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2 354 résultats
Poggibonsi, Tipografia Coltellini e Bassi, 1875, in-8, br. editoriale, pp. 64. Qualche nota a matita (alcune con note salaci sui commenti lasciati dai visitatori). Bell'esemplare.
Cm. 17, pp. (4) iv, 263 (1). Solida ed elegante legatura coeva in mezza pelle, dorso liscio con titoli e filetti in oro. Ben conservato.
pp. IV, 264 IV ediz. diligentemente corretta, con aggiunte di Vincenzo Borghini e con postille del medesimo e di A. M. Salvini, riscontrate sugli autografi e emendate da gravi errori.
In-16 gr., brossura, pp. (4), III, 263. Quarta edizione "diligentemente corretta, con aggiunte di V. Borghini, e con postille del medesimo, e di A.M. Salvini riscontrate sugli Autografi ed emendate da gravi errori". Intonso. In buono stato (good copy).
4° cc. 20 nn. Pp. 142 (16) 1 c.b. con 1 ritratto xilografato alla quarta carta non numerata. Legatura posteriore in pergamena verniciata di verde. Bell'esemplare con barbe. Prima edizione. Gamba n. 41 Choix 12650
Firenze, L.S. Olschki, 1978, in-8, br., pp. XVI, 703, [1]. Ente Nazionale "Giovanni Boccaccio", 3. Ottimo esemplare.
Cm. 25, pp. (4) 450 (6). Bross. edit. ill. In stato di nuovo.
Cm. 29, pp. 38 (2). Con illustrazioni. Bross. orig. ill. Perfetta conservazione. Con 196 edizione di Boccaccio descritte.
Cm. 18, pp. xii, 71 (1). Frontespizio figurato. Brossura originale ornata. Dorso debole, peraltro ben conservato. Scelta di Curiosità letterarie inedite o rare dal secolo XIII al XIX. Edizione di soli 202 esemplari numerati (ns. n. 71).
cm. 18 x 25,5, xiv-130 pp. con 1 tav. f.t. Centro di studi umanistici ?Angelo Poliziano? 315 gr. xiv-130 p.
cm. 18 x 25,5, xiv-156 pp. Centro di studi umanistici ?Angelo Poliziano? 358 gr. xiv-156 p.
cm. 18 x 25,5, xiv-274 pp. Centro di studi umanistici ?Angelo Poliziano? 596 gr. xiv-274 p.
ELLE n° 2290 Novembre 1990en bon etat (462 g)E7024
cm. 18 x 25,5, viii-120 pp. 284 gr. viii-120 p.
In-4, brossura. Qualche residuo di colla al dorso, peraltro ben conservato. In questo numero: “Statua del Boccaccio, nel monumento inaugurato a Certaldo, il 23 giugno”.
Cm. 24, pp. 41 (3). Bross. edit. Ottimo stato di conservazione, intonso.
Cm. 24, pp. 36. Bross. edit. Ottimo stato di conservazione.
cm. 17,5 x 25, 5 voll. (Bibl. Arch. Romanicum, I, 178 - 182) 0 gr.
cm. 18 x 25,5, vi-454 pp. Biblioteca dell'?Archivum Romanicum? - Serie I: Storia, Letteratura, Paleografia 955 gr. vi-454 p.
In-8, antico cartonato muto (dorso restaurato per mancanze), pp. (6),224,(2), ornato da testatine, grandi iniziali e finalini, incise su legno. Esemplare con barbe. Lievi fioriture, peraltro ben conservato (slightly foxed, otherwise good condition).
Lotto di 22 gradevoli acqueforti, mm. 105x64 su foglio di 195x125 provenienti dal I volume de "Il Decamerone" di G. Boccaccio, opera pubblicata nel 1757 senza editore. Le opere sono dis. in gran parte da Gravelot, e alcune di Boucher, Cechin, Eisen. Fra gli incisori Le Mire, Flipard, Lampereur, Martenasi, Tardieu, Aillamet, Sornique, Ouvrier. Ottima conservaz.
1860H23322Stuttgart: Gedruckt auf Kosten des Litterarischen Vereins 1860. Hardcover. Very Good. 8vo cloth backed boards very good light wear to covers mellowing to spine contents very good pages a bit tanned. 703 pp. In prose in German. Heinrich Steinhöwel 1412 - 1482 was a Swabian author humanist and translator who was much inspired by the Italian Renaissance. His translations of medical treatises and fiction were an important contribution to early Renaissance Humanism in Germany. Gedruckt auf Kosten des Litterarischen Vereins hardcover
In 16, pp. 379-418. Qualche sporadica fioritura alle cc. Br. rifatta con carta d'epoca. Estratto dagli Opuscoli scientifici e filologici di Calogera' (tomo I). Seconda edizione di questo scritto di Buonamici pubblicato nel 1726 a Londra sulla contraffazione settecentesca del Decamerone.
1757ST20210Londres i.e. Paris: Prault 1757-61. 205 x 132 mm. 8 x 5 1/4". Five volumes. Translated by Antoine Jean Le Maçon. <br/> LOVELY INDIGO CRUSHED MOROCCO GILT BY DAVID stamp-signed on front turn-in covers with French fillet border raised bands spine compartments with intricate central fleuron and scrolling cornerpieces gilt lettering turn-ins with multiple decorative rolls marbled endpapers all edges gilt. Housed in a maroon buckram chemise in a matching morocco-backed slipcase. Engraved illustrated title page in each volume 110 engraved chapter headings and 205 ENGRAVED ILLUSTRATIONS BY GRAVELOT AND OTHERS 110 of these plates and 95 tailpiece vignettes. A Large Paper Copy. Cohen-de Ricci 160-61; Ray 15; Furstenberg 26. A couple of boards with trivial chafing isolated faint foxing occasional minor marginal smudges touching text on a couple of pages but A VERY FINE SET clean and fresh internally with spacious margins and in sparkling bindings with virtually no signs of wear.<br/> <br/> This is an elegantly bound and unusually well-preserved copy of one of the most famous and charming illustrated books of the 18th century a work frequently regarded as the supreme example of refined libertine illustration of the period. Owen Holloway calls it one of the four masterpieces of book illustration at the end of the Rococo period. Ray too is expansive in his praise calling the work simply "one of the masterpieces of the illustrated book." The publisher first released this work in Italian in 1757 with the present edition following later the same year. Although he had as collaborators on this work some of the outstanding French artists of the 18th century Gravelot born Hubert-François-Bourguignon 1699-1773 was chiefly responsible for its production designing 89 of its 111 plates and all 97 of its immensely delightful tailpieces. In this the most ambitious undertaking of his career Gravelot gave Boccaccio's narrative the settings and costumes of 18th century France and this transposition Ray tells us "made it possible for him to exercise his special talent for depicting the social world around him. For the most part his figures are young the women graceful and pretty the men lithe and handsome." But "all levels of life are presented from the peasant in his hovel to the king in his palace. Every variety of interior is there from boudoirs and bedrooms to dining rooms and salons. Animated street scenes alternate with glimpses of gardens and farms forests and river banks. The human condition has rarely been so attractively displayed." Our copy is particularly pleasing: it is in fine condition with wide generous margins and was bound in rich indigo morocco by David. Parisian binder Bernard David 1824-95 worked under Pfister Dompierre Lortic and Gruel before striking out on his own to establish a very high reputation in the trade. His bindery was taken over by his son Salvador in 1890. Prault] unknown
1886213898London: Printed for the Villon Society by Private Subscription and for Private Circulation Only 1886. No. 21 of a limited edition. xii 334; xii 350; xii 354 2 pp. 3 vols. 8vo 145 x 185 mm. Bound in full vellum stamped in gilt t.e.g. rest uncut. Spines a bit darkened; Very Good. No. 21 of a limited edition. xii 334; xii 350; xii 354 2 pp. 3 vols. 8vo 145 x 185 mm. <br/><br/> Printed for the Villon Society by Private Subscription and for Private Circulation Only hardcover
