18 343 résultats
1813003676London: R. Ackermann 1813. Leather. Very Good. William Blake. Original half brown morocco over pebbled boards five raised bands gilt title and decorated compartments marbled endpapers 14" x 11 1/2". Dedication to the Queen by Blake List of Subscribers from 1808 issue Advertisement signed Cromak Remarks signed Fuseli Biographical sketch of Robert Blair Biographical sketch of Lewis Schiavonetti Biographical sketch of Robert Hartley Cromek Text of poem 37 pages Of the Designs; Engraved Blake portrait engraved titlepage of 1808 plus 11 full-page plates engraved by Schiavonetti after William Blake at rear. Some general exterior wear bumped corners and rubbing; typical light foxing heaviest on Blake portrait and engraved title page else internally clean. Provenance: Armorial bookplate of George Baird Stichill. Size: Folio <br/> <br/> R. Ackermann hardcover
194029824London: Collins for the Crime Club 1940. FIRST EDITION. Very light spotting to fore and top edges. Cloth clean and bright. Near fine book in a dust jacket that would be near fine but for an oddly- shaped price clip at bottom of front flap. Spine panel of jacket very slightly faded. Short tear at top edge. Overall a crisp copy of this scarce Nigel Strangeways mystery. Scarc in jacket. <br/><br/> Collins for the Crime Club hardcover books
1806220643London: T. Bensley for Longman Hurst Rees and Orme 1806. First edition. Engraved frontispiece by Robert Cromek after the design by William Blake and Haye and three plates one folding map. xlviii 172 pp. 1 vols. 8vo 25 x 15.5 cm. UNCUT in the original boards; rebacked in cloth endpapers renewed. Fine tall copy. First edition. Engraved frontispiece by Robert Cromek after the design by William Blake and Haye and three plates one folding map. xlviii 172 pp. 1 vols. 8vo 25 x 15.5 cm. A William Blake Milestone: the First Account of His Life. A book of paramount importance to Blake studies. Malkin was a personal friend of William Blake with whom he shared an interest in radical politics and on the death of his gifted six-year-old son Thomas in 1802 Malkin commissioned Blake to design the frontispiece for Malkin's FATHER'S MEMOIR. In his Preface to this work Malkin gives what the DNB calls the "first and fullest" account of Blake's early life and career and it was with this very tribute to his friend's idiosyncratic genius that Malkin first gave impetus to a more general appreciation of William Blake's art. Keynes 80; Bentley Blake Books p. 18 T. Bensley for Longman, Hurst, Rees, and Orme unknown books
19701073694to. London: Trianon Press 1970. 4to 10 facsimile leaves and 5 pp. of commentary. Original full green morocco slipcase. Fine as issued. § Edition de luxe this being copy III limited to 36 copies specially bound with extra suites of the plates of an edition in all of 662 copies. Bentley Blake Books 5. All Religions are One c. 1788 is “a small tractate perhaps Blake’s first experiment in his illuminated printing it exists in only one copy. It affirms that the Imagination ‘is the true man’. and thus early Blake had completed his revolutionary theory of the nature of man and proclaimed the unity of all true religions.†Damon Blake Dictionary. Trianon Press unknown books
1813109308e. London: Bensley for Ackermann 1813 i.e. 1870. 4to 2 liv 42 pp. With a portrait frontispiece etched title and 11 plates all with tissue guards. Blind-stamped black cloth rebacked with black cloth lettered in gilt. § Third quarto edition printed from the same plates as the 1813 edition but actually issued by or for John Camden Hotten in 1870. Of this version Essick wrote: “I've also seen the true 1813 text and plates in a very similar cloth binding with just a few differences in the blind stamping but very much the same style and period. My theory on that is that Camden Hotten who produced the 1870 issues not only got the copperplates from Ackermann with the Spanish inscriptions for de Mora but also some remainders of the impressions and letterpress and bound these up in a slightly different just the blind stamping and perhaps the cloth color or weave fashion. He removed the Spanish on the coppers and had an engraver restore the 1813 English inscriptions then printed for both the portfolio and the 1870 issue of the text with the engravings. Bentley lists the 1870 issue in Blake Books but I don't believe he lists the portfolio issue of the plates only. I have a vague recollection however that he did note it in one of his later checklists of publications in the Blake Quarterly.†Bentley Blake Books 435E. Bensley for Ackermann hardcover books
108856London: Kegan Paul Trench and Co. 1887. 4to pp 81-128 with a Burne-Jones frontispiece and other illustrations as called for. Includes Blake's "Sibylline Leaf on Homer and Virgil" at p 113 facsimilied by William Muir but uncredited with Herbert p.Horne's note on the illustration at pp 115/116. Very Good with slightly dusty edges to the pages and minor spotting and discoloration to the wrappers to the journal as usual. § Bentley BB 1885 under Horne: “a critique illustrated by a Muir facsimileâ€. A pretty scarce item -- we have only had it once in over forty years had one copy and there were none listed at auction or for sale on the Rare Book Hub. Also see Bentley BB 249 h. Kegan Paul unknown books
108857London: Kegan Paul Trench and Co. 1888. 4to pp 81-12 with a William C. Ward frontispiece and other illustrations as called for. Includes "Three of the Illustrations to the Pastorals of Virgil by William Blake" at p 108 facsimilied by William Muir but uncredited by kind permission of H.H. Gilchrist. Very Good with dusty edges and discoloration to outer wrappers as usual and dusty edges to uncut pages throughout. § Bentley BB 249 h. Kegan Paul unknown books
72110An archive of family letters written to Gratia Turnbull Fuller Blake during the mid-19th century covering a wide range of historic topics including the U.S. Civil War slavery yellow fever and a legal dispute over land in New York City. Born in Lawrence Ohio Gratia married Cincinnattus Blake 1830-1918 a farmer Union soldier and Sheriff of Gallipolis Ohio in 1857. Together they raised six sons.<br /> <br /> This archive contains a six-page letter Gratia received from her sister-in-law Mary B Fuller. Mary’s husband Gratia’s brother was Captain Emilius Fuller 1815-63 a Confederate Army officer commander of the St. Martin Rangers Company Infantry in Louisiana and captain of a boat called the Queen of the West. He was seriously wounded and taken prisoner when his boat was destroyed in Bayou Teche on April 14 1863. He was transferred to Johnson's Island Ohio where he died on July 25.<br /> <br /> In her letter dated December 15 1867 Mary’s bitter feelings about slavery and the war are still fresh. "I have the most of my work to do myself. I prefer doing it rather than have a free trifling negress around me. Their impudence I cannot ensure" she wrote from her home in St. Martinsville Louisiana. "They are free as they may stave with their freedom for all I care. I can have a woman by feeding her of giving her a cabin or a room to sleep in and that would cost me less than when I owned them for then we had to clothe feed and take care of them when sick. Many of them are getting their eyes opened and say they have had no good times since the Yankees came among them."<br /> <br /> Along with their personal losses Mary’s family is concerned about an outbreak of yellow fever. Her son James wrote to his Aunt Gratia on October 26 1867 about "yellow jack" which caused 1/3 of the St. Martinsville population to flee: "133 names are published of the victims and except for one or two – they all died since September 11 and about 2/3 of the names only are given which would swell the mortuary list to about 200."<br /> <br /> An undated letter from her sister-in-law Julia Blake Eaton 1836-1927 includes a negative report of her visit to Cincinnati: "I saw too much suffering while there to feel very happy. I saw a great many of the poor fellows that were wounded at Pittsburgh carried off the steamboats. Poor fellows. God help them."<br /> <br /> This collection contains 15 letters written in 1856-58 by Cincinnatis to Gratia before they were married. In October 1856 he wrote about all he is doing to yield a living from his Ohio farmlands in order tomake a home for his future bride: "If I do not buy a house I shall have to build such as my means will allow. I shall have to earn part of the money if not raise my wagon cover and live under it. If my hut is of cornstalks and brush I shall be happy if Gratia will share it with me." Another group of nine letters was written by Cincinnatis to Gratia in 1877-78 when he was running a steamboat operation taking potatoes from his farm in Ohio to market in New Orleans along with other goods such as coal picked up along the way. "No good news to speak of and a great deal of bad news" he wrote on November 10 1878. "Lost the big boat Trowbridge have only the small boat Blake left us. We can only run a part of a day or night at a time the wind is blowing now … the wind blew so hard that the waves came over the side splashboards … I think this is my last March trip forever and if we get this one down safe I think it a miracle." The collection includes three other letters written to his "boys" and the family during this period.<br /> <br /> Another group of letters in this archive are related to the ongoing dispute over property in New York with a branch of Cincinnatus Blake’s family known as the "Brower heirs". His sister Visalia wrote on March 4 1867 urging him to join other members of the family to cooperatively hire an attorney to pursue their rights: "We will proceed to enter into a contract with the lawyer whom we have selected as our council by which he will be bound to proceed to collect the necessary evidence to prove our heirship and title to the property in question as take such proceedings as may be necessary to enforce that title against the Trinity Church Corporation."<br /> <br /> Cincinnatus Blake was apparently distantly related to Anneke or Annetje Jans who purchased a 62-acre piece of land in Manhattan which her living children sold upon her death in 1671. A great-grandson of Jans Cornelius Bogardus later claimed his branch of the family had not legally given up its right to the property since his grandfather one of Anneke’s six children had been dead at the time of the sale and were owed one-sixth of the sale. After a century of legal dispute the court rejected the claims.<br /> <br /> This collection includes a dozen other brief notes and letters from friends during the period. The latest letter in this collection is dated 1884 written to Gratia by her son Charles O. Blake 1860–1924 who asks for money as he is stuck in Fairplay Colorado likely trying to cash in on the gold rush: "I am still a prisoner in this dammed town and see no prospect of getting out of it until I borrow money of you." The collection also includes about a dozen mailing envelopes.<br /> <br /> The materials are housed in mylar sleeves. Most were folded for mailing with some edgewear and occasional soiling. All are legible and in very good condition. A fascinating archive rich in content. unknown
193848034New York and London: Harper & Brothers Publishers 1938. 1938. First U.S. edition. Inscribed by the author on the front free fly leaf "Eric Gillette with best wishes from the author." Original yellow cloth is lightly soiled with a few tiny spots else a very good copy in dust jacket with small chips and tiny nicks to the spine ends corners and extremities. The book is divided into three parts. The first section deals with the death of Martie a young boy killed by a hit-and-run driver. The father grieves and blames himself for having sent the boy out at dusk. At the same time he plans to kill the driver if and when he learns the identity. The second section deals with the father coming to grips with his son's death and devotes his energies to tracking down his son's killer. As he searches for the killer he develops a profile of the killer and looks for the right person to fill the bill as driver and killer. He decides upon a man named George Rattery whose life fits the bill of the father's mental picture of the killer. He decides to kill Rattery in a boating accident. Section three reveals that George Rattery is dead by poisoning the father's diary comes to light and the police accuse him of murdering Rattery. He calls in Nigel Strangeways to clear his name. After much investigation Strangeways brings the case to a stunning conclusion. A Haycraft-Queen Cornerstone title. Highly recommended. Harper & Brothers Publishers, 1938. hardcover
1073691970. London: Trianon Press 1970. <br /> <br /> 4to with 10 facsimile leaves 5 pp. commentary by Sir Geoffrey Keynes plus 32 pp. of the progressive collotype printings. Full green morocco near fine with green marbled slipcase. <br /> <br /> § Copy III of 36 de luxe copies. The total edition was of 662 copies including 36 de luxe copies numbered I-XXXVI 600 regular copies numbered 1-600 and 26 copies lettered A-Z reserved for the trustees of the William Blake Trust and the publishers. Bentley Blake Books 5. All Religions are One c. 1788 is "a small tractate perhaps Blake's first experiment in his illuminated printing it exists in only one copy. It affirms that the Imagination 'is the true man'. and thus early Blake had completed his revolutionary theory of the nature of man and proclaimed the unity of all true religions." Damon Blake Dictionary. unknown
1047771970. London: Trianon Press 1970. <br /> <br /> 4to 10 facsimile leaves and 5 pp. of commentary. Original full green morocco backstrip slightly faded as usual slipcase.<br /> <br /> § Edition de luxe this being copy h.c. ii limited to 36 copies specially bound with extra suites of the plates of an edition in all of 662 copies. Bentley Blake Books 5. All Religions are One c. 1788 is "a small tractate perhaps Blake's first experiment in his illuminated printing it exists in only one copy. It affirms that the Imagination 'is the true man'. and thus early Blake had completed his revolutionary theory of the nature of man and proclaimed the unity of all true religions." Damon Blake Dictionary. unknown
198748662Paris: Trianon Press for the Blake Trust 1987. First edition thus. Original wraps. Fine. Tall quarto illustrated with 22 loose plates 12" x 15" each in color. A fine set in gray wraps. Printed label on front cover. Some light foxing to the title page <br/><br/> (Trianon Press for the Blake Trust) paperback
18771229001877. London: John Pearson 1877. <br /> <br /> Large 4to 100 plates printed in black and white with black framing lines. Original upper blue-gray wrapper backstrip and lower wrapper supplied text block untrimmed. <br /> <br /> § A wonderful facsimile of copy D now at Harvard limited to 100 copies per Bentley and Keynes but an old Quaritch catalogue stated 250 an unlikely number although a copy is recorded with the number "385" on the front wrapper. This copy numbered 5 on the upper cover. Bentley attributed the publication to Chatto but revised it to Pearson in his Blake Books Supplement. The Rinder copy reproduced by the Trianon Press is in a smaller format and this large quarto has a much more imposing and appealing presence and seems to be a better facsimile - certainly this copy is clearer and more striking than copy C. Bentley BB 76 and BBS p. 88. <br /> <br /> "Blake's final and longest epic in illuminated printing constitutes a recapitulation and summation of his multiple interests ranging from his own mythology to biblical history from sexuality to epistemology and from the Druids to Newton. The cast of characters is vast but Los the artist's imagination at work in the material world Jerusalem and Albion the female and male portions of divided humanity who must be reunited the nature goddess Vala and Jesus play major roles." The Blake Archive Blake made five copies of Jerusalem but only colored one. A suite of 25 plates was also colored by Blake and a few posthumous copies were printed in tints. The one-hundred plates of Jerusalem were etched in relief with many designs in white-line etching between c. 1804 the date on the title page and 1820. unknown
1863133068Columbus Ohio: Gilmore and Brush 1863-1866. Complete first edition set of Blake's scarce history of the American Civil War. Quarto two volumes original publisher's gull morocco elaborately decorated in gilt marbled endpapers all edges marbled illustrated. In good condition. A rare complete set of this scarce work far more rare than Blake's better-known History of Slavery and the Slave Trade. Gilmore and Brush unknown
197272526London:: The Trianon Press for The William Blake Trust 1972. Fine facsimile edition; No. 425 of 518 sets. publisher's quarter morocco and marbled boards in publisher's marbled slipcases. There is a tiny mark to each of the three spines; otherwise this is a fine set in very near fine slipcases. . Folio. Color facsimile. Introduction and Commentary by Geoffrey Keynes. Additional postage applicable. The Trianon Press for The William Blake Trust, hardcover
18766180N.P.: N.P. 1876. Very Good. One of 100 copies printed for private circulation. Quarter roan over cloth with gilt to spine. Spine rubbed and corners worn. Front hinge split; rear hinge starting. Bookplate of Albert May Todd to front pastedown else no signs of ownership or use. Aside from an extra-illustrated and handcolored copy that appeared recently at auction no other is in the modern auction record since 1936.<br /> <br /> This edition "made available for the first time complete reproductions of Songs of Innocence and of Experience The Book of Thel Visions of the Daughters of Albion America Europe The Book of Urizen and The Song of Los. and therefore has some historical importance as a pioneering albeit flawed project" Paley. It remains a visually pleasing work for lovers of Blake's poetry. Very Good. [N.P.] unknown
17931092202 vols. London: John Stockdale 1793. 2 vols. in one royal 8vo xi 225; vii 1871 advertisement pp. Engraved title to each part frontispiece to vol. I and 70 plates including 12 by Blake. Old calf rebacked lower cover rehinged scuffed and untidy internally very good without the usual browning and offsetting. § First edition with Blake’s plates. “The plates in this famous edition are free adaptations from the designs of Kent Wootton and Gravelot who illustrated the earlier printings of Gay's Fables. William Blake completely redesigned and redrew the 12 images for which he is responsible and is listed among the subscribers to the edition as are the other engravers who worked on this project. Blake engraved the plates opposite pp. 1 29 59 73 99 109 125 133 and 181 in volume one; and those opposite pp. 1 105 and 145 in volume two.†Sotheran’s. The first issue is easily identified because it uses the long “s†throughout and the second does not. Bentley Blake Books 460A. Essick William Blake’s Commercial Book Illustrations XXVI. Ray The Illustrator and the Book in England 1. John Stockdale unknown books
17931092201793. London: John Stockdale 1793. <br /> <br /> 2 vols. in one royal 8vo xi 225; vii 1871 advertisement pp. Engraved title to each part frontispiece to vol. I and 70 plates including 12 by Blake. Old calf rebacked lower cover rehinged scuffed and untidy internally very good without the usual browning and offsetting.<br /> <br /> § First edition with Blake's plates. The plates in this famous edition are free adaptations from the designs of Kent Wootton and Gravelot who illustrated the earlier printings of Gay's Fables. Blake completely redesigned and redrew the 12 images for which he was responsible and is listed among the subscribers to the edition as are the other engravers who worked on this project. Blake engraved the plates opposite pp. 1 29 59 73 99 109 125 133 and 181 in volume one; and those opposite pp. 1 105 and 145 in volume two. The first issue is easily identified because it uses the long "s" throughout and the second does not. Bentley BB 460A. Essick CBI XXVI. Ray The Illustrator and the Book in England 1. unknown
1793140941779London: John Stockdale 1793. First Thus. First Stockdale edition first issue with the long "s" throughout and list of subscribers. xi 1 225; 2 vii 187 1 pp. Two engraved title-pages with vignette "Gay Monument" frontispiece and 68 illustrations including 12 etchings by William Blake. Later full calf polished with gilt borders gilt decorated spines; marbled endpapers and edges. Very Good with joints expertly repaired and strengthened some general light wear and scuffing to calf offsetting to endpaper edges illustrated bookplates of author and bibliophile Louise Ward Watkins and Frances and Jourdan Hoyt scattered light foxing to interiors. The first edition of Gay's classic Fables to have etchings by William Blake who is listed as one of the subscribers at the rear. John Stockdale unknown
1793Flo260Very good copy of the first edition of Gay's <i>Fables</i> with the William Blake engravings.<br /><br />First issue of the Stockdale edition distinguished by the use of the long "s" throughout the text two volumes bound in one.<br /><br />Complete with the "Gay Monument" frontispiece two engraved title-pages with vignettes and 68 engraved plates<br /><br />With the 12 plates etched and engraved by William Blake in his inimitable style Vol. 1: page 1 29 59 73 99 109 125 133 181; Vol. 2: page 1 105 181. Blake had launched his own career publishing <i>The Book of Thel </i>and <i>The Marriage of Heaven and Hell </i>by this time and started taking on commercial book illustrating and engraving jobs such as Mary Wollstonecraft's <i>Original Stories from Real Life</i> 1791 and <i>Fables</i> 1793. <br /><br />Plates newly engraved by Blake William Grainger Philip Audinet Peter Mazell William Skelton Lovegrove Wilson and Cook after original designs by John Wootton William Kent and Hubert Francois Gravelot from the 1729-1747 editions. <br /><br />With the List of Subscribers and one page advertisement in rear. Blake's name is listed alongside the other engravers Philip Audinet Peter Mazell and William Skelton.<br /><br />Large octavo size in three-quarter red morocco with some scuffing to spine and corners five raised bands dark green leather title label and gilt tooling on spine marbled boards and endpapers t.e.g. some scattered spotting to text and plates.<br /><br />In a fine binding by Zaehnsdorf 1907 with the bookplate of John Ingleby Jefferson Standard House Northallerton Yorkshire on front endpaper. John Stockdale, Piccadilly hardcover
1870527239Concord New Hampshire: Printed by A. G. Jones 1870. Softcover. Good. First edition. Octavo. 24pp. Sewn light brown wrappers printed in black. A good or better copy; the wrappers are present but partially detached along spine moderate soiling and small stains on unprinted rear wrapper and final printed page with a few small chips at corners of covers the printed text has light foxing and soiling. An 1870 sermon by Rev. Edmund R. Sanborn in defense of woman's rights and the education of women in response to a discourse by Rev. S. L. Blake in opposition to woman's rights. Very scarce. OCLC lists two holdings. Printed by A. G. Jones unknown
1828107872Single plate by William Blake. London: for the author and sold by Longman 1828. Single plate by William Blake cleaned by Court Benson. § From the first and only edition of this elusive Blake item. Includes Blake's figure of the constellation 'Cancer' which may be a caricature self-portrait of Blake himself. Keynes 248: 'extremely rare'. Bentley Blake Books 501. for the author and sold by Longman unknown books
18281078721828. London: for the author and sold by Longman 1828. <br /> <br /> Single plate by William Blake cleaned by Court Benson. Framed.<br /> <br /> § From the first and only edition of this elusive Blake item. Includes Blake's figure of the constellation 'Cancer' which may be a caricature self-portrait of Blake himself. Keynes 248: 'extremely rare'. Bentley Blake Books 501. unknown
1861836Columbus Ohio: H. Miller 1861. Publishers full embossed leather binding. Near Fine. Book is in Near Fine condition beautifully bound in publishers full embossed leather binding. Binding and hinges are excellent inside front hinge reinforced with Japanese tissue pages are remarkably bright and clean without marks and little to no foxing. Beautifully illustrated throughout. Book measures 10.25" x 7.25" 165 Years Old. A beautiful example scarce in this condition. H. Miller unknown
195431908London: The Trianon Press 1954. Limited/Numbered . Leather Spine. Very Good. 8vo - over 7¾" - 9¾" tall. Blake William. Slightly smaller book brown leather spine brown boards gilt lettering bright on spine light surface wear to long spine left edge spine top and spine bottom edge heavy lightly browned pages slightly larger than the original on pure rag paper to match Blake's paper each sheet with his monogram. Color-illustrations by Blake throughout matched to one of 16 known originals. Signed in green ink at top of first front end paper: "To David and Adele with love Lessing 2/15/55." Lessing F. Rosenwald provided the original to Paris for the making of this facsimile. In sturdy brown slipcase entrance in thin brown leather with protruding leather lips and top and bottom slightly worn. Near Very Good. <br/> <br/> The Trianon Press hardcover