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19551057Editions Du Demi-jour 1955. Deux fort volumes, in-8 brochés, de 332 et 408 pages au format 23,5 x 8 x 16,5 cm. Superbes couvertures à rabats, illustrées en lithographies couleurs par. Pierre-Laurent Brenot. Dos restés carrés, avec infime enfoncement au bas du tome 1. Plats et intérieur frais. Textes traduits par Antoine le Maçon et mis en français moderne par Henri Demeurisse, enrichis de magnifiques illustrations en couleurs, hors-texte de Pierre Laurent Brenot, coloriées à la main dans les ateliers de Edmond Vairel. Un des 1400 exemplaires numérotés sur Marais Licorne ( n° 1142 ), après 100 sur japon et 250 sur le même papier, avec une suite en noir et une suite des décompositions des couleurs. Superbe état. Rare édition originale illustrée, surtout dans un tel état de fraicheur.
1860H23322Stuttgart: Gedruckt auf Kosten des Litterarischen Vereins 1860. Hardcover. Very Good. 8vo cloth backed boards very good light wear to covers mellowing to spine contents very good pages a bit tanned. 703 pp. In prose in German. Heinrich Steinhöwel 1412 - 1482 was a Swabian author humanist and translator who was much inspired by the Italian Renaissance. His translations of medical treatises and fiction were an important contribution to early Renaissance Humanism in Germany. Gedruckt auf Kosten des Litterarischen Vereins hardcover
53027Librairie Garnier Frères s.d. (vers 1920), 2 tomes reliés en un volume in-12 demi-chagrin grenat, dos orné d'un angelot et de motifs doés, tranche supérieure dorée, 542 p. en continu (bon exemplaire bien relié) Edition intégrale du légendaire "Décaméron" ou recueil de cent nouvelles.
In 16, pp. 379-418. Qualche sporadica fioritura alle cc. Br. rifatta con carta d'epoca. Estratto dagli Opuscoli scientifici e filologici di Calogera' (tomo I). Seconda edizione di questo scritto di Buonamici pubblicato nel 1726 a Londra sulla contraffazione settecentesca del Decamerone.
1757ST20210Londres i.e. Paris: Prault 1757-61. 205 x 132 mm. 8 x 5 1/4". Five volumes. Translated by Antoine Jean Le Maçon. <br/> LOVELY INDIGO CRUSHED MOROCCO GILT BY DAVID stamp-signed on front turn-in covers with French fillet border raised bands spine compartments with intricate central fleuron and scrolling cornerpieces gilt lettering turn-ins with multiple decorative rolls marbled endpapers all edges gilt. Housed in a maroon buckram chemise in a matching morocco-backed slipcase. Engraved illustrated title page in each volume 110 engraved chapter headings and 205 ENGRAVED ILLUSTRATIONS BY GRAVELOT AND OTHERS 110 of these plates and 95 tailpiece vignettes. A Large Paper Copy. Cohen-de Ricci 160-61; Ray 15; Furstenberg 26. A couple of boards with trivial chafing isolated faint foxing occasional minor marginal smudges touching text on a couple of pages but A VERY FINE SET clean and fresh internally with spacious margins and in sparkling bindings with virtually no signs of wear.<br/> <br/> This is an elegantly bound and unusually well-preserved copy of one of the most famous and charming illustrated books of the 18th century a work frequently regarded as the supreme example of refined libertine illustration of the period. Owen Holloway calls it one of the four masterpieces of book illustration at the end of the Rococo period. Ray too is expansive in his praise calling the work simply "one of the masterpieces of the illustrated book." The publisher first released this work in Italian in 1757 with the present edition following later the same year. Although he had as collaborators on this work some of the outstanding French artists of the 18th century Gravelot born Hubert-François-Bourguignon 1699-1773 was chiefly responsible for its production designing 89 of its 111 plates and all 97 of its immensely delightful tailpieces. In this the most ambitious undertaking of his career Gravelot gave Boccaccio's narrative the settings and costumes of 18th century France and this transposition Ray tells us "made it possible for him to exercise his special talent for depicting the social world around him. For the most part his figures are young the women graceful and pretty the men lithe and handsome." But "all levels of life are presented from the peasant in his hovel to the king in his palace. Every variety of interior is there from boudoirs and bedrooms to dining rooms and salons. Animated street scenes alternate with glimpses of gardens and farms forests and river banks. The human condition has rarely been so attractively displayed." Our copy is particularly pleasing: it is in fine condition with wide generous margins and was bound in rich indigo morocco by David. Parisian binder Bernard David 1824-95 worked under Pfister Dompierre Lortic and Gruel before striking out on his own to establish a very high reputation in the trade. His bindery was taken over by his son Salvador in 1890. Prault] unknown
1886213898London: Printed for the Villon Society by Private Subscription and for Private Circulation Only 1886. No. 21 of a limited edition. xii 334; xii 350; xii 354 2 pp. 3 vols. 8vo 145 x 185 mm. Bound in full vellum stamped in gilt t.e.g. rest uncut. Spines a bit darkened; Very Good. No. 21 of a limited edition. xii 334; xii 350; xii 354 2 pp. 3 vols. 8vo 145 x 185 mm. <br/><br/> Printed for the Villon Society by Private Subscription and for Private Circulation Only hardcover
Milano, Fabbri, 1978, 8vo rilegato in mezza pelle, pp. 217.
1019333626.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1245960571.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1172119139.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1024505073.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1246037599.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1024392104.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1245838822.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1172463700.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1247745732.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1021037265.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1022609149.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1377128598.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
202101412Paris, ROMBALDI, 1951 ; in-8, 186 pp., br. Illustrations originales en couleurs de JEAN GRADASSI - EXEMPLAIRE N° 3568.
200503871Paris, ROMBALDI, 1951 ; in-8, 186 pp., broché, couverture illustr. Illustrations originales en couleurs de JEAN GRADASSI - EXEMPLAIRE N° 640/.
17236220702Firenze [Florenz]: Gio. Gaetano Tartini e Santi Franchi 1723.
194324198Compagnie française des arts graphiques 1943 In-8, en feuilles, couverture rempliée, chemise & étui cartonnés, 184 pp. 91 lettrines dorées dessinées par Henri BLONDEAU et 15 compositions en noir dans le texte et une hors-texte réhaussées d'or. Etui lég. fané. Très bon exemplaire.
FORT917548Garnier Freres Libraiees-Editeurs. Used - Acceptable. Text in French. Quarto. Full-leather with gilt decoration; Raised bands and gilt lettering on spine. B/W engraved illustrations throughout. French version of 'The Decameron'. No publication date stated. Garnier Freres, Libraiees-Editeurs hardcover
1554ST19091London: Iohn Wayland at the signe of the Sunne oueragainst the Conduite in Flete-strete. Cum priuilegio per septennium 1554 or 1555. Third or Fourth Edition of the First English Translation of "De Casibus Illustrium Virorum. 340 x 220 mm. 13 1/4 x 8 3/4". 9 p.l. clxiii xxxvi xxxv-xxxvii 1 leaves complete including "A Memorial of such Princes" leaf often lacking at the end; collates as ESTC. Translated from the French version of Laurent de Premierfait by John Lydgate. <br/> Attractive 19th century honey-brown morocco by Francis Bedford stamp-signed on front turn-in covers gilt with French fillet frame oblique bouquets at corners raised bands spine compartments with central fleuron framed by geometrical compartments filled with floral tooling gilt lettering gilt-rolled turn-ins marbled endpapers all edges gilt. Title page and Gg4 recto title page of a suppressed supplement dealing with English notables with woodcut title border the top compartment with the Royal Arms termini at sides the pedestal at base with a tablet showing one boy waking another with the motto "Arise for it is day" McKerrow & Ferguson 76a A4 recto with woodcut depicting the Creation of Eve flanked by terminal side-pieces woodcut historiated and floral initials throughout. Printed in black letter. Front pastedown with engraved bookplate of Christopher William Beaumont Pease; rear pastedown with bookplates of John William Pease and Lord Wardington. Chrzanowski 1555b; Pforzheimer 73; Luborsky & Ingram 3178; STC 3178; ESTC S107087. Spine somewhat sunned and dulled extremities very lightly rubbed boards with a couple of faint scratches but the once very handsome binding still attractive. Title leaf and final leaf extended at foot first few and last couple of leaves excluding title and final leaf with small minor repair at upper corner probably pressed and perhaps lightly washed at the time of binding isolated trivial stains but the text still surprisingly fresh remarkably clean and entirely smooth.<br/> <br/> This is a desirable copy of an important 16th century translation of Boccaccio's study of the vicissitudes of fortune prepared by John Lydgate a poet much influenced by Chaucer. Educated in the Benedictine monastery where he eventually served as prior Lydgate ca. 1370 - 1449/50 was a respected poet whose works DNB tells us "bear the mark of a pious and learned mind." And an indication of his importance is reflected in Chrzanowski's statement that "well into the 16th century the premier poets of England were considered to be Geoffrey Chaucer John Gower and Lydgate." Undertaken ca. 1431 at the request of the duke of Gloucester the 36365 lines here divided into nine books required a massive effort that took until 1438 or 1439 to complete. In the text a parade of notable historical figures pass before "Bochas" Boccaccio telling of the turns of fate that brought their careers and reputations crashing down from a pinnacle. According to DNB Lydgate's interpretation of the work "urges the traditional doctrines of moderation the avoidance of pride and the pursuit of virtue and demonstrates the horror of discord and strife between kinsfolk. This advice though couched in general terms was highly relevant to contemporary princes." This relevance led to popularity: more than 30 manuscripts of the work survive and it was printed previously in 1494 and in 1527. The final leaf here Gg4 contains the title page for "A Memorial of Such Princes as since the Tyme of King Richard the Seconde Haue Been Unfortunate in the Realme of England" intended for issue with "Fall of Princes" but suppressed by Queen Mary. It was finally published as the famous "Mirrour for the Magistrates" in 1559 after Elizabeth I had ascended the throne. The binding here is by the eminent West End bindery of Francis Bedford d. 1883 and was owned by three generations of the Wardington family who created one of the finest private libraries in England. It contains the bookplates of Northumberland banker John William Beaumont Pease 1869-1950 who began the collection; a grandson Christopher Henry Beaumont Pease 2nd Baron Wardington 1924-2005 who was successively Chairman Vice-President and then President of the Friends of the British Library; and a great-grandson the Hon. Christopher William Beaumont Pease b. 1970. The Wardington sales at Sotheby's in London were major bibliophilic events in 2005 and 2006. The very expert extension at the bottoms of the title leaf and the rare final leaf would seem to suggest that these come from another copy the leaves are not facsimiles. In any case every recent copy sold at auction according to RBH lacked one or both of these leaves or had other leaves supplied. This fact plus the fine state of preservation of our copy and its distinguished provenance surely are more than enough to compensate for the volume's one appreciable shortcoming. Iohn Wayland, at the signe of the Sunne oueragainst the Conduite in Flete-strete. Cum priuilegio per septennium unknown