(COCTEAU, Jean, and Scott Mundy)Biblio.com
3 894 résultats
1966510685London: Hanover Gallery 1966. Softcover. Near Fine. Original exhibition announcement. Cover illustration by Jean Cocteau. Measuring approximately 6 ½" x 5" folded. Single sheet folded to make four pages in the publisher's original printed mailing envelope. Light bumping to the corners else near fine. Addressed to noted bibliographer editor and collector Donald Gallup Esq. The exhibition was held at the Hanover Gallery in London from September 27 to October 22 1966. Hanover Gallery unknown
1934575167Cambridge: The Harvard Dramatic Club 1934. Unbound. Fine. First edition. Single 5" x 8" sheet printed on one side. Fine. Advertisement for the American debut of the play. The Harvard Dramatic Club unknown
1964504457Munchen: Delp'sche Verlagsbuchhandlung 1964. Hardcover. Near Fine/Very Good. First edition. Text in German. 88pp. Illustrated from black and white photographs. Foxing on topedge light toning at the foot of the spine near fine in a very good dust jacket with a few tiny chips and tears and modest toning on the spine and rear panel. Inscribed by de Grab on the front fly verso. Delp'sche Verlagsbuchhandlung hardcover
1949222172Paris 1949. Half-length leaning over the railing of his terrace face turned to camera. 1 vols. Post card format. Fine. Matted. Half-length leaning over the railing of his terrace face turned to camera. 1 vols. Post card format. Probably taken just before Cocteau's trip to America in 1949. unknown
1949211175Paris 1949. Gelatin silver print. 1 vols. 9-7/8 x 8 inches. Embossed stamp at lower right atelier stamp on verso with pencilled notations giving the subject of the photograph the date and the number of the negative. Gelatin silver print. 1 vols. 9-7/8 x 8 inches. Portrait of Cocteau leaning over the balustrade of a rooftop. unknown
1945617891New York / France: French Press & Information Service 1945. Unbound. Fine. Gelatin silver photograph. Approximately 7" x 9". Press agency stamps on verso Small glue marks on back where it was likely affixed light edgewear near fine. Cocteau standing in front of a door with his handwriting visible on the window in the door. French Press & Information Service unknown
1935589724Boston: Repertory Theatre 1935. Softcover. Near Fine. First edition. Octavo. 8pp. Stapled printed self-wrappers. Staples a little rusted else near fine. Repertory Theatre unknown
1931334184Paris: no publisher 1931. Softcover. Very Good. Magazine. Small quarto. 69pp. Paper wrappers with unopened pages. Sunned with some wear to the spine and bumping to the corners very good. The first of a five-issue literary magazine published from 1930 to 1932 that devoted itself to "the modern arts such as photography the cinema sound and talking films phonograph records radio etc." It was edited by the American author and translator Samuel Putnam along with help from Ezra Pound Maxwell Bodenheim and Richard Thoma. This issue features several contributions from Jean Cocteau including a five-page poem "Angel Wuthercut" an illustration a photograph of Cocteau and a still from his first film La Vie d'un Poete the first film of The Orphic Trilogy. It also includes an early poem from Richard Eberhart and contributions from Pound Bodenheim Massimo Bontempelli E. Giménez Caballero George Reavey H.R. Hays Richard Thoma V.F. Calverton Wambly Bald George Antheil Willard Widney Ian Mackay Francis Musgrave and Horace Bevans. [no publisher] unknown
1957329076Paris: Olympia Press 1957. Softcover. Near Fine. First edition. Preface and illustrations by Jean Cocteau. Slight rubbing and light wear near fine. Issued in The Traveler's Companion Series No. 51. Scarce in reasonable condition. Olympia Press unknown
1928244851Paris: Editions des Quatre Chemins 1928. First edition one of 2875 copies on Rives. With five black and white illustrations by de Chirico. 80 6 pp. 1 vols. 8vo. Original blue-grey printed wrappers. Fine copy in original glassine worn. First edition one of 2875 copies on Rives. With five black and white illustrations by de Chirico. 80 6 pp. 1 vols. 8vo. Artist and the Book 56. Artist and the Book 56 <br/><br/> Editions des Quatre Chemins unknown
195491205Paris: Grasset 1954. Fine. Grasset Paris 1954 12.2 x 19 cm Broché First edition one of 42 numbered copies on alfa paper the only deluxe paper issue.Minor unobtrusive foxing to the foot of the upper cover otherwise a pleasing copy.Preface by Thierry Maulnier. Grasset unknown
191778126Paris 1917. Fine. Paris 1917 6.30 x 8.60 cm une photographie Original photograph likely unique and unpublished of Pablo Picasso at the Casa di Marco Lucrezio Pompeii spring 1917 Paris 1917 63 x 86 cm one photograph Original photograph depicting Pablo Picasso in the spring of 1917 at the Casa di Marco Lucrezio in Pompeii holding a twig in front of a wall on which there is a Pompeian fresco. Contemporary silver print perhaps unique from Jean Cocteau's personal archives then the Maurice Sachs collection. Exceptional almost undiscovered and probably unpublished photograph taken by Jean Cocteau during the stay. On 16 April 1917 Picasso visits Pompeii accompanied by Jean Cocteau and Léonide Massine to prepare the ballet Parade the first work described as surrealist by Guillaume Apollinaire for the new season of Serge de Diaghilev's Ballets Russes. On his return this initiatory journey inspired his monumental painting: the Parade stage curtain a real visual signature of the ballet marking the beginnings of Picasso's neo-classical period and today preserved at the Musée national d'Art Moderne Georges Pompidou. Pierre Daix in his bibliography dedicated to the painter recounts the aesthetic shock caused by the discovery of the Pompeian frescoes: Giovanni Carandente to whom we owe the best studies on this trip highlights that Picasso was strongly struck by the animation and the sensuality that the cataclysm of the year 79 AD had brutally destroyed. If it is true as he wrote to Gertrude Stein that he immediately drew many Pompeian fantasies which are a little daring attracted as he was by the erotic elation that emerges from these licentious paintings . these memories settled in him to emerge with force thereafter. . Everything that had made up the Pompeian universe was preserved on the site as well as in the National Archaeological Museum of Naples . In its singularity this universe contributed to enriching Picasso's cultural heritage with something more alive more trembling than he had gained from his museum visits until then. He particularly loved the conciseness of the paintings: two or three years later the impressions felt in Pompeii were to translate into a real creative explosion a series of paintings which all bore traces of these never buried memories. This source was to remain alive until La Danse of 1925. Pierre Daix Picasso. Unique and early original photograph of Picasso taken and printed by his friend Jean Cocteau in a mythical place that will influence his aesthetic for the long-term. Provenance: Jean Cocteau's personal archives then the Maurice Sachs collection and Max-Philippe Delatte. unknown
1962D17822Monaco: Éditions du Rocher 1962. First Edition. Paperback. Near Fine. Inscribed and signed by Cocteau for editor Jean Denoël with a drawing at the front and signed by Picasso and Cocteau on the colophon. Among a number of copies on Rives reserved for collaborators from a total edition of 255. 24 original lithographs 11 of them hors-texte including the front wrapper and 2 double-page by Picasso printed in black by Mourlot. Folio contents loose as issued in original wrappers with cut-out design revealing title on front cover; 1/4 calf gilt-backed chemise and board slipcase split. Contents are fine. Prospectus laid in. "On the occasion of Picasso's 80th birthday Pierre Bertrand who was Cocteau's publisher assembled eleven of the poet's texts which reflected his friendship with Picasso. The latter illustrated these texts with 24 lithographs some of which are drawn in Cocteau-esque style "---Cramer 117; Monod 292; Bloch 1037-1060. <br/><br/> Éditions du Rocher paperback
1264Monaco, Editions du Rocher, 1954. In-8 broché, 200 pp. Edition originale.
12596Monaco, Editions du Rocher, 1954. In-8 broché, 200 pp. (dos légèrement incolé). Edition originale sur papier d'édition. Envoi autographe de Jean COCTEAU daté de 1955. Bon exemplaire.
3862Paris, NRF Gallimard, 1962. Petit in-4 broché, 174 pp. Edition originale.
10199Paris, NRF Gallimard, 1925. 2 volumes in-12 brochés, (rousseurs). 235 + 239 pp. Edition originale, un des 350 exemplaires sur Vélin pur fil Lafuma Navarre (n° 274). Tome 1 : 1916-1919 : Le cap de Bonne-Espérance - Discours du grand sommeil. Tome 2 : 1920-1923 : Poésies - Vocabulaire - Plain-chant.
in-12, XII-196 pages, notes, biblio, broche, couverture illustree.— Edition originale (pas de beau papier). Bel exemplaire [CA32-7*]
1957619239New York: 5th Avenue Cinema 1957. Unbound. Fine. 5th Avenue Cinema unknown
1967588632New York: The Viking Press 1967. Hardcover. Fine/Near Fine. First edition. Introduction by Alfred Kazin. 368pp. Illustrated. Fine in an about near fine dust jacket with slight wear to the extremities. Interviews with William Carlos Williams Jean Cocteau Evelyn Waugh Lillian Hellman William Burroughs Saul Bellow Allen Ginsberg Harold Pinter and more. The Viking Press hardcover
19634856Lamérac N° spécial de la revue "Promesse", n°62 1963 1 vol. broché in-8, agrafé, 73 pp. Textes par Bérimont, Cassou, Cocteau, Follain, Guillevic, Rousselot, etc. Intéressantes coupures de presse jointes in fine.
19634856Lamérac N° spécial de la revue "Promesse", n°62 1963 1 vol. broché in-8, agrafé, 73 pp. Textes par Bérimont, Cassou, Cocteau, Follain, Guillevic, Rousselot, etc. Intéressantes coupures de presse jointes in fine.
192970Editions du Tambourinaire,Paris,1929, in-8 (250x190mm),35pp., br.,couverture blanche iillustrée,imprimée en noir (petite déchirure recollée au dos). Textes de Paul VALERY- Henri MASSIS, Camille BELLAIGUE, André GEORGE, Lucien DUBESCH, Jean COCTEAU, Tristan KLINGSOR, André LEVINSON, Edouard SCHNEIDER, Henri BERAUD.
