DESPORTES (Philippe).Livre Rare Book
46 408 résultats
160344677Paris, Abel L'Angelier, 1603. 2 parties en 1 vol. in-8 de (3)-210-(6)-47-(1) ff., titre-frontispice signé Thomas de Leu, veau brun, dos lisse orné de caissons en long et fleurons dans les angles, sur les plats instruments de la Passion du Christ dans un double encadrement de filets dorés, fleurons dans les angles, tranches dorées (reliure de l'époque).
19891043061989 Paris, Editions de la différence, 1989, 325x235mm, pleine toile grise de l’éditeur, portfolio identique pour les estampes, l’ensemble contenu dans un coffret à rabat 347x270x55mm fermé par des lacets.
1991C93137Difference. As New. 1991. Paperback. 2729106901 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened --VOLUME 1 OF A TWO 2 VOLUME SET. Text in French. Volume 1: 120 pages. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Difference paperback
1991C93136Difference. As New. 1991. Paperback. 272910691X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened --VOLUME 2 OF A TWO 2 VOLUME SET. Text in French. Volume 2: 175 pages. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Difference paperback
1559new2<p><em> EX-DONO FROM THE XVIth CENTURY </em></p><p><em> COPY OF SIMON GIRARD DES BERGERIES</em></p><p><em>PROFESSOR OF GREEK IN LAUSANNE </em></p><p><em> LATER GIVEN BY HIS SON TO A COUNCILOR IN BERNE TO "REPAY HIS DEBT OF AFFECTION AND STUDY" </em></p><p><em>-</em></p><p><strong>COMMYNES Philippe de </strong></p><p><em><strong>Les Mémoires . sur les principaux faicts et gestes de Louis onziéme et de Charles huictiéme son filz Roys de France</strong></em></p><p><strong> Lyon Jean de Tournes 1559.</strong></p><p>Folio 6 ff. 264 p. 4 ff. Modern tan half calf elegantly decorated spine old red title label. Dimensions: 32.9 x 20.9 cm.</p><p>References: Cartier Tournes II 436. Tchemerzine-Scheler II 464c.</p><p>Provenance: 1. Simon Girard des Bergeries c. 1545 -1598 originally from Bourges refugee in Lausanne after the St. Bartholomew's Day massacre professor of Greek at the Académie de Lausanne handwritten bookplate "À Simon Girard ce 18 février 1575". 2. Jean Girard with a long dedication dated Bern November 27 1599 to Marquard Zehender 1542-1610/11 State Councilor of Bern former bailiff of Lausanne. 3. Jean Estève engraved bookplate.</p><p><strong>Commynes' Memoirs were intended to serve as material for the Archbishop of Vienne Angelo Cato for a history of Louis XI that he planned to write in Latin. </strong>They recount the complexities of this reign without skimping on the numerous intrigues and political bargaining. The six original books by Commynes which end with the death of Louis XI in 1483 are followed by a continuation books VII-VIII covering the reign of Charles VIII. According to Marc Fumaroli this project was part of an "offensive against the 'Ciceronian' conception of an eloquent history à la Paul Émile and Paul Jove" 1994 pp. 218-219.</p><p><strong>A remarkable copy from the libraries of the Protestant Girard des Bergeries family. The work was acquired in 1575 by Simon Girard des Bergeries a Hellenist from Bourges </strong>who fled to Switzerland after the St. Bartholomew's Day massacres and taught Greek in Lausanne until his death in 1598 see De l'Académie à l'université de Lausanne pp. 54 59 263. In his will he bequeathed to his children a library estimated to be worth 1700 florins "Lettre de Partages entre Nobles Jehan Nicolas et Jehanne Girard frères et soeur / En datte du 2. Hapvril / 1599" Bibl. Cant. et Univ. de. Lausanne Ms. Fonds Constant II/6bis cited by C. Abraham 2020 p. 40 n. 149.</p><p><strong>This volume was part of the bequest to his son Jean who decided to dedicate it immediately in the same year 1599 to the man he called his patron </strong>the Bernese councillor Marquard Zehender 1542-1610/11 as indicated in the dedication on the title page. He presented the work to him <strong>"to repay his debt of affection and study and as a pledge and token of his enduring esteem" </strong> in debiti amoris et studii addictae et numquam intermoriturae observantiae pignus kai sumbolon. <strong>Zehender playedan important role in the suppression of the conspiracy led by the mayor of Lausann</strong>e Isbrand Daux in 1588 which aimed to hand over the city to the Duke of Savoy see Vuilleumier vol. II p. 17.</p><p><strong>Bibliography:</strong></p><p>H. Vuilleumier Histoire de l'Église réformée du Pays de Vaud sous le régime bernois History of the Reformed Church of the Vaud Region under Bernese Rule Lausanne 1927. De l'Académie à l'université de Lausanne 1537-1987 From Academy to University of Lausanne 1537-1987 Lausanne 1987. C. Abraham "La Bibliothèque de l'Académie de Lausanne au XVIe siècle" The Library of the Academy of Lausanne in the 16th century master's thesis Lausanne 2020. M. Fumaroli "Les mémoires ou l'historiographie royale en procès" Memoirs or royal historiography on trial in La Diplomatie de l'esprit 1994.</p> Jean de Tournes
167539689Paris: Christophe Ballard seul Imprimeur du Roy pour la Musique ruë Saint Jean de Beauvais au Mont Parnasse . Par exprés commandement de Sa Majesté 1675. Small quarto. Modern marbled boards with paper title label to upper and spine. 1f. recto title verso blank 1f. "Acteurs du Prologue" 4ff. "Prologue" 1f. "Acteurs de la Tragedie" 76 pp. With woodcut device to title including Apollo with lyre figures in Greco-Roman dress with harp and lute and a pegasus; exceptionally fine woodcut headpiece to Prologue and additional headpieces to each act; decorative woodcut initials and tailpieces throughout.<br /> <br /> Full named cast lists for the "Acteurs du Prologue" and the "Acteurs de la Tragedie."<br /> <br /> Small holes to blank inner margins from previous sewing; slightly worn; very occasional minor foxing soiling and stains; minor loss to blank upper outer corner of pp. 31/32. First Edition fourth issue. Sonneck Librettos p. 1069. Schmidt LLC3-2.3. <br /> <br /> Thesée a tragédie en musique in a prologue and five acts to a libretto by Quinault after Ovid's Metamorphoses was first performed at St Germain-en-Laye on 11 January 1675.<br /> <br /> "The orchestra and chorus are used with brilliant effect in several divertissements but especially in the evocation of battle throughout Act 1. Medea's role like that of Lully's final lovesick sorceress Armide is replete with expressive monologue airs: 'Doux repos' 'Dépit mortel' 'Sortez Ombres' and 'Ah! faut-il me venger'. Thésée was part of the standard repertory at the Paris Opéra from 1675 until 1767; in addition it was selected to represent Lully when in 1779 the Opéra presented an historical survey of French operatic styles. Lully's score was substantially modernized by editors for productions from 1754 onwards." Lois Rosow in Grove Music Online. Christophe Ballard, seul Imprimeur du Roy, pour la Musique, ruë Saint Jean de Beauvais au Mont Parnasse ... Par exprés command unknown
169412584Paris, de l'Imprimerie Royale, 1694. In-4 de [8]- 202 (chiffrées 302)- [2] pages, pleine basane brune, dos à nerfs orné de filets et fleurons dorés, reliure légèrement frottée, quelques rousseurs. Tampon de possesseur sur la page de garde.
1969132781Los Angeles: Twentieth Century-Fox 1969. Original title card maquette hand lettered by Harold Adler for the 1969 film. Based on the "Alexandria Quartet" by Lawrence Durrell. <br/><br/>Harold Adler was a calligrapher who created hand lettered titles on over 100 films worked frequently with Alfred Hitchcock and was a favorite of legendary title sequence designers Saul Bass and Pablo Ferro. In addition to "Justine" his credits include "Comanche!" 1956 "The Man with the Golden Arm" 1955 "The Seven Year Itch" 1955 "Carmen Jones" 1954 "Psycho" 1960 "The Birds" 1963 "In the Heat of the Night" 1967 and "Finian's Rainbow" 1969. In 2012 an exhibition of Adler's work was organized by noted typographer and design historian Jill Bell at the American Advertising Federation Kansas City. <br/><br/>A young British schoolmaster and poet travels to Alexandria where he meets Justine the mysterious wife of a banker whom he discovers is involved in a plot to arm the Jewish underground in Palestine. Shot in part on location in Tunisia. <br/><br/>17.25 x 11.5 inches. Black ink on white card stock with tissue paper overlay. Near Fine with light toning to the card edges. Holograph annotations one noting "original" to the tissue overlay and card. Twentieth Century-Fox unknown books
182740380Bruxelles: Ph. Vandermaelen 1827. First edition. A very good sharp set housed in a clamshell box. 17 sheets. Hand-colored lithographic maps. 47 x 57 cm. The Empire of Brazil on a grand scale printed shortly after Pedro declared the independence of Brazil but before the conclusion of the Cisplatine War against the United Provinces of the RÃo de la Plata Argentina which cost her Uruguay. Sheets from Phillipe Vandermaelen Atlas universel de geographie physique politique statistique et mineralogique. a magnificent and ground breaking six volume atlas of the entire world which was the first Atlas to use lithography to show the entire world using such a large uniform scale approximately 26 miles to the inch and which was designed to be joined together into a three-dimensional globe with a diameter of aboout 25 feet. Includes all of Brazil with some surrounding areas: 1. Amer. Merid. no. 9. Partie de la Colombie et du Bresil. Parts of Peru Colombia and Brazil. 2. Amer. Merid. 10. Partie du Bresil. Amazonas region Brazil. 3. Amer. Merid. 11. Partie du Bresil. Parts of Amazonas Para and Amapa. 4. Amer. Merid. 12. Partie du Bresil. Covers parts of Para and Maranhao. 5. Amer. Merid. 13. Partie du Bresil. Parts of Piaui Ceara and Rio Grande do Norte. Text: Note sur le Bresil . Pour la suite voyez la carte no. 32. 6. Amer. Merid. 15. Partie du Perou et du Bresil. Parts of Peru Brazil and northern Bolivia. 7. Amer. Merid. 16. Partie du Bresil. Parts of Brazil and northern Bolivia. 8. Amer. Merid. 17. Partie du Bresil. Parts of Mato Grosso Tocantins Amazonas and Para. 9. Amer. Merid. 18. Partie du Bresil. Parts Tocantins Bahia Maranhao and Piaui. 10. Amer. Merid. 19. Partie du Bresil. Parts of northeastern Brazil. 11. Amer. Merid. 22. Partie du Bresil. Part of Santa Cruz Bolivia and Mato Grosso and Mato Grosso do Sul Brazil. 12. Amer. Merid. 23. Partie du Bresil. Parts of Goias Federal District Minas Gerais and Tocantins. 13. Amer. Merid. 24. Partie du Bresil. Parts of Bahia and Minas Gerais with coast soundings. 14. Amer. Merid. 27. Partie du Bresil. Part of southern Brazil. 15. Amer. Merid. 28. Partie du Bresil. Parts of Sao Paulo Minas Gerais Espirito Santo and Rio de Janeiro states. 16. Amer. Merid. 32. Partie du Bresil. Part of southern Brazil. Text box: Note sur le Bresil. Pour le commencement voyez la carte no. 13. 17. Amer. Merid. 35. Partie du Bresil. Parts of Uruguay Rio Grande do Sul Brazil and Buenos Aires province Argentina an eighteenth sheet No.36 was labeled 'Partie du Bresil but in fact only included parts of Argentina and Chile. If joined together the map would measure approximately 9 x 7 feet. Phillips 749. Amer. Geol. Soc. Catalogue of Maps of Hispanic America: III p. 172. Sabin 43762. [Ph. Vandermaelen] unknown books
3672recueil de trente gravures avec légende en latin représentant la Passion par Philippe GALLE (1537-1612) d’après Jan Van der STRAET dit jean Stradanus dit Giovanni Della Strada.Album composite in 4 à l’italienne,reliure postérieurs plein vélin ancien;très belles gravures,bien contrastées,sans rousseurs,signature dans les gravures. Certaines sont signées Straet, Galle et Collaert.Anvers vers 1580.Fort Rare
19192412230484xbvkReims / ''Tournoisis 25 Mars 1919, fête de l'Annonciation de Notre Dame'' (1919). 2 blank sheets, 2 luxurious crowned dedication- and titlecardboards in historic 'livre d'heures'-style in colour-and-gold caligraphy with ornamental capital-letters and the illustrated inital 'C'; 1 page with coat of arms of the family Rochefoucauld and Mortemart and 20 [+1*] cloth-hinged singleside hand-painted cardboards with line-framed elaborate drawings of the Cathedral of Reims and its architectural or liturgic details, titled: 'Facade principale (ouest).' / 'Vue du coté de l'archevêque.' / 'Chevet.' / 'L'Assomption de la Vierge, Pignon sud.' / 'L'Annonciation de la Vierge, Pignon nord.' / 'Contreforts.' / 'Arcs - boutants.' / 'La nef.' / 'Le rond-point du chaux.' / 'Bas-côtés.' / 'Le Couronnement de la Vierge, Fronton du portrait contrale.' / 'L'Annonciation, Portrait central, facade accidentale.' / 'La Visitation, Portrait central de la facade occidentale.' / 'La Vierge Marie, Portrait central de la facade.' / 'Saint Joseph, Portrait central de la facade occidentale.' / 'Les Anges, facade occidentale.' / 'Le Christ, porte gauche.'; 'La Vierge, Grand portrait.' / 'Le Christ et les Anges, Portrait de St. Sixte.' / 'La communion d'un chevalier, Intérieur.' / 'Chapitaux.' + *) 'Cathédrale de Reims, Triforium. 1 Avril 1923. J.L.', loosely laid-in. - BROWN LEATHER-LIKE CLOTH-SPINE WITH FULL SILVER-BRASS PANELS with high-embossed ornaments around a crowned armorial monogramme or monogramme-like symbol, all edges gilt, colourful hand-marbled endpapers; sm.-4to.(ca. 24 x 17 x 2 cm).
2007128197Somogy. New. 2007. Hardcover. 2757200267 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 472 pp. With 438 ills. 310 col. . 31 x 24 cm. -- with a bonus offer-- . Somogy hardcover
105306 numéros (dont un double, le n° 5-6) ont paru en 5 livraisons, de mars 1924 à mars 1925. (Destribats, 219) // Collection complète, du n° 1 (mars 1924) au n° 5-6 (mars 1925). 1/12 sur pur fil. [1 japon / 1 hollande / 1 madagascar / 12 pur fil]. Tous les numéros de notre collection portent le n° 4. Sont jointes : la tables des articles parus dans les numéros de la première (et seule) année, et un bulletin d'abonnement. Très rare collection complète sur grand papier. En très bon état.
LBW-8153Paris & Londres, Goupil & C.e & E. Gambart, 1er mai 1855. 390 x 970 mm.
230803Bruxelles, à la Librairie romantique, 1828 2 tomes en 1 vol. in-8, VIII-325 pp. et 327-[5] pp., demi-veau olive, dos lisse orné de filets dorés, de fleurons à froid et de roulettes dorées, tranches marbrées (reliure pastiche). Qqs rousseurs, prononcées sur les pages de faux-titre et de titre.
1649158481649 Paris Imprimerie Royale, 1649, in folio de (56)-572-(14) pp., comprenant 2 tableaux généalogiques imprimés sur double-pages, reliure d'époque aux armes dorées de Louis XIV frappées sur les plats (Olivier pl. 2494, fer n°7), dos à nerfs (restauré) orné de fleurs de lys dorées répétées et encadrées de double-filets dorés, gardes renouvelées, étui moderne de rangement cartonné de pleine percaline vieux rouge, intérieur d'une grande fraicheur, bel ex.
158315476Paris, Jean Richer, 1583. In-8 de (16)-603-(2) pp., vélin rigide à recouvrement, titre manuscrit sur le dos à nerfs, tranches jaspées (reliure de l'époque).
80831A Saumur, par Thomas Portau, 1611, 1 volume in-folio de 240x340 mm environ, (2) ff., 607 pages, (2) ff. Reliure plein cuir granité brun, dos à 6 nerfs portant titres dorés, orné de caissons à motifs d'encadrements et fleurons dorés, contregardes seules marbrées, roulette dorée sur les coupes, tranches mouchetées de rouge. Sans la planche en fin de volume. Un mors fendu et début de fente sur l'autre mais la structure est solide, coins émoussés avec manque de cuir sur l'un d'eux, coiffes ébréchées, ex libris tamponné et inscription grattée sur la page de titre, quelques rousseurs et pages brunies, .
23252Maquette originale de la planche N°6, titrée "La Femme de Verre" et signée en bas au milieu, encre de Chine, gouache et aquarelle, 1994, texte imprimé collé sous les dessins , 38 x 28.5 cm.
173649994Chez Pierre Gaillard | à Cologne 1736 | 9.50 x 15.50 cm | relié
17786957Paris, Aux dépens de l'Académie & de Lormel, 1778. In-8 carré (174 x 232 mm), 60 pp. Maroquin brun aux armes, encadrement de filets et fleurs de lys, dos à nerfs orné, roulette sur les coupes, doublure et garde de tabis bleu ciel, tranches dorées (reliure de l'époque).
166512246Paris: G. Quinet 1665. Contemporary vellum over stiff boards scuffed light soiling flat spine with manuscript title. <p>       Only Edition of this collection of some 6000 proverbs on marriage fortune lust doctors lawyers confessors wine women food and household management. For this Le Duc put many common sayings into rhyming couplets including numerous misogynistic maxims with which Le Duc claims in his preface not to agree with. A poem on personal hygiene diet exercise and sleep closes the book. In good condition some spots inscription “4 7bris 1689 Amsterdam†on verso of final flyleaf bookplate of the Belgian book and art collector Anselme Van Den Bogaerde 1766-1866; Catalogue 1866 3923.<br /> ¶Viollet-le-Duc Catalogue des livres composant la bibliothèque poétique 523-4 “rareâ€; Cioranescu 41567.</p> G. Quinet unknown
194720427Paris Points et contrepoin 1947 In-8, maroquin rouge bandes dcoupes selon le dcor, plats de parchemin orns de jeux de filets dors, nom de l'auteur et titre pousss or sur le dos sans nerfs; doublures et gardes de papier ivoire, tte dore, non rogn, couverture imprime. Chemise en rhodod (Pierre-Lucien Martin).Edition collective, comportant une prface indite de Francis Carco. Exemplaire numrot sur alfa, portant sur le faux-titre cet envoi autographe sign de l'auteur: "Pour Monsieur Pierre-Lucien Martin / en le remerciant d'avoir / si merveilleusement par / cet exemplaire. Philippe Chabaneix". L'envoi est accompagn d'un pome autographe sign de l'auteur, intitul "Saintes-la-Romaine" et qui figure page 65 du recueil.
1800315841800. Paris Chez Richard Caile et Ravier Libraires rue Haute-Feuille No. 11 An IX 1800-01 8° I-V VI-LVI 318 pp. 1 Tabelle. 2 Taf. feiner Pappband mit Rvg.; ungewöhnlich breites und frisches Exemplar. First Edition of one of the most important medical classics and one of the most valuable texts in the history of psychiatry written in the opening year of the new century. It is both a postcript to the eighteenth and a preface to the nineteenth century. Pinel wrote this treatise on the basis of his experience in the Bicêtre. His medical theories and classifications are very methodical and clear and they contain some original ideas but their importance pales in comparison with his work of hospital reform and reorganization by which a new tradition was established and a new perspective opened for practical and research psychiatry; it is this achievement which always come to mind when the name of Philippe Pinel is mentioned. On May 24 1798 at the risk of his own life and liberty he struck off the chains of the insane at the Bicêtre placing them in hospitals under lenient physicians and doing away with the abuses of drugging and blood-letting to which they were subjected. Garrison & Morton No. 4922; Heirs of Hippocrates 1070 Grolier/Medicine 54; Lilly Notable Medical Books 155; Norman 1701 unknown
200491102n. l.: Collection mémoires 2004. Fine. Collection mémoires n. l. 2004 24.2 x 30 cm En feuilles sous étui First edition entirely hand-painted by Jacques Capdeville and printed in 30 numbered copies on vellum with a small number of hors-commerce copies also issued.Rare and fine copy complete with its full flexible paperboard slipcase and with the musical setting of the poem by John Supko on tracing paper.Handwritten signatures of Philippe Denis and Jacques Capdeville in the colophon. Collection mémoires hardcover
