Blake, WilliamBiblio.com
18 343 résultats
17801106731780. London: Harrison and co. 1780-81. <br /> <br /> Single plate 10 x 7.5 ins. Browned and foxed.<br /> <br /> § First edition thus issued originally in parts and perhaps thus of great rarity. The last copy to change hands was in 1993 when Essick bought his copy; he has not recorded another copy in the marketplace since. That rarity is born out by ESTC which records 4 copies in all two at the BL seriously imperfect one in Oxford Queen's College and one in North America Bentley Blake Collection at Victoria University. It is noteworthy for the profusion of illustrations from classical sources and in the five plates engraved by Blake he shows his knowledge of the work of Rubens and Raphael most likely from reproductions in earlier illustrated books. See Essick CBI VI. Bentley Blake Books 419. Darlow and Moule 1273. unknown
19171251211917. London: Richard C. Jackson 1917. <br /> <br /> 4to 2 half-title frontispiece Blake portrait 16. Very good with slight wear to board covers and corners. The dedicatee's copy signed Mackenzie Bell 29th July 1920.<br /> <br /> § A facsimile produced for the "William Blake Society of Arts and Letters" in a limited edition of 100 copies plus 10 proofs by Richard C. Jackson to commemorate the 160th anniversary of Blake's birth. The facsimile claims to be the first edition of "Little Tom" in moveable type and reproduces Blake's two main designs in different colours - Little Tom on the boat in blue and with his mother in a rather pallid yellow. The title is in red and black. The book is printed on "Queen of Scots" hand-made paper and sewn into quarter cream buckram bound gray paper covered boards with a decorated and printed label in buckram mounted to the cover. Jackson was the founder of the Blake Society of Arts and Letters in 1901 and still President in 1917. The edition has a dedication page to Mackenzie Bell a poet and past Vice-President of the Society and this was apparently his own copy being signed by him on the front end paper. Bentley BB 470 E . Bentley refers to Jackson as being "mendacious" but gives no reason. Jackson does however defame and possibly libel Gilchrist in the colophon at the end of this facsimile so this is perhaps symptomatic. However the facsimile is certainly an impressive and attractive one. unknown
17801106711780. London: Harrison and co. 1780-81. <br /> <br /> Single plate 10 x 7.5 ins. Browned margins foxed and chipped.<br /> <br /> § First edition thus issued originally in parts and perhaps thus of great rarity. The last copy to change hands was in 1993 when Essick bought his copy; he has not recorded another copy in the marketplace since. That rarity is born out by ESTC which records 4 copies in all two at the BL seriously imperfect one in Oxford Queen's College and one in North America Bentley Blake Collection at Victoria University. It is noteworthy for the profusion of illustrations from classical sources and in the five plates engraved by Blake he shows his knowledge of the work of Rubens and Raphael most likely from reproductions in earlier illustrated books. See Essick CBI VI. Bentley Blake Books 419. Darlow and Moule 1273. unknown
18131092141813. London: Ackermann 1813. <br /> <br /> Single plate etching on wove unwatermarked paper recently cleaned.<br /> <br /> § From the second 4to edition this is one of the best known plates in the series. Bentley Blake Books 435D. unknown
18131078401813. London: Bensley for Ackermann 1813 i.e. 1870. <br /> <br /> 4to plates only without the Frontispiece Death's Door and The Soul's Reunion with the Body i.e. etched title and 9 plates. As issued in the original pebbled brown cloth portfolio lettered in gilt occasional foxing or oxidization an adequate copy. Includes 22 newspaper clippings from the 10s 20s 30s and 40s all related to Blake a brochure for Cambridge University Press's An Island in the Moon facsimile a brochure for Scolar Press's The Grave facsimile and a few other articles.<br /> <br /> § Third quarto edition printed from the same plates as the 1813 edition but actually issued by or for John Camden Hotten in 1870. Bentley Blake Books 435e. unknown
18081073231808. London: Cadell and Davies 1808. <br /> <br /> Single plate etching on wove unwatermarked paper margins slightly soiled and worn image clean. Framed.<br /> <br /> § From the first 4to edition. Designed by Blake and engraved by Luigi Schiavonetti to Blake's indignation. A glorious image. Bentley Blake Books 435b. unknown
18081238891808. London: Cadell and Davies 1808. <br /> <br /> Single plate etching on wove unwatermarked paper cleaned and in fine condition.<br /> <br /> § From the first 4to edition. Bentley Blake Books 435b. unknown
17811079388vo. London: Joseph Johnson 1781. 8vo xxxiv 405 1 ads pp. With a frontispiece and 3 engraved plates after Stothard one by William Blake. Later polished calf gilt-panelled backstrip gilt edges joints scuffed frontispiece and t/p soiled. Ink signature at front of William Enfield tipped in. § 6th edition the second to have this plate which is dated 1780 -- this copy with the plate facing p. 289 engraved by Blake. This was Blake’s first commercial engraving first put in the 1774 edition. Enfield was a Unitarian minister and this anthology of literary extracts intended to teach proper elocution to young people was extremely influential. See Essick William Blake’s Commercial Book Illustrations 1. Bentley Blake Books 453 B. Joseph Johnson unknown books
197015074Trianon Press 1970. Hardback full morocco with slipcase. 30.5 x 23.5cm. Plates 8pp. Number XXVI of 36 deluxe copies with a set of progressive plates from a total edition limited to 662 collotype plates hand-coloured through stencil with additional plates showing the progressive stages of the collotype printing. Previous owner's small bookplate on the front pastedown. Spine slightly darkened otherwise a fine copy. Limited. Hard Cover. Near Fine. Trianon Press Hardcover
19753549London: printed in Paris at the Trianon Press for the Trustees of the William Blake Trust 1975. One of 400 ordinary copies of a total edition of 458. 8 plates printed at the Trianon Press using the collotype and hand-stencil process 8 pp. commentary by Keynes with another plate. Large 4to. original quarter brown morocco marbled boards and marbled paper covered slipcase. A very good copy.One of the richest and most elaborate Trianons.Bentley <em>Blake Books</em> A137. printed in Paris at the Trianon Press for the Trustees of the William Blake Trust hardcover
1963QQ0479Oxford at the Clarendon Press 1963. xviii220pp 145 manuscript pages on plates. Light grey-brown cloth with gilt decoration to spine and front board. Light brown pictorial dustwrapper slightly edgeworn and with a small patch neatly repaired on rear panel. Dustwrapper protected in a removable clear plastic sleeve. The first complete facsimile of Vala or The Four Zoas a prophetic work begun by Blake in 1797 in the wake of his immense series of illustrations for Edward Young's poem Night Thoughts; indeed Vala was written on proof pages for Night Thoughts. 'Like Young's poem Blake's is divided into "Nights" and treats some of the same vast subjects—life death immortality' ODNB. This scope was echoed in the physical and temporal scale of the work: Blake used larger plates than ever before at 41x32 cm and continued work on the epic for ten years before finally leaving it unfinished in 1807 with the poem in a manuscript draft. Bentley's life-size b/w facsimile includes a transcription an extensive critical study of the poem’s 'growth and significance' and tables of contents and physical details lines reused elsewhere watermarks etc.; it remains the only facsimile publication. Northrop Frye wrote that 'there is nothing like the colossal explosion of creative power in the Ninth Night of The Four Zoas anywhere else in English poetry'; the work as a whole he says 'a cyclic vision of life from the Fall to the Last Judgment' is 'in a single form the totality of what Blake came into the world to say' Fearful Symmetry pp. 305 269. Robust packaging. Tracking is always added to USA orders. It can be added to other overseas orders on request. Used books are exempt from USA tariffs. No ownership marks. Binding sound text unmarked. No ownership marks. Binding sound text unmarked. Very Good/Good. 47 x 36 cm. Oxford at the Clarendon Press Hardcover
1929193198New York: Grosset & Dunlap Publishers 1929. First edition of the novelization of the original Wolf of Wall Street film a now-lost pre-Code drama released eight months before the Wall Street Crash. It starred George Bancroft in his first sound film as an anti-hero rogue trader who corners the copper market and sells it short making his fortune but ruining others. Octavo. With frontispiece and 7 photographic plates from the film. Original red cloth spine and front cover lettered in black. With dust jacket. Unused contemporary generic bookplate on front free endpaper. Unclipped jacket with tiny chips at extremities light soiling and rubbing. A fine copy in near-fine jacket. hardcover
2021DBS-9781788824477MEDPLUS 2021. 1st. Hardcover. New. MEDPLUS hardcover
2021DBS-9781788824477MEDPLUS 2021. 1st. Hardcover. New. MEDPLUS hardcover
2009CBS-9781934115862Sp Springer 2009. New. Sp Springer unknown
2009CBS-9781934115862Sp Springer 2009. New. Sp Springer unknown
SKU0222134Cengage Learning 2014-02-26. Hardcover. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Cengage Learning hardcover
SLIVCN-9781536181241NOVA SCIENCE PUBLISHERS INC (7/2020)
1876500037355London: The English Picture Publishing Company 1876. First edition thus. . Paperback. Good. The English Picture Publishing Company was formed by Pre-Raphaelites Charles Rowley George Milner and Frederic Shields " It was all done under Madox Brown's influence we lost half our cash but we spread some fine things the like of which was not on the market." They set about to publish photographic reproductions of the work of contemporary and earlier British artists. The company became the Fine Art Autotype Company. The company operated out of Manchester. Any prints by this company are scarce. Some have found their way into prestigious collections e.g. The British Museum & The Wellcome Library. There is no mention of these prints on the net. They are 15" by 22" though the actual images are 6".5 by 8.5". They are autotypes which is a photographic process and began in 1868. "The mourners" "Eve's Dream" "Comus. The Lady restored to her parents" "Comus with his revellers" "Comus meeting the lady" "Queen Catherine's Dream" "Comus: Sabrina disenchanting the Lady" "Comus: The Two brothers passing the Night in the Wood" "A Breach in the City" "The Bread of Life". Foxing to surround two prints have a small damp stain. <br/> <br/> The English Picture Publishing Company paperback
29127London: Jonathan Cape. 1990. Uncorrected proof copy of the first edition first printing. Uncorrected proof copy of the first edition first printing. Signed by the illustrator. Publisher's original red card covers printed in black. Illustrated throughout by Quentin Blake. A fine copy the binding square and tight bright and fresh. The contents are clean throughout and without previous owners' marks. Uncommon in proof state especially so signed. Signed by Quentin Blake in black ink on the title page. The last of Dahl's books to be published in his lifetime. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. London: Jonathan Cape. 1990 unknown
1980SONG0198173121OXFORD UNIVERSITY PRESS 1980-08-14. First American Edition. hardcover. Used: Good. 12.25x4.00x15.25. Buy with confidence. Excellent Customer Service & Return policy. OXFORD UNIVERSITY PRESS hardcover
10178[QUATRE-VINGT-QUATRE]. 84. Collection complète du n° 1 (mars 1947) au n° 18 (mai-juin 1951). De nombreux bandeaux et papillons ont été conservés. Ensemble en très bon état.
1792287792London: Joseph Johnson 1792. unbound. very good. William Blake. Etching and engraving. 10.25" x 7.75". Shows light toning and minor foxing at edges otherwise in very good condition. A plate from John Gabriel Stedman's "Narrative of a Five Years' Expedition against the Revolted Slaves of Surinam" London: Joseph Johnson 1796. This book with its graphic depiction of slavery and colonization in the New World became an important reference for early abolitionists.<br/><br/> This disturbing image shows a man impaled by a hook and hanging from a gallows. A human skull and bones occupy the foreground and the background shows two skulls on sticks and a three-masted ship. <br><br> William Blake 1757-1827 was a British poet painter and printmaker.<br/><br/> Joseph Johnson unknown books
287793London: Joseph Johnson. unbound. very good. William Blake. Etching and engraving. 10.25" x 7.75". Shows light toning and minor foxing at edges otherwise in very good condition. A plate from John Gabriel Stedman's "Narrative of a Five Years' Expedition against the Revolted Slaves of Surinam" London: Joseph Johnson 1796. This book with its graphic depiction of slavery and colonization in the New World became an important reference for early abolitionists.<br/><br/> This image shows a European man in a large hat smoking a pipe while being attended to by an enslaved woman. <br><br> William Blake 1757-1827 was a British poet painter and printmaker.<br/><br/> Joseph Johnson unknown books
1995428722The William Blake Trust / Princeton University Press 1995. Hardcover. Very Good. Six volume set. 4to. Cloth. Volume 1 JERUSALEM 302 pp. Volume 2 SONGS OF INNOCENCE AND OF EXPERIENCE 209 pp. Volume 3 THE EARLY ILLUMINATED BOOKS 286 pp. Volume 4 THE CONTINENTAL PROPHECIES 367 pp. Volume 5 MILTON A POEM 286 pp. Volume 6 THE URIZEN BOOKS 231 pp. Superficial shelfwear. Each volume with previous owner's bookplate to front pastedown. Jackets all with light wear and slight sunning at edges. Jacket of Vol 4 w/ small closed tear to top edge of jacket front at spine. Overall near fine in very good plus to near fine jackets. The William Blake Trust / Princeton University Press hardcover books
