18 343 résultats
19211279601921. First Edition. BLAKE William KEYNES Geoffrey. A Bibliography of Wiliam Blake. New York: Grolier Club 1921. Thick quarto original half navy morocco gilt top edge gilt uncut. $1400.Limited first edition one of 250 copies printed at the Chiswick Press London for the esteemed Grolier Society of New York with four color plates 36 monochrome and 12 in-text illustrations.""Keynes massive and monumental bibliography vastly increased our knowledge and understanding of Blake. The undertaking and the difficulties were enormous and the accomplishment splendid still of very great importance for independent judgements Bentley Blake Books 617A. . Bookplates including that of noted art and book collector Cortlandt Field Bishop. Bentley Blake Books 688. Faint scratch to front board. A beautiful copy in very nearly fine condition. unknown
187010325<p>R. Ackermann. London. 1813 Circa 1870. PORTFOLIO OF 13 PLATES. No text as issued. Paper size 14.9 x 11.3 inches. The portfolio is 15.5 x 12 inches. Portrait of Blake by T. Phillips RA; Engraved title page dated 1808 and 11 plates all stating Ackermann as publisher dated 1813 and engraved by Louis Schiavonetti after Blake's designs. The pages have a little bumping to the edges but well away form the engraved area. Plates a little dusty and toned but the impressions are good. The original portfolio is brown Morocco grained cloth with elaborate blind tooled designs to both boards. Gilt lettering to the front board. Only one small piece of one silk tie remaining. Yellow coated endpapers. 3 small clippings from bookseller catalogues each listing copies of the Blair/Blake book tipped in to the front pastedown endpaper. Some minor rubbing and bumping to the cloth but the gilt is still very bright and the cloth clean. Overall a very good example of this rare edition. ----- "When Gilchrist's Life of William Blake 1863 made the artist's name familiar again a deposit of prints left over from 1813 came to light probably in Ackermann's storehouse. Somebody possibly John Cameron Hotton reissued the books. There are no new title pages no dates or places indicated; but the bindings are in mid-Victorian style and could not have been made in the first half-century." A Blake Dictionary: The Ideas and Symbols of William Blake By Samuel Foster Damon. ---- "My theory on that is that Camden Hotten who produced the 1870 issues not only got the copperplates from Ackermann with the Spanish inscriptions for de Mora but also some remainders of the impressions and letterpress and bound these up in a slightly different fashion. He removed the Spanish on the coppers and had an engraver restore the 1813 English inscriptions then printed for both the portfolio and the 1870 issue of the text with the engravings."--Essick.</p> R. Ackermann. London. 1813 (Circa 1870?) hardcover
1971125904<p>A First UK printing published by Latimer UK in 1971. The BOOK is in near FINE condition. The WRAPPER is complete and in near FINE condition with some mild tanning as usually encountered. The Sir Peter Blake wrapper artwork looks striking in the removable Brodart archival protector. Illustrations and photographs by Michael Tyzack Sir Peter Blake Adrian Henri P.G. Findlay & R. Elson Jeff Cloves Patrick Hughes Shepard Sherbell Gabi Nasemann Michael Horovitz Michael Bloom Paul Kaplan John Furnival Bob Godfrey Pete Morgan Jeff Nuttall David Oxtoby Adam Ritchie Colin Self John Furnival Richard Hamilton Stephen Morris Jeff Goldner Nick Roberts Marigold Hodgkinson Mike Francis Ron Sandford David Hockney Michael Foreman Feliks Topolski Gabi Nasemann Mal Dean Tom Phillips Mike McInnerney. This is number '75' of only 100 special numbered copies signed by the author and all of the 30 the contributors including Hockney Blake & Hamilton. The publisher's errata slip is present as issued. The book is an extraordinary collection of British art luminaries of the age. Very scarce with such attributes. More images avilable on request. Ashton Rare Books welcomes direct cotnact.</p> Latimer, UK hardcover
8vo., First Edition thus, with 28 fine watercolour illustrations by Blake; pictorial blue cloth, upper board with red leather label framed and lettered in gilt, red leather back lettered in gilt, gilt top, ribbon marker, a fine copy in publisher's cloth slip-case with mounted coloured illustration (repeated from text). EDITION LIMITED TO 750 COPIES (THIS COPY NO. 209). A sumptuous edition, presenting the definitive text of Bunyan's masterpiece with all twenty-eight of Blake's original and visionary watercolour illustrations.
2036<p><strong>BOOK IS NOT SIGNED BY ROALD DAHL</strong></p><p>Brand new. 2022 Suntup Press</p><p>This copy is #181. Signed by the introducer Donald Sturrock and publisher Paul Suntup</p><p>The Numbered edition is limited to 350 copies and is a full leather handmade Bradel binding with gold leather adorning the spine and brown leather boards with a debossed front cover. The edition is printed letterpress on Mohawk Via with a spot color throughout. The color illustrations are printed offset. The edition is housed in a gate fold clamshell enclosure covered in Japanese cloth and lined with suede.</p><p> Includes mini print and bookmark. Book will be mailed double boxed in the original publisher's packaging.</p><p>A signature will be required for delivery. 2b2</p> Suntup Press hardcover
SONG0134043227Pearson 2015-02-01. 3. hardcover. Used: Good. 8.70x1.20x11.10. Buy with confidence. Excellent Customer Service & Return policy. Pearson hardcover
114740New Jersey Princeton University Press in conjunction with the William Blake Trust 1991-1995. . First U.S. editions; 6 volumes 4to 30.5 x 22 cm; internally fine; publisher's gilt cloth with original pictorial dust-jackets a touch of rubbing otherwise fine.<br /> The complete set of this profusely illustrated set designed to make high quality reproductions of Blake's work more accessible.<br /> New Jersey, Princeton University Press in conjunction with the William Blake Trust, 1991-1995. hardcover
197447959Paris / Clairvaux.: The Trianon Press. 1974. Original publisher's morocco-backed marbled boards title gilt to spine matching marbled paper-covered board slipcase. Folio. 374 x 272 mm. Frontispiece pictorial title and 23 plates of text and illustration by Blake numbered 1 - 25 at upper right leaf with section title 'The Trial Proofs' and 8 further plates all facsimiles after Blake leaf with details of the publication five leaves with 'Commentary and Bibliographical History' by Geoffrey Keynes final leaf with colophon and justification. The Trianon facsimile of the first twenty-five hand-coloured plates of 'Jerusalem' from the collection of Lord Cunliffe. From the edition limited to 558 on Arches with this lettered copy one of 26 reserved for the Trustees of the William Blake trust and the Publishers.This facsimile is not to be confused with the first Trianon publication in 1950 the facsimile of the Stirling copy of 'Jerusalem' the only known complete hand-coloured copy. In Lord Cunliffe's copy presented here a copy that precedes the Stirling copy only the first twenty-five plates i.e. the first chapter of the book were hand-coloured and in a different colour scheme. Four proofs from the collection of Kerrison Preston are also included.The facsimiles of the illuminated leaves have been reproduced by collotype and pochoir a hand-stencilled process and printed on Arches pure rag paper to match the paper used by Blake each page being watermarked with his monogram. In addition to the facsimile of the published book eight trial proofs are reproduced. The Trianon Press. hardcover
74015London: Queen Anne Press Enitharmon Editions 2013. Modern classic FIRST EDITION THUS Deluxe Edition. Quarto 42 x 32cm in case pp.173. Number 55 of 100 copies SIGNED BY THE ARTIST with a separate signed and numbered original print entitled ''The Sailor's Arms''. Publisher's original green cloth with Blake illustration inlaid to upper card folder containing print housed in an elegant blue cloth solander box with Blake portrait of the author to lid blocked in gilt to the spine. A fine as-new copy. The classic work in a brand new letterpress edition by Michael Mitchell of the Libanus Press illustrated and introduced by Peter Blake. The Queen Anne Press was originally run Ian Fleming and is now managed by his niece Kate Grimond and nephew Fergus Fleming. Blake also illustrated the cover for Fleming's From Russia With Love 2009. London: Queen Anne Press, Enitharmon Editions, 2013 unknown
ABE-1518460521566Mount Abraxus Bucharest 153 of only 155 copies printed and obviously this is very rare and always will be. It has a lush and lavish double heavyweight jacket; it has a loose insert; it has a few transparent pages; and it has a frankly stunning heavyweight binding which has an indented illustration on the front and a fabulous textured board cover. Dan Ghetu has signed and numbered this. It is a heavy and wonderfully bound volume and every aspect of it is so gorgeously produced it is difficult to describe. This is an exceptionally great production by this exceptional small press. It is a hefty volume to send through the post. Please ask because a surcharge for postage will be necessary depending on destination. A simply great example of book production. RARE AND DELECTABLE! Language: eng. Signed by Author. Limited Edition. Hardcover. New/New. Mount Abraxus Bucharest hardcover
1791025208London: J. Johnson 1791. 2nd Edition . Hardcover. Very Good . 11 15/16" Tall. Frontispiece Portrait By William Blake. Iii Viii Iv 756 Vii. One Volume Quarto Edition With The Blake Frontispiece Complete With Two Preliminary And Two Final Blanks. The Beginnings Of Western Scientific Philosophical Psychology Here Enlarged From The 1749 German Original With Additional Notes And A Biographical Sketch And Portrait. Original Spotted Calf Five Bands Morocco Label All Compartments Tooled With Gilt Designs And Rules. Edge Wear Front Hinge Cracked Externally But Binding Sound Original Endpapers Not Re-Backed No Names Or Marks Except A Few Pencil Notes On The Front Pastedown. Per Wikipedia David Hartley Frs 1705 - 1757 Was An English Philosopher And Founder Of The Associationist School Of Psychology. Like John Locke He Asserted That Prior To Sensation The Human Mind Is A Blank Slate. By A Growth From Simple Sensations Those States Of Consciousness Which Appear Most Remote From Sensation Come Into Being. And The One Law Of Growth Of Which Hartley Took Account Was The Law Of Contiguity Synchronous And Successive. By This Law He Sought To Explain Not Only The Phenomena Of Memory Which Others Had Similarly Explained Before Him But Also The Phenomena Of Emotion Of Reasoning And Of Voluntary And Involuntary Action. His Attempts At Explicit Albeit Somewhat Obvious Analysis Of The Mechanics Of Mental Activity Laid An Important Framework Of Discussion For Subsequent Academic Psychology. <br/> <br/> J. Johnson hardcover
197662884to. London: Trianon Press 1976. 4to 5 color plates and commentary and progressive states of the plates and an original copper plate etc. Full brown morocco slipcase. As new. § Copy # VII of XXXII de luxe copies in an edition limited to 512 copies in all. The companion volume to the Book of Ahania. One copy of The Book of Los is known. Bentley Blake Books supplement p. 62. Trianon Press unknown books
Roy. 8vo., First Edition thus, with coloured frontispiece and numerous coloured illustrations in the text; burgundy morocco, upper board and backstrip blocked and lettered in gilt, gilt top, purple endpapers, a fine copy in publisher's slip-case blocked in gilt. EDITION LIMITED TO 1000 NUMBERED COPIES SIGNED BY BLAKE (THIS COPY NO. 195).
4643Clairvaux: Trianon Press 1976. Hardcover. NF. . Near Fine. Copy XIV of 32 copies published by Trianon Press for the William Blake Trust in London. An edition of 538 copies 32 copies roman numeral numbering bound in full morocco each with a set of plates showing the progressive stages of collotype and hand-stencil process with a guide sheet and stencil. Another 480 numbered copies and 26 copies A - Z reserved for Trustees of The William Blakce Trust and the publishers. Near fine book with some sunning of the spine but boards and internally book is in fine condition. NF Slipcase. Edition marked with beautiful copper plate in the back. Provenance: From the Library of Naim Attallah CBE. Trianon Press hardcover
17841266411784. London: Harrison and Co. 1784-1785. <br /> <br /> 2 vols. in one 8vo 1-9 10-485 1; 1-5 6-193 1 pp. Lacking the folding frontispiece but with the 4 other plates engraved by Blake after Samuel Collings. Contemporary half morocco with pebbled cloth boards. A neatly restored copy plates with some closed tears and repairs.<br /> <br /> § Only edition quite scarce. "These are the only caricature prints engraved by Blake. The graphic style is appropriately broad and rugged particularly in the barnyard scene. 'Fun I love but too much fun is of all things most loathsom' Blake to Trusler 1799. Blake may have felt that the great rage for caricature prints in the 1790s was a hindrance to the sale of his own original graphic works." Essick CBE p. 37. Bentley Blake Books 513. Essick William Blake's Commercial Book Illustrations XVI. unknown
1793259579London: Printed for John Stockdale 1793. First Stockdale edition and first with the Blake plates later issue with short "s" throughout. 2 engraved title-pages with vignette "Gay Monument" frontispiece and 68 illustrations including 12 etchings by William Blake. ii xii 225; ii vii 188 pp. 2 vols. 8vo 10-3/8 x 6-3/4 inches. Bound to style in acid-stained calf covers gilt with outer roll border flat spine gilt with red morocco lettering-pieces and volume label a.e.g. Title-pages trimmed with some loss light foxing to some plates. First Stockdale edition and first with the Blake plates later issue with short "s" throughout. 2 engraved title-pages with vignette "Gay Monument" frontispiece and 68 illustrations including 12 etchings by William Blake. ii xii 225; ii vii 188 pp. 2 vols. 8vo 10-3/8 x 6-3/4 inches. With 12 Plates by Blake. The Stockdale edition of Gay's Fables with 12 engravings by Blake who freely adapted his source material. Ray considers this one of the best examples of Blake's work as a reproductive engraver. Bentley & Nurmi 371A; Ray England 1; Essick William Blake's Commercial Book Illustrations XXVI Printed for John Stockdale unknown books
1881110436Archival inkjet print. London: Colnaghi printing after 5 March 1881. Archival inkjet print 93.9 x 30 cm. printed by E.M. Ginger of 42-Line in Oakland CA. Framed. § Fine facsimile print of William Blake’s Canterbury Pilgrims 5th and final state. The reproduction by 42-Line is so good it is virtually indistinguishable from an original print.“‘Chaucers Canterbury Pilgrims’ was one of Blake’s major attempts at building a reputation as a painter-engraver and achieving the sort of critical and financial success that had escaped him for so many years.…†However Blake wasn’t to meet with the critical success he had hoped for and the competition created when Thomas Stothard executed a plate of the same subject caused him to become bitter. “Most contemporary connoisseurs probably found the print old-fashioned and ‘Gothic’ in the pejorative sense.… The record of prices brought by the print at auction indicates that it has attracted strong interest from collectors only in the last few years†Essick pp. 86-88. Blake made substantial changes in the fourth and fifth states of this famous plate and “it is only in the last two states of the plate that we find Blake’s mature artistry as an original printmaker bringing to his largest and most ambitious single print the same techniques distinguishing his Job and Dante engravings.†Essick Separate Plates of William Blake XVI and see William Blake Printmaker. Colnaghi printing unknown books
1927108835A single hand-coloured specimen proof copy of the frontispiece for Muir's 1927 facsimile. London: Quaritch for William Muir 1927. A single hand-coloured specimen proof copy of the frontispiece for Muir's 1927 facsimile prepared from the Beaconsfield original. Fine. § A lovely hand-colored facsimile of Blake's famous frontispiece being a unique proof inscribed by Muir: “This a specimen page not to be sold of the Centenary of Blake’s death Edition of the Songs of Innocence and of Experience facsimilied sic from the Beaconsfield original now being prepared by William Muir.†Quaritch for William Muir unknown books
1798100653All 4 full-page copperplate engravings after Fuseli signed by Blake as the engraver. London: J. Johnson 1798. All 4 full-page copperplate engravings after Fuseli signed by Blake as the engraver. Matted good impressions of the plates complete with the imprints untrimmed. § One of Blake’s scarcer works seldom seen in the trade or at auction; there was also a volume on English history published in the same year. We have had one other copy in the last seven years and one other separate set of the plates. The plates are strong and lively renditions of moments such as the death of Cleopatra; with the recent discovery of an original drawing by Fuseli for Allen’s English History now in the Essick Collection we now are quite sure that the illustrations for both volumes were drawn by Fuseli. Bentley Blake Books 416. Essick William Blake’s Commercial Book Illustrations XXXVII. J. Johnson unknown books
1987107738Paris: Trianon Press for the Blake Trust 1987 Publisher’s proofs in a box including three copies of vol. 2 in variant bindings one copy of vol. 1 black and white reproductions and a suite of progressive proofs of plate 2. All within a quarter morocco box with gilt backstrip and marbled boards. § A unique publisher’s proof set lacking the rest of the text. A complete set would include:The de luxe issue includes David Bindman ed. William Blake’s Illustrations of the Book of Job: The Engravings and Related Material with Essays Catalogue of States and Printings Commentary on the Plates and Documentary Record by David Bindman Barbara Bryant Robert Essick Geoffrey Keynes and Bo Lindberg. London: The William Blake Trust 1987. Colophon verso of the title page: “In addition to the 387 copies of William Blake’s Illustrations of the Book of Job and Colour versions of Blake’s Book of Job designs issued and published by the William Blake Trust five copies containing extra material have been specifically made up for those most closely concerned with bringing the publication to completion. This copy is for Robert Essick.†The work is housed in four cloth slipcases trimmed in morocco as follows:1. Text volume with the title page and colophon quoted above. Contents:Stephen Keynes “Acknowledgments.â€Charles Ryskamp “Foreword.â€David Bindman and John Commander “Preface.â€Geoffrey Keynes “The Development of the Job Designs.â€David Bindman “The Book of Job Designs from Butts Series to Final Engravings.â€Robert Essick “Blake’s Engravings to the Book of Job: An Essay on Their Graphic Form and Catalogue of States and Printings.â€Barbara Bryant “The Job Designs; a Documentary and Bibliographical Record.â€Quarter morocco and cover label. In the same slipcase: William Blake’s Illustrations of the Book of Job: The Plates with related designs and with an Introduction and Plate-by-Plate Commentary by Bo Lindberg. Loose in fascicles in a quarter morocco folder quarter morocco clamshell box with cover label.2. Colour Versions of William Blake’s Book of Job Designs from the Circle of John Linnell. With an essay by Bo Lindberg. Text volume quarter morocco with cover label. Quarter-morocco clamshell box with cover label with the following quarter-morocco folders with cover labels as quoted below contents loose:a. “The New Zealand setâ€b. “The Collins setâ€c. “The Fitzwilliam platesâ€3. “Additional Material 1.†Quarter-morocco clamshell box with cover label with the following quarter-morocco folders with cover labels as quoted below contents loose:a. “Pages from the ‘Riches’ sketchbook with colour washes not publishedâ€b. “William Blake Illustrations of the Book of Job Alternative printing of the engravings without plate markâ€c. “Facsimiles of subjects from the Butts version watercolours printed collotype by Emery Walker for the Pierpont Morgan Library edition 1935â€. Two mounted color reproductions.d. “Proofs guides and stencils for colour plates from Colour versions of Blake’s Book of Job designs Trianon Press Paris c. 1974â€4. “Additional Material 2.†Quarter-morocco clamshell box with cover label with the following quarter-morocco folders with cover labels as quoted below contents loose:a. “Label printed for original publication March 1826â€b. “Colour versions of William Blake’s Book of Job designs from the circle of John Linnell Collins & New Zealand sets & Fitzwilliam plates.†Housed in three paper folders. The same reproductions as those in box 2 above.Materials added to box 4 by Essick:i. Xerox of the typescript of Lindberg’s commentary.ii. Xerox of the typescript of Lindberg’s essay on the New Zealand set.iii. Xerox of the typescript of Keynes’ introductory essay.iv. A set of loose Job reproductions housed in a paper folder inscribed in pencil as follows: “This set of proofs was given to me by John Commander Secretary of the Trust to help with my preparation of the catalogue of the states of the Job plates. It contains unpublished materials. R. N. Essick Summer 1983.â€Acquired Aug. 1987 from the William Blake Trust gift. BBS pages 198-99 this issue not recorded. For proofs of Essick’s essay see under Blake Trust/Trianon Press Facsimiles Production Materials.Idem. Trade issue housed as above but in cloth slipcases boxes and bindings. Two slipcases with contents as in the first two slipcases above. Colophon verso of the title page: “This publication of William Blake’s Illustrations of the Book of Job is limited to 387 copies: 22 copies lettered A-V contain additional material and are specially bound; 250 copies numbered 1-250; 50 copies numbered i-l; 65 copies numbered I-LXV are reserved by The William Blake Trust. This is copy 171â€. Acquired May 1987 from the William Blake Trust gift. BBS pages 198-99. Trianon Press for the Blake Trust hardcover books
1797104588Large 4to. London: R. Noble 1797. Large 4to pp. 87/88 with 2 full-page engravings by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104585Large 4to. London: R. Noble 1797. Large 4to pp. 15/16 with 2 full-page engravings by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104586Large 4to. London: R. Noble 1797. Large 4to pp. 23/24 with 2 full-page engravings by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1921WRCLIT62934New York: The Grolier Club 1921. xvi516pp. plus inserted plates. Large thick quarto. Publisher's quarter pebbled morocco and cloth t.e.g. others untrimmed. Some rubbing to spine joints and extremities bookplate a few thin scratches and flecks to boards otherwise a very good copy. First edition. One of 250 copies printed at the Chiswick Press. For its times a monument both to bibliography and to book production. Heavily illustrated including four plates in color and with significant primary material published here for the first time. The Grolier Club hardcover books
198490838Quartet Books Ltd. Very Good in Very Good dust jacket. 1984. First Edition. Hardcover. 070432475X . First edition of 10000. Black cloth boards with lettering in blind. Photographic jacket. Signed by Blake on the title paged and dated 1984. Rebecca Blake was born in Antwerp Belgium and came to the United States when she was five years old. She received her bachelor's degree from New York University where she studied English literature music and art history. As a photographer she specialized in fashion beauty and protrait projects. Her photographs are included in several permanent collections including The International Center of Photography and the Brooklyn Museum. A tight and clean copy. Jacket with rubbing and toning and minor shelfwear. Interior pages unmarked. Photos upon request. International shipping billed at cost.; Folio 13" - 23" tall; 126 pages; Signed by Author . Quartet Books Ltd hardcover