18 343 résultats
198322327London: Cape 1983. A first edition first printing of 'The Witches' published by Cape in 1983. A fine book in like unpriced/unclipped wrapper. The best copy we have handled for a while. Cape unknown
1999REGOPAUL025337Enitharmon Press London. 1999. First edition. Quarto. 45 pages. 13 tipped-in plates in colour and black-and-white. Full linen printed title-label on spine colour plate on upper cover. Hand-set in Monotype Caslon and printed on Arches v�lin at The Stonehouse Press.One of 100 numbered copies signed by Paula Rego and Blake Morrison out of a total edition of 190 copies.Fine. No dustwrapper issued. Enitharmon Press, London. unknown
26367London: The Folio Society. 2011. First edition with these illustrations. First edition with these illustrations. Limited edition. Signed by the illustrator. Original dark red full goatskin leather titles in gilt to the upper board and spine. Top edge gilt. Grey paper covered slipcase with wraparound title in gilt. Illustrated in colour and black and white throughout by Quentin Blake. A fine copy the binding square and tight the contents clean and bright throughout and without previous owners' stamps or inscriptions. The slipcase is slightly faded near the open edge. Limited edition of 1000 copies of which this is hand-numbered 853 and signed in blue ink by Quentin Blake on the limitation page. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. London: The Folio Society. 2011 hardcover
21618London: The Folio Society. 2011. First edition with these illustrations. First edition with these illustrations. Limited edition. Signed by the illustrator. Original dark red full goatskin leather titles in gilt to the upper board and spine. Top edge gilt. Grey paper covered slipcase with wraparound title in gilt. Illustrated in colour and black and white throughout by Quentin Blake. A fine copy. Limited edition of 1000 copies of which this is hand-numbered 674 and signed in blue ink by Quentin Blake on the limitation page. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. London: The Folio Society. 2011 hardcover
19770825646London: Trianon Press for the William Blake Trust 1977. Limited Edition. Hardcover. Very Good/No Dust Jacket. b/w Illustration. 4to - over 9¾" - 12" tall. In full-brown morocco leather gilt spine titling housed in tan cloth slipcase 4to 28pp 43 plates. Special limited edition published by the Trianon press under the supervision of Mr. Arnold Fawcus. Numbered XX of XXXVI total copies of this edition printed on lanna rag paper. Signed by Geoffrey Keynes on separate page at front of book. Trianon Press for the William Blake Trust hardcover
Formato cm. 50 x 35. Pagine 255. Rilegatura in tela rigida, con custodia mancante del lato superiore. Parafrasi in versi del "Libro di Giobbe" ad opera di Pierre Pascal, accompagnata dall'inedita prefazione che G.K. Chesterton scrisse per tale libro negli anni '30. All'interno molte illustrazioni di William Blake. Edizione numerata di 560 esemplari.
2009BN646952009. 2009. <br/><br/> unknown
1860014519Columbus OH: H. Miller 1860. Hardcover. Very Good/No Jacket. 8vo. Ornately blind stamped leather boards recently professionally rebacked with new black leather spine with new gilt titles and decorations. Marbled edges and endpapers. xvi 861 pp. Spine a little cocked. Rubbing and wear to edges chafing to boards. Typical browning and spotting to interior. A few marginal damp stains. H. Miller hardcover
1995144452London: The Folio Society 1995. Hardcover. Near fine. Limited to 1250 copies. xxxix 769 pp. Octavo. Hardcover. Bound in full goatskin leather blocked with a design by Quentin Blake black and gilt letters on the spine. All edges trimmed top edge gilt. Previous owner's ownership stamp impressed on the front free endpaper. Printed on Caxton Wove paper. Numerous monochrome illustrations throughout the text by Blake. Tight binding text clean and unmarked. Ribbon marker. Including a booklet wrapped in stiff paper stitched binding. Title printed on a white label glued on the front cover as 'Reading Don Quixote'. Housed in a red cloth covered box gilt letters on the spine few scratches on the box barely noticeable. Rare. Very good plus to near fine condition. First published in Spanish in 1604 in Spanish. Translated by Tobias Smollett in 1753. Fourth printing. This limited edition published by the Folio Society to mark the 400th anniversary of Cervantes's masterpiece. This copy is #919 of 1250. 1995 The Folio Society hardcover
1999x-0521264774Cambridge Univ Pr 1999. Hardcover. New. 783 pages. 9.50x6.50x1.75 inches. Cambridge Univ Pr hardcover
1976264231London: The Trianon Press 1976. No. 80 of 380 numbered copies of an edition of 438 copies. Illustrated. 1 vols. Folio. Original beige cloth brown morocco spine. Fine. No. 80 of 380 numbered copies of an edition of 438 copies. Illustrated. 1 vols. Folio. Bentley Blake Books Supplement p. 81 The Trianon Press unknown
1878List3694Boston Massachusetts: White Smith and Company 1878. Folio 13 ½ x 10 ½ inches. 6 pp. Wraps fully split else near fine with some very light foxing and soiling to wrap overall very attractive. Very good. An early phonograph-related sheet associated with the French soprano Marie Roze née Hippolyte Ponsin 1846–1926 whose participation in early demonstrations of Thomas Edison’s tinfoil phonograph was widely publicized in 1878. Contemporary reports identify Roze as the “celebrated prima donna†depicted singing into the phonograph in an engraving produced for Frank Leslie’s Illustrated Newspaper New York April 20 1878 following a demonstration of the machine at Steinway Hall earlier that year. The same engraving was subsequently reused across multiple promotional formats including tickets to phonograph exhibitions advertising circulars and early phonograph-themed sheet music such as Phonograph. March Brillante.<br /> <br /> Related promotional material includes a poster advertising exhibitions of Edison’s new tinfoil phonograph in Toronto on May 28 1878 which employs the identical image of the prima donna singing into the apparatus beneath the heading “Edison’s Phonograph!†The poster announces daily demonstrations featuring singing speech and explanatory lectures illustrating the standardized visual language used to market the invention during its first year of public exhibition.1<br /> <br /> Roze an internationally known operatic soprano who later became Mrs. Henry Mapleson was connected with early phonograph demonstrations intended to showcase the recording and playback of trained vocal performance. The engraving linking her image to the machine circulated widely in print culture during 1878 appearing in illustrated journalism and promotional ephemera tied to touring exhibitions. Overall a very nice copy of what was an iconic image at the time. Blake was a highly prolific composer of over 5000 songs the most famous of which is Rock-a-Bye Baby. OCLC locates two copies with different entries at Baylor and BYU. <br /> <br /> 1 Arthur Zimmerman “The Early Phonographic Craze in Ontario 1878–92†Antique Phonograph News https://www.capsnews.org/apn2022-3.htm accessed February 24 2026. White, Smith and Company unknown
1793287788London: Joseph Johnson 1793. unbound. very good. William Blake. Etching and engraving. 10.25" x 7.75". Minor toning and light foxing at edges otherwise in very good condition. A plate from John Gabriel Stedman's "Narrative of a Five Years' Expedition against the Revolted Slaves of Surinam" London: Joseph Johnson 1796. This book with its graphic depiction of slavery and colonization in the New World became an important reference for early abolitionists.<br/><br/> Image shows the soldier in full uniform with rifle pistol and saber. Two similar soldiers a fort and three-masted ship can be seen in the background. <br><br> William Blake 1757-1827 was a British poet painter and printmaker.<br/><br/> Joseph Johnson unknown books
1976264231London: The Trianon Press 1976. No. 80 of 380 numbered copies of an edition of 438 copies. Illustrated. 1 vols. Folio. Original beige cloth brown morocco spine. Fine. No. 80 of 380 numbered copies of an edition of 438 copies. Illustrated. 1 vols. Folio. Bentley Blake Books Supplement p. 81 The Trianon Press unknown books
1968Embry 95594Grossman Publishers 1968. One of 100 copies signed by the illustrator and with a original signed wood engraving laid in. Lower corners lightly bumped else fine in near fine publisher's slipcase with one seam starting. Wood engravings by Leonard Baskin. Morocco backed boards. Grossman Publishers, 1968. One of 100 copies signed by the illustrator and with a original signed wood engraving laid in. hardcover books
19671239694to. London: Trianon Press 1967. 4to 50 color plates 13 pp. of printed text. Original quarter brown morocco slipcase a fine copy in virtually flawless condition. § Limited to 426 copies this is #368. The second-longest and penultimate of Blake’s illuminated books exceptionally rich with numerous full-page plates. Keynes notes in the introduction: "This epic as a whole contains many passages of exceptional beauty and provides numerous clues useful for the elucidation of Blake's symbolism and philosophy". Bentley Blake Books 120. Trianon Press unknown books
20224332<p>New. Removed from original packaging just for photos.</p><p>A signature will be required for delivery.</p><p>f4</p> Suntup Press hardcover
1974436596Washington D.C.: Institute for Services to Education 1974. Softcover. Fine. First edition. Quarto. 50pp. Laid-in are a cover letter four leaves of additional conclusions and an errata sheet. Stapled illustrated wrappers. Fine. In 1972 the Institute for Services to Education formed the Task Force Group for Survey of Afro-American Studies Programs made up largely of academics from traditional black colleges. OCLC appears to identify only digital copies. Institute for Services to Education unknown
1793287788London: Joseph Johnson 1793. unbound. very good. William Blake. Etching and engraving. 10.25" x 7.75". Minor toning and light foxing at edges otherwise in very good condition. A plate from John Gabriel Stedman's "Narrative of a Five Years' Expedition against the Revolted Slaves of Surinam" London: Joseph Johnson 1796. This book with its graphic depiction of slavery and colonization in the New World became an important reference for early abolitionists.<br/> <br/> Image shows the soldier in full uniform with rifle pistol and saber. Two similar soldiers a fort and three-masted ship can be seen in the background. <br> <br> William Blake 1757-1827 was a British poet painter and printmaker.<br/> <br/> Joseph Johnson unknown
1969306103London: Trianon Press 1969. No. 253 of 480 numbered copies. 17 color facsimile plates reproduced from the edition of 1794. 1 vols. Small folio. Quarter tan crushed morocco over marbled boards. Fine copy in matching slipcase. No. 253 of 480 numbered copies. 17 color facsimile plates reproduced from the edition of 1794. 1 vols. Small folio. Trianon Press unknown
60139London:: The Poetry Bookshop n.d. First edition. loose in publisher's portfolio with printed paper label. There is some very slight foxing to Number VII "Night" and some light use to all numbers. The portfolio is soiled edgeworn and split at the envelope folds. . Folio. Decorated in Colours by G. Spencer Watson. Set to Music by Geoffrey Gwyther. Each four-page fascicle includes music and hand-colored illustrations. The Poetry Bookshop, unknown
200695593Cobourg:: Collector Grade Publications. Near Fine in Near Fine dust jacket. 2006. Hardcover. 0889354006 . Black and white photographs and line drawings throughout. First edition. Near fine in a near fine dust jacket. ; 514 pages . Collector Grade Publications, hardcover
1980074698Oxford: Oxford at the Clarendon Press 1980. Hardcover. Like New/Near Fine. 15.25" x 12.25" x 4" in slipcase. William Blake. This two volume set is bound in matching navy blue publisher's cloth. Covers are plain with gilt lettering on each spine. Profusely illustrated with facsimile art by William Blake the 537 watercolour drawings and 43 engravings reproduced in these volumes constitute Blake's largest pictorial work. They comprise a page-for-page illustration of all nine Nights of the once famous Night Thoughts on Life Death and Immortality by Edward Young 1683-1765. Transformed by Blake's imagination they shine as an illuminated serial fresco of irony comedy and prophecy. This publication in book form with its high proportion of full-colour plates is a necessary response to the ever-increasing interest in William Blake and to the exacting inclusiveness of a critical scholarship which demands easy access and frequent reference to the artist's entire work. Volume I and II containing the Introduction and Plates will be followed by Volumes III and IV the Commentary. From the dust jacket; Volumes III and IV are NOT included within this listing. Matching illustrated dust jackets in color against an off white background; black lettering on the cover and spine. Slipcase is navy blue with white interior and includes a slipcase divider between the two volumes. Slipcase measures 15.25" tall x 12.25" wide x 4" thick.<br><br>VOLUME I contents include: List of figures in introduction; List of watercolor designs reproduced in color in Volume II; Abbreviations numbering short titles markings; Introduction; The History of the Designs; The Watercolour Drawings; The Engravings; Evolution of the Designs; Copies of the Engraved Work; Checklist of Studies and Reproductions; Notes to introduction; Index to introduction; The watercolour designs NT 1-263. xvi 99 pp. plates 1-263. Measures 14.75" tall x 11.75" wide x 1.5" thick.<br><br>VOLUME II contents include: List of watercolour designs reproduced in color; The watercolour designs NT 264-537; The watercolour designs: Colour plates of selected designs; The engraved designs: colour plates of title-pages of coloured copies; The engraved designs: proofs; The engraved designs: the 1797 edition. viii plates 264-537. Measures 14.75" tall x 11.75" wide x 2" thick.<br><br>ABOUT THE ARTIST: William Blake 1757-1827 was an English poet painter and printmaker. Largely unrecognised during his life Blake has become a seminal figure in the history of the poetry and visual art of the Romantic Age. Wikipedia. <br><br>CONDITION: Volumes themselves are like new and beautiful. Illustrations are mesmerizing. Dust jackets are near fine as they are price clipped and minimal wrinkling at the foredge of Volume I and a moderate crease at the middle of the spine. Slipcase is VG with mild rubbing and light wear particularly at the seams and corners. A magnificent set. At over 18 lbs. with packaging materials due to the size and weight of this set an additional shipping charge will apply. Please note that a signature will be required for this item upon delivery. Full refund if not satisfied. Oxford at the Clarendon Press hardcover
30465<p><strong>1927 William Blake ART 1ed Bible Illustrations Book of JOB Engravings FAMOUS</strong></p><p>William Blake was an English poet and painter whose work was underappreciated during his lifetime. One of his best and most important works was "<em>Illustrations of the Book of Job</em>" – Blake's pictorial interpretations of the Book of Job. According to both Schoenherr and Essick these works of art are Blake's greatest masterpieces.</p><p>This set of 21 engravings shows the progression of the life and story of Job. This 1927 edition reprints Blakes original plates from the British Museum paired with the text of Job from the Bible!</p><p>Item number: #30465</p><p>Price: $599</p><p>BLAKE William</p><p><strong><em>Illustrations of the Book of Job. Invented and engraved by W. Blake</em></strong></p><p>London: Ernest Benn Ltd. 1927. First edition. Limited edition</p><p><u>Details</u>: </p><p><!-- if !supportLists-->· <!--endif-->Collation: Complete with all pages </p><p><!-- if !supportLists-->o <!--endif-->Unpaginated</p><p><!-- if !supportLists-->o <!--endif-->22 engraved plates including engraved title page</p><p><!-- if !supportLists-->· <!--endif-->References: Douglas Schoenherr <em>Lines of Enquiry </em>p.41; Robert Essick <em>William Blake Printmaker</em> p.234</p><p><!-- if !supportLists-->· <!--endif-->Language: English </p><p><!-- if !supportLists-->· <!--endif-->Binding: Hardcover; tight and secure</p><p><!-- if !supportLists-->o <!--endif-->Black cloth</p><p><!-- if !supportLists-->· <!--endif-->Size: ~11.25in X 9.25in 28.5cm x 23cm</p><p>Our Guarantee:</p><p>Very Fast. Very Safe. Free Shipping Worldwide.</p><p>Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation!</p><p>30465</p><p>Photos available upon request. </p> Ernest Benn hardcover
1797104616Large 4to. London: R. Noble 1797. Large 4to pp. 69/70 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books