Philippe de COMMYNESBiblio.com
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171458508à Brusselle Brussels Bruxelles Brussels: Chez François Foppens 1714. Fine. Chez François Foppens à Brusselle Brussels Bruxelles Brussels 1714 12.9 x 19.7 cm 4 volumes reliés New edition produced by Denys Godefroy the first dating from 1649. One folding genealogical table and 6 portraits re-engraved by Audran. Title pages in red and black. Volume III bears a specific title: Divers traittez contracts testamens et autres actes et observations . Volume IV: Supplement aux memoires. Bindings in full speckled brown sheep. Spine with raised bands decorated. Fawn morocco title labels. Gilt volume numbering. Lacks at head of volume I. One wormhole at foot of volume IV. 4 corners very bumped. Bindings rubbed and worn. An essential work engendering modern history Commynes' work which moreover establishes a rule of political conduct for the Great ones of the kingdom forms the greatest source for this period. From 1472 to 1483 after having been counselor to the Duke of Burgundy Charles the Bold Commynes entered the service of Louis XI then of Charles VIII and Louis XII. He distinguished himself there through his diplomatic talents notably in Italy; consequently the Memoirs are also a history of Europe. Too often forgotten is that his exemplary career experienced an interlude of disgrace: opposing the young Charles VIII through his liberal ideas he rallied to the cause of the future Louis XII plot aimed at abducting Charles VIII. He was consequently arrested and locked in an iron cage at Loches for five months in 1488. To this day the work still being studied Commynes' Memoirs have never failed in success and interest. Denys Godefroy's critical edition replaced the one that had served as reference until then Savage's version. This edition contains La chronique scandaleuse the proofs and observations Addition à l'histoire de Louis XI by Charles Naudé Le cabinet du roi Louis XI by Tristan L'Hermite L'éloge du roi Charles VIII by Brantôme Comparaison du règne du roi Louis XII à celui du roi Louis XI by Claude de Seissel Chronicles of the Dukes of Burgundy Remarks on the history of King Louis XI by Varillas. Chez François Foppens hardcover
193164302Paris: Nrf 1931. Fine. Nrf Paris 1931 14.50 x 19.50 cm broché First edition one of numbered copies on alfa paper and reserved for advance distribution. Two small repairs on the spine and one bigger to foot of spine. Autograph inscription signed by Paul Valéry ro professor Rudler and his wife. Nrf unknown
2009Q-3540426418Springer 2009-05-05. Hardcover. New. In shrink wrap. Looks like an interesting title! Springer hardcover
1649QQ0485Imprimerie Royale 1649. Original full speckled calf. Raised bands ornate gilt decor and gilt lettering to spine. Gilt decor to board edges. Small loss to base and top of spine. Small stain to rear board c. 5.5 x 4cm. Starting at base of spine over hinges to front 18cm and rear 8cm board but hinges holding firm. Wear to board corners. Folio 38.4 x 27.5cm. All edges speckled brown. A few tiny ink spots to fore-edges. Original marbled endpapers uncracked at gutters. Half-title. Large vignette printer's device to title page. Elaborate engraved head- and tail-pieces and decorated initials. Two double-page genealogical tables. A little light scattered foxing throughout. Philippe de Commines also Commynes or Comines; 1447-1511 humanist writer and diplomat first in service to the Burgundian duke Charles the Bold and then to Charles' great rival Louis XI of France and his successors Charles VIII and Louis XII. Commines' Memoires written between 1488 and 1501 and first published in 1524 cover in their first part the events from the start of Commines' career to the death of Louis XI and in their second the Italian wars under Charles VIII. The Memoires have never been out of print; they remain foundational not just as historical sources on 15th century France but as a work that shaped the practice of history itself. In their psychological insight and attention to motives as well as events the Memoires 'bear witness to a watershed moment for modern conceptions of both historiography and the individual subject' essentially inventing 'a new literary genre one defined by its first-person vision of history' Kleiman 2013 Philippe de Commynes: Memory Betrayal Text pp. 3 8. This important new 1649 edition edited by the jurist Denis Godefroy 1549-1622 replaced the previous standard version of the text the 1552 Denis Sauvage edition. Beautifully produced by Sebastien Cramoisy at the Imprimerie Royal then based in the Louvre this edition drew on two manuscript copies as well as the Sauvage version and included considerable additional contextual material. Brunet II 191; 'belle edition'. Robust packaging. Tracking is always added to USA orders. It can be added to other overseas orders on request. Used books are exempt from USA tariffs. 1st edition thus. Hardcover. Good. 56 572 12pp. Imprimerie Royale Hardcover
2007Q-0974297135Advanced Visions Inc 2007-05-28. paperback. New. In shrink wrap. Looks like an interesting title! Advanced Visions Inc paperback
2011x-1420094629CRC Pr I Llc 2011. Hardcover. New. 3rd edition. 948 pages. 10.10x7.20x2.30 inches. CRC Pr I Llc hardcover
20102-2353270867Solal Editeurs 2010. Paperback. New. 1st edition. 424 pages. French language. 16.06x12.20x4.80 inches. Solal Editeurs paperback
167539713Paris: Christophe Ballard seul Inprimeur du Roy pour la Musique ruë Saint Jean de Beauvais au Mont Parnasse . Par exprés commandement de Sa Majesté 1675. Quarto. Disbound. 1f. recto title verso blank 1f. "Acteurs du Prologue" 3ff. "Prologue" 1f. "Acteurs de la Tragedie" 70 pp. With woodcut device to title including Apollo with lyre figures in Greco-Roman dress with harp and lute and a pegasus; woodcut headpieces to each act; decorative woodcut initials and tailpieces throughout.<br /> <br /> Full named cast lists for the "Acteurs du Prologue" and the "Acteurs de la Tragedie."<br /> <br /> Somewhat worn browned foxed soiled and stained a bit heavier to title; some worming especially to lower inner margins; stub of front free endpaper and blank preliminary leaf preceding title; first signature detached; loss to blank outer margin of title repaired with contemporary paper; blank outer margin of all leaves of "Prologue" repaired with contemporary paper; numerous additional leaves with contemporary paper reinforcements to inner margins; other minor defects. Lacking first leaf of Prologue pp. 65-66 and pp. 71-76. First Edition first issue all other issues with a date of first performance as 11 January 1675. This issue not in Sonneck Librettos. Schmidt LLC3-1. <br /> <br /> Thesée a tragédie en musique in a prologue and five acts to a libretto by Quinault after Ovid's Metamorphoses was first performed at St Germain-en-Laye on 11 January 1675.<br /> <br /> "The orchestra and chorus are used with brilliant effect in several divertissements but especially in the evocation of battle throughout Act 1. Medea's role like that of Lully's final lovesick sorceress Armide is replete with expressive monologue airs: 'Doux repos' 'Dépit mortel' 'Sortez Ombres' and 'Ah! faut-il me venger'. Thésée was part of the standard repertory at the Paris Opéra from 1675 until 1767; in addition it was selected to represent Lully when in 1779 the Opéra presented an historical survey of French operatic styles. Lully's score was substantially modernized by editors for productions from 1754 onwards." Lois Rosow in Grove Music Online. Christophe Ballard, seul Inprimeur du Roy, pour la Musique, ruë Saint Jean de Beauvais au Mont Parnasse ... Par exprés command unknown
52544<p>Paris Estienne Michallet 1682. FIRST EDITION 1682 2 parts in 1 volume French text 12mo approximately 160 x 90 mm 6½ x 3½ inches 6 folding engraved plates woodcut head- and tailpieces and initials pages: 3 4-89 100-194 i.e. 184 54 - mostly tables missing the final blank leaf jump in page numbering is in all copies collated and guaranteed complete bound in full 20th century morocco blind rules to covers raised bands blind rules and gilt lettering to spine edges speckled red marbled endpapers. 2 signatures on title page 1 very faint edges of title page slightly browned tiny wormhole in upper margin from title page to page 157 sometimes affecting running title final unnumbered page browned at edges otherwise contents clean and bright Plate I has a couple of misfolds. Binding tight and firm. A very good copy of the first edition. See: Library Hub Discover Cambridge University for collation. Philippe de la Hire 1640-1718 was a French mathematician best known for his work on conic sections geodesy and astronomy. He was elected to the Académie Royale des Sciences in 1678 and in 1683 he was appointed to the chair of mathematics at the College Royale. 4 years later he was appointed in addition to the chair of architecture at the Academie Royale. Geometry which he had studied during 4 years in Italy was a special interest of his. In this work on dialling he considers the proper design and construction of sundials devoting a large section to instructions for determining the correct position of the lines on the dial-plate. The 54 unnumbered pages contain Tables of the Sun's Declination for the years 1681-1684 plus a Table of the Differences of Meridians of the most considerable places in the whole world in respect of Paris. See: Library Hub Discover. MORE IMAGES ATTACHED TO THIS LISTING ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.</p> Paris, Estienne Michallet, 1682. hardcover
006875Paris: Self Published. 1st Edition. Soft cover. Near Fine. Demeurisse Rene. 8vo. N.d. ca. 1950. Limited original edition of 99 copies on Montval laid paper #94/99. Unbound. Original card covers in protective glassine. Unpaged approx 70 pp. Fourteen B&W illustrations w/ tissue guards. Deckled edges. In custom slipcase. A few very small stains to interior. Glassine has a few chips. Else fine. Philippe Chabaneix became a bookseller in Paris between the two World Wars and later founded a literary magazine called Odeur du Temps with Robert Houdelot to whom this volume is dedicated and Christiane Caudet. This is a collection of fourteen short poems with accompanying engraved plates. Self Published unknown
179713514London: Published by P. J. de Loutherbourg and Sold by V. & R. Green No 14 Percy Street Bedford Square 1797. Coloured aquatint. Printed on wove paper watermarked 1794. In excellent condition. Image size: 9 1/2 x 15 3/4 inches. A wonderful early separately published impression of Loutherbourg's celebrated image of fishermen on Brighton Beach.<br/> <br/>This delicate aquatint is an early separately published state of a print which was later included in Phillip Jacques Loutherbourg's seminal work "Picturesque Scenery of Great Britain." The print which was re-engraved in 1801 by J. C. Stadler was enlarged and re-titled "Brighthelmstone Fishermen Returning." This early example of Loutherbourg's work wonderfully shows his skill as an artist. The composition and arrangement of the image provides a fluidity to the picture that is truly compelling and demonstrates Loutherbourg's abilities as a draftsman. The son of a court painter in Darmstadt the versatile artist Philippe Jacques Loutherbourg was born in Fulda Germany and was a pupil of J. H. Tischbein and Carle Vanloo and Francis Casanova the elder in Paris. His romantic landscapes battle scenes portraits and biblical subjects were highly esteemed and lauded by influential colleagues such as Diderot. He frequently exhibited at the Salon and became a venerated member of the Académie Royale in 1767. In 1771 he moved to England where he was employed as the principal scenery designer at London's Drury Lane Theatre. His creative and minutely detailed sets revolutionized the genre of scene painting and he soon began dabbling in costume design. Loutherbourg once again astounded contemporaries in 1782 with his pioneering invention of the "Eidophusikon" a novel variety of moving panorama that was accompanied by music. His substantial and varied oeuvre also included book illustrations and a series of aquatints of British scenery that was published in 1801 and 1805. Aside from a brief trip to Switzerland in 1782 he remained in London for the duration of his life and became heavily engrossed in mysticism. Published by P. J. de Loutherbourg, and Sold by V. & R. Green, No 14 Percy Street, Bedford Square unknown books
20012769<p><strong>Constraint‑Based Scheduling: Applying Constraint Programming to Scheduling Problems</strong></p><p><strong>Philippe Baptiste Claude Le Pape Wim Nuijten</strong> Springer 2001 International Series in Operations Research & Management Science Vol. 39 ISBN 0792374088 / 9780792374084 Language: English</p><p><strong>Book Description</strong></p><p>A major reference work in the intersection of <strong>constraint programming</strong> and <strong>operations research</strong> this volume presents a unified treatment of scheduling through the lens of constraint‑based modeling. The authors—leading researchers in the field—develop a systematic framework for representing scheduling problems using <strong>constraints</strong> <strong>propagation algorithms</strong> <strong>search strategies</strong> and <strong>hybrid optimization techniques</strong>. Applications include <strong>industrial scheduling</strong> <strong>resource allocation</strong> <strong>manufacturing systems</strong> <strong>project planning</strong> and <strong>real‑time decision systems</strong>. This copy comes from the <strong>Hassan Aït‑Kaci technical library</strong> reflecting his long‑standing engagement with constraint systems logic‑based computation and the algebraic foundations of scheduling. It is additionally distinguished by <strong>author signatures from Claude Le Pape and Wim Nuijten</strong> making it a uniquely valuable copy.</p> Springer-Verlag, Berlin, Heidelberg, New York hardcover
2017x-1138417483CRC Pr I Llc 2017. Hardcover. New. 544 pages. 7.87x5.51x1.57 inches. CRC Pr I Llc hardcover
19098328Bienne, Ph. Robert, 1909. In-folio de 45-[3]pages et 18 pl. sous serpentes légendées, pleine toile verte d'éditeur ornée au premier plat du titre estampé en deux teintes. Coiffe supérieure frottée, toile un peu passée, petite marque au second plat. Intérieur sans aucuns défauts.
19224712Paris, Editions de la librairie Six, 1922. In-8 de [15]ff., broché, non coupé. Sous chemise-étui, dos maroquin noir, de Jean-Luc Honegger.
175022474London: R. Griffiths 1750. First Edition Thus . Hardcover. Good. A just about good copy in a worn leather binding which lacks the title-piece. Five raised bands on spine. Old ownership inscription. Two old newspaper cuttings tipped-in to front end-papers. Pp.xiv368. Folding plan of Algiers and map of Barbary the latter with a 2.5 inch repaired tear. Originally published in 1725 with a different title this edition has two additional sections on the history of Tunis and Tripoli by the translator. Quite a clean copy which would benefit from rebinding. Photograph available on request. <br/> <br/> R. Griffiths hardcover
199354136CARLSEN 05/1993. 1. softcover. CARLSEN paperback
174670635Lutetiae Parisiorum: sumptibus Ant. Urb. Coustelier 1746. 12mo pp. xxiv 299 1; text in Latin; engraved frontispiece by Duflos after Picart; printer's woodcut device on title page engraved headpieces woodcut initials and ornaments; contemporary full calf triple gilt-ruled border on covers smooth gilt spine laid out in 6 compartments gilt-lettered direct in 1 a.e.g.; rebacked with spine laid down spine worn and with small loss at the extremities upper joint cracked dampstains in the foremargin of A7 and A8 and C7 and C8; a good sound and clean copy. This copy with the bookplate of Adolphe Périès and with 2 signed manuscript translations of his inserted dated 1853 and 1856 on 3 small pages in ink on blue paper: Ode 1-22 at p. 23; and Ode 4-1 at p. 100. A manuscript note tipped to the front pastedown possibly by H. H. Furness notes: "Mr. A. Périès seems to have been the owner of this book as evidenced by the two manuscript translations inserted and by the bookplate on whose motto his name appears "aperies". He was a fine classical scholar with a dainty gift of versification as shown by a little volume of translations published "by himself for himself" at Philadelphia in 1861. The author's name is not given the work is "by an idler" but has been ascertained from a copy containing his photograph and an autograph inscription to his friend John T. Montgomery." Mills College Check List 616; Riedel-Horatiana A-177. sumptibus Ant. Urb. Coustelier unknown
2013__0199691436Oxford Univ Pr 2013. Hardcover. New. 1152 pages. 11.30x9.10x2.70 inches. Oxford Univ Pr hardcover
3437Sans lieu, sans mention d'imprimeur ni d'éditeur. 1632. Un volume in-8°. Reliure postérieure, cartonnage, dos de cuir à filets et bandeaux dorés. Non paginé [555 pages]. La "Procession de la Ligue" et la "Singerie des Etats de la Ligue" sont de grandes et très belles planches dépliantes ; le charlatan lorrain, le charlatan espagnol et le seigneur Agnoste sont 3 vignettes dans le texte ; il y a encore une planche gravée hors texte montrant le cadavre éviscéré, et suspendu par les pattes postérieures, de l'Asne Ligueur ; et, dans le Supplément, une planche reproduisant des médailles. Bon exemplaire. Toutes les planches sont en bon état.
20401Paris, s.n., 1645. In-12, [40]-501-[1] pp., vélin souple à petits rabats, dos long, pièce de titre brune, tranches jaunies (titre et gardes restaurés, quelques taches, galeries de ver sans atteinte, pâles mouillures marginales).
170822079Trévoux, de l’Imprimerie de S.A.S., Etienne Ganeau, 1708 ; in-12, veau brun, dos à nerfs, pièce de titre grenat (reliure de l’époque) ; [1bl.] f., [18], 94 pp. ; [14], 145, [7] pp, [1 bl.] f. (sign. ( )2, ã8, A-K12, L10).
18215Le maréchal est en uniforme militaire, avec képi de maréchal et une seule décoration, la médaille militaire ; le portrait se détache sur un fond semé de feuilles de chêne et dessous, la signature Ph. Pétain.
182830319Mulhouse et Paris Engelmann & Cie 1828 2 Volumes In-folio volume du Haut-Rhin : 1 portrait de Benjamin constant XI -126 - 40 planches lithographiées (24 pp - 1 ff - - puis pour les monumens Romains et huit planches, vues plan et carte ) Volume du Bas -Rhin : 180 pp ( 1 ff ) et 40 planches Lithographiées par Engelmann , très nombreuses rousseurs mais principalement en marges des lithographies - les dos et les bords des plats sont très usagés avec manques en coiffes et mors partiellement fendus . L'ouvrage non dérelié est complet mais vendu tel que décrit e
6135Tot Brussel, Gobaerdt Schoebaerdts, M. DC. XLIV. (1644). 16 x 10,5 cm, page de titre, 9 pp. n.p. (introduction), 11 pp. n.p. (tafel), 1 pp. n.p. (approbatio), 376 pp. Page 195 mal imprimée en "198", page 321 mal imprimée en "221", page 353 mal imprimée en "253". Relié plein vélin d'époque à lacets (sans les lacets) dos lisse, titre manuscrit au dos, couture légèrement lâche sans gravité, ex-libris manuscrit sur le contreplat, sinon bon exemplaire. Rare édition de cet ouvrage écrit par Pietro Giacomo Bacci prêtre italien, historien et homme de lettres (vers 1575-1656) et traduit ici en néerlandais par Joannes Vernimmen. Jointe une gravure représentant Neri né le 22 juillet 1515 à Florence et mort le 26 mai 1595 à Rome, saint catholique fondateur de la congrégation de l'Oratoire. Il est également une figure importante de la Contre-Réforme catholique. Béatifié le 11 mai 1615 par le pape Paul V et canonisé le 12 mars 1622 par le pape Grégoire XV, il est le second patron de la ville de Rome et est surnommé le « Saint de la joie ». Il est commémoré le 26 mai de chaque année.
