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19551057Editions Du Demi-jour 1955. Deux fort volumes, in-8 brochés, de 332 et 408 pages au format 23,5 x 8 x 16,5 cm. Superbes couvertures à rabats, illustrées en lithographies couleurs par. Pierre-Laurent Brenot. Dos restés carrés, avec infime enfoncement au bas du tome 1. Plats et intérieur frais. Textes traduits par Antoine le Maçon et mis en français moderne par Henri Demeurisse, enrichis de magnifiques illustrations en couleurs, hors-texte de Pierre Laurent Brenot, coloriées à la main dans les ateliers de Edmond Vairel. Un des 1400 exemplaires numérotés sur Marais Licorne ( n° 1142 ), après 100 sur japon et 250 sur le même papier, avec une suite en noir et une suite des décompositions des couleurs. Superbe état. Rare édition originale illustrée, surtout dans un tel état de fraicheur.
53027Librairie Garnier Frères s.d. (vers 1920), 2 tomes reliés en un volume in-12 demi-chagrin grenat, dos orné d'un angelot et de motifs doés, tranche supérieure dorée, 542 p. en continu (bon exemplaire bien relié) Edition intégrale du légendaire "Décaméron" ou recueil de cent nouvelles.
1860H23322Stuttgart: Gedruckt auf Kosten des Litterarischen Vereins 1860. Hardcover. Very Good. 8vo cloth backed boards very good light wear to covers mellowing to spine contents very good pages a bit tanned. 703 pp. In prose in German. Heinrich Steinhöwel 1412 - 1482 was a Swabian author humanist and translator who was much inspired by the Italian Renaissance. His translations of medical treatises and fiction were an important contribution to early Renaissance Humanism in Germany. Gedruckt auf Kosten des Litterarischen Vereins hardcover
In 16, pp. 379-418. Qualche sporadica fioritura alle cc. Br. rifatta con carta d'epoca. Estratto dagli Opuscoli scientifici e filologici di Calogera' (tomo I). Seconda edizione di questo scritto di Buonamici pubblicato nel 1726 a Londra sulla contraffazione settecentesca del Decamerone.
1757ST20210Londres i.e. Paris: Prault 1757-61. 205 x 132 mm. 8 x 5 1/4". Five volumes. Translated by Antoine Jean Le Maçon. <br/> LOVELY INDIGO CRUSHED MOROCCO GILT BY DAVID stamp-signed on front turn-in covers with French fillet border raised bands spine compartments with intricate central fleuron and scrolling cornerpieces gilt lettering turn-ins with multiple decorative rolls marbled endpapers all edges gilt. Housed in a maroon buckram chemise in a matching morocco-backed slipcase. Engraved illustrated title page in each volume 110 engraved chapter headings and 205 ENGRAVED ILLUSTRATIONS BY GRAVELOT AND OTHERS 110 of these plates and 95 tailpiece vignettes. A Large Paper Copy. Cohen-de Ricci 160-61; Ray 15; Furstenberg 26. A couple of boards with trivial chafing isolated faint foxing occasional minor marginal smudges touching text on a couple of pages but A VERY FINE SET clean and fresh internally with spacious margins and in sparkling bindings with virtually no signs of wear.<br/> <br/> This is an elegantly bound and unusually well-preserved copy of one of the most famous and charming illustrated books of the 18th century a work frequently regarded as the supreme example of refined libertine illustration of the period. Owen Holloway calls it one of the four masterpieces of book illustration at the end of the Rococo period. Ray too is expansive in his praise calling the work simply "one of the masterpieces of the illustrated book." The publisher first released this work in Italian in 1757 with the present edition following later the same year. Although he had as collaborators on this work some of the outstanding French artists of the 18th century Gravelot born Hubert-François-Bourguignon 1699-1773 was chiefly responsible for its production designing 89 of its 111 plates and all 97 of its immensely delightful tailpieces. In this the most ambitious undertaking of his career Gravelot gave Boccaccio's narrative the settings and costumes of 18th century France and this transposition Ray tells us "made it possible for him to exercise his special talent for depicting the social world around him. For the most part his figures are young the women graceful and pretty the men lithe and handsome." But "all levels of life are presented from the peasant in his hovel to the king in his palace. Every variety of interior is there from boudoirs and bedrooms to dining rooms and salons. Animated street scenes alternate with glimpses of gardens and farms forests and river banks. The human condition has rarely been so attractively displayed." Our copy is particularly pleasing: it is in fine condition with wide generous margins and was bound in rich indigo morocco by David. Parisian binder Bernard David 1824-95 worked under Pfister Dompierre Lortic and Gruel before striking out on his own to establish a very high reputation in the trade. His bindery was taken over by his son Salvador in 1890. Prault] unknown
1886213898London: Printed for the Villon Society by Private Subscription and for Private Circulation Only 1886. No. 21 of a limited edition. xii 334; xii 350; xii 354 2 pp. 3 vols. 8vo 145 x 185 mm. Bound in full vellum stamped in gilt t.e.g. rest uncut. Spines a bit darkened; Very Good. No. 21 of a limited edition. xii 334; xii 350; xii 354 2 pp. 3 vols. 8vo 145 x 185 mm. <br/><br/> Printed for the Villon Society by Private Subscription and for Private Circulation Only hardcover
Milano, Fabbri, 1978, 8vo rilegato in mezza pelle, pp. 217.
1019333626.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1245960571.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1172119139.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1024505073.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1246037599.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1024392104.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1245838822.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1172463700.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1247745732.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1021037265.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1022609149.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1377128598.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
202101412Paris, ROMBALDI, 1951 ; in-8, 186 pp., br. Illustrations originales en couleurs de JEAN GRADASSI - EXEMPLAIRE N° 3568.
200503871Paris, ROMBALDI, 1951 ; in-8, 186 pp., broché, couverture illustr. Illustrations originales en couleurs de JEAN GRADASSI - EXEMPLAIRE N° 640/.
17236220702Firenze [Florenz]: Gio. Gaetano Tartini e Santi Franchi 1723.
194324198Compagnie française des arts graphiques 1943 In-8, en feuilles, couverture rempliée, chemise & étui cartonnés, 184 pp. 91 lettrines dorées dessinées par Henri BLONDEAU et 15 compositions en noir dans le texte et une hors-texte réhaussées d'or. Etui lég. fané. Très bon exemplaire.
195121591951 Paris, Flammarion, 1951, in 12 broché, 298 pages
197516419Paris, Bibliothèque Nationale, 1975. Grand in-8 broché, couverture couleurs, un peu défraîchie. Illustré de reproductions en noir et en couleurs.