Jean CocteauBiblio.com
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200116417<p>new pb</p> City Lights Publishers paperback
20032-2070115402Gallimard-Jeunesse 2003. Hardcover. New. 1867 pages. French language. 7.09x4.33x1.69 inches. Gallimard-Jeunesse hardcover
19522111902154800676Jinbunshoin 1952. Soft Cover. Fine. Number of books: 1 Jinbunshoin paperback
1981BN95096editorial bruguera 1981. 1981. thomas el impostor" <br/><br/>"thomas el impostor" editorial bruguera unknown
19272091202133201135nrf 1927. Soft Cover. Fine. Volume: 1 nrf paperback
19813140Paris: Gallimard 1981. Fine. Gallimard Paris 1981 14 x 20.50 cm broché First edition one of 100 numbered copies reserved for founding members of the Society of Friends of Jean Cocteau ours bearing number 1 deluxe copy. Bookplate on endpaper small stains to margin. This is 'Cahier Jean Cocteau' number 9. Gallimard unknown
19565045<p>Témoignage.Jean Cocteau. Pierre Bertrand Editeur Paris 1956. Homage to Pablo Picasso in occasion of its seventy-fifth birthday. Limited in 125 numbered copies of which this copy is n. 57. Illustrated with an original etching by Picasso depicting a nude turned on the back dated signed and inscribed in plate and an original etching by Paul Lemagny a portrait of Picasso. </p><p>In very good condition. Complete condition report on request as well extra pictures. </p> Pierre Bertrand Editeur. paperback
19932111902153300562Shiromizu-sha 1993. Soft Cover. Fine. Number of pages: 298 pages Size: 46 size Shiromizu-sha paperback
1988BN157683S. Fischer 1988. 1988. Softcover. Werkausgabe in zwölf Bänden Die große Kluft Das Weißbuch/ Thomas der Schwindler Das Phantom von Marseille/ Kinder der Nacht/ Die Hochzeit . Orpheus Die Höllenmaschine/ Die geliebte Stimme Der Doppeladler/ Opera Choral/ Spiegelschriften/ Das Blut eines Dichters Die Schöne und das Tier Orphee/ Das Berufsgeheimnis/ Opium/ Die Schwierigkeit zu sein/ Die Farben der Erinnerung Der Lebensweg eines Dichters Mit mehr als 230 Zeichnungen Cocteaus und zahlreichen Fotos <br/><br/>Werkausgabe in zwölf Bänden Die große Kluft Das Weißbuch/ Thomas der Schwindler Das Phantom von Marseille/ Kinder der Nacht/ Die Hochzeit . Orpheus Die Höllenmaschine/ Die geliebte Stimme Der Doppeladler/ Opera Choral/ Spiegelschriften/ Das Blut eines Dichters Die Schöne und das Tier Orphee/ Das Berufsgeheimnis/ Opium/ Die Schwierigkeit zu sein/ Die Farben der Erinnerung Der Lebensweg eines Dichters Mit mehr als 230 Zeichnungen Cocteaus und zahlreichen Fotos Jean Cocteau S. Fischer paperback
19732091502135201051Mori Kai-sha 1973. Soft Cover. Fine. Volume: 1 Mori Kai-sha paperback
19892090502113709982Not Available 1989. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1983005646Colmar France: Braun et Cie Publisher 1983. Wraps. Good. Blue and white wraps. 48pp. With black and white photos and illustrations throughout including a painting by Edward Manet full page of the poet Stephane Mallarme. All text in French. A French art and literary magazine with this issue devoted primarily to poetry and containing photos of manuscripts of poems written by Max Jacob Jean Cocteau Paul Eluard Paul Valery Pierre Reverdy and others. GOOD condition. General fading to the covers with browning to the rear cover. Minor to moderate soiling mostly to the rear. Extremities scuffed with the spine chipped and worn. Minor creasing. Interior clean and solid. Braun et Cie, Publisher unknown
1950B-2022-0915Photographs by Izis Bidermanas. Edition Clair Fontaine Lausanne Switzerland 1950. Texts in facsimile by Cocteau Pierre Emmanuel Blaise Cendrars Paul Eluard Andre Breton and others. <br />Very good. Please ask for complete conditions repor Edition Clair Fontaine hardcover
19582092902137305564Bijutsu shubbansha 1958. Soft Cover. Fine. The book is in fine condition. Bijutsu shubbansha paperback
1915191415SSParis: MOT 1915. First Edition. all issues bound in one volume. Very Good. LE MOT hedomadaire illustre published and printed by MOT gerant: Paul Iribe Paris.<br /> Vols. 1-20 Nov. 1914 - July 1915 all published. Contemporary private half leather. Folio. 17.5" x 11.5" Untrimmed. With various invitation-leaflets for subscription bound in. Each title page has a very small stamp "J de Sainte Foy" on top<br /> <br /> Complete set of famous satirical bi-monthly by Jean Cocteau marked by its pacifist and anti-militaristic stance with pronounced anti-German sentiment. Contributors incl. a.o.: Raoul Dufy Sem Gleizes Iribe André Lhote Léon Bakst and Cocteau some contributions signed under his pseudonym Jim after his dog's name. MOT unknown
16-5390Milano: 1991. 4 printed pages 24 x 14cm. . Provenance: Collection of M. Denis SCHNEIDER ancien Chef de Cuisine Copenhague Maison du DANEMARK. 142 Ave. des Champs-Élysées 75008 Paris. Milano: 1991 unknown
1949C147809London: Boosey & Hawkes 1949. Paperback . Very Good. Folio. 144pp. Slight wear slight edge creasing tear at head of spine small chip at fore-edge of last three pages but contents not affected and clean very good. French and English text. Boosey & Hawkes, paperback
51-6173Paris : Au sans pareil 1926. 4to. 23.7 x 33cm. Original wraps and board chemise with cloth ties.Romeo and Juliet. Pretext for a staging by Jean Cocteau based on William Shakespeare's play. Sets and costumes by Jean Hugo.First edition printed in an edition of 432 copies of this play in 5 acts and 23 tableaux composed by Jean Cocteau after William Shakespeare. It was first performed at the Soirées de Paris organized under the direction of Comte Étienne de Beaumont on Monday June 2 1924 at the Théâtre de la Cigale.References; Meunier J.-L. Ouvrages illustrés par Jean Hugo. In Jean Hugo: une rétrospective pages 201-206 page 202; Luc Monod Manuel de l'amateur de livres illustrés modernes no. 2932.The edition is illustrated with 21 original engravings by Jean HUGO 1894-1984 author of the play's sets and costumes including 13 hors texte. With the exception of the figure on the title all compositions have been hand-colored under the artist's supervision.One of 350 copies on Montgolfier d'Annonay vellum.Some damage to the hinges of the chemise.Somptueuse édition publiée Au Sans Pareil la maison fondée en 1919 par René Hilsum. Le livre rend compte de la richesse et de la poésie d'un spectacle audacieux surtout visuel qui ne relevait ni du théâtre ni du ballet et qu'il est bien difficile d'imaginer lorsqu'on n'en a pas été le spectateur.Spectacle commandité par le comte de Beaumont qui eut lieu au théâtre de la Cigale à Montmartre du 17 mai au 30 juin 1924. En lever de rideau figurait la pièce de Tristan Tzara: Mouchoir de nuages.Jean Cocteau avait non seulement assuré la mise en scène de Roméo et Juliette mais il tenait également le rôle de Mercutio Maurice Sachs jouant le rôle d'un page. — In-4 broché couverture rempliée sous chemise cartonnée et illustrée de l'éditeur.Édition originale tirée à 432 exemplaires de cette pièce en 5 actes et 23 tableaux composée par Jean Cocteau d'après William Shakespeare. Elle fut représentée pour la première fois aux Soirées de Paris organisées sous la direction du Comte Étienne de Beaumont le lundi 2 juin 1924 au théâtre de la Cigale.L'édition est illustrée de 21 gravures originales de Jean HUGO 1894-1984 auteur des décors et des costumes de la pièce dont 13 hors texte. À l'exception de la figure sur le titre toutes les compositions ont été coloriées à la main sous la surveillance de l'artiste.Un des 350 exemplaires sur vélin Montgolfier d'Annonay.Quelques manques aux charnières de l'étui. Paris : Au sans pareil, 1926 paperback
1953003015Paris: Le Soleil Noir 1953. 1st Edition . Hardcover. Near Fine/Good. Paris: Le Soleil Noir 1953. 80pp; b&w plates. 4to. Textured peach paper over boards; dust jacket. Toning to end leaves and textblock edges. Else near fine in a good jacket with a 2/3" chip at crown of spine and a 3" closed tear to rear panel. A collection of thirty-four playful photomontages by French artist and designer Jean Harold 1909-1979 of famous art and political figures of the early- to mid-20th century: Picasso de Gaulle Cocteau Sartre Churchill Louis Armstrong et al. Préface by Jean Cocteau. All text in French and English. <br/> <br/> Le Soleil Noir hardcover
192073134Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris 1920 18 x 24 cm relié Set of eight original color engravings printed on laid paper and signed at the lower right and left of the plates. The plates are introduced by a text signed by Jean Cocteau and depict costumes for Shakespeares play two Shepherdesses Paulina and Time. Bradel binding in full decorative paper smooth spine brown shagreen title-piece binding signed by Goy & Vilaine. Original engravings created for the illustration of La Gazette du bon ton one of the most beautiful and influential fashion magazines of the twentieth century celebrating the talent of French designers and artists at the height of the Art Deco movement. A celebrated fashion periodical founded in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with an interruption between 1915 and 1920 due to the mobilization of its editor-in-chief. It comprises 69 issues printed in only 2000 copies and is illustrated with 573 color plates and 148 sketches depicting designs by leading couturiers. From the outset these luxurious publications were addressed to bibliophiles and worldly aesthetes Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016. Printed on fine laid paper they employed a typeface specially created for the review by Georges Peignot the Cochin type later revived by Christian Dior in 1946. The engravings were produced using the pochoir technique hand-colored and in some cases heightened with gold or palladium. The venture began in 1912 when Lucien Vogel a man of fashion and societyalready involved with the magazine Feminadecided with his wife Cosette de Brunhoff sister of Jean the father of Babar to establish La Gazette du bon ton subtitled Art modes et frivolités. Georges Charensol reports the words of the editor-in-chief: In 1910 he observed there was no fashion magazine truly artistic and representative of the spirit of its time. I therefore thought of creating a luxury magazine with genuinely modern artists . I was certain of success for in matters of fashion no country can rival France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no.133 May 1925. The success of the review was immediate not only in France but also in the United States and South America. At the outset Vogel brought together a group of seven artists: André-Édouard Marty and Pierre Brissaud soon joined by Georges Lepape and Dammicourt; and finally his friends from the École des Beaux-Arts George Barbier Bernard Boutet de Monvel and Charles Martin. Other talents quickly joined: Guy Arnoux Léon Bakst Benito Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Maggie Salcedo. Most of these artists were unknown when Vogel first engaged them yet they would later become emblematic and highly sought-after figures in the art world. These same illustrators also created the advertisements for the Gazette. The plates highlighted and exalted the creations of seven designers of the period: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. For each issue the couturiers provided exclusive designs. Nevertheless some illustrations did not reproduce actual models but rather conveyed the illustrators vision of contemporary fashion. La Gazette du bon ton represents a decisive stage in the history of fashion. Combining aesthetic refinement with visual unity it brought together for the first time the leading talents of art literature and couture imposing through this alchemy an entirely new image of womanhoodslender independent and boldfurther embodied by the new generation of designers such as Coco Chanel Jean Patou and Marcel Rochas. Taken over in 1920 by Condé Montrose Nast La Gazette du bon ton greatly influenced the new composition and aesthetic choices of the little dying magazine Nast had acquired a few years earlier: V Lucien Vogel éditeur unknown
1943450962Paris : Au Divan 1943. First Edition. Softcover. Very good paperback copy; wrappers somewhat dust-toned with some wear to spine extremities and top edge. Back wrapper somewhat unevenly sun-toned. Remains well-preserved overall. Date is suggested. Series; Les demi-dieux. Physical description; unpaginated 49 plates : illustrations reproductions ; 31 cm. Subjects; Greco 1541-1614. Painting Renaissance--Spain. Paris : Au Divan paperback
1955513118Paris: Editions de La Palatine 1955. Softcover. Near Fine/Very Good. First edition. Text in French. Contains a four-page introduction by Jean Cocteau. 12mo. xii 196pp. Pages evenly tanned being printed on acidic paper else a near fine unopened copy in very good unprinted glassine dust jacket with spine darkened few nicks to extremities. Publisher's cancel label on front cover and on title page as issued stating "Le Doctorat D'Universite. Editions de La Palatine unknown
1944502174Paris: Les Editions du Centre 1944. Book. Very Good Book Condition. Couvertures Souple. Exemplaire No 165. in-4. Un bel exemplaire avec dos et couverture inferieur passes. Pages tres peu jaunies au marges. Dos tres peu penche. Coiffes tres peu frottes. Plusieurs pages non-coupees. Interieur frais et propre. Reliure solide. Our rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair . Les Editions du Centre Paperback
15518Orig. wrappers. No 706 of 1000 "sur vélin blanc du Marais". With 1 plate. <br/><br/><em>First edition. </em> unknown
192374316Paris 1923. Fine. Paris s. d. 1923 14.50 x 9.50 cm une photographie Original photograph showing in bathing attire and on a beach the group of friends formed by Bolette Natanson Valentine Hugo Jean Cocteau and Georges Auric the only one in street clothes. Vintage print. A very fine photograph showing in full relaxation Jean Cocteau Georges Auric Valentine Hugo and Bolette Natanson away from the Parisian artistic effervescence in which they actively participated. The two other men have been identified thanks to the research of Philippe Mianes whom we thank. Through cross-referencing drawings from auction catalogues or exhibitions related to Jean Cocteau and Jean Hugo depicting this same context and characters he was able to complete the story. Indeed Jean Hugo in Le Regard de la Mémoire indicates that the scene takes place on the Arcachon Basin at Piquey beach where Cocteau had his habits. ""We were seven"": thus from left to right we identify Valentine Hugo Jean Hugo Jean Cocteau Georges Auric Bolette Natanson and. Raymond Radiguet. If the latter whose face is veiled by his hat is difficult to recognize he does indeed appear in this excerpt from Jean Hugo's memories. Chloé Radiguet Raymond Radiguet's biographer confirms that her uncle indeed habitually wore the same light-colored wide-brimmed hat. A moving memento of Radiguet's last summer under the sun of Cap Ferret where he completed Le Diable au corps. Provenance: Bolette Natanson collection. hardcover
