. minor minor to small places. 3 small labels to back cover. else clean. no markings. sturdy binding.; text in turkish german english. 112pp. illustrated throughout in b/w with some color.; ara guler was a turkish magnum photo-journalist. this exhibition covers his 50 year career. First Edition. Hardcover. Very Good/No Jacket as Issued. Square 8vo. Exhibition Catalogue. Edition M, YGS Hardcover
