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1496511813: Vitarelli Venezia. Finely bound 19th century Venetian printing of Boccaccio’s masterpiece. 12mo five volumes bound in full straight grain morocco with gilt titles and elaborate gilt tooling to the spine in five compartments within raised gilt bands double gilt ruling to the front and rear panels gilt turn-ins and inner dentelles all edges gilt ribbons bound in illustrated with engravings engraved frontispiece portrait of Boccaccio to Vol. I folding plate to Vols. I II and III. In very good condition. Ownership inscription to each volume. A very elegant set. Giovanni Boccaccio’s Il Decameron composed between 1348 and 1353 in the shadow of the Black Death stands as a seminal work in the development of European prose fiction and a pivotal text in the emergence of Renaissance humanism. Structured around a frame narrative in which ten young Florentines—seven women and three men—withdraw from plague-stricken Florence to a secluded villa in the countryside the work offers one hundred tales that traverse the full spectrum of human experience. In both form and content Il Decameron marks a decisive departure from the didacticism of medieval literature privileging instead a literary ethos grounded in observation wit and psychological nuance. Boccaccio’s elevation of the vernacular Tuscan dialect helped to standardize Italian as a literary language aligning his prose with the aspirations of civic humanism and placing him in dialogue with figures such as Dante and Petrarch. Vitarelli unknown
192550083Paris Ren Kieffer 1925 In-4, maroquin marron orn d'une grande composition pousse or sur chaque plat, dos trois larges nerfs plats portant le titre le l'ouvrage pouss or au-dessus de trois carquois; encadrements intrieurs orns d'une roulette dore, doublures et gardes de papier marbr, tte dore, non rogn, couverture imprime (Ren Kieffer).56 compositions en couleurs d'Alfred Le Petit, dont une sur la couverture, 12 titres de nouvelles en hors-texte et 43 in-texte. Tirage limit 600 exemplaires numrots. Un des 50 premiers exemplaires sur japon (n1), seuls comporter une aquarelle originale en couleurs signe par l'artiste, et une suite des gravures. Bel exemplaire.
169712540A Amsterdam, chez George Gallet, 1697. 2 volumes in-12 de [24]-366 et 427-[14] pages, plein maroquin bordeaux, dos à 5 nerfs ornés de fleurons, encadrements, roulettes, titre, date et tomaison dorés, triple filet doré encadrant les plats, double sur les coupes, roulette intérieure dorée, tranches dorées. Reliure signée Thibaron Echaubard.
1903EXE-430Paris, H. Floury, 1903. In-8°, reliure de maroquin rouge cerise, ornementation géométrique, inspirée directement des illustrations de l’ouvrage; dos à cinq nerfs; tranches dorées; doublures de même maroquin avec des ornements or, avec en leurs centres une gouache originale; gardes de soie vert amande; couverture conservée; étui (Carayon). Illustré de nombreuses compositions par Léon Lebègue, dont de nombreuses vignettes et culs-de-lampe, ainsi que 7 compositions hors-texte. Tiré à 189 exemplaires, celui-ci sur papier vergé à la forme des papeteries d’Arches, bien complet de la suite en noir sur Chine. Contient deux dessins originaux à la gouache et aquarelle avec des rehauts d’or, signés, insérés chacun dans les doublures (21x14,5cm).
19544798Verona: Officina Bodoni 1954. First Edition. Hardcover. Fine/fine. Printer/publisher Hans Mardersteig's copy with his bookplate on the inside endpaper. Fine copy in leather-edged slipcase with marbled boards matching the endpapers. One of 125 copies on Rives. Lovely book. <br/><br/> Officina Bodoni hardcover
1935313189Oxford: Printed at The Shakespeare Head Press and published for the Press by Basil Blackwell 1935. No. 132 of 325 copies. The text for this edition is from Isaac Jaggard's English translation of 1620. The illustrations are from a 1492 edition published in Venice by the De Gregorii brothers. 4to. Three quarters blue morocco and cloth sides t.e.g. rest uncut. Minor fading to spine else fine. No. 132 of 325 copies. The text for this edition is from Isaac Jaggard's English translation of 1620. The illustrations are from a 1492 edition published in Venice by the De Gregorii brothers. 4to. A handsomely bound copy of this modern fine press edition of the Decameron. Printed at The Shakespeare Head Press and published for the Press by Basil Blackwell unknown books
1935313189Oxford: Printed at The Shakespeare Head Press and published for the Press by Basil Blackwell 1935. No. 132 of 325 copies. The text for this edition is from Isaac Jaggard's English translation of 1620. The illustrations are from a 1492 edition published in Venice by the De Gregorii brothers. 4to. Three quarters blue morocco and cloth sides t.e.g. rest uncut. Minor fading to spine else fine. No. 132 of 325 copies. The text for this edition is from Isaac Jaggard's English translation of 1620. The illustrations are from a 1492 edition published in Venice by the De Gregorii brothers. 4to. A handsomely bound copy of this modern fine press edition of the Decameron. Printed at The Shakespeare Head Press and published for the Press by Basil Blackwell unknown
FMM2516Munchen: Georg Muller und Hans von Weber 5 volumes; Essentially a fine facsimile of the 1757 edition; Von der Hundertausgave ist dieses Exemplar Nr. XLIV; Fine bindings by Carl Sonntag Leipsig; Polished maroon Morocco gilt spine title on green label heavy gilt spine decoration gilt borders to covers top edges gilt illustrations reproduced from the 1757 edition & red satin bookmarks; A near fine set. 247 188 252 238 & 227 pages. Size: 5"x8". Hardcover. Illus. by Gravelot Boucher & Eisen der Ausgabe. Georg Muller und Hans von Weber Hardcover
175759577E-176: Londra. Very Good. 1757. Hardcover. Leather. 8vo. Londra ma Parigi; possibly printed by Prault in Paris. 1757. 5 volumes. Xi 292 271 195 261 247 pages. Engraved title pages. Illustrated with tailpieces plates by Gravelot and Lemperer. Text in Italian. Slipcased in red cloth with spine label present to the top of the slipcase. Bound in 3/4 red leather with marble paper covered cloth with gilt and black band titles and gilt decoration present to the spines. Boards have light wear present to the extremities of the boards. Small m inked to the last page of the last volume. Several pages throughout the text are torn at the margins and repaired. Text is free of marks. Binding tight and solid. The Boccaccio is Gravelot's masterpiece so much he excels in gallant subjects and animated scenes. As for his spiritual cul-de-lamp they are in the hands of a master ornamentalist. The figures in first tests of a much higher rendering are the peculiarity of the edition in Italian; two of them have been replaced in the French edition. Ray The Art of the French Illustrated Book No. 15: "French collectors always have a preference for the Decameron in their own language but the earlier Italian text has better impressions of the illustrations". E-176; 8vo 8" - 9" tall . Londra hardcover
175757363EB: Londra. Very Good. 1757. Hardcover. Leather. 8vo. Londra ma Parigi; possibly printed by Prault in Paris. 1757. 5 volumes. Xi 292 271 195 261 247 pages. Engraved title pages. Illustrated with tailpieces plates by Gravelot and Lemperer. Text in Italian. Slipcased in red cloth with spine label present to the top of the slipcase. Bound in 3/4 red leather with marble paper covered cloth with gilt and black band titles and gilt decoration present to the spines. Boards have light wear present to the extremities of the boards. No ownership marks present. Several pages throughout the text are torn at the margins and repaired. Text is free of marks. Binding tight and solid. The Boccaccio is Gravelot's masterpiece so much he excels in gallant subjects and animated scenes. As for his spiritual cul-de-lamp they are in the hands of a master ornamentalist. The figures in first tests of a much higher rendering are the peculiarity of the edition in Italian; two of them have been replaced in the French edition. Ray The Art of the French Illustrated Book No. 15: "French collectors always have a preference for the Decameron in their own language but the earlier Italian text has better impressions of the illustrations". Hubert-François Bourguignon commonly known as Gravelot 26 March 1699 20 April 1773 was a French engraver a famous book illustrator designer and drawing-master. Born in Paris he emigrated to London in 1732 where he quickly became a central figure in the introduction of the Rococo style in British design which was disseminated from London in this period through the media of book illustrations and engraved designs as well as by the examples of luxury goods in the "French taste" brought down from London to provincial towns and country houses.; 8vo 8" - 9" tall . Londra hardcover
195013962Paris: Verve 1950. This issue of <i>Verve</i> features two sets of illustrations for Boccaccio's <i>Decameron</i> one set the so-called Duke of Burgundy version consists of twenty six miniatures reproduced in full color photogravure. The publisher of <i>Verve</i> Tériade found these black and white washes in Chagall's studio in 1948 and immediately wanted to use them in conjunction with the Duke of Burgundy miniatures. For the most part the selections from the miniatures were driven by linking them to the appropriate Chagall drawing so only about a quarter of the full set of 100 miniatures were used in this issue of <i>Verve</i>. These washes were a new development for Chagall making use of different techniques both brushes and pens as well as a wide range of shades of grey and black. The juxtapositon of the two media made for a memorable issue of Verve. The book opens with a poem by Jacques Prevert and an introduction by Frantz Calot then the curator of the Bibliotheque de l'Arsenal home of the Duke of Burgundy miniatures.This copy is inscribed from Chagall to a Monsieur Abeel Venice 1957. Laid in is a typed signed note from Chagall's wife Valentina along with the typed envelope addressed to M. Abeel at a hotel in Venice postmarked 1960. The note is regarding an invitation to dinner with the Chagalls.Very good condition overall with some of the usual problems with the exterior--paper of the corners chipped several smallish pieces missing from the spine one closed tear and one tear with a triangular piece missing. Most of the pieces of the cover are still present if folded. Held in place by the clear plastic cover. Signatures are securely sewn. Interior is near fine. Please see accompanying photographs. Anthonioz <i>Verve</i> page 213. Verve hardcover books
14769New York: Blue Ribbon Books. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - . Copyright date 1931; no publication date cited. -- with a bonus offer-- . Blue Ribbon Books hardcover
Cm. 20,5, cc. (8) 263 (1). Marchio tipografico al frontespizio e grandi capolettera figurati. Unito a: (BALDINI BACCIO) Discorso sopra la mascherata della geneologia degl'iddei de' Gentili. Mandata fuori dall'illustrissimo, & eccellentiss. S. Duca di Firenze, & Siena il giorno 21. di febbraio 1565. In Firenze, Appresso i Giunti, 1565 (ma 1566 al colophon). Pp. 132 (4). Marchio tipografico giuntino al frontespizio ed al verso dell'ultima carta. Due opere in un volume di cm. 21. Legatura strettamente coeva in piena pergamena floscia con unghie e titoli manoscritti al dorso. Prima sguardia mancante, esemplare particolarmente genuino, fresco e ben conservato. Il "De genealogiis deorum gentilium" fu tradotto per la prima volta dal Betussi nel 1547 presso Comin da Trino. Il secondo testo (Mascherata...) è in prima edizione e racconta delle feste tenutesi in Firenze per il matrimonio tra Francesco de Medici e Giovann d'Austria, seguite da Vincenzo Borghini e Giorgio Vasari. Cfr. Melzi, Gamba e Cicognara.
152011556Jehan & Gourmont o. J. 1520 1520. priv. Einband . 4°.117s-. fachmännisch Restauriert einige Seiten mit geringem Textverlust sonst in gutem Zustand AZB7LS4 HC Jehan & Gourmont, o. J., (1520), unknown
26046Paris, Nicolas Eve, relieur du Roi, 1578. 1 vol. petit in-8°, vélin ivoire souple à recouvrement, titre écrit à la plume au dos. Reliure de l'époque, couv. sup. déboîtée. Bon exemplaire, traces de lacets. Ex-dono ms. sur le titre. Titre orné d'une marque typographique, (4) ff., 696 pp. Signatures : at4 [a-z]8 [A-V]8 X4. Quelques petites rousseurs.
76533Club Internacional del Libro . Club Internacional del Libro unknown
172950857(Florenz, Philippo di Giuntas Erben, 1527 [Nachdruck: Venedig, Pasinello, 1729]). 4°. Mit wiederh. Holzschn.-Druckermarke am Titel u. am Ende. 8 nn. (das letzte weiß), 284 num. Bll., Pgmt. d. Zt. m. goldgepr. Rückenschild.
In-4°; pp. (24), 585, (3 pp. bianche), 589-648; marca tipografica incisa su legno al frontespizio Dedicato a Giacomo Buoncompagni Duca di Sora. Edizione a cura di Leonardo Salviati, frutto di un lavoro filologico assai approfondito, ampiamente spiegato nella lettera ai lettori. In fine “Alcune differenze che sono tra’l testo del 1573 e’l nostro”.
182025277Firenze: presso Gius. Molini e comp. all'insegna di Dante 1820. Edition limited to 110 copies this one of 100 on regular paper; tall and very narrow 4to 348 x 75mm. pp. vii 1 307 1; wood-engraved vignette on title page and colophon on which it is recorded that this is the first book printed in the "papiriforme" i.e. column-like style; wood-engraved ornaments; original black morocco rebacked in matching green straight-grain morocco original label lettered and decorated in gilt preserved black coated endpapers a.e.g. long ribbon bookmark detached; some relatively minor waterstaining insect loss to the fore-margins of the last 5 leaves never touching letterpress else generally very good and sound. Each full page contains 118 lines of text plus headlines while each line is generally less than 10 words; the book is nearly 5 times as tall as it is wide. I'm willing to state this is the most unusual edition of The Decameron ever published though far from the rarest: OCLC finds 7 copies 5 in the U.S. <br/><br/> [presso Gius. Molini e comp.] all'insegna di Dante unknown books
121101Moscow Kushnerev 1891-92. . 2 vols 8vo 24.8 x 17 cm; contemporary Russian bookseller's label to upper pastedown of Vol. I; profusely illustrated exceptionally fresh; contemporary burgundy morocco-backed cloth spines gilt in compartments a fine set.<br /> First edition of the first complete Russian translation of Boccaccio's Decameron. Translated by Veselovsky a leading literary theorist and expert on Medieval Italian literature.<br /><br />In a handsome contemporary binding from the library of Albert McGill a wealthy industrialist and part of the influential British community in 19th century Russia. The first McGills in Moscow were most-likely Albert's grandfather Robert McGill and his brother David who emigrated from Paisley in the 1840s. The family is credited with starting the first mechanical and foundry works in Russia as well playing an important role in the country's cotton mill industry. Just like any other British Family living in the 19th century Moscow the McGill family was related by marriage to several other British families and Albert was no exception. His wife Eleonora McGill née Gibson was the daughter of Charles John Gibson or Karl Yakovlevich Gibson as he was known was director of the Nevsky Stearin Factory in Moscow which produced soap. The McGills donated the largest sum towards the construction of St Andrew's Anglican Church in Moscow which was completed in 1884.<br /> Moscow, Kushnerev, 1891-92. hardcover
1665CLL-194Amsterdam, Daniel Elzevier, 1665 In-12 de (12) ff., 744 pp., maroquin rouge, trois filets dorés en encadrement, dos lisse orné de caissons de fleurons dorés, coupes et bordures décorées, tranches dorées (reliure du début du XVIIIe siècle).
1757016455Londra Paris. Five volumes. Full mottled calf with the spines divided into six compartments by gilt designs. Red title slips and volume slips in two of the compartments on each spine and a gilt decoration in the others. 8.25" by 5.25". Called by Ray "one of the masterpieces of the illustrated book." Superbly designed by Gravelot 89 of the 111 plates and all 97 tailpieces Eisen Cochin and Boucher. Italian text with its better impressions of the plates. Heads of spines of Volumes 1 and 4 with slight loss spines of Volumes 1 and 2 rubbed but very nice and very tight. Large margins dark impressions. Armorial bookplates of William Tennant of Aston Hall. . Very Good. Hardcover. First Edition Thus. 1757. hardcover
14062[Au colophon] : Venise, Vettore di Ravani, 1534. 1 vol. petit in-8°, veau blond glacé, dos lisse orné de fleurons dorés et de triples filets dorés à l'emplacement des nerfs, pièce de titre en maroquin brun et date en pied sur pièce de maroquin brun, encadrement d'un triple filet doré sur les plats, filet doré sur les coupes, roulette dorée intérieure, tranches dorées. Reliure du XVIIIe s. Titre dans un encadrement architectural gravé sur bois, marque de l'imprimeur au r° du dernier feuillet, lettrines historiées sur fond criblé, impr. en car. ital., 102 ff., (1) f. Signatures : [A-N]8. Manque le dernier feuillet blanc (N8).
19123011BBMünchen und Leipzig, Georg Müller und Hans von Weber, (1912-13). 8°. 264, 252, 188, 238, 227 Seiten. Orig. rotes Maroquin mit grünen Rückenschildchen, reicher Rückenvergoldung, Goldbordüre auf Deckeln, Kopfgoldschnitt.
19123011BB1912. München und Leipzig Georg Müller und Hans von Weber 1912-13. 8°. 264 252 188 238 227 Seiten. Orig. rotes Maroquin mit grünen Rückenschildchen reicher Rückenvergoldung Goldbordüre auf Deckeln Kopfgoldschnitt. Nicht bei Rodenberg. - Faksimile der berühmten Boccaccio-Ausgabe. "Von dieser Ausgabe wurden 100 Exemplare für die Mitglieder der Vereinigung 'Die Hundert' auf Velin von Van Gelder mit dem Hundertzeichen weitere 100 Exemplare auf gleichem Velin mit dem Wasserzeichen "Boccaccio" für die Luxusausgabe abegezogen." Vorliegendes Exemplar ist Nr. 42 der Luxusausgabe. - Rücken von Bd. 1 und Teil des hinteren Deckel etwas verblasst Kratzer auf Vorderedeckel von Bd. 4. unknown