Albert CAMUS - Pierre de LARIVEYBiblio.com
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195375124Paris: Nrf 1953. Fine. Nrf Paris 1953 12 x 19 cm relié First edition of the theatrical adaptation by Albert Camus one of 65 numbered copies on pur fil paper deluxe issue. Bradel binding in half bronze box calf abstract patterned paper boards smooth spine covers and spine preserved binding signed Thomas Boichot. Nrf hardcover
196244658Gallimard | Paris 1962 | 12.50 x 19.50 cm | relié
197178115Gallimard | Paris 1971 | 14.50 x 21.50 cm | broché
195181830Protégé dans un étui-chemise signé DEVAUCHELLE. Couverture souple piquée. Rousseurs.
1946140940653New York: Alfred A. Knopf 1946. First American Edition. Near Fine/Near Fine. First American edition first printing. Bound in publisher's original tan cloth with maroon spine lettering red topstain. Near Fine with light softening to spine ends and light toning to pages in a Near Fine unclipped dust jacket with light edge wear and soiling. A nice copy of the classic existential novel. Alfred A. Knopf unknown books
195345741Paris: Gallimard 1953. Fine. Gallimard Paris 1953 12 x 19 cm broché First edition on ordinary paper. Autograph inscription from Albert Camus to J.P. Loiseau : "". pour le remercier encore.to thank him once more."" Spine lightly sunned. Gallimard unknown
195346393Paris: Gallimard 1953. Fine. Gallimard Paris 1953 12 x 19 cm broché First edition an advance service de presse copy. Autograph inscription from Albert Camus to Constant Burniaux. Gallimard unknown
195349565Paris: Gallimard 1953. Fine. Gallimard Paris 1953 12 x 19 cm broché First edition an advance service de presse copy. Autograph inscription from Albert Camus to Raymond Peju. Spine lightly but insignificantly sunned. Gallimard unknown
194845740Paris: Gallimard 1948. Fine. Gallimard Paris 1948 12 x 19 cm broché First edition an advance service de presse copy. Autograph inscription signed by Albert Camus to Henri Gouhier. Paper yellowed as usual spine sunned retaining its advertising slip. Gallimard unknown
194646650Paris: Rombaldi 1946. Fine. Rombaldi Paris 1946 29 x 39 cm en feuilles sous chemise et étui First edition of only 100 copies numbered by Pierre-Eugène Clairin on pur fil de Lana paper plus a few hors commerce copies. Text by Albert Camus. With 7 etchings 2 drypoints and three original lithographs one in colors by Pierre-Eugène Clairin who has signed eight of the illustrations in pencil. A little light marginal worming a good copy complete with its chemise and slipcase with flaps. Rare. Rombaldi unknown
193991760Algiers: Rivages Edmond Charlot 1939. Fine. Rivages Edmond Charlot Algiers 1939 15.2 x 20.5 cm Broché ENGLISH DESCRIPTION ON DEMAND Deuxième numéro de la revue Rivages revue de culture méditerranéenne qui ne comptera que deux numéros publiés en décembre 1938 et février-mars 1939. Poèmes d'Eugenio Montale en langue originale accompagnés de leur traduction par Filippo Donini poèmes de Jean Tardieu extrait de De toutes mes forces de Claude de Fréminville essai d'Emmanuel Roblès sur les Curanderos d'Andalousie. Quelques infimes déchirures marginales petit manque sans gravité sur le dos. Contributions dAlbert Camus Jules Supervielle Emmanuel Roblès Jean Tardieu Gabriel Audisio Federico Garcia Lorca Antonio Machado Eugenio Montale. Rare exemplaire du deuxième numéro de cette éphémère revue créée par Camus avec Gabriel Audisio et Jacques Heurgon qui sera interrompue par la censure. Le jeune écrivain y publie pour la première fois""L'été à Alger"" qui fera partie de Noces. Lorsque Camus lance Rivages sous légide de son éditeur et ancien camarade Edmond Charlot le jeune écrivain avait déjà terminé ses études supérieures fondé le Théâtre du Travail puis celui de lÉquipe milité pour le projet Blum-Viollette afin détendre le droit de vote en Algérie contribué à lAlger Républicain et même dirigé la Maison de la culture dAlger. Avec cette nouvelle revue il appelle au développement dune littérature de la méditerranée dans la splendeur de son unité mais surtout de ses contrastes : « Cest ce scintillement plein de vie que lon retrouve dans des uvres telles que LEnvers et lEndroit ou Noces et même dans certains passages de LÉtranger. » Hélène Rufat À travers et par la Méditerranée : regards sur Albert Camus. Rivages est imprimée assez artisanalement sur les presses de son ami Claude de Fréminville également contributeur de la revue qui venait de créer une imprimerie rue Barbès à Alger. Camus fonde avec lui les éditions CA-FRE Camus-Fréminville et publiera Jean Hytier Léo-Louis Barbès Christian de Gastyne et Blanche Balain. Ce second numéro de Rivages contient en édition pré-originale le célèbre essai camusien ""Lété à Alger"" dédié à Jacques Heurgon qui paraîtra en volume dans Noces également publié chez Charlot. Le troisième et dernier numéro de Rivages consacré à Garcia Lorca ne paraîtra jamais. Les morasses seront saisies et détruites par les autorités qui exerçaient un contrôle des imprimés dès avant la déclaration de guerre. Après la définitive interruption de Rivages Camus étendra son engagement méditerranéen à lEurope tout entière victime des totalitarismes en prenant la tête du journal Combat. Rare exemplaire de ce numéro de revue contenant une des toutes premières productions littéraires de Camus. Rivages [Edmond Charlot] unknown
1955022279London: Hamish Hamilton. Original blue cloth in Dust Jacket. First English Edition. Provenance: From the library of Professor William B. Bjornstad with his small neat signature on the front free endpaper dated November 21 1955 the year of publication. Important statement of Camus philosophy of the absurd. Heffer written in small letters at foot of front flap of Dust Jacket Near Fine in Near Fine Dust Jacket. . Near Fine. Hardcover. 1st Edition. 1955. Hamish Hamilton hardcover
195758823(Paris), Gallimard, (1957). Bound with the original printed wrappers in an elegant light brown morocco binding with gilt lettering to spine and waxed patterned paper in red-browninsh nuances to boards. Gilt lineborder to boards. Top-edge gilt. Binding signed Alain Devauchelle. Gilt super ex-libris to inside of front board. Housed in brown paper slipcase with light brown morocco-edges. An excellent, clean, blight, and fresh copy. With the original advertisement-leaf for ""L'Exil et le Royaume"".
195758823Paris Gallimard 1957. Bound with the original printed wrappers in an elegant light brown morocco binding with gilt lettering to spine and waxed patterned paper in red-browninsh nuances to boards. Gilt lineborder to boards. Top-edge gilt. Binding signed Alain Devauchelle. Gilt super ex-libris to inside of front board. Housed in brown paper slipcase with light brown morocco-edges. An excellent clean blight and fresh copy. With the original advertisement-leaf for "L'Exil et le Royaume". <br/><br/><em>First edition Service de Presse-copy "S. P." punctured to bottom of back wrapper - with signed presentation-inscription for the publisher Camille Bloch to half-title - of Camus' great collection of stories which are considered among the best of his works. Together these stoires cover the entire variety of existentialism - or absurdism. There is general consensus that the clearest manifestation of the ideals of Camus can be found in the present work. </em> hardcover
195355641Paris Gallimard 1953 In-16, demi-maroquin brun bandes, plats de papier bois, dos quatre nerfs; doublures et gardes de papier marbr, tte dore, non rogn, couverture imprime.Edition originale de cette adaptation par Albert Camus de la comdie la plus connue de la Renaissance franaise, et l'une des plus russies, pour laquelle Pierre de Larivey s'inspira d'une comdie italienne, elle-mme tire de Plaute et de Trence. La pice en trois actes fut joue en juin 1953 au Festival d'Angers, dans une mise en scne d'Albert Camus. Un des 65 premiers exemplaires numrots sur vlin pur fil. Dos lgrement dcolor.
195375124Nrf | Paris 1953 | 12 x 19 cm | relié
1921K89F1Z5BMZW5Paris 1921. Paul Lechevalier colophon: printed by Jouve et Cie part 1 Winter Heidelberg part 2 Contemporary brown half morocco. With a photographical frontispiece portrait in the text volume and 133 lithographed plates including 120 coloured by hand. 2 text parts 4to bound in one volume and an atlas folio. 559 1; 72 pp. First and only edition of a well-illustrated and comprehensive study of the orchids of Europe and the Mediterranean published posthumously by the daughter of Edmond Gustave Camus 1852-1915 a pharmacist and botanist fascinated by the intricate taxonomy of the family Orchidaceae. Aimée Antoinette Camus 1879-1965 worked together with her father on this project until his death in 1915. She would continue the research and finally published the present work which is preceded by an obituary by Henri Lecomte and a bibliography of the elder Camus's his works. The present copy not only has the regular 110 of the 122 plates of the first part of the atlas coloured by hand but also 10 of the 11 plates of the second part. A very good copy well bound with only the spines slightly discoloured.l Nissen BBI 316; Stafleu & Cowan 971. unknown
7525London: Hamish Hamilton 1971. 141 x 217 x 21 mms. Bound by Haein Song in 2013 in a Bradel binding with dark blue vellum sides and natural goatskin spine. Hand tooled in gold. Hand printed endpapers with leather joint to panel doublures. Housed in the original purple cloth clamshell box with gilt lettering on upper cover.Camus' philosophical essay compares the absurdity of man's life with the Sisyphus a figure of Greek mythology who was condemned to repeat forever the same meaningless task of pushing a boulder up a mountain only to see it roll down again. Song’ inspiration for the binding design came from a beautifully haunting reflection on life's absurdity and our futile search for meaning unity and clarity.<br>Haein Song originally from Seoul in South Korea is a fellow of Designer Bookbinders and a remarkable book artist. Her bindings and artist’s books are in many public and private collections and her work is much sought after. Hamish Hamilton hardcover
1948119263Paris: Gallimard 1948. First edition of this classic play by the Nobel Prize-winning author. Octavo original wrappers. Presentation copy inscribed by the author on the half-title page "A. M. Antomin <span class="match">en</span> cordial hommage Albert Camus." In near fine condition. Housed in a custom half morocco clamshell box. Written in 1948 The State of Siege--the original sense is closer to state of emergency--is a play in three acts presenting the arrival of plague personified by a young opportunist in sleepy Cadiz and the subsequent creation of a totalitarian regime through the manipulation of fear. In a piece written in 1948 in reply to criticisms from Gabriel Marcel Camus defended his decision to set the play in Spain and not in Eastern Europe citing the ongoing oppression in Spain France's collusion in it and the Catholic Church's abandonment of Spanish Christians. The piece was first performed in October 1948 and was initially received poorly by critics and public who had eagerly awaited the work but expected a dramatization of Camus's novel The Plague. While the two share a common background the treatments are entirely different in tone. Although Camus himself was pleased with the work critics remained unimpressed. The State of Siege has remained constantly in print in French and since 1958 in an English translation by Stuart Gilbert--in Caligula and Three Other Plays. Gallimard unknown books
193944692Alger [i.e. Algiers], (1939). 8vo. Entire 2nd issue of ""Rivages"" present. Uncut. Original printed wrappers, showing an outline map of the Mediterranean. A bit of brownspotting and a tiny tear to front wrapper. A bit of wear to lower capital, and minor wear to extremities. All in all a fine copy. [Été à Alger:] Pp. 87-91. (Entire issue: (16, -advertisements) pp., pp. (65)-128, (16, -advertisements) pp.
193944692Alger i.e. Algiers 1939. 8vo. Entire 2nd issue of "Rivages" present. Uncut. Original printed wrappers showing an outline map of the Mediterranean. A bit of brownspotting and a tiny tear to front wrapper. A bit of wear to lower capital and minor wear to extremities. All in all a fine copy. Été à Alger: Pp. 87-91. Entire issue: 16 -advertisements pp. pp. 65-128 16 -advertisements pp. <br/><br/><em>The very rare first printing of one of Camus' earliest literary productions namely the first part of his famous "Été à Alger" which was printed later the same year in his second book "Noces" for which there is an advertisement on the inside of the back wrapper in the second part of the very rare Algerian review "Rivages".In all only two numbers of "Rivages" appeared as it was interrupted due to the censorship at the beginning of the war. It was edited by Camus together with Gabriel Audisio René-Jean Clot Jacques Heurgon and Jean Hytier and was published by Edmond Charlot in Algiers. The aim of the review was to provide to the rest of the world with an insight in to the rich cultural life of the Mediterranean. When "Été à Alger" originally appeared in "Rivages" Camus had only published one book ""L'Énvers et l'Endroit" 1937. Later in 1939 his second book "Noces" which is announced in the present volume of "Rivages" appears. </em> unknown
13161Paris, NRF Gallimard, 1953. In-12, 186-(2) pp., broché.
19462405010Hamish Hamilton 1946. 1st UK 1st impression. Hardback. Near fine/Very good. <p>The received wisdom is that our 'case-hardened' anti-hero Meursault is outside usual bourgeois notions of sensibility and emotion but this did not according to Sartre make Camus an existentialist a label the author himself also rejected. As an Algerian he was beyond the pale anyway the original stranger. First published in French in 1942 much adolescent angst has been expended since on this slim novella usually in Livre de Poche or Folio format. This version on the other hand is toute autre chose - a very handsome volume indeed with a superb cover by Edward Bawden. Given the strictures under which this was produced it's amazing to see it in such good condition today and it should be kept well away from any student bedroom. The book's boards are clean and good and just a little worn to top edge. Text block is fine with no foxing to this cheap war economy paper. The unclipped jacket has marginal losses to spine top and is slightly grubby verso.</p> . Hamish Hamilton unknown
196237964Couverture beige avec titre en rouge. Intérieur très frais. Non coupé. A grands témoins.
195685206Sous e?tui et chemise en demi-chagrin vert, signe?s Carine VILAINE. Couverture souple imprime?e en vert. Non coupe? et non rogne?.
