3 905 résultats
195345741Gallimard | Paris 1953 | 12 x 19 cm | broché
195346393Gallimard | Paris 1953 | 12 x 19 cm | broché
195349565Gallimard | Paris 1953 | 12 x 19 cm | broché
194845740Gallimard | Paris 1948 | 12 x 19 cm | broché
193991760Rivages [Edmond Charlot] | Alger 1939 | 15.2 x 20.5 cm | Broché
194646650Rombaldi | Paris 1946 | 29 x 39 cm | en feuilles sous chemise et étui
1956100121Paris Gallimard 1956 189x123mm, 169pp., in-12 broché. Edition originale, un des 225 exemplaires (122) sur vélin pur fil, 2ème papier après 35 Hollande. Neuf et non coupé.(100121)
195454943[Alger] Nol Schumann 1954 In-4, en feuilles, couverture imprime (embotage de l'diteur).Edition originale de cette nouvelle d'Albert Camus, illustre par Pierre Eugne Clairin de 12 lithographies originales en couleurs dont une sur la page de titre, 3 sur double page et 8 in-texte. Tirage limit 300 exemplaires numrots, signs par l'auteur et l'artiste. Un des 260 exemplaires sur vlin d'Arches. Exemplaire enrichi d'un amical billet autographe sign de l'artiste qui remercie pour le coup de tlphone qu'il a reu l'occasion de la remise de son pe lors de son entre l'Acadmie des Beaux-Arts, et qu'il a accompagn d'une preuve d'un bois grav en couleurs portant cette mention autographe: Meilleurs v?ux pour 1969, souvenir de Clisson, bois E. A., Pierre Eugne Clairin. De la bibliothque du docteur Tranier (ex-libris).
195380262Paris: Nrf 1953. Fine. Nrf Paris 1953 12 x 19 cm broché First edition of the theatrical adaptation by Albert Camus one of 65 numbered copies on pure thread paper deluxe copy. A transverse crease mark at the foot of the rear board. Handsome copy. Nrf unknown
171447068Henry Charpentier Cuir Paris 1714
194600008149London: Hamish Hamilton 1946 1946. First English language edition. Hardcover. Near Fine/Near Fine. Slim 8vo. 4 3-103 3 pp. Bound in grey-green cloth with gold lettering on the spine. Price of 6s. net on front flap of jacket. First edition in English and Camus' first English publication. Translated by Stuart Gilbert. Introduction by Cyril Connolly. Ahearn Collected Books 157 4th ed. Published in France as L'Étranger in 1942 this novel was number one on Le Monde's 100 Books of the Century. Widely regarded as a classic of twentieth-century literature Camus' novel is the first of several novels he wrote that explore the notion of the absurd within a fictional context in contrast to the more direct and thorough examination of this notion in his philosophical essays. Camus won the Nobel Prize in Literature in 1957. A beautiful copy of this important book Camus' best-known and most acclaimed novel. Near Fine book with a name on the free front endpaper and a faint wrinkle to the last three leaves in a Near Fine dust jacket with a touch of edge wear. Hamish Hamilton (1946) hardcover books
1959353085Paris: Gallimard 1959. First Edition Copy "C" of 21 copies on Hollande van gelder of which six are marked A-F hors commerce. 8vo. Original printed wrappers uncut and unopened. Fine in original glassine. First Edition Copy "C" of 21 copies on Hollande van gelder of which six are marked A-F hors commerce. 8vo. Camus's powerful theatre adapatation of Dostoevsky's Demons The Possessed which he directed at the Théâtre Antoine with the money from the Nobel Prize. It was a massive undertaking and a big success. Gallimard unknown
1947146463Paris: Gallimard 1947. First edition Service de Presse-copy of Camus' short story collection exploring themes of existentialism and absurdism with "S P" perforated stamp at top of rear wrapper. Small octavo original publisher's stiff wrappers with titles in red and black. Presentation copy inscribed by the author on the half title page "a M. Claude Leslise en sirene hommage Albert Camus." In near fine condition with some toning to the spine front and rear panels edges of the text block a closed tear to the 'Table' page at the rear. Housed in a custom quarter red levant and patterned paper slip case and chemise by P. Goy & C. Vilaine. Rare and desirable. This collection of six short stories covers the whole variety of existentialism or absurdism as Camus himself insisted his philosophical ideas be called. The six works collected in this volume include: The Adulterous Woman The Renegade of a Confused Spirit The Silent Man The Guest Jonas or the Artist at Work and The Growing Stone. The final story most clearly manifests Camus' existential ideals with a protagonist who actively shapes his life in spite of receiving a deep insight into the absurdity of the world and acting morally nevertheless. Gallimard unknown
198362577CGP; Et Al. As New. 1983. Paperback. 2858502048 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 391 pages. Over 200 works illustrated many in color. -- with a bonus offer-- . CGP; Et Al paperback
1963128512Knopf. As New. 1963. Hardcover. IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - -- with a bonus offer-- . Knopf hardcover
1948178487New York: Hamish Hamilton 1948. 1st U.K. Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Tiny owner name on FEP. Faint foxing throughout text. 1 inch open tear at bottom of front flap fold. Light chipping at spine crown. Hamish Hamilton hardcover
196281287Couverture beige avec titre en rouge. Intérieur très frais. Non coupé. A grands témoins.
29017Bruxelles Dynamo coll. « Brimborions » 14 janvier 1960. 1 vol. 120 x 190 mm de 10 p. et 1 f. Broché. . Édition originale. Un des onze premiers exemplaires sur hollande n° 5. . C'est dans la revue Confluences dans son numéro de juillet 1943 que paraît L'intelligence et l'échafaud. Les personnages « sont de curieux héros qui périssent tous de sentiments et vont chercher des maladies mortelles dans des passions contrariées » dit Camus selon une tradition du roman français qui est d'aller droit au but selon le prototype de La Princesse de Clèves. De son auteur Mme de Lafayette à Benjamin Constant et jusqu'à Proust le texte est ici tout entier fondé sur l'admiration de l'art classique : Camus y reviendra deux ans plus tard lorsqu'il préfacera les oeuvres de Chamfort ; il donnera également plusieurs résonances à ce texte dans les éditoriaux de Combat de l'année 1944. Celui du 12 octobre 1944 reprendra par exemple la formule de Goethe présente ici : « Mieux vaut une injustice qu'un désordre ». Cette plaquette est achevée d'imprimer le 14 janvier 1960 soit 10 jours après le décès accidentel de Camus sur les route de Bourgogne. Tirée à seulement 51 exemplaires elle paraît simultanément à l'autre hommage rendu par Pierre Aelberts pour sa collection Brimborions savoir le Albert Camus de Jean-Paul Sartre. Rare en grand papier. Bruxelles, Dynamo, coll. « Brimborions », 14 janvier 1960. 1 vol. (120 x 190 mm) de 10 p. et 1 f. Broché. unknown
196029017Un des 11 exemplaires de tête. Bruxelles, Dynamo, coll. «Brimborions», 14 janvier 1960. 1 vol. (120 x 190 mm) de 10 p. et 1 f. Broché. Édition originale. Un des onze premiers exemplaires sur hollande (n° 5).
1946140947572New York: Alfred A. Knopf 1946. First American Edition. Near Fine/Very Good. First American edition first printing. vi 155 1 pp. Bound in publisher's beige cloth stamped in brown red topstain. Near Fine with offsetting to endpapers from dust jacket. In a Very Good unclipped dust jacket with light edgewear light toning and moderate soiling and creasing to lower rear panel. <p>An attractive copy of the existentialist classic. The Stranger was first published in France in 1942 in a limited print run of 4400 copies. By 1946 Camus was an international celebrity thanks to his role as editor of the Resistance journal Combat and his novel was simultaneously published in Britain and the United States to great acclaim. Alfred A. Knopf unknown
196277410Paris: Gallimard 1962. Fine. Gallimard Paris 1962 12.50 x 20.50 cm broché First edition one of 90 numbered copies on Holland paper deluxe issue. A very handsome full-margined copy. Gallimard unknown
196477409Paris: Gallimard 1964. Fine. Gallimard Paris 1964 12.50 x 20.50 cm broché First edition one of 90 numbered copies on Holland paper deluxe issue. A very handsome full-margined copy. Gallimard unknown
1959173205New York: Reynal & Company 1959. Hardcover. Vg-/VG light tanning and foxing to interior and exterior. foxing to text blocks. moderate corner and edge wear to dust jacket including small edge tears. scuffing to dj. White and color-illustrated boards with black lettering. Red and black dust jacket with black and white lettering. 153 pp. 32 page pamphlet included in separate front pocket. 29 original lithographs 17 in color including 5 double-page. 12 illuminations.61 color illustrations. 77 BW illustrations. Articles: Improvisations by Pierre Reverdy Henri Laurens by Alberto Giacometti May 1920 by Alberto Giacometti Perhaps by Albert Camus Rembrandt Hokusai Van Gogh by W. Sandberg Water Lilies of a Summer Dawn by Gaston Bachelard Monet the Innovator by Andre Masson Reflections of Georges Braque Venice From My Window by Jean-Paul Sartre Spanish Still Life by Jean Cassou Footnote to Reality by Jean Wahl Portraits of the Fayoum by Jean Grenier The Advantages of Ignorance by Louis Guilloux The Dukes' Terence The Renaut of Montauban and the Master of the Flowers by Frantz Calot. 1 of 1000 copies. Reynal & Company hardcover books
In-8, 270p. Edition originale sur papier ordinaire. Exemplaire du service de presse (achevé d'imprimer juin 1950). Enrichi d'un envoi autographe signé de l'auteur en page de faux-titre. "A Jacques Hebertot ces nouveaux "Justes" avec la gratitude et la fidèle amitié d'Albert Camus" Papier uniformément jauni, sinon très bel exemplaire.
195373749Sous étui bordé et sous chemise en demi-maroquin rouge signés Patrice Goy et C. Vilaine. Couverture souple piquée. Rousseurs. En partie non coupé.
