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1179254023.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
124879236X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1248499247.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1248829387.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
159056659Venetia Fabio & Agostin Zoppini Fratelli & Onofrio Farri 1590. 4to. Contemp. full vellum. Marbled edges. Printers woodcut-device on title-page. 854490 pp. Many large initial in woodcut 10 large woodcut illustrations in the text 3/4-page woodcut portrait on verso of fol.4. A few faint brownspots. Clean and fine. <br/><br/><em>Brunet I1002. - Not in Adams. </em> hardcover
182546651Presso Leonardo Ciardetti 1825. Hardback. 4 vols. all Good. Binding is lightly edgeworn some foxing throughout but pages are crisp clean and otherwise unmarked. Vellum a little discoloured. Text in Italian. 4 vols. quarter vellum with marbled endpapers. Gilt lining to spine red leather title label lettered in gilt. Portrait frontispiece in Volume I. The picture on this listing page is of the actual books for sale. Presso Leonardo Ciardetti hardcover
1802SmOB013<p>Londra i.e. Livorno MDCCCII Masi 1802. Hard Cover. Four volumes: xxiii 304; 411; 324; 308 pages; 15 cm. "Vita di Giovanni Boccaccio. scritta da Filippo Villan" vol. 1 pp. ix-xvi. See Parenti Luoghi Falsi p. 127. Bound in a later 19th-century binding with blue cloth spine; very good. Stock#SmOB013.</p> [Masi MDCCCII hardcover
1757OB719<p>Londra i.e. Paris: Prault 1757-1761. Hard Cover. Five volumes: 116 plates incl. frontispiece and engraved title-pages; 97 tailpieces; 21 cm. Although the title-pages are all dated 1757 some of the tailpieces in vols. 2-5 are dated between 1758-61. Title-pages plates head- and tailpieces engraved after designs mostly by Gravelot i.e. Hubert Francis Bourguignon but also by Boucher Cochin & Eisen. The plates are in final state after letters and without the "paraphe" on verso--cf. Cohen Guide de l'amateur 5. éd. 1886 col. 69-70. Pareni Luoghi di Stampa Falsi p. 117; Ray "French" 15. Bound in contemporary full speckled olive leather rebacked. Stock#OB719.</p> [Prault], hardcover
182519870Firenze Leonardo Ciardetti 1825. 8vo. Bound in one cont. hcalf. Rebacked but the orig. richly gilt back preserved. Engraved portrait as frontispiece. 279344272212 pp. Occasionally a little brownspotted. unknown
1725164132Londra: Tommaso Edlin 1725. Hardcover. Internally VGand clean one stain to one sheet both covers are off at hinges text block solid and tight. Gilt embossed and leather inlay within leather gilt ruled boards. Five raised bands with extensive gilt tooling within compartments showing wear all edges gilt. Marbled endpapers indicate binding date in 1880s with signed binder Estes and Lauriat Boston.Frontis portrait by L. Auberso. Title-page ten10 sheets including Prefazione then 284 numbered 12 49 pp. ozzervazioni. Bears the etched bookplate of Stephen Whitney dated 1904. Needs the attentions of a binder who will have wonderful material to work with. Well-worththe investment a lovely copy. Tommaso Edlin hardcover
172928931Florence: Philippo di Giunta 1729. Large 8vo. 9 1/2 x 6 1/2 inches. 8 284 ff. Contemporary vellum spine lettered direct in gilt<br/> <br/> The classic masterpiece of early Italian prose.<br/> <br/> This series of one hundred novellas set against the background of a plague-ridden Florence would have a profound influence on Renaissance literature throughout Europe. Although dated 1527 on the title this edition edited by Stefano Orlandini and printed at the cost of Salvatore Ferrari was in fact printed in Venice in 1729 as a facsimile of the Giunta 1527 edition. It is sometimes referred to as the Consul Smith edition after Joseph Smith 1682-1770 the British consul at Venice and noted book collector who was involved in its production.<br/> <br/> Adams B 2147; Brunet I 999; Graesse I 440; Gamba 172 Note; Zambrini 87; Cat. Mostra Boccacio Bibl. Laurenziana II 71; Olschki Cat. XCV No.20. Philippo di Giunta unknown
158233055-217Florence Filippo & Iacopo Giunti October 1582. Printer's woodcut device on title large historiated woodcut initials a different printer's device on last leaf. In Italics. 16 leaves 585 pp. 1 38 leaves. 4to c. 210 x 145 mm. 18th century half calf rep. Florence Filippo & Iacopo Giunti October 1582. An important edition of this classic of Italian literature by Giovanni Boccaccio 1331-1375. This literary ten-day odyssey became the emblem of creative expression in the Italian Renaissance about the human experience its nature and psyche. Boccaccio's epic is edited here by Leonardo Salviati 1540-1589 a Florentine nobleman who was a founder member of the Accademia della Crusca. Its avowed aim was to uphold the purity of the Tuscan language as it had been in the fourteenth century. The Accademia Florentina founded in 1540 was dedicated to the same purpose and Salviati was active in both bodies. In 1584 Salviati published his "Degli Avvertimenti della Lingua sopra il Decamerone" a detailed discussion about the language used by Boccaccio. In this edition of the Decameron Salviati returned to the old texts and dedicated the work to Jacopo Buoncompagni one of his patrons. The text includes many beautiful historiated initials. - A very well printed and rare edition. - Ind. Aur. 120.402; Adams B-2158; STC Italian 110; Brunet I 1002; Gamba Serie dei testi di lingua p. 59 no. 181. LITERATURE:ITALIAN ; EROTICA ; GRAPHIC ARTS:GIUNTA ; Florence, Filippo & Iacopo Giunti unknown
1246-09Firenze L. Ciardetti 1822. 4 vols. 4°. 280; 347; 272; 214 1 S. Mit gest. Titelportr. HPgmt. d. Zt. m. Rückensch. Vorderdeckel v. Bd. 1 geknickt. Stockfl. Firenze, L. Ciardetti 1822. unknown
1934London: Thomas Edlin 1725. Hardcover. Good. Quarto. 22pp. 284ff. 13 49 1pp. A2 B4 C2-D2 a4-z4 aa4-zz4 aaa4-zzz4 aaaa4-kkkk4. Contemporary calf rebacked and repaired. With engraved frontispiece and engraved portrait of Boccaccio. ESTC T143906. <br/> <br/> London: Thomas Edlin, 1725. hardcover
1590D6205Venice: appresso Fabio e Agostino Zoppini fratelli e Onofrio Farri compagni 1590. Hardcover. Very Good. 4to 210 x154mm. 8 544pp 92 index epithets glossary by Ruscelli. Collation: ast. 4; A-2M 8; 2N 2; 2O-2R 8; 2S 4. Woodcut printers device to title. Oval woodcut portrait of Luigi Groto Cieco dAdria 1541-1585 facing first text page 10 woodcut illustrations numerous woodcut initials most historiated with griffins putti other figures or foliage and decorative chapter head- and tailpieces. Text in italic type; headlines chapter headings and marginalia in Roman. Printed marginalia. Early vellum; title with upper margin stained cancelled inscription and small tear some wear mostly on preliminaries; joints starting. Collection inscription in abbreviated Italian on front pastedown dated 1841 possibly from a Jesuit Society. Early booksellers stamp C. Simms of Manchester. <br/><br/>Good large quarto copy of Giovanni Boccaccios Decameron redacted by Luigi Groto 1541-1582 from the edition edited by Girolamo Ruscelli 1500s-1556 and first published two years previously. Groto a minor Venetian writer reworked Boccaccios famous tale; retaining parts of the original parable but also creating his own tangents. Groto for instance created a predicament concerning a young man who finds himself confronted by three different ladies he has been secretly courting. When his deceit is discovered he must answer as to which of them is his true love. The lengthy narration of the amoroso imbroglio is Grotos own literary stamp and he hoped with these revisions he would gain literary fame stating I will give life and light to Boccaccio and he will do likewise for me . I will rescue him from darkness and burial and he in turn will rescue me from obscurity Ironically Grotos retelling of the Decameron remains known for it deformations of the tale rather than its celebration. Each of the ten sections are preceded by an overview written by Ruscelli the well-known editor of Ptolemys Geographia of 1754 and a large woodcut illustration depicting narrative scenes of the Decameron tale. Brunet I 1002; STC Italy I: p.256. appresso Fabio e Agostino Zoppini fratelli e Onofrio Farri compagni hardcover
17618766NP: NP 1761. Hardcover. fair. Large 8vo. xxxvi 374 pp. Half leather over brown marbled boards. This 1761 edition is a facsimile of the 1527 edition. It is written according to the definitive text by Francesco D'Amaretto Mannelli taken from Boccaccio's original. With several steelplate engravings including a frontispiece of Boccaccio. Also includes a facsimile page from the 1527 edition at front. Some pages with light foxing. Many pages with discoloration but text still legible. Wear to binding at edges and to spine. Head tail and edges of spine rubbed and frayed. Light worming to spine but not affecting pages. In overall fair condition. NP hardcover
1729elala1248Colophon on I12r: Florence: Heirs of Filippo Giunta 1527 i.e. Venice: Pasinello Printed by Stefano Orlandelli at the expense of Salvatore Ferrari 1729. 1729. 4to. ff. 8the last blank 284. woodcut printers device on title & at end. 18th century vellum vellum soiled occasional light marginal foxing. Fine eighteenth-century reprint of the esteemed 1527 Giunta edition of this classic of Italian prose; limited to 300 copies. Adams B2147. Brunet I 999. Gamba 172. Graesse I 440. [Colophon on I12r:] Florence: Heirs of Filippo Giunta, 1527 [i.e. Venice: Pasinello, Printed by Stefano Orlandelli at the expens hardcover
182040900Italy: Firenze 1820. 16mo. xvi 910 pp. 2 volumes bound as one in a lovely half vellum with marbled boards and edges. Engraved frontis and half title. Vellum darkened on spine with some cracking and minor losses. Crack to foot of spine bottom edges rubbed very minor foxing lo final pages bookplate on pastedown. Generally very good clean and tightly bound. ITALIAN TEXT . Very Good. Half Vellum. 1820. Firenze 1820 hardcover
163816954Venezia: Pietro Maria Bertano 1638. Hardcover. xiv 472pp. Bound in full vellum with gilt titles and decorations on the spine panel sprinkled edges. A revised and somewhat censored edition of the Decameron by the Florentine nobleman Leonardo Salviati who was among the founders of the Accademia della Crusca originally published in Firenze in 1582. With the bookplate of binders Fletcher and Maude Battershall on the front pastedown endpaper and Fletcher Battershall's signature on front free endpaper. Wear to corner tips front joint partially split at spine. A very good copy. ; Quarto. Pietro Maria Bertano hardcover
18052575Gotha and Chemnitz: Steudel & Keil 1805. Book. Very Good. quarter leather. 12mo - over 6¾ - 7¾" tall. 4 volumes. 304; 394; 312; 276 pages. Uniform binding but printed in 1805 1806 and 1809 the first 3 volumes in Gotha and the last one in Chemnitz. Rare Italian edition printed in Germany. Occasional neat annotations. Light shelf wear but altogether a nice set. Steudel & Keil Hardcover
1757016455Londra Paris. Five volumes. Full mottled calf with the spines divided into six compartments by gilt designs. Red title slips and volume slips in two of the compartments on each spine and a gilt decoration in the others. 8.25" by 5.25". Called by Ray "one of the masterpieces of the illustrated book." Superbly designed by Gravelot 89 of the 111 plates and all 97 tailpieces Eisen Cochin and Boucher. Italian text with its better impressions of the plates. Heads of spines of Volumes 1 and 4 with slight loss spines of Volumes 1 and 2 rubbed but very nice and very tight. Large margins dark impressions. Armorial bookplates of William Tennant of Aston Hall. . Very Good. Hardcover. First Edition Thus. 1757. hardcover
1554L1NFVE7U6EX8Venice: device of Domenico Giglio colophon: Francesco Rampazetto 1554. Contemporary limp vellum sewn on 3 alum-tawed supports laced through the joints with manuscript title down the spine in rotunda gothic lettering 6 mm x-height with decorated capitals: Filocopo del Boccaccio. Small 8vo 15 x 11 cm. With Giglios woodcut device a bird with a scorpion in its beak above a pot with DG above 2 winged sea-goats with motto non sine quare sic facio and N.S.C.C.F. on the title-page 6 woodcut decorated initials 3 series plus 2 repeats. Set in Aldine-style italic types with upright capitals with incidental roman. Second Sansovino edition of Boccaccio's first important work Il Filocolo here Filocopo a prose romance written ca. 1334-1336 about twenty years before the Decameron. Boccaccio reworked the 12th-century French love story of Floire Florio muslim Prince of Andalusia and Blancheflor Biancifiore the orphaned daughter of his mother's Roman Christian lady-in-waiting. They grow up together in the royal household but when they fall in love his parents try to break up the romance by selling her to merchants who will take her to Alexandria to join a harem. Florio under the pseudonym Filocopo rescues and marries her. He converts to Christianity and they return home where he ascends the throne and his people embrace Christianity. Boccaccio introduced many new elements into the story and told it with his usual flare for often risqué humour. It served as inspiration for writers around the world from Chaucer to Keats and Boccaccio himself further developed several episodes for stories in his Decameron.Francesco Sansovino 1521-1583 had produced the first variorum edition of the Decameron in 1546 and then turned his editorial scholarship to Il Filocolo beginning with Gaetano's text editions in 1527 and 1538. With 2 early owners' inscriptions on the title-page both struck through and part of one abraded. With a small hole in the title-page and the corners of a few leaves dog-eared but otherwise internally in very good condition. The binding is worn but the lovely manuscript title on the spine remains clear. Second edition of the best Renaissance redaction of Boccaccio's important influential and entertaining first major work.l EDIT 16 6334; Gay & Lemonnyer col. 726; USTC 814845; cf. Gamba Italiana letteratura 198 cr. other eds.; for the text: Kirkham et al. eds. Boccaccio: a critical guide pp. 87-93; Marrone Encyclopedia of Italian literary studies pp. 252-253. [device of Domenico Giglio] (colophon: Francesco Rampazetto, hardcover
2020x-0367111187Taylor & Francis 2020. Paperback. New. 512 pages. 8.50x5.43x1.14 inches. Taylor & Francis paperback
40561623-nnew. unknown
40561623like new. unknown