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DANGEAU (Philippe de Courcillon)Biblio.com

Journal du marquis de Dangeau publié en entier pour la première fois

[HECQUET, Philippe]:Biblio.com

TRAITÉ DES DISPENSES DU CARÊME dans lequel on découvre la fausseté des prétextes qu'on apporte pour les obtenir en faisant voir par la mécanique du corps les rapports naturels des alimens maigres avec la nature de l'homme: et par l'histoire par l'anal

21317Paris: Francois Fournier. 1710. Two volumes. Second edition revised by the author. Handsome contemporary full calf with five raised bands to the spines compartments decorated in gilt and with titles in gilt. Red speckled edges. Marbled endpapers. Green silk ribbon page markers. A very good set indeed the bindings square and firm with a little rubbing to the extremities. The contents with the attractive early nineteenth-century ink inscription of the physician Michele Nicolao Chiazzari to the front endpaper of each volume "1804. 19. Juni. / Ex Libris Michaelis Nicolai Chiazzari / M.D. Liguris" a little toning to the edges of the preliminary pages some very occasional minor scorch spots the odd one with a tiny hole at the centre and light scattered foxing are otherwise in very good order throughout. The most celebrated work by the French physician and pioneer of the vegetarian diet Philippe Hecquet 1661-1737. A highly accomplished doctor Hecquet received the official hat of the University of Paris in 1697 after an examination of "rare success" and was made Dean of the Faculty in 1712. Widely known for his medical writings Hecquet was one of the most notable and outspoken early advocates of vegetarianism. Influenced in particular by Porphyry Hecquet argued that the consumption of meat interfered with digestion and the circulation of the blood developing a digestive theory of "trituration" which emphasised the importance of the ability of the body to break down matter with foods which were the most difficult i.e. meat being those most likely to have a negative impact. For this reason Hecquet favoured the consumption of fish although asserted that a diet in which fruits grains nuts and seeds replaced meats was the ideal bringing humans closer to what he believed was their original state.  In the present work an attempt to prove that Lent is in fact beneficial as opposed to harmful to health Hecquet lays out many of his key arguments for vegetarianism and in so doing provides one of the first scientific defences of a vegetarian diet. This second edition published one year after the 1709 first edition incorporates the author's considerable revisions and additions developed in response to public reaction and further research and is also prefaced with the testimonies of several "doctors regent" of the Faculty of Medicine of the Paris University declaring their approval and commendation of the work. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. Paris: Francois Fournier. 1710 hardcover

Lucius Books · Royaume-Uni875,00 £GB≈ 999,08 €

Caylus, Anne Claude Philippe de Tubieres (Comte de) (1692-1765) after Rijn, Rembrandt van (1606-1669)Biblio.com

Histoire de Joseph accompagnée de dix figures relatives aux Principaux Evenemens de la Vie de ce Fils du patriarche Jacob et gravées sur les modèles du fameux Reimbrandt. Amsterdam Jean Neaulme 1757.

64476In-2; title page in two colors: 'HISTOIRE / DE / JOSEPH / ACCOMPAGNEE DE DIX FIGURES / Rélatives aux Principaux Evenemens de la / Vie de ce Fils du / PATRIARCHE JACOB / Et gravées sur le modéles du / FAMEUX REIMBRANDT / Par Monsieur le / COMTE DE CAYLUS / pasted down Honoraire de l'Academie des Inscriptions & des / Belle-Lettres;.'. Nine of ten full-page plates reproducing in reverse a series of ink drawings which is now in the Louvre Inv. 22903 to 22912 where they are catalogued as drawings in the manner of Rembrandt; the name of Gerbrandt van den Eeckhout has also been suggested. Caylus was an amateur etcher. He turned into prints many drawings in the collection of the Louvre. After the Introduction is a list of the ten plates. Titled at bottom signed. I 'Joseph raconte ses sognes' Joseph telling his dreams; signed at bottom: 'Rembrandt del. / C. Scul.' numbered on bottom right. II 'Joseph est descendu dans la cisterne' Joseph in the cistern. III 'Joseph est vendu á des marchands Ismaelites' Joseph being sold to an Ismaelite merchant. V 'Chasteté de Joseph.' the chastity of Joseph. VI 'La femme de Putiphar accuse Joseph'.VII 'Joseph dans la prison'.VIII 'Joseph explique les songes de Pharaon'IX 'Joseph governeur d'Egypte'X 'Joseph reconnu par ses freres'. plate nr. IV missing ""Jacob affligé a la vue de la robe de Joseph'. Caylus conceived this booklet as illustrated book to give an account on the life of Joseph. Some etchings are more successful than others also considering Caylus' endless experimenting with the techninque. See for example plate nr. II: the darkest areas are in fact white here. Possibly something went wrong during the etching process. Pages and plates loose; cardboard binding loose and damaged. Foxing and smudges especially on the external margins. Etching and letterpress on paper. Plates: ca. 219 x 160 mm total: 325 x 195 mm; brownings and tears along the most external margins; plates still in good condition; light foxing on margins of plates. Cohen 210. unknown

Antiquariaat Arine van der Steur · Pays-Bas968,00 €

Philippe SOUPAULTBiblio.com

"Comment comme je le fis ne pas se révolter Le souvenir de cette révolte surgit en moi en prononçant le nom de Cocteau."" Autograph note of one-page memories concerning the ballet ""Parade"" created during the First World War by Serge Diaghilev of the Ballets Russes company

198086791s. l.: S. n. 1980. Fine. S. n. s. l. s. d. ca 1980 14.50 x 21 cm 1 page Manuscript note with corrections by Philippe Soupault 22 lines in purple ink on a sheet bearing at the top this inscription: ""p.14 bis"" recalling the creation on May 18 1917 at the Théâtre du Châtelet in Paris of the famous ballet Parade by Sergei Diaghilev's Ballets Russes on a text by Jean Cocteau music by Erik Satie and scenography by Pablo Picasso. This work being inspired by Georges Seurat's painting Circus Sideshow. The co-author with André Breton of the surrealist manifesto ""Les champs magnétiques"" relegates the ballet to the rank of distraction for rear-guard shirkers completely unconscious of the historical stakes of the moment: ""C'était l'année de la bataille de Verdun le Tout-Paris les snobs et les embusqués parlaient d'un ballet ""russe"" intitulé Parade 1 dont Erik Satie disait : ""Picasso a créé les décors et les costumes et j'ai composé la musique et Cocteau a écrit trois lignes. Et Parade est de Cocteau."""" It was the year of the Battle of Verdun all of Paris the snobs and draft dodgers were talking about a ""Russian"" ballet titled Parade 1 of which Erik Satie said: ""Picasso created the sets and costumes and I composed the music and Cocteau wrote three lines. And Parade is by Cocteau."". Philippe Soupault is outraged by such indifference to the fate of the valorous Poilus in the trenches: ""Tandis qu'on applaudissait Parade j'entendais mes voisins revivre leurs cauchemars. On annonçait dans les communiqués des ""duels d'artillerie"". Plus de trois cents mille morts de chaque côté. Comment comme je le fis ne pas se révolter Le souvenir de cette révolte surgit en moi en prononçant le nom de Cocteau."" While they were applauding Parade I heard my neighbors reliving their nightmares. The communiqués announced ""artillery duels"". More than three hundred thousand dead on each side. How as I did not to revolt The memory of this revolt surges in me upon pronouncing Cocteau's name. Fascinating and acerbic memories from the last living historical surrealist concerning the revolutionary ballet ""Parade"" likening it to a preoccupation of idle bourgeois neglecting the hecatombs of the Great War. S. n. unknown

Rare Books Le Feu Follet - Edition-Originale.com · France920,00 €

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