1 476 résultats
175650805Arezzo Michele Belotti 1756. Large 4to. 2 contemp. full vellum with handwritten titles on spine. Marbled edges. VII435;4213 pp. and 2 engraved portraits Ariosto and Barbolani. printed on good paper clean and fine. Italian and Latin text in 2 columns. <br/><br/><em>A fine copy of the first translation of Orlando Furioso into Latin. - Brunet I 440. </em> hardcover
175650805Arezzo, Michele Belotti, 1756. Large 4to. 2 contemp. full vellum with handwritten titles on spine. Marbled edges. VII,435421,(3) pp. and 2 engraved portraits (Ariosto and Barbolani). printed on good paper, clean and fine. Italian and Latin text in 2 columns.
15722012300015Venetia Appresso Vincenzo Valgrisi 1572. Hardcover. Good. The Romance of Roland: Early Italian edition Quarto. Early boards rebacked with renewed leather spine. Spine gilt ruled and lettered. Good binding. 16 654 32 p. Text in double columns. Title within architectural border surmounted by portrait bust of author and with Valgrisi's woodcut device. Full-page woodcut illustrations with ornamental sidepieces at beginning of each canto; head-pieces; historiated initials; printed marginalia. Scattered staining throughout browning. Chip missing from margin of rearmost leaf. Lacking final blank leaf. Mortimer Italian Books 29 citing 1562 ed. Adams A1673 citing 1571 ed. Venetia Appresso Vincenzo Valgrisi hardcover
183977042Paris: Knab 1839. Fine. Knab Paris 1839 12.50 x 21.80 cm 3 volumes reliés New translation by A. Mazuy. The 3 volumes are illustrated with a portrait of Ariosto as frontispiece and 85 wood-engraved figures printed on China paper and mounted on strong paper. They are numbered from 1 to 85. The 3 volumes properly contain the placement sheets for the engravings at the end and the errata. This beautiful illustration a romantic vision of the chivalrous Middle Ages is the work of Meissonnier Baron Français Girardet. Contemporary full glazed calf binding in violet. Smooth spine decorated with Rocaille tools in long and mirror patterns. Gilt title. Boards stamped in blind with a large ornamental plate in Renaissance style. Gilt framing fillets. Interior frieze. Lemon-yellow endpapers. Tissue guards present. Some occasional scattered foxing on an otherwise clean set the tissue guards often browned or foxed. Signs of rubbing. Cracks on one lower joint at foot. Spine uniformly blue-green. Very handsome copy rare in this condition. The work is completed with several studies by the translator notes on chivalric romances oriental traditions chronicles songs of the trouvères and troubadours. An index of proper names in Orlando Furioso. Knab hardcover
11109Paris chez Nepveu et Aimé André 1822. 3 volumes in/8 reliure en plein maroquin rouge signé Niedré dos à nerfs à caissons dorés plats à triples filets dorés doré toutes tranches double filets sur les coupes dentelle intérieure vol1 : frontispice xliii ff 1 fac-similé dun autographe dArioste 2 vignettes 36 planche 463 pages. - vol. 2 : 31 planches 480 pages. - vol.3 : 27 planches 486 pages. Beaux exemplaires avec de très rares rousseurs Traduction par le Comte de TRESSAN. Le relieur Niedree fut distingué pour son travail en 1844. Il était réputé pour ses reliures de style Renaissance ; la conservation des marges était pour lui lobjet des plus grands soins. Orlando Furioso ou Roland furieux est un poème épique de 40 chants écrit par Ludovico Ariosto dit en français l'Arioste écrit au début du XVIe siècle le Cinquecento italien il sera publié en 1516. S'inscrivant dans le cycle carolingien comme un lointain descendant de la Chanson de Roland ou Chanson de Roncevaux et présenté à sa sortie comme une suite de l'Orlando Innamorato Roland amoureux de Matteo Maria Boiardo. Le poème fut écrit en ferrarais le dialecte utilisé à Ferrare puis l'Arioste lui-même l'adapta en toscan littéraire afin qu'il soit plus accessible pour le reste de l'Italie. Roger et Bradamante y sont présentés comme les ancêtres légendaires des ducs de Ferrare et donc du cardinal Alphonse d'Este qui était le protecteur de l'Arioste et sans doute le commanditaire du livre. unknown
11109Paris, chez Nepveu et Aimé André, 1822. 3 volumes in/8 reliure en plein maroquin rouge signé Niedré, dos à nerfs à caissons dorés, plats à triples filets dorés, doré toutes tranches, double filets sur les coupes, dentelle intérieure, vol1 : frontispice, xliii ff, 1 fac-similé d’un autographe d’Arioste, 2 vignettes, 36 planche, 463 pages. - vol. 2 : 31 planches, 480 pages. - vol.3 : 27 planches, 486 pages. Beaux exemplaires avec de très rares rousseurs, Traduction par le Comte de TRESSAN.
200913216Paris, Librairie Hachette et cie, 1879 ; in-folio, 658 pp., cartonnage de l'éditeur. Traduit par A.-J. du Pays et illustré par GUSTAVE DORÉ - qlq rousseurs et ptes restauration, pleine percaline rouge d'éditeur (ptes usures sinon bon état général (cartonnage signé A. Souze).
182222827Paris Nepveu, Aim-Andr 1822 3 volumes in-8, demi-maroquin havane fonc coins, dos quatre nerfs orns de filets et fers romantiques pousss or; doublures et gardes de papier vein, ttes dores, non rogns (Lanne).Bel exemplaire en reliures romantiques.
183977042Knab | Paris 1839 | 12.50 x 21.80 cm | 3 volumes reliés
1888H0-D4CP-P3PEParis: Librairie Hachette et Cie 1888. Illustrated Edition. Hardcover. Used - Very Good/no dj as issued. Gustave Dore. Very Good. Paris 1888. Large folio. 498 x 330 mm 19 4/8 x 12 3/4 inches. Weight 17 pounds!. 658 pages frontispiece and 81 steel-engraved full page plates 681 steel-engraved vignettes in the text by Gustave Doré. Folio copy preserved in its splendid publisher cardboard in red percaline illustrated by A. Souze. Cover and back decorated and gilded the first cover adorned with a gilded griffin bearing standard and coat of arms on a background of patterns with oak leaves and helm. Last illustrated book by Gustave Doré<br /> <br /> -- -- Most pages and plates very clean. Some foxing and smudges to first few and last few pages otherwise Very well preserved. The front cover is very well stamped the gilding is bright. The gilding on the back is just a little tarnished slight traces of handling <br /> Solid hinges tear on the lower part of the spine fresh and clean interior light scattered foxing denser on the first few pages. --- --- Roland Furieux Orlando Furioso required a long preparation work and can be understood as a synthesis of all the themes dear to the artist: medieval frames forests battle scenes heroines of sublimated beauty fantastic atmosphere. Most pages and plates very clean. Very well preserved. The plate on the first cover is very well stamped the gilding is bright. The gilding on the back is a little tarnished slight traces of handling two small slots on the joints max 2 cm.<br /> Solid hinges. fresh and clean interior light scattered foxing denser at first. Librairie Hachette et Cie hardcover
1556044543Lyon: Guglielmo Rouillio 1556. Early Edition. Hardcover Vellum. Good Condition. Contemporary overlapping vellum darkened spine perished binding a little loose light wear to last few pages early underlining in a few discrete spots light scattered foxing otherwise clean internally. A charming little edition with woodcuts throughout. Rare. Adams 1667 Graesse A198. Size: 16mo . One volume of the 2-volume set. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Antiquarian & Rare. Inventory No: 044543. <br/><br/> Guglielmo Rouillio hardcover books
3-81679Bologna FMR-ART'E' 2005 imponente volume in-folio cm. 46 x 35 legatura in pelle naturale tinta alla botte realizzata a mano dalla Legatoria Steal di Torino. Al piatto anteriore è collocato un esemplare dell'opera "La battaglia sotto le mura di Paigi" realizzata da Elvio Marchionni in litoserigrafia su ottone ricoperta in oro 24 K dorso a sei nervi pp. XLXI 405 12 con dieci belle tavole a colori a piena pagina fuori testo di Elvio Marchionni. Edizione limitata di 975 esemplari numerati ilnostro esemplare n. 956. Per la stampa dei testi sono stati usati i caratteri bodoniani e carta in puro cotone appositamente realizzata per questa tiratura alla forma tonda nelle Cartiere d'Arches in Francia. In stato di nuovo unknown
Mm 340x425 Introduzione di Riccardo Bacchelli, tavole e illustrazioni di Fabrizio Clerici. Opera completa in tre volumi nei loro rispettivi cofanetti in cartone editoriale: il primo volume, di XVIII-340 pagine, contiene il testo; gli altri due, 158 tavole sciolte a colori. La brossura e le tavole sono inserite in delle camicie originali cartonate. Grande formato. Piccola fessura al cofanetto del primo volume, per il resto le condizioni dell'opera sono ottime. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
in-8°; cc. (8), 206, marca tipografica al frontespizio, nel testo testatine e capilettera incisi su legno. LEgatura in mezza pelle con tassello e titolo in oro al dorso. Gamba 1603.
1785223942London: Printed for George Nicol 1785. Second Edition. Illustrated with 8 engraved plates designed by Kauffman Thomas Stothard Metz and Hamilton 3 plates in Vol. I; 1 plate in vol. II; 2 in Vol. III; and 1 each in vols. IV & V including the plate facing p. 164 of volume 3 engraved by William Blake after the drawing by Thomas Stothard. 5 vols. 8vo. Full contemporary tree calf spines with gilt onrnaments and red and black labels. Bindings a bit rubbed at joints small chips internally near fine. Blake William. Second Edition. Illustrated with 8 engraved plates designed by Kauffman Thomas Stothard Metz and Hamilton 3 plates in Vol. I; 1 plate in vol. II; 2 in Vol. III; and 1 each in vols. IV & V including the plate facing p. 164 of volume 3 engraved by William Blake after the drawing by Thomas Stothard. 5 vols. 8vo. Hoole's translation in decasyllabic rhymed couplets first appeared in 1783 with these illustrations. The Blake engraving dramatically illustrates Orlando brandishing an uprooted tree for which Blake altered the original Stothard drawing in interesting ways cf. Essick figs. 34 & 35. Most notably Blake enlarged the roots of the uprooted pine dramatically with an effect far more 'furious' than the original. Essick XII; Bentley 1977 417; Keynes 1921 96; Easson and Essick II; Lowndes 64 Printed for George Nicol unknown
34097Paris, Brunet - Laporte, 1775-1783. 4 volumes in-8°, [6]-321; 391; 407; 410p. Reliures plein veau marbré, dos à nerfs ornés de fleurons dorés, encadrement doré sur les plats, tranches dorée.
Cm. 14,5, cc. 32 non numerate. Incisione al frontespizio raffigurante due serpenti intrecciati e una mano che impugna una cesoia. Leg. d'inizio '800 in cartoncino marmorizzato con dorso ricoperto posteriormente in carta decorata. Un timbro al frontespizio (Biblioteca Colonna). Un po' rifilato e con qualche macchietta marginale limitata alle ultime 2/3 carte, peraltro buona conservzione. Raro. Trattasi di sette componimenti in terzine scritto da Ludovico Ariosto tra il 1517 e il 1525 che si incentrano su un immaginario dialogo fra Ariosto e vari personaggi reali.
1756400727Amsterdam : Aux Depens de la Compagnie 1756. First Edition. Hardcover. Very good copies all in the original gilt-blocked full aniline calf. Raised bands; contrasting labels; spine compartments uniformly tooled. Generalized wear to some of the boards and spines. Remains a particularly well-preserved set overall. Physical description: 4 volumes bound in 2; 17 cm. Subjects: French translations; Italian literature; Orlando furioso. Amsterdam : Aux Depens de la Compagnie hardcover
179546405166Paris, chez Laporte, [1795] ; 4 volumes in-4, demi cuir de Russie vert, dos lisses, faux nerfs ornés dorés, non rognés. (Reliure de l’époque) 374 pp. - 2 ff., 390 pp. - 2 ff., 384 pp. - 2 ff., 389 pp.Superbe édition typographique tirée sur grand papier vergé fort. Elle est ornée d’un portrait de l’Arioste dessiné par Eisen d’après le Titien, gravé par Fiquet et de 46 planches dessinées par C. N. Cochin gravées par De Launay, Lingée et Ponce, les mêmes que celles du Roland Furieux traduit par D’Ussieux paru chez Brunet en 1775-1783.C’est la traduction du comte de Tressan qui avait adapté de nombreux romans de chevalerie. Elle est précédée d’un Abrégé de la vie de l’Arioste extraite de Simon Fornari, de l’abbé Pezana, etc. d’une traduction de la Lettre de Galilée au seigneur François Rinuccini (au sujet de l’Arioste et du Tasse). Le dernier tome contient un Extrait du Roland de Boyardo (pp. 100-261) ainsi que La Fleur des Batailles de Doolin comte de Mayence.Bel exemplaire à toutes marges relié à l’époque. Qq. pâles mouillures et rares rousseurs.
4 volumi, cm. 17, cartonato originale, pag. XLII, 438 (1 c.b.) più ritratto in rame dell'A. e 14 tavole incise da Lapi; (1 c.b.) (2) 495 più 12 tavole f.t.; (2) 458 (1 c.b.) più 13 tavole f.t.; (1 c.b.) (2) 508 più 7 tavole f.t.. In fine al 4° volume sono presenti i primi 5 canti della Continuazione. Lavori di tarlo al margine bianco interno di alcune pagine al primo volume, comunque ottimo esemplare in barbe. Graesse, vol. 1, pag. 200; Brunet, I, 438.
165324368Venetia Venice: Appresso li Milochi 1653. Octavo 277 pp. 16 cm paper-covered boards with vellum spine. Printed in double columns with 51 allegorical woodcut vignettes one at the beginning of each of the 46 cantos plus five with the appended "Cinque Canti" which has its own title page additional woodcut ornaments.Small section 1.5 cm clipped from top margin of A2 with loss of one line of text dampstain visible to varying degrees throughout see images. Bookseller label of Libreria Cecchi Firenze on front pastedown. An uncommon small-format edition intended for popular consumption that demonstrates the ongoing popularity of this work well over a century after its initial publication 1516. Appresso li Milochi unknown
1924Birmingham: da' Torchj di G. Baskerville Per P. Molini Librajo dell' Accademia Reale e G. Molini 1773. Hardcover. Good. Octavo. Four volumes. I: xxxiv lviii 362pp.; II: ii 450pp.; III: ii 446pp.; IV: ii 446pp. I: 8 b4-g4 1 A8-Y8 Z6 Z6 blank; II: 1 A8-Z8 Aa8-Ee8 Ff2 Ff2 blank; III: 1 A8-Z8 Aa8-Ee8 Ee8 blank; IV: 1 A8-Z8 Aa8-Dd8 Ff4-Gg4 - Gg4 blank 8 4-4 - 4 blank. There is a long list of subscribers and an errata leaf which are bound in volume I. Leaves A8 and D2 in volume 4 are cancels. Contemporary light brown calf gilt spines. Gilt fillet borders. With a portrait and 46 plates the plates drawn by G. Cipriani Moreau le jeune Eisen Cochin fils Monnet J.B. Greuze and engraved by Bartolazzi Launay Longueil de Ghendt Prevost Henriquez Massard Simonet Ponce Duclos Martini Moreau le jeune Choffard Helmon. The portrait drawn by Eisen and engraved by Fiquet. Lacks plate 2 6 7 10 11 14 15 16 19 20 22 31 32 44 and 46. Gaskell 48; Cohen-de Ricci 95; Gamba 62; Guidi p. 111; Agnelli-Ravegnani I pp. 204-206; ESTC T133621; Ray G.N. Art of the French ill. Book 64. <br/> <br/> Birmingham: da' Torchj di G. Baskerville, Per P. Molini Librajo dell' Accademia Reale, e G. Molini, 1773. hardcover
179929594<p>Orlando Furioso by Ludovico Ariosto translated into English verse by John Hoole was published in London in 1799 by Otridge and Son in five octavo volumes. This edition includes five engraved frontispieces nine additional full-page engravings and decorative vignettes throughout the text. It tells the story of the knight Roland companion to Charlemagne and includes both poetic narrative and critical apparatus. The volumes are bound in full period leather with raised bands and gilt decoration. Volume I includes a lengthy preface and dedication followed by complete pagination across the remaining volumes. Condition: Very Good. All bindings show moderate wear at hinges and corners; all text blocks are secure and internally clean. Format: Octavo 8vo five-volume set. Collation: Vol. I: cxvii 335 pp; Vol. II: 264 48 pp; Vol. III: 427 pp; Vol. IV: 438 pp; Vol. V: 322 vi 54 pp. Illustrations: 5 frontispieces 9 full-page engravings decorative vignettes. Edition: New Edition 1799. #29594. PHOTOS AVAILABLE UPON REQUEST.</p> Printed for Otridge and Son hardcover
Cm. 35,5, pp. xxxii, 547 (1). Con ritratto inciso in rame all'antiporta. Solida legatura coeva in mezza pelle, dorso a nervi con titoli e fregi in oro, piatti decorati a secco. Qualche minimo segno d'uso esterno, ma esemplare genuino e ben conservato. Cfr. Agnelli-Ravegnani (I, 219-220): "Magnifica e pregiatissima edizione, che la Crusca citò, e che il Gamba giustamente apprezzò come una delle migliori. In fatti, egli scrive: - Con mirabile diligenza si prestò il dotto uomo alla buona riuscita, e così si ha il Furioso interamente restituito alle native forme dategli dal suo autore... -. In una dotta prefazione il Morali passa in esame tutte le antiche stampe del Furioso... Inoltre ha arricchito l'edizione di esatte tavole, le quali, dando i confronti delle lezioni adottate con quelle delle stampe più famigerate, segnano le più notabili differenze grammaticali...Di questa ediz. esistono 50 esemplari in carta grande velina...". Cagnolati G. (Mostra di edizioni ariostesche, n 220) : "Splendida edizione... ritratto dell'A. inciso da F. Caporale.".
Cm. 32,5, pp. xxxii, 547 (1). Con ritratto inciso in rame all'antiporta. Solida legatura coeva in piena pelle, dorso a nervi con titoli e fregi in oro, piatti inquadrati da filetti in oro. Entro custodia. Esemplare genuino e ben conservato. Cfr. Agnelli-Ravegnani (I, 219-220): "Magnifica e pregiatissima edizione, che la Crusca citò, e che il Gamba giustamente apprezzò come una delle migliori. In fatti, egli scrive: - Con mirabile diligenza si prestò il dotto uomo alla buona riuscita, e così si ha il Furioso interamente restituito alle native forme dategli dal suo autore... -. In una dotta prefazione il Morali passa in esame tutte le antiche stampe del Furioso... Inoltre ha arricchito l'edizione di esatte tavole, le quali, dando i confronti delle lezioni adottate con quelle delle stampe più famigerate, segnano le più notabili differenze grammaticali...Di questa ediz. esistono 50 esemplari in carta grande velina...". Cagnolati G. (Mostra di edizioni ariostesche, n 220) : "Splendida edizione... ritratto dell'A. inciso da F. Caporale.".