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[Alphabetum arabicum].MareMagnum

Alphabetum arabicum. Rome, typographia Medicea, 1592.

Small 4to (146 x 206 mm). 64 pp. With printer's woodcut device on title-page. 19th century red boards. Only edition of this early milestone of Arabic typography from the Roman Medici Press, including a Latin treatise on Arabic script. The Medici Oriental Press, the first printing press in Europe dedicated to printing books in an Arabic typeface, was founded in Rome under the direction of Giovanni Battista Raimondi and the patronage of Pope Gregory XIII. For the Arabic types, Raimondi commissioned the famous typefounder Robert Granjon: "In a few years Granjon had cut a large number of oriental characters, following superb calligraphic designs provided by Raimondi. On September 6, 1586, he completed the small Arabic typeface [...] Because cutting the Arabic typefaces took such a long time, establishment of the Medici Press went slowly. Though the contracts formally setting up the press were signed on March 6, 1584, the first book to bear its imprint did not appear until 1591. Legible and much more 'oriental' in feel than those of de Gregorii, Postel or Spey, this face was not improved upon until the time of Ibrahim Müteferrika in the early 18th century [...] Once underway, however, the Medici Press was very productive. In 1592 it issued a prospectus of its Arabic type faces under the title 'Alphabetum arabicum' - a 64-page masterpiece of design which not only displays Granjon's beautiful types, but contains a careful Latin Essay on the Arabic writing system" (Lunde). Until 1610 Raimondi printed a mere eight works with Granjon's types, "all equally rare" (Smitskamp 29b), before a long hiatus ensued - probably due to the sluggish distribution of the works in the Orient, where everything produced in the West, and especially any printed specimen of Arabic script, was received with the utmost caution (cf. Fück 55). Even Smitskamp cites only four other productions of the Medici Press, but not this exceptionally rare one. One of the only three other copies known to have appeared in the trade was even thought to be incomplete by Sotheby's, since Adams's collation - based on the Trinity College copy - cites a 24-page appendix that is, in fact, an independent Medici Press grammar bound with the Trinity 'Alphabetum'. - Binding worn and rubbed; spine rebacked. Interior somewhat dust-soiled throughout with occasional light dampstaining; a few marginal annotations on the verso of the title cropped by binder. Title-page with minute wormhole affecting one word on verso; a small hole to the last leaf with loss of a few letters; stamp of a monk to margin of final page. Front pastedown has 1880s bookseller ticket by G. A. Young & Co. of Edinburgh pasted in. An entirely complete copy of an important and excessively rare publication. Adams A 780. BM-STC Italian 36. Schnurrer 41. Edit 16, CNCE 1227. OCLC 47816774. Lunde, Paul, "Arabic and the Art of Printing", in: Aramco World 32/2 (1981) (with illustration). J. Balagna, L'imprimerie arabe en occident (Paris 1984), p. 135. Le Livre et le Liban (mentioned on p. 190; no copy in the catalogue). Not in Smitskamp or Fück.

Sarre, Friedrich / Trenkwald, Hermann.MareMagnum

Alt-orientalische Teppiche. Vienna & Leipzig, Anton Schroll & Co. and Karl W. Hiersemann for the Österreichisches Museum für Kunst und Industrie, 1926-1928.

Imperial folio (440 x 605 mm). 2 vols. bound as four. 21, (3), (29) pp. (31) pp. 43, (28) pp. (32) pp. With 120 collotype plates (67 colour and 53 black & white, 7 of the latter double-page) by Max Jaffé, and 14 wood-engraved full-page illustrations on the integral leaves. Later half calf with cloth sides. First and only edition of "the most important recent publication with wonderful reproductions of the best known carpets" (Ettinghausen 1936), here in very good condition, rebound in four high-quality half calf volumes. The project was initiated by the Austrian Museum for Art and Industry, which had previously published two other works on carpets: "Orientalische Teppiche" (1892) and "Altorientalische Teppiche" (1908). The present work by Sarre & Trenkwald has far more and better illustrations than the earlier works, with 120 fine collotype plates. The authors were highly regarded authorities in the field of Islamic art, especially Friedrich Sarre (1865-1945), "without doubt one of the most influential figures regarding the scholarly formation of Islamic art" (Kadoi/Szanto). He was the director of the Museum für Islamische Kunst in Berlin and responsible for the formation of the "most comprehensive collection of Islamic art outside the Islamic world". - The work is characterized by an emphasis on the technique of production. The plates that depict carpets in colour and black & white are preceded by a descriptive page that is sometimes illustrated with a schematic explanation of the knotting technique used for making the carpet. The first part, by Hermann Trenkwald, with 60 plates, is entirely devoted to carpets in the world-renowned collection of the Austrian Museum. The second part, by Sarre, also comprising 60 plates, covers the greatest carpets in other collections throughout the world, including private collections such as that of Baron Maurice Rothschild. - Corners slightly bumped, but in very good condition. R. Ettinghausen, Kali (1936), p. 110. Kadoi & Szanto, The Shaping of Persian Art (2014), p. 227.

Inlibris · Wien, AT7 500,00 €

Gambado, Geoffrey [i.e., Francis Grose?] / Bunbury, Henry William.MareMagnum

An Academy for Grown Horsemen, Containing the Complete Instructions for Walking, Trotting, Cantering, Galloping, Stumbling and Tumbling. London, printed for W. Dickinson, S. Hooper, and Mess. Robinsons, 1787.

Folio (266 x 365 mm). VI, III-XX, 38 pp. With two frontispieces and 21 plates (the frontispiece and 10 out of 11 plates present in two states, both coloured and as sepia mezzotints). - (Bound with:) Annals of Horsemanship. Containing Accounts of Accidental Experiments, and Experimental Accidents Both Successful and Unsuccessful [...]. London, for W. Dickinson, S. Hooper, J. Archer, and R. White, 1791. XVII, (1), 81, (1) pp. With 15 stipple-engraved plates. 19th-century red three-quarters morocco with gilt spine. Marbled endpapers. First editions of Gambano's droll classics on horsemanship featuring H. W. Bunbury's humorous caricatures: a luxury copy with the rare hand-coloured plates included with the first work. "Geoffrey Gambado" has sometimes been identified with the illustrator, but is also said to have been Francis Grose, compiler of "A Classical Dictionary of the Vulgar Tongue" (cf. Riely, "Horace Walpole and 'the Second Hogarth'", in: ECS 9/1 [1975]). In addition to his works on antiquities, satiric essays, and volumes on non-standard words and meanings, Grose (1731-91) wrote "Rules for Drawing Caricaturas: with an Essay on Comic Painting" (1788), and the frontispiece portrait of "Gambado" in the "Academy" bears an uncanny resemblance to Grose, a "stocky, corpulent figure which Grose himself caricatured" (DNB). - The stipple-engraved plates were designed by H. W. Bunbury (1750-1811), whom "Walpole enthusiastically compared [...] to Hogarth. He was the friend of Goldsmith, Garrick, and Reynolds, and the favourite of the Duke and Duchess of York, to whom in 1787 he was appointed equerry. All this, coupled with the facts that he was seldom, if ever, personal, and wholly abstained from political subjects, greatly aided his popularity with the printsellers and the public of his day, and secured his admission, as an honorary exhibitor, to the walls of the Academy, where between 1780 and 1808 his works frequently appeared [... They] are not without a good deal of grotesque drollery of the rough-and-ready kind in vogue towards the end of the last century - that is to say, drollery depending in a great measure for its laughable qualities upon absurd contrasts, ludicrous distortions, horseplay, and personal misadventure" (DNB). - "The Annals of Horsemanship" were later "published with and generally bound with" the "Academy", though always "with a separate title page" (Huth). The "Academy" seemingly wants fol. B1 of the preliminary matter, but was apparently issued that way: as the ESTC notes, "Possibly deliberately mis-signed in order to support the 'missing' portion of the author's preface - see editor's note". - Some browning and brownstaining; occasional edge tears repaired (including a largish fault to fol. M2, the edges of which are more severely frayed). From the library of the late Robert Lionel Foster, Esq. (British Justice of the Peace, d. 1952; his bookplate on front pastedown). Huth p. 52. Lowndes p. 860. Brunet II, 1474 ("singulier ouvrage"). Graesse III, 22.

Inlibris · Wien, AT4 500,00 €

Brydges, Harford Jones.MareMagnum

An account of the transactions of His Majesty's Mission to the Court of Persia, in the Years 1807-11 [...] To which is appended, a brief history of the Wahauby. London, James Bohn, 1834.

8vo. 2 vols. VIII, 472, XXXIV. (4), V, (6)-238 pp. With 2 lithogr. frontispieces, 9 lithogr. plates on Chine appliqué and 1 folding lithogr. map of Central Arabia and Egypt. Contemporary tan calf bindings, spines renewed in period style. First edition. The second volume - and the map - are devoted entirely to the so-called "Nedjed Country". - "The first political and commercial treaty between Great Britain and Persia was concluded in 1801, when the East India Company sent John Malcolm to the Court of Fath Ali Shah. Persia undertook to attack the Afghans if they were to move against India, while the British undertook to come to the defence of Persia if they were attacked by either the Afghans or the French. When the Russians intensified their attacks on the Caucasian Provinces in 1803 annexing large territories, Fath Ali Shah appealed to the British for help, but was refused on the grounds that Russia was not included in the Treaty. The Persians thus turned to the French and concluded the Treaty of Finkenstein in 1807. It was against this background that Harford Jones, who was the chief resident at Basra for the East India Company, was sent to Persia by the Foreign Office in 1809 [...] The French who had now entered into a treaty with Russia (the Treaty of Tilsit in 1807) had lost interest in Persia and removed their political and military missions. Thus the British were able to conclude another treaty with Persia (the Treaty of Friendship and Alliance, also called the Treaty of Tehran) which bound Britain to assist Persia in case any European nation invaded her (even if Britain had a treaty with that nation). This treaty was not honoured by the British after the first Persian-Russian War" (Ghani). Volume 2 is devoted exclusively to the Wahhabis, tracing their history from the mid-eighteenth century to their defeat by Egyptian Ottoman forces at the site of the Wahhabi capital, Dariyah (Dereyah), in 1818. - Rare: the only other copy in a contemporary binding on the market within the last 30 years was the Burrell copy (wanting half titles and rebacked; Sotheby's, Oct 14, 1999, lot 127, £8,000). Only slightly browned and foxed (occasionally affecting plates), but altogether fresh, in an appealing full calf binding. Macro, Bibliography of the Arabian Peninsula, 606. BM IV:457 (941). Wilson 33. Cf. Ghani 53f. (reprint). Diba 79.

Inlibris · Wien, AT18 000,00 €

[Costume drawings].MareMagnum

An album of eight fine watercolour drawings depicting the costumes of Constantinople and the Ottoman World. Constantinople, ca. 1575 / later 16th century.

4to (168 x 212 mm). 8 watercolour drawings, some heightened with white or gold, captioned in German in a late 16th-c. hand, on 8 leaves and a further 24 blank leaves (for the watermark cf. Briquet 917: Nuremberg 1554 or 1565-82). Contemporary limp vellum without ties. An album of eight splendid costume paintings, by a talented, unidentified artist who may have been a member of the entourage of a German ambassador to the Porte. The subjects in this collection are captioned: "Der Kriechen Patriarch" (the Greek Patriarch); "Der Türckisch Keiser" (the Turkish Sultan); "Der Türckisch Babst" (the Grand Mufti); "Türckische weiber wie sie pflegen auf der gaßen zu gehen" (Turkish women, as it is their wont to dress in the street); "Also sizen die Türckischen weiber" (Thus sit the Turkish women); "Ein Epirotische frau wie sie in Iren Heusern zu Galata pflegen zu gehen" (a woman of Epirus, as they walk about in their houses in Galata); "Ein Kriegische fraw" (a Greek woman); and "Ein Armenerin" (an Armenian woman). - Great attention to both accuracy and details is shown: indeed, the suite may be related to another set of similar drawings in the Gennadius Library (A896 B), dated to about 1573 (cf. Blackmer Cat.). There is also some resemblance in style and presentation to certain of the costume illustrations in Nicolas de Nicolay's Navigations (1568, and later editions). Although Nicolay travelled in the Levant in the 1550s and was long thought to have drawn his costume subjects from life, doubt has been cast on this view, and it is now generally considered that he drew his subjects from the work of other artists and illustrators. - A little light dust-soiling, binding with minor wear, soiling and wormholes. Provenance: from the collection of Ferdinand Sigismund Kress von Kressenstein (1641-1704), councilman of Nuremberg whose father signed the Peace of Westphalia treaty (his armorial bookplate on the front pastedown). Later in the library of Franz Joseph II, Prince of Liechtenstein (1906-89), with his armorial bookplate on the flyleaf. Latterly in the collection of Henry Myron Blackmer II (1923-88), with his bookplate to the pastedown, sold at Sotheby's in 1989 (Blackmer sale, lot 80) and purchased by Herry W. Schaefer (1934-2016). Blackmer 1887 (with two illustrations: p. 42 and frontispiece facing p. 1). Cf. Haydn Williams, "Additional printed sources for Ligozzi's series of figures of the Ottoman Empire", in: Master Drawings, vol. 51, no. 2 [Summer 2013], pp. 195-220; Metin And, Istanbul in the 16th century: the city, the palace, daily life (Istanbul, 1994).

Inlibris · Wien, AT65 000,00 €

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