26 497 résultats
Small 4to. 1 p. To one Mr. Eddy: "Thank you for your nice letter. Here is the autograph you ask for [...]". - On stationery with printed letterhead. Traces of former mounting on the reverse; slight ink bleeding to some letters.
4to (285 x 204 mm). 3½ pages on 4 ff. In Russian, two phrases in German added. To Ivan Fyodorovich Kodatsky, chairman of the executive committee of the Leningrad Regional Council. Meyerhold declares his close kinship to Leningrad (St Petersburg) and asks permission to establish a permanent base there. Writing to Kodatsky, Meyerhold delivers a long and obsequious request to have assigned to him on a permanent basis the Leningrad apartment where he and his wife Zinaida Reich have been staying during his preparations for a recent production of "Queen of Spades" with the Maly Opera Theatre ("Malegot"): his justification is that this would enable him to prepare for a second production with Malegot, of Mussorgsky's "Boris Godunov" under conductor Samuil Samosud, to mark the centenary of Pushkin's death in 1937. - The letter is remarkable above all as an example of Meyerhold's strenuous efforts to accommodate himself to the official discourse of Stalinist Russia in order to achieve his artistic vision: he speaks of his intended residence in Leningrad as a "fiery dream [...] Perhaps the dream was evoked by Leningrad's atmosphere, where in 1917 I joined the ranks for VKP(b) [i.e. the Bolshevik Party]? [...] and at the old Imperial theatres where, persecuted by the reactionary segment of the company I [...] achieved the production of an ingenious creation of young Lermontov (Masquerade). Perhaps my dream is caused by the fact that Leningrad is my second home: the first is Penza, where I was born, green and studious, and the second - Petersburg (Leningrad), where I started to search for innovations in the field of directing, which had brought me in October 1917 such a weight of knowledge as to help me to become useful to our proletariat in its pursuit of becoming genuinely a cultural part of humanity". His purpose in asking for the permanent allocation of the apartment is in part a response by the senior Party official Boris Pozern to help attract young directors to Leningrad, as well as for theatrical work. "I am asking you to turn a temporary mooring which had been assigned to me into a permanent mooring, where I would periodically drop the anchor of my ship, equipped with a director's intentions, and would consider myself obligated to serve Leningrad as well, giving a Leningrad viewer what, after experiencing Queen of Spades and GOSTIM's [the Meyerhold Theatre's] plays, they would like to have from me. That is why I am inspired by the dream, to do infinitely more for the theatre than I have done previously. I want to belong not only to Moscow but also to Leningrad". - Meyerhold's period at the Imperial theatres in Leningrad in 1907 to 1917 was formative for his innovative directing style. He refers in the present letter specifically to his production of Lermontov's "Masquerade" which was in dress rehearsal at the Alexandrinsky Theatre on 25 February 1917 - the very day on which the February Revolution broke out; the evening has been described as "the last act of the tragedy of the old regime". In spite of Meyerhold's efforts to pander to the Stalinist regime, as in the present letter, the current was turning against him, and the following two years saw increasing official criticism of his productions and style. In 1938 the Meyerhold Theatre was closed down, and in June 1939 Meyerhold himself was arrested, tortured and (on 2 February 1940) executed. His wife, the actress Zinaida Reich, was brutally murdered days after his arrest, undoubtedly by state agents.
4to. 1 p. To the French inventor and engineer Édouard Belin (1876-1933), confirming the receipt of a photograph: "I am writing to acknowledge the receipt of your photograph which you have kindly inscribed for me. It is a very good picture of you and I have had it framed and it is hanging in my Library at the Laboratory". - Édouard Belin met Edison at least once and apparently made a good impression. The first transatlantic phototelegraphic connection based on Belin's invention called Bélinographe had been established in 1921. - On stationery with lithographed letterhead of the Edison laboratory: "From the Laboratory of Thomas A. Edison, Orange N.J.". - Somewhat browned; several pinholes and traces of former mounting on verso.
4to. 3 pp. Matted and framed. An agreement regarding battery production throughout the world. To Herman E. Dick, a founding director of the Edison Ore Milling Syndicate and by 1905, the foreign agent promoting Edison's battery in Europe. Edison informs Dick that as he has established battery production facilities in Germany, England, and France, as well as in America, the company should be able to meet demand throughout the world: "[...] I would undoubtedly be able to make more satisfactory terms for handling this business than any one else, and since you are largely interested in all of the three main foreign companies, you would of course benefit by any additional business that such companies might do in other countries outside of their own territories. Therefore [...] I will be obliged if you will sign the subscribed consent, agreeing that all future negotiations for foreign countries shall be left entirely to me [...]". - Duly countersigned by Dick and a witness. Leaves creased and moderately toned; perforation at upper left corner of each leaf.
4to. (197:244 mm). 1 page. On headed "air letter" paper. One of Hawking’s students, Gary Gibbons, is to attend the meeting of the American Physical Society in New Orleans from 23-25 November, "where he will report on the British work on the design and construction of gravitational wave detectors. We think that, without the use of liquid helium, we can improve the sensitivity by a factor of 100. The first of these detectors should be operating before the end of the year, and the second one at Reading should follow soon after". Hawking hopes that Gary might stay on after the New Orleans meeting to attend the relativistic astrophysics conference in Austin, with a visit to the University of Maryland in between, and asks for Misner’s help in organising this visit: [Joseph] Weber will be too busy to show Gibbons around, but Hawking notes that Gary should really see Misner and [Dieter] Brill: "he is primarily a theoretician and is interested in the problem of how much gravitational radiation would be emitted by a collapsing object". Hawking also announces the birth of a little girl, "Catherine Lucy, though we will probably call her Lucy", born a little plumper than Robert, and very well behaved. - In 2016, over 45 years after Stephen Hawking’s hopeful mention in the present letter of the gravitational wave detectors being built in England - and one hundred years after Albert Einstein first predicted the existence of gravitational waves - scientists would finally have proof of these elusive ripples in space-time: the unmistakeable "ringing" as two black holes collides was heard at the Advanced Laser Interferometer Gravitational-Wave Observatory (LIGO) on 11 February 2016. When asked for comment, Hawking said that the discovery would "revolutionise" astronomy, noting also that it had proved his calculations of 1970 to be correct: "The observed properties of this system are consistent with predictions about black holes that I made in 1970 here in Cambridge". Hawking and his student Gary Gibbons would go on to collaborate in their research, lending their names to the "Gibbons-Hawking effect", "Gibbons-Hawking space", and the "Gibbons-Hawking ansatz". - Provenance: Charles W. Misner.
Oblong large 8vo. 1 p. To the chief of staff at the Field Army Command, sending a report on prisoners of war: "In der Anlage übersende ich den Bericht des O. K. H. vom 07. 11. 41 mit der Auswertung der Kriegsgefangenenmeldungen im Bereich der HGr. Süd, Zeitraum: Sept. und Okt. 41 mit der Bitte um Kenntnisnahme und Empfangsbestätigung [...]". - Left margin with punched holes (no loss to text); stamped by the Field Army Command.
4to. 2 pp. on bifolium. Headed paper. An unpublished official document (to Frederick Sleigh Roberts, 1st Earl of Kabul and Kandahar, 1832-1914) which sheds new light on the assault on Gandhi in Johannesburg on 10 February 1908, the first attempt on Gandhi's life. Earlier that year, Gandhi had been summoned from prison in Pretoria to meet with the Colonial Secretary, General Smuts, to discuss the British treatment of Indian labourers in South Africa. Gandhi eventually convinced Smuts to allow the voluntary registration of all Indians rather than the punitive system of the "Black Act". However, this settlement did not prove popular with all Indians in the colony; as Gandhi was making his way to the Registration Office in Johannesburg, he was brutally beaten by one Mir Alam, a disillusioned Pathan: "I had scarcely finished the last sentence when a heavy cudgel blow descended on my head from behind. I at once fainted with the words 'He Rama' (O God!) on my lips, lay prostrate on the ground and had no notion of what followed. But Mir Alam and his companions gave me more blows and kicks, some of which were warded off by Yusuf Mian and Thambi Naidoo with the result that they too became a target for attack in their turn" (Gandhi, Satygraha in South Africa, p. 140). According to his own account, Gandhi immediately requested that Mir Alam and his companions not be charged or imprisoned for the assault; for, "according to their lights they could not behave otherwise than they did". Gandhi himself was philosophical about his near-fatal encounter, commenting, "As for me, nothing better can happen to a satyagrahi than his meeting death all unsought in the very act of satyagraha, i.e., pursuing Truth" (ibid, p. 157). - The present document, however, sheds new light on the assault. The letter discusses complaints received by one Mahomed Shah, "Pathan Priest", regarding the treatment of Indian prisoners. High Commissioner Selborne is dismissive of Shah, calling him an "illiterate Punjabi" and "of violent character". Most intriguingly, Selborne reveals that Shah himself "instigated the serious assault on Mr. M. K. Gandhi in February, 1908, and although Mr. Gandhi declined to prosecute he requested the government to remove Mahomed Shah from the Transvaal, where he was a source of danger to other Indians, and deport him to India." Gandhi's account of the incident holds that Mir Alam was responsible for the attack, and that although he insisted on not pressing charges, Alam was convicted by the Government of a public offence and sentenced to three months' imprisonment. The present official document suggests that the affair was more complicated than this and indeed was "instigated" by an entirely different person, and that while Gandhi did not press charges officially, he nevertheless took action against his aggressor. - Original materials relating to Gandhi's South African years - before his rise to international fame - are decidedly uncommon. It is often forgotten that Gandhi spent no fewer than 22 years of his life (1893-1915) in South Africa, promoting his practice of satyagraha to improve conditions for the large Indian population in that colony. "It is only recently that historians have come to recognise the centrality of his time abroad in Gandhi's life, and in particular, the significance of his southern African years [...] it was in southern Africa that he developed the entire spiritual, philosophical, and political programme that he would implement in India...Gandhi's political and intellectual projects, as they evolved in these years, operated across political boundaries, linking India, South Africa, and Britain itself, as well as points beyond" (Cambridge Companion to Gandhi, p. 30). - Traces of horizontal folds; slight brownstains in the left margin of the first leaf.
Oblong small 4to. 1 page. With typed envelope. To an collector, thanking for sending him some newspaper clippings on Noël Coward: "[...] I am so glad you enjoyed your visit to London. How very nice for you to have heard from Sir Noël just before you came. We were all so very shocked and saddened by his death [...]". - On headed paper of the National Theatre.
Oblong small 4to. 1 page. With typed envelope. To an collector, thanking for sending him some newspaper clippings. - On headed paper of the National Theatre.
Oblong small 4to. 1 p. With typed envelope. To a collector, thanking for some newspaper clippings: "[...] I am so grateful, and look forward to reading it then it has been translated [...]".
Large 8vo. 1 p. With typed envelope. To a collector: "[...] I have signed the enclosed programme of our production of 'Long Day's Journey Into Night' and it comes to you with my very best wishes [...]". - On stationery with printed letterhead.
Large 4to. 1 page. Living in France after his return from exile in Prinkipo, Trotsky writes to his lawyer Gerard Rosenthal, urging him to continue to oversee the publication of his works and to defend his interests generally, adding that he looks forward to a meeting when they can continue their discussions on these issues: "Je vous demande de continuer a vous occuper activement de l'edition de mes ouvrages et d'adjoindre ce soin a la défense des interets généraux que j'ai confiés a votre charge. Je serai heureux de recevoir bientot votre visite pour poursuivre no entreteins sur ces questions [...]".
4to. ½ p. To "Dear Mr. Nicholson", agreeing with him and his colleagues Messrs. Gabo and Martin, promising to send a photograph of his work "Developpement en brun," requesting that the other photos be returned, asking when the first issue of the magazine is expected, expressing interest in an essay entitled "Constructive Point of View," and objecting that the author might too readily associate: "[...] Si vous m'avez pas besoin de mes autres photos, je vous prie bien de me les retourner - je vous serais très reconnaissant. On me demande assez souvent des photos et mon 'dépot' est as[s]ez modeste. Quand pensez vous de faire parraitre le premier numéro de votre revue? [...]". - Folds.
4to. 1 p. With typed envelope, 3 photos made by Lucia Moholy, and some addenda. To art historian R. W. P. de Vries in Hilversum, sending four photographs for publication ("3 of which were made for you and the fourth belongs to me, I've had it in stock"; transl. from the German original). - Three of the four mentioned photos (all with the photographer's stamp on their reverse) belong to "Einige Kreise 1926", "Spannung in Rot 1926", and "Akzent im Rosa 1926"; the fourth picture seems to be returned as Kandinsky has asked to do so. - Additional addenda comprises a copy of "Der Sturm" (vol. III, October 1912, no. 129), in which Kandinsky's long essay "Ueber Kunstverstehen" ("On Understanding Art") was published, 4 newspaper clippings with reviews of his exhibition at the gallery "L'Époque" in Bruxelles, and another contemp. photo of a painting by Kandinsky.
4to. 1 p. White House stationery. As President, to Harry I. Johnson of the Clearwater Sun, thanking him for his coverage of the Inaugural address, with a holograph postscript: "Many, many thanks": "I certainly appreciate the manner in which you covered the Inaugural address. It was very thoughtful of you to send me your Inaugural Day edition". - Stains at all edges from prior mounting, horizontal fold.
4to. 1 page. To the secretary of the Nordische Gesellschaft (Nordic Society) in Lübeck; a reply to an invitation to participate in the economic propaganda of the Nordische Gesellschaft whose purpose was to reinforce cultural and political co-operation between Germanic and Scandinavian countries. The Nordische Gesellschaft would become a central institution for Alfred Rosenberg, theorist and ideologue of the Nazi government. Heinrich Himmler was a member of the board of directors. "[...] I fear, however, that the benefits likely to ensue either to your Society or to me from the arrangement you suggest might be too slight for it to be worth our while to enter into a formal arrangement. My journalistic output is not now very considerable, and since virtually all of it is prepared for publication in 'The Nation', by no means all of it is of interest to European readers generally. Moreover, it would not in general be possible for me to let you have any article sufficiently long in advance of publication in this country for you to be able to arrange for its publication in daily newspapers in Europe until after it had already appeared here. Finally, I already have arrangements for publication of any articles which are suitable to the general European public in 'Wirtschaftsdienst', which, although it is a weekly, might interfere with circulation in daily newspapers in Germany, and also with the 'Neue Freie Presse' of Vienna [...]". - In fine condition; on stationery with printed address.
Two pages, closely typed on two octavo sheets of letterhead. Folded for mailing, otherwise very good or better, with the original typed envelope. Enclosed in a folding half morocco clamshell case. A fine letter from the artist, addressed "Dear Miss [Irene] Rosen", in response to her enthusiastic letter written after a viewing of his sculptures at the Art Institute of Chicago (a carbon of her letter is present). In a substantially better than ordinary response by the sculptor to his public, and after apologizing for the delay in his response, Moore writes: "[...] As to your touching the pieces of sculpture at Chicago, you were right and the guards were wrong. If you can get a better idea of the volume of the mass, of the depth of the space and of the hardness of the material by touching a sculpture as well as looking at it, you must do so. I much enjoyed seeing a work of mine which had been in a museum in a mining town in England for many years and which had become dirtied in places where the miners, dropping into the museum on the way home for work, had run their hands over it". In response to her query about the possibility of reproductions of his sculptures, he writes "As to reproductions, I don't think they are worth making unless they're good; it's the same thing with pictures [...] reproductions of sculptures [...] can't be any good unless each cast is worked on by the artist -- and no artist has time to do that to a large edition of reproductions [...]". He details how his editions of bronzes are produced, comments on their availability and price ("which is, I imagine, more than you can afford to pay"), and responds to her complaints about the inadequacy of the reproductions of photographs in J.J. Sweeney's book: "In feeling the limitations of photographs you are certainly on the right lines [...] a reproduction in a book can never have the same beauty or fidelity as an actual photographic print [...]". He concludes in appreciation of her "genuine and intelligent interest" and notes that he his sending her separately a photograph (not present) of his latest carving. Signed in ink, "Henry Moore".
4to 1 p. To the editors of the "Berliner Tagblatt", apologizing for not having sent pictures of the "Piscator-Bühne" (the Berlin theatre run by Erwin Piscator and designed by Gropius and Piscator), since Piscator objected to the publication of any pictures before the project was realized: "[...] dankend bestätige ich ihr freundliches schreiben vom 26. cr. ich habe ihnen deshalb keine abbildungen zu meinem aufsatz über die piscator-bühne gesandt, da herr piscator bedenken trägt, fotos zu veröffentlichen, ehe der bau praktisch in angriff genommen werden kann. ich selbst trage geringere bedenken, da die besonderheiten beim patentamt angemeldet wurden. vielleicht setzen sie sich noch einmal mit herrn piscator in verbindung, wenn von seiner seite aus keine einwendungen mehr gemacht werden, bin ich gern bereit, ihnen die fraglichen abbildungen zur verfügung zu stellen. ich möchte dies aber nicht ohne sein einverständnis tun [...]". - Walter Gropius and Erwin Piscator had founded the project of the so-called "total theatre" in 1927. It sought to do away with the spatial separation of actors and audience, but could never be realized. - On headed paper (designed by Herbert Bayer). With punched holes; slightly stained and slight damage to folds.
4to. 1 page. To Neel Goldblatt of Goldblatt Brothers Inc. in Chicago: "With pleasure, I received your letter and with pleasure I send you back the stamps with my signature on each although I never think of myself as a great person in this world. The only truth in my person is that I am fighting with all my patriots to live as free people in a free country in the free democratic world. We Egyptians, believe that this [!] a very justified demand. Unfortunately the Britishers do not agree with us and wish we live [!] as slaves under their domination. Our fight, now, is to force the British to understand our case and evacuate the Canal zone and thus gain our freindship [!] instead of our hateree [!]. To realize our aim, we are ready to sacrifice our lives. This is one side of a small picture of myself and you can find, Dear Sir, that there is no greatness in it but there is truth, faith and hope [...]". - Signed as General Secretary on a letterhead printed in Arabic. The addressee was a Polish-American-Jewish collector and member of the Goldblatt family that owned Goldblatt Bros. department stores in the Midwest headquartered in Cicago. A typed English heading states Cairo's "Liberation Rally Republic Square", Tahrir Square, also the center of the demonstrations of the 2011 Egyptian Revolution, a critical part of the Arab spring. In upper left corner traces of a staple. - Black and white photography (125:78 mm) added, showing Nasser waving, in the background an enormous crowd of people demonstrating.
4to. ¾ page. To the writer Charles McEvoy: "You cant take me in: they have chucked you out of the clerkship because you cannot even be induced to date your letters. On my return from Ireland this morning I found this one waiting for me; and I havnt the least idea when it was written. The only thing to be done with a man like you is to give him a commission, thereby raising his pay and relieving him from any obligation to work. I always thought your father would be one of the best cards in your hand pending your achievement of a commanding literary position [...]". - With printed address and some larger stains.
4to. 1 p. To the Austrian pathologist Richard Kretz (1865-1920), sending a medical certificate for Dr. [Konrad] Helly (not enclosed): "Sehr geehrter Herr Kollege! Ich muss sehr um Entschuldigung bitten, dass ich Ihr freundliches Schreiben vom 25. Nov. nicht früher beantworten konnte, weil ich einige Tage verreist war. Das Attest für Herrn Dr. [Konrad] Helly stelle ich gern aus und erlaube mir, es gleich beizufügen [...]". - On headed paper.
Folio (ca. 280 x 215 mm). ½ p. To the couture house Chanel and their partner, the shoemaker Raymond Massaro (1929-2019), requesting that her costume be delivered by 28 February 1978: "Je vous prie d'etre sur que mon costume sera livre au plus tard que [stricken out] le 28 Fevrier 78. [...] M. Maasaro 'Les bottes' aussi le 28 Fevrier". - On March 3 and 4, Dietrich's legendary scene with David Bowie in the movie "Just a Gigolo" was filmed in Paris. This scene, in which she sings the title song, was her final film appearance, and she subsequently withdrew to her Paris apartment. Her costume was designed by Max Goldstein ("Mago", 1925-2008) and was tailored by Chanel and Massaro gefertigt. - Signed in green felt pen, as usual. A few creases. Includes four black-and-white costume photos from Chanel's 1982/83 winter collection.
4to. ¾ p. In his office as president of the National Bank of Cuba, to Samuel G. Breidner of the New York real estate company Cross & Brown: "I refer to your letter of August first and regret to inform you that our Bank is not interested in real estate investments". - Following the resignation of the economist Felipe Pazos, Che Guevara served as president of the National Bank from 26 November 1959 to 23 February 1961. The unspecified offer by Cross & Brown slightly predates the US embargo that was imposed on 19 October 1960 and was further extended in February 1962. Guevara was appointed Minister of Industries in February 1961, which he remained until his departure from Cuba in 1965. - On stationery with embossed and printed letterhead "El presidente del Banco nacional de Cuba". Traces of folds and gently creased.
Large 8vo. 1 p. Addenda. To E. A. Bennet, about disputes among his London disciples: "[...] There is something in that London group I noticed already quite a while ago: a sort of unnatural prestige psychology. The way they handled the situation seems to me awfully immature and clumsy. I can't understand Fordham. The way you dealt with the situation seems to me entirely reasonable and adequate. May I keep the copies of the correspondence you sent me for a while? They might be useful in case of further discussions. I have seen Dr. Philp whom I had met once in your house. I couldn't quite make out what his theological or psychological problems are [...]". - E. A. Bennet had been Jung's foremost advocate in England since the 1930s. - On headed paper; some slight edge damage. Includes a letter to Bennet by C. A. Meier, concerning the controversy Jung discusses in his letter, some letters of response from Bennet to Jung, Meier and others, typescripts of papers by Jung's associate, Toni Wolff, "Some Principles of Dream-Interpretation" (April 1934; 36 ff.) and "A Few Thoughts on the Process of Individuation in Women" (undated; 48 ff.), as well as an obituary brochure for Toni Wolff and some related material.
Folio. 1 p. The letterhead reads "Agitational-Propagandist Department of the E.C.C.I., Moscou" in German, French, English, and Russian. Also included is an English translation of the letter and a typed dossier on Kun in English, dated 1931. A rare letter signed by one of the most notorious early Bolshevik leaders and a proponent of international communism. Béla Kun led the brutal and short-lived Hungarian Soviet Republic in 1919, oversaw the massacre of tens of thousands of people when he controlled the Revolutionary Committee in Crimea in 1920, and spurred the German Communist Party into an abortive uprising in March 1921. While he lost the active support of Lenin with this last failure, Kun continued to hold a number of significant positions in Comintern throughout the 1920s. He disappeared in 1937 in the midst of Stalin's Great Purge, and was shot as a Trotskyite in 1938, following a show-trial. - In this letter, Kun orders that future copies of specific publications (he lists "Rote Fahne, S.A.Z., Kämpfer, Ruhr-Echo, Schlesische A.Z., Volkswacht Mecklenburg, Klassenkampf") be sent to the central committee of Comintern's Agitprop department for scrutiny, in order to ensure better control and management of communist publications. As Kun explains, "Die Exekutive der K.I. stellte der Agitprop-Abteilung des E.K.K.I. die Aufgabe, die gesamte kommunistische Presse eingehend zu kontrollieren [...] Wir haben deshalb beschlossen, in einer Frist von 3 Monaten die wichtigsten Parteiorgane einiger Sektionen einer eingehenden Beobachtung und Kontrolle zu unterziehen [...]". Regarding the specific publications, Kun adds, "Wir bitten Euch, uns umgehend und regelmässig je drei Exemplare dieser Zeitungen zuzusenden." He signs off "Mit kommunistischem Gruss!". - Lightly worn and creased; insignificant tears to lower edge. A vanishingly rare signature.