(Nabokov, Vladimir) Halsman, PhilippeBiblio.com
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1966373638Montreux 1966. Gelatin silver print matted and framed; rubber-stamped on verso "Copyright by Philippe Halsman". 11 x 14 inches; matted to 11 x 12 inches. Fine. Gelatin silver print matted and framed; rubber-stamped on verso "Copyright by Philippe Halsman". 11 x 14 inches; matted to 11 x 12 inches. A rarely-seen portrait of Nabokov hunting butterflies an outtake from the shots Halsman made to appear with Herbert Gold's profile of the author in the Saturday Evening Post eventually published in January 1967. Nabokov apparently liked Halsman's portraits so much that he asked they be used on all subsequent dust jackets. unknown
6181Finely engraved frontis. with profile of Le Bas drawn by Cochin & engraved by C.E. Gaucher & finely engraved tailpiece at the end of the biographical sketch by same. xlix 92 19 pp. catalogue list. 8vo orig. semi-stiff boards head of spine a little split leaves uncut. Paris: Clousier & Joullain 1783. The very rare sale catalogue of the engraver to the Cabinet du Roi; with a valuable list of 133 catalogues produced by Joullain since 1763. Le Bas 1707-83 studied under Antoine Hérisset and is famous for his skilled imitations of works by Teniers Wouwerman Falens Coypel Watteau Oudry etc. This catalogue begins with a lengthy and most informative biographical sketch based on notes by Hecquet a connoisseur of prints and close friend of Le Bas. It discusses contemporary debates on the artistic merit of engraving and Le Bas' reputation in the art world providing an intimate understanding of the man. The present catalogue describes 15 paintings 56 drawings 705 lots of prints some very large group lots 10 lots of artist's tools a lot containing several reams of fine paper and three lots of furniture and several portfolios for a total of 787 lots. The auctioneer denotes whether or not prints are in "first state." There is a table of artists at the end. Nice copy sporadic marginal dampstaining. The frontispiece portrait has a small stain just touching the image. ❧ Benezit Vol. 8 pp. 586 Le Bas. Blanc Trésor de la Curiosité. Vol. II pp. 84-87. Lugt 3639. N.B.G. Vol. 30 col. 65. hardcover books
5113viii 349 pp.; vi misnumbered viii 264 pp. Two vols. 8vo orig. printed wrappers bound in attractive 20th-cent. cloth green leather lettering pieces on spines uncut. Paris: L. Potier & M. Defer; London: Barthès & Lowell 1852. bound with: -. Catalogue de Livres provenant de la Bibliothèque du Chateau d'Eu. 29 pp. one leaf of "Vacations." 8vo uncut. Paris: L. Potier 1853. The sale catalogues of the royal libraries at the Palais-Royale Neuilly and the Château d'Eu representing nearly a complete record of the illuminated manuscripts early printed books and fine bindings belonging to Louis-Philippe 1773-1850 and his wife Marie-Amélie 1782-1866. Fine copies from the library of A.R.A. Hobson with bookplate. ❧ Gustave Brunet Dictionnaire de Bibliologie Catholique cols. 487-88-"Cette bibliothèque.offrait une importance toute spéciale. On y trouvait un grand nombre de livres provenant du comte de Toulouse et de grandes publications modernes françaises ou étrangères qui se montrent rarement dans les ventes.". hardcover books
169314946<p><b>1693 CHINA 1ed Avril Travels Asia Arabia Voyages Syria Iraq Iran Russia Poland</b></p><p>Philippe Avril was a 17th-century Jesuit French explorer who spent numerous years in China Tartary and the Middle East. While on his voyages Avril wrote an incredible historical account of his discoveries and experiences. '<i>Travels in the Divers Parts of Europe and Asia'</i> covers the entirety of his voyages giving attention to each country he visited including Syria Kurdistan Iraq and Iran Armenia Persia Russia Moldovia Poland and of course China.</p><p><b>This 1693 first English edition</b> like the original French has regular anti-Catholic and anti-Jewish undertones throughout highlighting cultural superstitions and marking the differences between Christianity and other religious views.</p><p>Item number: #14946</p><p>Price: $1500</p><p>AVRIL Philippe</p><p><b><i>Travels into divers parts of Europe and Asia: undertaken by the French King's order to discover a new way by land into China. Containing many curious remarks in natural philosophy geography hydrography and history. Together with a description of Great Tartary and of th different people who inhabit there</i></b></p><p>London : printed for Tim. Goodwin at the Maidenhead over-against St. Dunstan's-Church in Fleetstreet MDCXCIII. 1693. <b>First English edition.</b></p><p><br /></p><p><u>Details</u>: </p><p>· Collation: Complete with all pages</p><p>o 10 191 1; 178 2</p><p>· References: Wing A 4275; ESTC R 16481; De Backer/Sommervogel I 706; Löwendahl 207</p><p>· Language: English</p><p>· Binding: Leather; tight & secure</p><p>· Size: ~6.5in X 4in 16.5cm x 10cm</p><p>· Very rare and desirable</p><p>Our Guarantee:</p><p>Very Fast. Very Safe. Free Shipping Worldwide.</p><p>Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation!</p><p>14946</p><p>Photos available upon request. </p> for Tim. Goodwin, at the Maidenhead over-against St. Dunstan's-Church in Fleetstreet hardcover
2004120979New York and London: Bloomsbury 2004. First edition of Bourdain's classic French bistro cookbook. Octavo original pictorial boards pictorial endpapers illustrated with photographs by Robert Discalfani. Signed by the Bordain on the title page with an original drawing of a chopping cleaver "To Blair Merry Christmas! Cooks Rule! Anthony Bourdain." Fine in a fine dust jacket. Jacket design by Helicopter. Jacket photograph by Robert Discalfani. Before stunning the world with his bestselling Kitchen Confidential and A Cook's Tour Anthony Bourdain spent years serving some of the best French brassiere food in New York. With its no-nonsense down-to-earth atmosphere Les Halles matched Bourdain's style perfectly: a restaurant where you can dress down talk loudly drink a little too much wine and have a good time with friends. Here Bourdain has put together a cookbook like no other: candid funny audacious and full of his signature charm and bravado. Bloomsbury hardcover books
51-6563Amsterdam: Chez Jean Neaulme libraire 1757. Small folio. 20 x 33cm. New half goatskin binding by the artisan binder Sasha Mosalov. With ten engraved plates.Cohen-de Ricci Guide de l'amateur de livres a gravures du XVIIIe siècle p. 210; OCLC Number / Unique Identifier:11784330: Physical Description:4 22 pages 10 leaves of plates : illustrations etchings ; 33 cm fol.OCLC Number / Unique Identifier:11784330.Édition originale. Premier tirage des 10 jolies planches gravées à l'eau-forte par Caylus remarquables pour la légèreté de leurs traits. Les dessins qui servirent de modèles à l'artiste auparavant attribués à Rembrandt ont aujourd'hui été restitués à Gerbrandt Van Eeckhout qui fut l'élève du maître hollandais cf. Frits Lugt Musée du Louvre. Inventaire général des dessins des Écoles du Nord: École hollandaise III 1933 n°1216-1225. . Page de titre 12pp. Édition originale. Premier tirage des 10 jolies planches gravées à l'eau-forte par Caylus remarquables pour la légèreté de leurs traits. Les dessins qui servirent de modèles à l'artiste auparavant attribués à Rembrandt ont aujourd'hui été restitués à Gerbrandt Van Eeckhout qui fut l'élève du maître hollandais cf. Frits Lugt Musée du Louvre. Inventaire général des dessins des Écoles du Nord: École hollandaise III 1933 n°1216-1225. Amsterdam: Chez Jean Neaulme, libraire, 1757 unknown
160162363London: Imprinted at London by Ar. Hatfield for I. Norton 1601. Second edition in English. Title page within large historiated woodcut border bearing the royal arms and motto "Honi soit qui mal y pense" the crest of Burghley and the printer's beehive device; several large inital woodcut capitals throughout and genealogical table in rear. 16 364 pp. 1 vols. Small folio. Bound in contemporary paneled calf central gilt lozenge last nine leaves of genealogical tables have contemporary manuscript notes. Upper covers split and pulling away from boards which are nevertheless firmly attached by cords; front free endpaper missing; internally very good. Second edition in English. Title page within large historiated woodcut border bearing the royal arms and motto "Honi soit qui mal y pense" the crest of Burghley and the printer's beehive device; several large inital woodcut capitals throughout and genealogical table in rear. 16 364 pp. 1 vols. Small folio. Second edition in English of a primary source for 15th century European history. Commines has been called "the first critical and philosophical historian since classical times" Oxford Companion to English Literature principally for his shrewd and practical insight into the political realities of his day his psychological insight and his forthright account of the machinations of the politicians he described. His history is divided into 8 books the first six of which deal with the reign of Louis XI; the last two deal with the Italian wars of Charles VIII ending with his death<br/><br/>Thomas Danett's English translation was first published in 1596. In his dedication to Lord Burghley dated 1 Nov. 1596 Danett states that thirty years before he presented Lord Burghley and "the late Earle of Leicester my Lord" his 'historie of Commines rudely translated into our vulgar toong' and that he later revised and enlarged his translation at the request of Sir Christopher Hatton. According to the DNB Danett fl. 1566-1601 was also the author of the following works: "1. The Description of the Low Countreys and of the Prouinces thereof gathered into an Epitome out of the Historie of Lodouico Guicchardini' London 1593 dedicated to Lord Burghley. 2. A Continuation of the Historie of France from the death of Charles the Eight where Comines endeth till the death of Henry the Second 1559 collected by Thomas Danett gentleman' London 1600 dedicated to Lord Buckhurst. ." STC 5603 Imprinted at London by Ar. Hatfield for I. Norton unknown books
160162363London: Imprinted at London by Ar. Hatfield for I. Norton 1601. Second edition in English. Title page within large historiated woodcut border bearing the royal arms and motto "Honi soit qui mal y pense" the crest of Burghley and the printer's beehive device; several large inital woodcut capitals throughout and genealogical table in rear. 16 364 pp. 1 vols. Small folio. Bound in contemporary paneled calf central gilt lozenge last nine leaves of genealogical tables have contemporary manuscript notes. Upper covers split and pulling away from boards which are nevertheless firmly attached by cords; front free endpaper missing; internally very good. Second edition in English. Title page within large historiated woodcut border bearing the royal arms and motto "Honi soit qui mal y pense" the crest of Burghley and the printer's beehive device; several large inital woodcut capitals throughout and genealogical table in rear. 16 364 pp. 1 vols. Small folio. Second edition in English of a primary source for 15th century European history. Commines has been called "the first critical and philosophical historian since classical times" Oxford Companion to English Literature principally for his shrewd and practical insight into the political realities of his day his psychological insight and his forthright account of the machinations of the politicians he described. His history is divided into 8 books the first six of which deal with the reign of Louis XI; the last two deal with the Italian wars of Charles VIII ending with his death<br /> <br /> Thomas Danett's English translation was first published in 1596. In his dedication to Lord Burghley dated 1 Nov. 1596 Danett states that thirty years before he presented Lord Burghley and "the late Earle of Leicester my Lord" his 'historie of Commines rudely translated into our vulgar toong' and that he later revised and enlarged his translation at the request of Sir Christopher Hatton. According to the DNB Danett fl. 1566-1601 was also the author of the following works: "1. The Description of the Low Countreys and of the Prouinces thereof gathered into an Epitome out of the Historie of Lodouico Guicchardini' London 1593 dedicated to Lord Burghley. 2. A Continuation of the Historie of France from the death of Charles the Eight where Comines endeth till the death of Henry the Second 1559 collected by Thomas Danett gentleman' London 1600 dedicated to Lord Buckhurst. ." STC 5603 Imprinted at London by Ar. Hatfield for I. Norton unknown
15931379537Cölln Köln: durch Johannem Gymnicum Johann Gymnich III 1593. Hardcover. Octavo 30 2 671 1 323 1 pages. In Very Good condition. Bound in contemporary blind-stamped pigskin over substantial bevelled wooden boards boards with blind tooled roll-stamps of figurines of "Dur" and "Hei" possibly by Paulus Velthof. Light shelfwear and rubbing. With two clasps one working and one broken in half. Title page with faded ink name dated 1608 other since ink name. Second leaf with pencil. Upper fore corner of title page worn some small chipping to upper fore corner and lower edge. Scarce. Shelved case 3. USTC: 683871. VD16 C 4631. USTC and VD16 recording 6 copies.<br /> <br> <br /> <br> <br /> Philippe de Commines was a writer and diplomat in the courts of Burgundy and France. His Memoirs cover most of the reigns of Kings Louis XI and Charles VIII of France and discuss the psychological insights into the behavior of kings. 1379537. Shelved Dupont Bookstore. durch Johannem Gymnicum [Johann Gymnich (III)] hardcover
1594395572In Genoua: Appresso gli Heredi di Gier. Bartoli 1594. Softcover. Good. First Italian edition. Translated by Lorenzo Conti. Quarto. 40 803 1pp. woodcut title vignette and illustrated woodcut initials. Contemporary pastepaper boards with original sewing along the joints edges sprinkled red. Signed manuscript note dated from: "Malta 2 December 1839" laid-down on the front pastedown identifying this copy as belonging to: "the Library of the Knights of Malta of the Order of St. John of Jerusalem." Two small laid-paper strips are pasted over an early ownership signature on the title page to the left and right of the woodcut vignette. The pastepaper binding is frayed at the edges and torn along the front joint both free endpapers are nearly detached modest intermittent old dampstaining and some worming to the top margin good. The scarce first Italian edition of Commynes celebrated Mémoires in a contemporary binding and with a compelling provenance. Appresso gli Heredi di Gier. Bartoli unknown
191079056Paris: Ancienne Librairie Furne Boivin & Cie 1910. First Edition. Hardcover. The 17th of 21 novels in the popular Voyages Excentriques series a competitor to Jules Verne's Les Voyages Extraordinaires. Quarto: iv 468 pp. with 10 full-page plates all halftones 8 printed in blue or brown after illustrations by Louis Bombled as well as 80 textual illustrations. The title page is printed in red and black. In the publisher's red diagonal fine-ribbed cloth binding designed by J. Fau. with beveled boards; gilt-stamped ruled scalloped borders and titling panel blue and gilt-stamped folded banner with titling black and gilt-stamped decorative titling and a white yellow vermilion brown light blue blue and black-stamped design of an airplane with a man in suspended basket above an angry mob on the front panel; and black anf gilt-stamped ruled bands black and gilt-stamped titling and a white vermilion and black-stamped vignette of a widow on the spine. All edges gilt with light blue endpapers. Typical light toning to the contents with a tiny bit of wear to the tips. An exceptional example. Provenance: from the Publishers' Bookbindings collection of Ellen K. Morris and Edward S. Levin. Ancienne Librairie Furne, Boivin & Cie hardcover
1763159241Paris: Chez l'Auteur Sur le Quay de l'Horloge 1763. Seventh state. Very good. 55 x 78 cm handcoloured map. Centrefold. A few spots. <br/><br/>Originally issued by Guillaume Delisle in 1722 this was one of the most popular maps of the Western Hemisphere in the 18th century and was printed in numerous editions. This is the important seventh state of the map notable because it depicts the mythical "Sea of the West" north of California. An inset in the top left features Buache's elaborate Northwest Passage theories including a conjectural Lac de Valasco. In Labrador is another hypothetical inland sea Mer Nouvellement Decouverte. In South America Brazil is separated from the Pays des Amazones. The map is decorated with a garland-draped title cartouche "Avertissement" cartouche and compass rose. Buache's imprint is in both the title cartouche dated 1722 and at bottom right with the nearly-illegible date of 1745. <br /> <br />Tooley America #7 p. 14. McGuirk #111. Wagner NW #523. Chez l'Auteur Sur le Quay de l'Horloge unknown
185886634Paris : Imprimerie Imperiale 1858. First Edition. Hardback. Very good copy bound in full contemporary gilt-blocked buckram. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. ; 231 pages; Description: xxxii 231 p. ; 21 cm. Subjects: Tibetan language --Grammar. Scattered minor marginal foxing. Paris : Imprimerie Imperiale hardcover
198838570Paris: Souvenirs du Futur 1988. First Edition. Oversize folio 46cm.; white paper-covered clamshell box embossed thermoformed plastic plate mounted to upper cover six leaves laid in as issued to which are mounted thermoformed plates on rectos and versos with the exception of the last leaf on whose verso is printed the colophon. In original cardboard mailing box adorned with the Souvenirs du Futur imprint. Clamshell box a bit dust-soiled cardboard box shows signs of light though not postal use else Very Good to Near Fine. Quite possibly the only comic book in its class Le Grand Rêve Americain The Great American Dream adapts technology developed by Philippe Schléret and Véronique Hauss using molded plastic to create brilliantly colored 3D images. The work exuberantly lampoons Pop Art American culture and early underground comic books and of all who have ever encountered the work and written of it seemingly none have failed to mention the heavy use of oversized female breasts that jut out from nearly every panel. Indeed OCLC record no. 712159856 lists "Large-breasted women" as one of the subjects. Other tropes not to be ignored include fancy sports cars gangsters and fastfood joints. Souvenirs du Futur unknown books
186413458Paris: Dusacq & Cie. Editeurs 1864. Hand-coloured lithograph after a painting by Linder. Very good condition apart from some mild rippling a small loss in the top margin and a few skillfully repaired tears in the bottom margin. A beautifully coloured humorous plate that was most likely part of a series published by Dusacq of images by various artists depicting railway related scenes.<br/> <br/>During the mid-nineteenth century the technological advancement and financial prosperity of France under Napoleon III hastened the development of the railway and other modern modes of transportation such as the omnibus. These improvements brought about a culture of mass tourism as members of various classes flocked to the railroad to take day trips. An archetypal symbol of modern life the railway station became a popular subject during the period and was represented and parodied by artists such as Honoré Daumier and William Powell Frith. It was an ideal place to observe a varied cross-section of society and the idiosyncrasies of human behavior. In the tradition of Daumier's satiric railway scenes from the 1840s and 1850s Linder exploits the comic possibilities of this bustling modern subject in this charming print. The title 'Pleasure Train' was most likely intended as an ironic play on words since pleasure is the last thing enjoyed by the swelling crowd of people on the platform many of whom scream in frustration as they are pushed and prodded in an effort to exit and enter the train. A pupil of the celebrated artist Charles Gleyre Philippe Jacques Linder was a genre and portrait painter who regularly exhibited works at the Salon between 1857-1880.<br/> <br/>Cf. Benezit Dictionaire des Peintres Sculptteurs Dessinateurs et Graveurs vol. 8 p. 679. Dusacq & Cie. Editeurs unknown books
12051Paris: Galerie Camera Obscura 1996. Limited Edition. Fine. Quarto 36pp. unbound as issued. In fine condition in the publisher's paper-covered cardstock portfolio with what appears to be the original unprinted wax paper dust jacket a tinge creased. Per the colophon: L'édition originale de "Paysage envisagé" réalisée à l'occasion de l'exposition de Philippe Pache à la Galerie Camera Obscura à Paris en septembre 1996 se compose de trois cent cinquante exemplaires courants numérotés et de trente cinq exemplaires de tête numérotés et signés accompagnés d'un tirage au platine sur japon réalisé par Didier Brousse. Les textes de facques Chessex composés en caractères Plantin italiques sont imprimés sur Rivoli ivoire. Les photographies de Philippe Pache ont été reproduites en phototypie directement 'après les négatifs originaux sur papier Rivoli ivoire 240g par l'imprimerie Arte à Paris." By way of partial translation this is number 27 of 35 copies issued with a platinum print on Japan paper made by Didier Brousse and SIGNED by Pache. Rare in this smaller limitation with the stunningly rich print. Galerie Camera Obscura unknown
0568<br/><br/>Quinault Philippe 1635-1688. La Mort de Cyrus tragedie. Paris: A. Courbe et G. de Luyne 1659. Five act tragedy in verse. Priv 10 February; Acheve12 July 1659. Rare original edition. Soleinne 1275 for Tragedies et Comedies de Philippe Quinault: Paris Guillaume de Luyne 1668.<br/><br/>12mo. Modern wraps. 1f title page verso blank; 6pp. epistre signed Quinault; 84pp. text; 1p. Priv; 1p. acteurs bound before title leaf. Collation: pi1 A4 A-D alternating 8s & 4s; C12 D6. Browning to text a few margins notes shaved but a good copy.<br/><br/>La Mort de Cyrus is a tragic-comedy is based one of the early French novels of the period especially that of Le Grand Cyrus of Madeline de Scudery ten vols. 1649-53 which was taken from the histories Herodotus and Xenophon. Quinault's play was substantially changed by altering Cyrus' attitude toward the queen and by staging the death of the three leading characters not two as in the histories. The play revolves around Cyrus' love for Tomiris who is forced to marry her general Odartise; otherwise Odartise will kill Cyrus. When the revenge plot unfolds Tomoris is unable to murder Odartise but Cyrus does. <br/><br/> In terms of theatrical form Quinault's tragedy is an early example of the tragic-comedy genre perfected by Thomas Corneille with his Berenice and Darius which were also based on French novels of the period. Quinault along with Thomas Corneille occupied an important place in the history of French drama between the zenith of Pierre Corneille and the rise of Racine. His early tragedies have not lasted compared to his operas to which he devoted himself after 1670. Quinault wrote libretti for the composer Jean Baptiste Lully and is credited with the introduction of dramatic action into the 17th French opera. According to two well-known 20th century critics Barnwell and Lancaster Quinault's La Mort de Cyrus influenced two of Jean Racine's works: Alexandre le Grand 1666 and also Andromaque 1667. According to Barnwell Racine's "Alexandre le Grand 1666 is a concession to contemporary fashion and constitutes a good example of the Romanesque tragedy in vogue when Racine was beginning to write for the theatre: superficially it has much in common with Thomas Corneille's Timocrate 1667 the greatest immediate success of the century and with Quinault's even more improbable but highly successful Mort de Cyrus 1658." Concerning Andromaque 1667 Lancaster wonders aloud: "Had not Racine become aware by then that the original version of his tragedy in which Andromaque's reappearance may derive from such plays as Quinault's La Mort de Cyrus weakened the obsessive hold of her own legendary past over his heroine Such considerations would reinforce Dr Elliot's contention that Andromaque in its original form is rooted in contemporary dramatic conventions." <br/><br/>References: Barnwell H.T. Mythe et legende dans le theatre de Racine by Revel Elliot; The Modern Language Review Vol. 66 No. 4. Oct. 1971 pp. 898-900; Beauchamps Recheches sur les theatres de France 1735; Cesar: http://www.cesar.org. Locations: OCLC. 1 copy. William College. BnF has a copy. paperback books
51-3809Paris: Pichot Imp. 1915. Original color lithograph. Mounted with a few repaired tears. Very good. Normal fold marks. Clean marginal tear repaired along folds. 116 x 156 cmGuerre 1914-1918. Affiche promotionnelle pour la Journée de l'Orphelinat des Armées 16 rue de la Sorbonnele 20 juin 1915 figurant trois enfants seuls au milieu de ruines.Affiche. ROLL Alfred Philippe dessinateur Imp. Pichot Paris 1915 Lithographie 120 x 160 cm. Alfred Phillippe Roll. Journée de l'Orphelinat des Armées / 20 Juin 1915. Paris Orphelinat des Armées/Pichel 1915. Paris: Pichot Imp., [1915] unknown
2012330Huger Philippe UG Philippe. <i>Les Recordmen. </i>2012 29 cm. x 21.5 cm. Also known as Philippe Huger the author-artist produced this book using silk-screen printing creating five pop-up plates representing five different competitive athletic events "Action d'éclat"; Le Passage du Témoin"; untitled sans titre; "Exploit du Haut Niveau"; "La Poursuite Contre la Montre" in three dimensions without any additional text. Of 100 copies made this is copy number 26 of 100. This copy is also signed by the artist and inscribed "à Nicole." Fine. Philippe UG books
1825M3339Bruxelles 1825. Excellent;. Notes: The first atlas of the world on a uniform scale. If assembled as a globe gores forms a very large globe.<br><br>The map shows British Columbia and extends as far north and the Straits of Queen Charlotte. The map also notes the location of different Native tribes of the area. Finally this map shows the route that MacKenzie took to the Pacific from the Frasier River. Size : 472x561 mm 18.625x22.125 Inches Coloring: Original Hand Coloring Category: Maps Canada West British Columbia; unknown
2017x-3319323814Springer 2017. Hardcover. New. 2nd edition. 1651 pages. 10.00x7.01x3.31 inches. Springer hardcover
51-5902Antwerp: colophon dated 1599. Small folio. 19 x 29.5cm. Mottled goatskin binding by the artisan binder Sasha Mosalov. Some pages stained and repaired.Lacking the title page and the engraved arms of Albert and Isabel on verso of title-page and the 1 double-page map of Brabant. 35 copper-engraved protraits by Phillipe Galle or his students after drawings by Antonio de Succa Otto Vaenius Jan Woutneel and Jan Collaert II.OCLC Number / Unique Identifier:310908849 for the 1603 edition Antwerp: colophon dated 1599 unknown
183719200Bruxelles: Delfosse 1837. SECOND EDITION. Folding lithographed plate. Contemporary gilt sheep-backed marbled boards edges sprinkled red. A nice complete copy. Second edition an anatomical guide to human and animal teeth. The first chapters cover tooth formation parts of the tooth tooth loss functions of individual teeth and differences in teeth between men and women and among different races of people. The second part of the book focuses on animal teeth across four orders: mammals birds reptiles and fish. The plate features 8 figures and is accompanied by explanatory text. <br /> <br /> Blandin 1798-1849 was a French surgeon and anatomist. He was a pioneer in the field of plastic surgery and is credited with coining the term autoplasty. Delfosse unknown
42813Paris.Gervais Alliot.1647.In-folio en reliure d'époque.522 p.+ Au Lecteur, Table des Matières, planche dépliante concernant Lezignem et 176 p.avec Les Roys de Guyenne,le traicté par lequel il est prouvé de quelle Lorraine Charles fils du Roy Louis d'Outre-Mer était Duc,et les Empeschements du Mariage du Roy Philippe I.et de Bertrade de Montfort,et le Premier traicté de la Clause Regnante Christo. BE.Reliure d'époque aux coins et aux pages de garde restaurées. Qques rousseurs et infimes mouillures.Dos à 6 nerfs avec caissons.2 planches généalogiques.Portrait gravé de Besly.
228826Bruxelles, à la Librairie romantique, 1828 2 tomes en 1 vol. in-8, VIII-325 pp. et 327-[5] pp., demi-veau fauve, dos lisse, flets dorés, tranches marbrées (reliure pastiche). Rousseurs, parfois prononcées.
