46 412 résultats
94351211 Trois exceptionnels post-incunables in-12 (11 x 16,5 cm) reliés en un seul volume, à savoir:1) DIALECTICA IOHANNIS CAESARII [...], Parisiis: Ex officina Christiani Wecheli sub scuto Basiliensi, 1536. Ouvrage de 272 pp. (signatures: 1 f. de titre [a i], a ii-r iiii). La page de titre et le dernier feuillet sont ornés de lune des vignettes gravées de Chrestien Wechel(1495-1554), imprimeur-libraire à Paris (vignette au pégase), dont les livres étaient réputés pour leur qualité. Ouvrage imprimé sur papier vergé filigrané.2) RHETORICA IOHANNIS CAESARII, Parisiis: Apud Christianum Wechelum, 1539. Ouvrage de 151-[1] pp. (signatures: 1 f. de titre [a i], a ii-k ii]. Il arbore également la vignette de limprimeur Chrestien Wechel en page de titre et sur le dernier feuillet. Ouvrage imprimé sur papier vergé filigrané.3) RHETORICES ELEMENTA de Philippe Mélanchthon, Lugduni [Lyon]: Apud Seb. Gryphium, 1541. 135-[1] pp. (signatures: 1 f. de titre [a1]-i3). L'ouvrage présente en page de titre et sur le dernier feuillet le griffon caractéristique de Sébastien Gryphe (1493-1556), imprimeur allemand installé à Lyon. Trois magnifiques post-incunables imprimés du vivant de leurs auteurs respectifs, reliés en pleine basane dépoque, dos à quatre nerfs, motif floral au fer doré sur les plats et le dos, inscriptions manuscrites anciennes sur le premier contre-plat, le dernier feuillet et la tranche, salissures éparses, travail de vers persistant dans la marge inférieure de la première partie du volume (ne gênant pas la lecture), sinon papier propre et bien lisible. La reliure est uniformément craquelée, comme on peut sy attendre pour un livre du XVIe siècle, mais les coiffes ont été habilement restaurées au XXe. Les trois ouvrages sont bien complets de tous leurs feuillets. Magnifique ensemble en latin, emblématique de la Renaissance allemande.
172593531725 A Paris, de limprimerie de Jean-Baptiste-Christophe Ballard, seul imprimeur du Roy pour la musique, & noteur de la Chapelle de Sa Majesté. 1725. Avec privilège du Roy. Un volume grand in-2° (275 x 386 mm) de 4 pages typographiées +204 pages gravées; grande vignette sur bois gravé au titre et six superbes bandeaux sur cuivre dessinés par C. Gillet et gravés par G. Scotin, en tête du prologue et des cinq actes. Reliure de lépoque en plein veau moucheté, dos à nerfs orné, pièce de titre en maroquin rouge, tranches rouges. Coiffes restaurées, déchirure marginale sans manque de texte en page 203/204. En très bon état.
200693985Nusbaumer Editeur. New. 2006. Paperback. 2951186061 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 186 pages; illustrated in black and white and in color. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee -- with a bonus offer . Nusbaumer Editeur paperback
93207Paris 1752. . Engraved map uncoloured; 38.8 x 63.5 cm plus advertissement and echelles at top. Toned uniformly paper thin in places where an old backing has been removed; trimmed with the imprint at bottom retained; good.<br /> Significant map of the Pacific Northwest and the region that would become Alaska. The map extends from Greenland to a bit west of Irkoust; and south to include all of California. It includes the discoveries of the Russians in 1723 1732 and 1741 the tracks of Bering's first and second voyages Joseph Nicolas Delisle's voyage with Captain Tchirikow in 1741 and other voyages. But more importantly it features the imaginary cartographic theories of Philippe Buache for the first time on a printed map. The west coast of North America is entirely fictitious north of Cap Blanc with an enormous Sea of the West Lac Valasco and Isle of Bernarda; a network of rivers and lakes making up most of a Northwest Passage is derived from the apocryphal voyages of the Spanish Admiral Bartholome de Fonte.<br /> Wa-NWC 566. Breitfuss IM 3 Rep . L-M 6. Wroth Early Cartographer of the Paciific. Urness Bering's Voyages --- Rep . Armstrong From Sea Unto Sea #24 Rep . Paris, [1752]. unknown
65397Brussels 1825. THE FIRST MAP TO CALL RIYADH BY ITS MODERN NAME. Original lithographed map 53 x 70.5 cm with contemporary hand-colour in outline. Published in the first atlas to cover the landmasses of the entire world on a uniform scale constructed as a modified conical projection and if assembled forming a globe with a diameter of 7.75 metres although only one such was known to have been made by the author himself and requiring a specially designed room. It offered the largest picture of the earth's surface available in the nineteenth century and was the first atlas to be produced throughout by lithography. It is also significant for being the first large-scale European mapping of the Arabian peninsula based on the very latest authorities. This particular map of Arabia is the first map to call Riyadh by its modern name here El-Ryad. [Brussels, 1825]. unknown
175417<p>Jean-Philippe RAMEAU CASTOR ET POLLUX</p><p>First edition of the definitive version very different from the first attempt of 1737 of the most important and successful opera of Jean-Philippe Rameau. A very good clean copy.</p><p>TrageÌdie mise en Musique par Mr. Rameau repreÌsenteÌe pour la premieÌ€re fois par l'AcadeÌmie Royale de Musique Le 24 Octobre 1737. Refondu Et remis au TheÌaÌ‚tre au Mois de DeÌcembre 1754. GraveÌe par Le Sr. Hue. A Paris Chez l'Auteur Rue des bons Enfans Et aux adresses ordinaires AÌ€ la Porte de l'OpeÌra.</p><p>In-4 aÌ€ l'italienne 1â„2 veÌlin ivoire aÌ€ coins pieÌ€ce de titre papier en forme de cÅ“ur colleÌe au 1er plat tranches rouges Reliure ancienne très légèrement postérieure. 1 f. de titre 163 pages.</p><p>Bel exemplaire de l'édition originale du plus important opéra de J.Ph Rameau et son plus grand succès qui connut plus de 250 représentations à Paris avant la Révolution française. Après une première version créée en 1737 l'opéra fut entièrement refondu pour atteindre à un équilibre exceptionnel dans sa version définitive très différente de la première : le livret est devenu parfaitement limpide et l'ensemble d'une concision et d'une variété admirables. Le coup de génie des fameuses trois notes faisant la transition entre la plainte du chÅ“ur des Spartiates Que tout gémisse et le célébrissime tristes Apprêts apparaît ici pour la première fois. Le déchirant Prélude du cinquième Acte est aussi une nouvelle version caractéristique de la plus grande maîtrise de Rameau au sommet de son art parmi bien d'autres exemples possibles.</p><p>Exemplaire de toute fraicheur imprimé sur vergé fort en excellent état de conservation. Menus défauts à la reliure coiffe inférieure frottements. Tache brune au dernier feuillet. Page de titre un peu salie.</p><p>On trouve relieÌs aÌ€ la suite : <br />Chant de guerre pour l'ArmeÌe du Rhin deÌdieÌe au MareÌchal Lukner. A Paris chez Bignon sans date. 3 pp. <br />Cinq airs d'Estelle et un deÌtacheÌ avec Accompagnement de ForteÌ-Piano. par Daniel Steibelt Paris chez Naderman sans date. 1 f. de titre 15 pp. Signature autographe de J.H. Nadermann 1734-1799 luthier et eÌditeur en marge du f. de titre. Rousseurs sur la pièce de Steibelt.</p><p>Photos supplémentaires sur demande.</p><p>Envoi avec suivi et assurance</p> hardcover
199193134Difference. New. 1991. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- TWO 2 VOLUME SET. Text in French. Volume 1: 120 pages; Volume 2: 175 pages. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee -- with a bonus offer . Difference paperback
69441 p.l. 120 pp.; 21 p. & 19 leaves of author index in a contemporary hand. Two parts in one vol. 8vo attractive antique calf-backed paste-paper boards spine gilt red morocco lettering piece on spine. Paris: G. Martin 1752.<br/> <br/> One in a series of the very rare later auction catalogues issued by Gabriel Martin the Paris de Meyzieu of 1761 being his last. This library was formed by Gravelle 1699-1752 a magistrate in the court of inquiry of the Paris Parliament who is today best remembered for his Recueil de pierres gravées antiques published between 1732 and 1739 and for his parody L’Amant déguisé which was performed after his death. He was an expert engraver who prepared the etchings for his book on engraved gems.<br/> <br/> This was a fine and scholarly library of 1723 lots rich in literature and books on antiquities and art. There are many 16th-century works. The final 21 pages describe his large collection of prints and drawings 113 lots including works by Watteau van Dyck Boucher Guercino Le Brun Rembrandt Teniers An. Carracci etc. <br/> <br/> Fine copy. The first part has been priced throughout in a contemporary hand. There is also a most unusual manuscript index at the end.<br/> <br/> ⧠Lugt 785. Benezit Dictionary of Artists. Esprit des Livres website. Not in Grolier Club Printed Catalogues of French Book Auctions.1643-1830. unknown
69441 p.l. 120 pp.; 21 p. & 19 leaves of author index in a contemporary hand. Two parts in one vol. 8vo attractive antique calf-backed paste-paper boards spine gilt red morocco lettering piece on spine. Paris: G. Martin 1752. One in a series of the very rare later auction catalogues issued by Gabriel Martin the Paris de Meyzieu of 1761 being his last. This library was formed by Gravelle 1699-1752 a magistrate in the court of inquiry of the Paris Parliament who is today best remembered for his Recueil de pierres gravées antiques published between 1732 and 1739 and for his parody L'Amant déguisé which was performed after his death. He was an expert engraver who prepared the etchings for his book on engraved gems. This was a fine and scholarly library of 1723 lots rich in literature and books on antiquities and art. There are many 16th-century works. The final 21 pages describe his large collection of prints and drawings 113 lots including works by Watteau van Dyck Boucher Guercino Le Brun Rembrandt Teniers An. Carracci etc. Fine copy. The first part has been priced throughout in a contemporary hand. There is also a most unusual manuscript index at the end. ❧ Lugt 785. Benezit Dictionary of Artists. Esprit des Livres website. Not in Grolier Club Printed Catalogues of French Book Auctions.1643-1830. hardcover books
180166795The Textual Foundation of Psychiatry PINEL Philippe. TraitÈ mÈdico-philosophique sur lÃaliÈnation mentale ou la Manie.Avec figures reprÈsentant des formes de cr‚ne ou des portraits d'aliÈnÈs. Paris: Chez Richard Caille et Ravier An IX 1800/1801. First edition. Octavo. lvi 318 pp. Folding letterpress table between pp. 250 and 251 and two engraved plates. Contemporary French quarter mottled sheep over paste paper boards. Smooth spine ruled in gilt with gilt red morocco lettering label. Occasional very light spotting. Housed in a custom brown cloth clamshell. Overall a superb copy. ìPhilippe PinelÃs TraitÈ mÈdico-philosophique sur lÃaliÈnation mentale ou la manie which presented the textual foundation of psychiatry stands as the first great publication of the nineteenth century in clinical medicineî Grolier Medicine. ìIn October 1793 while serving as mÈdecin des infirmeries at BicÃtre Hospital Pinel 1745-1826 had the chains struck off from forty-nine male psychiatric patients in order to substitute for this cruel oppression his ëtraitement moraleà a humane form of psychiatric therapy that identified insanity with illness rather than moral perversity or demonic possession. This dramatic act performed in the liberating spirit of the American and French Revolutions found immediate and enduring favor in the popular imagination as a symbol of a new attitude toward the insane and ignited a general desire for more humane treatment of the mentally ill that culminated in the English non-restraint movement of the mid-nineteenth century. Yet humanitarian treatment of the insane although crucial to PinelÃs psychiatric work was not that workÃs sole focus for Pinel also devoted himself to establishing psychiatry as a scientifically based branch of medicine. His TraitÈ replaced the speculation and theorizing characteristic of earlier discussions of insanity with his own practical observations of the lunatics of the BicÃtre whose illnesses could now be observed undistorted by cruel treatment. He retained the old classifications of mental illness stating that contemporary medicine was as yet too primitive for more precise categories but did introduce some subdivisions isolating mania from delirium and recognizing the relationships between periodic mania melancholy and hypochondria. He recognized emotional disorders to be the main cause of intellectual dysfunction but also took into account heredity predisposition and hypersensitivity and attempted to find relationships between insanity and cranial deformityî Norman Library. Cushing P286. Garrison and Morton 4922. Grolier Medicine 54. Heirs of Hippocrates 668. Hunter & Macalpine pp. 602-610. Norman Library 1701. Waller 7456. Wellcome IV p. 388. HBS 66795. $3250 Chez Richard, Caille et Ravier hardcover books
180166795Paris: Chez Richard Caille et Ravier 1801. The Textual Foundation of Psychiatry<br> <br> PINEL Philippe. Traité médico-philosophique sur l'aliénation mentale ou la Manie.Avec figures représentant des formes de crâne ou des portraits d'aliénés. Paris: Chez Richard Caille et Ravier An IX 1800/1801.<br> <br> First edition. Octavo. lvi 318 pp. Folding letterpress table between pp. 250 and 251 and two engraved plates.<br> <br> Contemporary French quarter mottled sheep over paste paper boards. Smooth spine ruled in gilt with gilt red morocco lettering label. Occasional very light spotting. Housed in a custom brown cloth clamshell. Overall a superb copy.<br> <br> "Philippe Pinel's Traité médico-philosophique sur l'aliénation mentale ou la manie which presented the textual foundation of psychiatry stands as the first great publication of the nineteenth century in clinical medicine" Grolier Medicine.<br> <br> "In October 1793 while serving as médecin des infirmeries at Bicêtre Hospital Pinel 1745-1826 had the chains struck off from forty-nine male psychiatric patients in order to substitute for this cruel oppression his 'traitement morale' a humane form of psychiatric therapy that identified insanity with illness rather than moral perversity or demonic possession. This dramatic act performed in the liberating spirit of the American and French Revolutions found immediate and enduring favor in the popular imagination as a symbol of a new attitude toward the insane and ignited a general desire for more humane treatment of the mentally ill that culminated in the English non-restraint movement of the mid-nineteenth century. Yet humanitarian treatment of the insane although crucial to Pinel's psychiatric work was not that work's sole focus for Pinel also devoted himself to establishing psychiatry as a scientifically based branch of medicine. His Traité replaced the speculation and theorizing characteristic of earlier discussions of insanity with his own practical observations of the lunatics of the Bicêtre whose illnesses could now be observed undistorted by cruel treatment. He retained the old classifications of mental illness stating that contemporary medicine was as yet too primitive for more precise categories but did introduce some subdivisions isolating mania from delirium and recognizing the relationships between periodic mania melancholy and hypochondria. He recognized emotional disorders to be the main cause of intellectual dysfunction but also took into account heredity predisposition and hypersensitivity and attempted to find relationships between insanity and cranial deformity" Norman Library.<br> <br> Cushing P286. Garrison and Morton 4922. Grolier Medicine 54. Heirs of Hippocrates 668. Hunter & Macalpine pp. 602-610. Norman Library 1701. Waller 7456. Wellcome IV p. 388.<br> <br> HBS 66795.<br> <br> $3250. Chez Richard, Caille et Ravier unknown
2229In Venetia: per Michel Tramezino 1544. Hardcover. Good. Small octavo. xii 267 iff. 8 4 A8-Z8 AA8-KK8 LL4. First Italian edition. With the printer's Sybil device on the title-page and the verso of the final leaf. Rather crude modern light brown leather with labels on the spine. From the library of the Duke of Rutland with his bookplate. <br/> <br/> In Venetia: [per Michel Tramezino], 1544. hardcover
176347849Lemgo 1763. Aus dem Französischen in das teutsche übersetzt und mit Anmerkungen erläutert und vermehret von D.Christian Philip Berger Geprägter ganzlederner Meisterbuchbinder-Einband goldene Rückenbeschr. Guter Zustand vollständig. Sehr selten Zweite Auflage Kl.-8°. Ldr. Technik unknown
200873431Walther Konig. New. 2008. Hardcover. 3865604242 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English and German with portions in English only. 376 pp. With 269 ills. 260 col. . 31 x 24 cm. Catalogue Raisonne Catalog Raisonné Complete Works Leben Und Werk Oeuvre-Katalog Kritischem Oeuvrekatalog Raisonnee Walther Konig hardcover
197891937n. l.: s. n. 1978. Fine. s. n. n. l. 1978 19 x 20 cm En feuilles sous chemise et étui First edition printed in 30 numbered copies on handmade rag paper this copy unnumbered.Illustrated with original colour engravings by Ania Staritsky who also designed the books original layout.A rare and very fine copy complete with its chemise and brown cloth slipcase.Pencil signatures of Philippe Jones and Ania Staritsky at the colophon.As stated in the limitation page this copy includes a manuscript text by the poet Philippe Jones as well as an original signed collage by Ania Staritsky. s. n. hardcover
1822000458London The Historic Gallery. Pall-Mall: Robert Bowyer 1822. First Edition Later Issue . Hardcover. Very Good. Elephant Folio - over 15" - 23" tall. LOUTHERBOURG PJ de. PICKETT William. CLARK John. 1st ed later issue circa 1822 plates with imprints and signatures removed uncut 36 leaves 2 title pages and 2 leaves of descriptive text for each plate titles and text in both English and French - the French text in double columns 18 hand coloured aquatint plates text watermarked 1822. Contemporary half blue morocco over blue marbled boards corners & edges lightly bumped & worn. Black morocco reback and corners old spine laid down raised bands gilt tooling & titles edges worn. Internally hinges strengthened some spotting to verso of tp. The marbled paper along leading edge of both covers has been replaced with similar in times past. But a very good copy. Folio 330495 cms. First issue copies contain a signature and imprint underneath each plate and watermarks no later than 1805. However copies exist with plates watermarked as late as 1824. The 1824 copies contain a completely reset text in contrast our text matches that of the first edition and an engraved title page supplied by the publisher from left over copies of Loutherbourg's completely separate earlier work Picturesque Scenery of Great Britain London R Bowyer 1801 & reissued 1808. Both the English & French text leaves are watermarked 1822. Abbey 10. Title continues: From drawings made expressly for this undertaking by PJ de Loutherbourg. With Historical and descriptive accounts of the several places of which views are given. Engraved by William Pickett and coloured by John Clark. Loutherbourg landscape painter and scene designer. See ODNB for a full Bio. <br/> <br/> Robert Bowyer hardcover
37323Very Good. Two striking original photographs taken during the filming of Hans Richter's "8 x 8". One of the two photographs is signed in red ink by Philippe Halsman the photographer of both. A note on the back of the signed photo notes that Halsman signed this picture and that the film's cinematographer Arnold Eagle is visible in the background. The photos are mounted on discolored pieces of cardboard. In his original script for the film's prologue Richter wrote: ".my film 8 x 8 is a bizarre comedy-drama signs and sounds not only out of this world probably not even in the next. 8 x 8 mixes equal parts of Freud and Lewis Carroll with Venice Venus and Old Vienna Cocteau and Bullfights surrealism magic dreams girls and practically anything else that may currently be in your minds." Hans Richter undertook 8 x 8 at the suggestion of Marcel Duchamp a chess enthusiast after The Minotaur a planned sequel to the 'Narcissus' episode of Dreams That Money Can Buy failed to secure funding although 8 x 8 engaged similar concerns. 'Chess is so universal' wrote Richter to Jean Cocteau about this new project 'that practically every human situation has its corresponding move among the countless possibilities of chess.' The filmmaker further recognized a kinship between the work which took its title from the layout of a chessboard and Lewis Carroll's Through the Looking Glass. Some of the artists who appeared in this film included Max Ernst Fernand Léger Marcel Duchamp Man Ray and Alexander Calder. The photographs are accompanied by a reprint of an article that was written by Lewis Carroll collectors August and Clare Imholtz for the Fall 2019 issue of "Knight Letter" about the film and its participants along with a discussion of each of the photos. The photos are in very good condition. They measure 10.5 x 13.5 inches. PHOTO/062424. unknown
51-4440Paris: Gihaut Frères circa 1843. Oblong folio. 28 x 36.7 cm. Light to moderate foxing in the margins. Original publisher's qtr. roan and gilt embossed percaline covers. Very good. Rare. One complete copy in OCLC. 41 tinted lithographs by J. B. Arnout J. Jacottet Bachelier and Philippe Benoist incl. 1 lithographed title with map of the city; OCLC Number: 459553002; Bibliothèque nationale de France ark:/12148/btv1b53088077g………………………… In-folio oblong demi-basane rouge dos lisse orné reliure de l'éditeur. Album composé d'un titre lithographié et de 41 planches lithographiées représentant les principaux monuments de Paris. Bon exemplaire. Quelques rousseurs. Expertise by M. Christian GASCH 40558004 NEVERS Cedex. Paris: Gihaut Frères, circa 1843. unknown
16-3509Lyon: SocieÌteÌ Lyonnaise Les XXX 1929. 4to. 34 x 25cm. Sheets loose as issued in original slipcase. One of 130 numbered copies. 67 etchings in black by Dunoyer de Segonzac. Included with this copy are an offprint of 8 pages from Art et Métiers Graphiques no. 18 from 1930 with several major etchings and the Avalon Press English language edition from 1945 with a preface by T. S. Eliot.Luc Monod: Manuel de L'Amateur Livres Illustrés Modernes 1875-1975 no. 9063Catalogue de l'oeuvre gravé de Dunoyer de Segonzac by Aimée Lioré et Pierre Cailler. Tome II. - Genève 1959 nos. 188-254 Lyon: SocieÌteÌ Lyonnaise Les XXX, 1929. unknown
1809100473Paris: J. Ant. Brosson 1809. Second edition. 8vo. 2 engraved plates 2 folding tables. 4 xxxii 496 pp. half-title. Near contemporary half calf and marbled boards; rubbed pp. 71-72 torn at bottom with loss of several words Inscribed on the half-title to dermatology pioneer Jean Louis Marc Alibert "de la part de l'Auteur" the inscription is slightly shaved. "In this entirely recast and greatly enlarged second edition Pinel adds much new material and discusses the results of new and more humane methods of treatment for the insane" Heirs of Hippocrates."Pinel founded the French School of Psychiatry. He was among the first to treat the insane humanely; he dispensed with chains and placed his patients under the care of specially selected physicians. Garrison considered the above book one of the foremost medical classics giving as it did a great impetus to humanitarian treatment of the insane. The second French edition Paris Brosson 1809 was very substantially enlarged by Pinel" Garrison-Morton.PROVENANCE: Haskell F. Norman bookplate his sale Christie's NY 1998 lot 722REFERENCE: Garrison-Morton 4922; Heirs of Hippocrates 1071; Norman 1703; Norman/Grolier 100 no. 54 1st ed. J. Ant. Brosson hardcover
207617Paris, Firmin Didot Frères, 1854-1860 19 vol. in-8, important index (tout le T. XIX), demi-chagrin maroquiné bleu nuit, dos lisse, filets dorés (Babin).
209065Paris, Firmin Didot Frères, 1854-1860 19 vol. in-8, env. 470 pp. par vol., important index (tout le T. XIX), demi-vélin crème, dos lisses ornés, filets dorés, pièces de titre et de tomaison (rel. de l'époque). Qqs rousseurs. Bon exemplaire.
160343271(Paris), Abel L'Angelier, sans date, (1603-1604). 2 parties en 1 vol. in-12 réglé de (2) ff. dont titre-frontispice, 187 ff. (saut de pagination 1-132/233-287) (8) ff. de table, (1) f. bl., 23 ff. dont titre, (1) f. bl., 17 ff., (1) f. de table, maroquin fauve entièrement décoré à petits fers, dos lisse orné de caissons en long décor de feuillages et rinceaux dorés, double frise d'encadrement et décor de feuillages et rinceaux dorés sur les plats, grand fleuron central avec ovale en réserve, tranches dorées, traces de lacets (reliure de l'époque).
awd-1127Paris, Galerie La Hune, 1988. Portfolio in-4 à rabats en toile grise contenant 18 gravures sur Rives BFK filigrané La Hune, toutes justifiées 8/12 et signées au crayon. Avec le livret de présentation illustré (21 pp.) et le carton d’invitation au Grand Palais (Philippe Favier, Gravures récentes, 1988).tt
191822783Paris, Librairie de Victor Lecoffre, J. Gabalda, éditeur, 1918 ; in-12, veau vert pâle cuir repoussé, premier plat à grand décor symboliste dans des tons de vieux rose, ocre pâle et bistre en forme de losange art-nouveau, au pied duquel ont poussé quatre épis de blé, une banderole qui ondule, portant la devise "Fructibus eorum cognoscetis eos" ("Vous les reconnaîtrez à leurs fruits"), phrase célèbre tirée de l'Evangile selon Saint-Matthieu 7.20. (reliure signée de Jeanne Dangon) ; 238 pp. et [1] f. de table.