829 résultats
19282423Paris: Maurice Sachs and Jacques Bonjean 1928. First edition. 6 7-80 6 pp. Quarto. Folded wrappers title and monogram printed on front cover. Printed on Montval laid paper handmade by Gaspard Maillol by Ducros et Colas printers Paris. Slightest occasional spotting to leaves still a fine copy housed in a chemise and slipcase. <br /> <br /> One of 31 numbered copies printed of which ten were reserved for the author. The true and extremely rare first edition of one of Cocteau's most extraordinary and emblematic works. Published anonymously it is the first time Cocteau directly wrote on the subject of homosexuality- as Claude Arnaud notes in his definitive biography "this indirect praising of homosexual love experienced as 'one of the most mysterious workings of the divine masterpiece' was the kind of work that might once have helped the adolescent Cocteau to rise above opprobrium and secure his self-esteem." Cocteau never allowed his name to be directly attributed to the text of this book although later editions bore his preface and sometimes illustrations. As Frédéric Canovas writes "From the first edition to the last one published while he was still alive Jean Cocteau systematically refused to print his name on the cover of Le Livre Blanc: the text was to remain anonymous although Cocteau himself had not hesitated to demonstrate his intimate relationship to the book by illustrating it on several occasions and by adding a short manuscript note to the second French edition and a longer foreword to the English one. Indeed of all Cocteau's books Le Livre Blanc is probably one of his most confusing because of both its subject and its form or forms. Even today it remains difficult to consider this book. The critic finds himself lost among the multiple editions the various versions of the text and the many illustrations as well as the prefaces manuscript notes and frontispieces. Despite its nature as a confidential text. Le Livre Blanc has appeared in no less than 13 different editions from 1928 to the present. the first edition is anonymous bears no mention of the publisher's name and contains no illustrations. The printing was limited to 21 copies including 10 author's copies and is needless to say almost impossible to find today."<br /> <br /> Pia Les Livres de l'Enfer 812-813. Canovas "Jean Cocteau's Le Livre Blanc: Sex Text and Images" Word & Image 231:1-15 January 2007. Georgel Jean Cocteau et Son Temps 402. Young The Male Homosexual in Literature 709 for the English edition. [Maurice Sachs and Jacques Bonjean] unknown
1949IOCl[COC43Paris: Paul Morihien 1949. 1949. 8vo. pp. 3 p.l. 11-87 1 leafcolophon. 4 colour illus. in text 3 full-page with no text on verso after designs by Cocteau. original wrs. & dw. with vignette by Cocteau below title on front dw. short tear in lower front joint faint foxing to last 2 leaves glassine wr. tattered. Limited to 500 numbered copies this one of 475 on watermarked 'vélin Johannot'. This is the third edition of Cocteau's semi-autobiographical homo-erotic text the second to be illustrated. All three of these editions 1928 1930 and 1949 were published anonymously in limited numbers. Hardcover. [Paris]: Paul Morihien, [1949]. Hardcover
331590Peter Owen 1969. UK FIRST EDITION octavo white heavy boards gilt lettering to spine & front board sm gilt illus to front board 76pp illus VG light rubbing & moderate tanning to spine & board edges minor staining to base of spine & boards light tanning & foxing to page edges in d/w VG light creasing & chipping to edges moderate soiling & water staining light foxing to flaps Peter Owen 1969 hardcover
1992204397Paris: Passage du Marais 1992. Softcover. VG/VG. A matte softcover book with black text down an orange spine. There is a matching glossy dust jacket with the title in gray down a mostly light orange spine. Pages: 6 9-85 ~42. Illustrated with majority color images. Passage du Marais paperback
0720610818.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
51-4925Paris: Paul; Morihien 1949. Small 4to. 19 x 23.5 cm. Original wraps in original darkened glassine. One of 500 numbered copies Johannot. with 4 wooducts in blue by Cocteau. 90 pp Luc Monod no. 2913.Exemplaire numéroté sur Vélin Johannot.Editeur Paul Morihien. sd 1949 sans étui - Etat moyen.Provenance: Estate of the Parisian gallerist Valerie Schmidt. Paris: Paul; Morihien, [1949] paperback
196962209London: Peter Owen Limited 1969. 1st Edition 1st Printing. Hardcover. Very Good/Good. Jean Cocteau. Cream cloth boards lightly tanned round edges; title & small decoration in gold on front; author title & pbl in gold on spine. Cut edges lightly tanned. Endpapers have a grey pattern. Text block tight pages mostly clean; a few have grubby marks Introduction by Margaret Crosland; book contains several drawings in blue on plates. Cream unclipped dust jacket is slightly grubby with a few tiny chips; author & title in black on front with a drawing in blue; author & pbl in black on spine with title in blue; pbl logo in blue on back; intro to book on front flap; list of books by Cocteau on back flap; protected by a plastic sleeve. <br/> <br/> Peter Owen Limited hardcover
4771301948.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1914413911Paris: Société Générale d'Impression 1914. Unbound. Good. Magazine. A near-complete set of all 20 issues published from 28 November 1914 to 1 July 1915. The first issue consists of two leaves lacking an internal bifolium issue no. 3 is lacking the final leaf; else all other issues appear to be complete in stapled wrappers including several with publisher’s printed slips. The front and back covers of most issues are split along the spine folds else overall a good or better set with some scattered foxing to a few covers toning and modest scattered chipping to the edges.<br /> <br /> A rare near-complete set of this satirical-political wartime review founded by Jean Cocteau and Paul Iribe early in their careers in illustration fashion and graphic design. Both men were important exponents of avant-garde art: as a teenager Iribe drew illustrations for the popular caricature journal L’Assiette au Beurre The Butter Plate; and Cocteau who had published his first volume of poems "Aladdin's Lamp" at 19 had already become widely known in Bohemian circles as "The Frivolous Prince." Iribe designed most of the covers and Cocteau contributed both images and text signing his drawings with the pseudonym “Jim†the name of his dog. Other important contributors include Russian painter and theater designer Léon Bakst Fauvist painter Raoul Dufy and Cubist painters Albert Gleizes and André Lhote.<br /> <br /> Established as the wartime sequel to François Bernouard’s Schéhérazade but printed on much poorer paper the set includes fine impressions of the many famous double-page drawings and series of cartoons and sketches including Cocteau’s series titled “Atrocites†comprising frightening figure of fat stupid and sadistic Germans. Also included in issue no. 5 is one of Cocteau’s most celebrated phrases … Entre le “GOUT†et la “VULGARITɆ…: “Between Taste and Vulgarity both unpleasant there remains an élan and a measure: The Tact of Understanding Just How Far To Go Too Far. Le Mot hopes you will follow it on this path of Franceâ€.<br /> <br /> A scarce set of 20 loose issues with two additional covers and the original publisher’s advertisement slips. A detailed list is available. Société Générale d'Impression unknown
191538788Paris 1915. Fine. Paris 20 février 1915 28 x 43 cm agrafé First edition. Cover illustrated by Paul Iribe unsigned illustration of the central double page drawings by Cocteau. Le Mot is an illustrated weekly magazine directed by Paul Iribe assisted by Jean Cocteau. The illustrations adopt most of the time a satirical and strongly anti-German tone. It is in this magazine that Jean Cocteau publishes drawings under the pseudonym of Jim - the name of his dog. Cover detached paper yellowed as is often the case some foxing and tears to the first cover. The copy is complete with its subscription slip. unknown
191538790Paris 1915. Fine. Paris 30 janvier 1915 28 x 43 cm agrafé First edition. Cover illustrated by Paul Iribe grand poem on three pages by Jean Cocteau. Le Mot is an illustrated weekly magazine directed by Paul Iribe assisted by Jean Cocteau. The illustrations adopt most of the time a satirical and strongly anti-German tone. It is in this magazine that Jean Cocteau publishes drawings under the pseudonym of Jim - the name of his dog. Paper yellowed as is often the case some foxing to the first cover. unknown
23890Paris aux bureaux de la revue imp. Crété 1914 et 1915. 1 vol. 275 x 475 mm. Cartonnage bradel papier marbré pièce de titre reliure de l'époque. Édition originale et collection complète des 20 numéros de cette revue parue entre le 28 novembre 1914 et le 1er juillet 1915. Exemplaire avec le double état de la couverture du n° 8 premier état censuré et très peu diffusé et le feuillet d’annonce pour la parution du 20 mars 1915 interdite par la censure. Envoi signé : « à Francis Poulenc son ami Jean Cocteau 1918 ». . Revue fondée par Jean Cocteau et Paul Iribe au cœur de la guerre Le Mot capte la violence du conflit jusque dans ses images : patriotisme offensif des premiers numéros puis ouverture rapide aux modernités graphiques — bois de Raoul Dufy collaborations d’Albert Gleizes Léon Bakst André Lhote ; Cocteau y signe dessins et caricatures sous le pseudonyme « Jim » pseudonyme emprunté à son chien. Réformé mais engagé à la Croix-Rouge présent aux évacuations de blessés après les bombardements de Reims Cocteau transpose dans la revue un sens aigu de l’actualité et de la propagande visuelle bientôt heurté par la censure. Le recueil est présenté en collection complète dans un cartonnage commandé par Fracis Poulenc : il réunit les 20 numéros de publication dont le double état de la couverture du n° 8. Provenance de premier plan : Francis Poulenc 1899-1963 fera partie du groupe des « Six » fondé par Cocteau après son manifeste Le Coq et l’Arlequin 1918 ; la dédicace date précisément ce moment l’amitié et le compagnonnage. Poulenc mettra en musique les Cocardes 1919 sur des textes de Cocteau participe au ballet collectif Les Mariés de la tour Eiffel 1921 argument de Cocteau et retrouvera son univers dans La Voix humaine 1959. Sommaire : N°1 - 28 novembre 1914 ; N°2 - 7 décembre 1914 ; N°3 - 19 novembre 1914 ; N°4 - 2 janvier 1915 ; N°5 - 9 janvier 1915 ; N°6 - 16 janvier 1915 ; N°7 - 23 janvier 1915 ; N°8 - 30 janvier 1915 - 2 couvertures dont la première censurée ; N°9 - 6 février 1915 ; N°10 - 13 février 1915 - avec la double page pour la gravure de Dufy ; N°11 - 20 février 1915 ; N°12 - 27 février 1915 ; N°14 - 13 mars 1915 avec le feuillet d'annonce pour le numéro du samedi 20 mars interdit par la censure ; N°15 - 27 mars 1915 ; N°16 - 3 avril 1915 mouillures sur les feuillets de ce numéro ; N°17 - 1er mai 1915 ; N°18 - 1er juin 1915 ; N°19 - 15 juin 1915 ; N°20 - 1er juillet 1915. Paris, aux bureaux de la revue, imp. Crété, 1914 et 1915. 1 vol. (275 x 475 mm). Cartonnage bradel papier marbré, pièce de t unknown
1915222951Paris: Le Mot at Societe General 1915. Newspaper. 6p 17.5x11 inches text in French illustrations one gigantic leaf tri-fold to create a broadside/magazine one fold-line is split halfway down the other is at risk. Cover illustration a generic medal labeled 'la cicatrice' and back cover cartoon Iribe printed in monochrome. Paper stock is pulpy and acidic is somewhat toned dusty and edge worn with two inch-long marginal tears as well as the above-mention long split. After attempting to enlist at 25 in 1914 Cocteau joined with Paul Iribe to publish this patriotic journal fortnightly. By January 1915 1915 the journal published weekly. Publication ended in July 1915. Cocteau's contribution is a substantial poem 'La Grande Pitie des Victimes de France' printed in large-point occupying all three center pages. Iribe and Cocteau's wartime. Le Mot at Societe General unknown
1928FIC DKSEDITIONS DE QUARTRE CHEMINS 1928. Book. Fine. Soft cover. FIRST. A FINE FIRST EDITION FJIRST PRINTING IN GLASSINE NUMBER 1398. EDITIONS DE QUARTRE CHEMINS Paperback
0007AAvec cinq dessins de Giorgio de Chirico. Paris: Editions des Quatre Chemins 1928 Wrpps Cr.8vo. 84pp. 5 plates. "Exemplaire No. 1052 out of 2875 exemplaires sur papier de rives a la forme." A very nice copy of the first edition in the publisher's printed grey wrappers. We have been selling antiquarian books on Africa Oceania archaeology anthropology travel and the ancient world for over forty years. All our books are carefully catalogued and they are in excellent condition unless stated in the description. All shipments are fully insured at our expense. All books are carefully packaged in new packaging material and despatched by registered or recorded mail or by a courier service; the customer is always able to track their shipment. All sales are accompanied by a VAT invoice. Photographs may be supplied if requested. unknown
1928D1080Paris: Editions des Quatre Chemins 1928. Hardcover. Very Good. Early 3/4 calf and cloth. Original wraps bound in. Lincoln Kirstein's copy with his signature <br/><br/> Editions des Quatre Chemins hardcover
1928D17632Paris: Editions des Quatre Chemins 1928. First Edition. Paperback. Fine. Original wrappers. Copy 948 of a total edition of 2875 on "papier des rives de la forme". Exceptional copy. <br/><br/> Editions des Quatre Chemins paperback
192869457Paris : Editions des Quatre Chemins 1928. 198x145mm. broch. couverture remplie. Couverture papier cristal dÕorigine conserve. Exemplaire numrot sur papier de Rives la forme 611 / 2875. Bel exemplaire. 182 Editions des Quatre Chemins unknown
1928244851Paris: Editions des Quatre Chemins 1928. First edition one of 2875 copies on Rives. With five black and white illustrations by de Chirico. 80 6 pp. 1 vols. 8vo. Original blue-grey printed wrappers. Fine copy in original glassine worn. First edition one of 2875 copies on Rives. With five black and white illustrations by de Chirico. 80 6 pp. 1 vols. 8vo. Artist and the Book 56. Artist and the Book 56 <br/><br/> Editions des Quatre Chemins unknown
192845975Paris.: Editions des Quatre Chemins. 1928. Original publisher's cream printed wrappers with red printed title and black printed text to upper cover and spine cloth-backed board chemise and matching box. Small 4to. 246 x 194 mm. Half-title printed title with copyright verso and Cocteau's text dated 'Décembre 1927' illustrated with 5 monochrome illustrations by de Chirico each recto only leaf with justification recto and 'Paru dans la même collection' verso and final leaf with achevé d'imprimer. A very fine example of the édition de tête with de Chirico's original etchings and corrected proofs by Jean Cocteau.From the edition limited to 3330 copies with this one of 10 from the édition de tête on Japon Impérial with de Chirico's etchings inserted loose each signed and numbered from the edition of 100 in pencil;; the book is also signed by Cocteau on the half-title and includes two leaves of printed text with manuscript corrections in ink by Cocteau.The two leaves with manuscript corrections feature text printed on pages 30 31 32 and 33. Cocteau has made manuscript excisions ellisions and additions which amount to substantial changes. In several instances the corrections differ even from the final published text which was completed in December 1927; the achevé d'imprimer gives a publication date of 'le Trente Mai Mil Neuf Cent Vingt-Huit'.Ciranna 3 / 4. Editions des Quatre Chemins. hardcover
192873460Paris: Editions Des Quatre Chemins 1928. Small 8vo. 1 of 2875 copies. 81 4 pp. Paper covers with black and red lettering to front & spine. Toning to spine and edges of covers darkened spot & small loss to base of spine. Clean internally. Illustrated with 5 drawings by Giorgio de Chirico the loose point of departure and subject of Cocteau's essay. . Very Good. Original Wraps. Limited Numbered Edition. 1928. Editions Des Quatre Chemins 1928 paperback
1928223014Paris: Editions des Quatre Chemins 1928. Brossura wrappers. Molto buono Very Good. 5 illustrazioni in bianco e nero f.t. . 16mo cm 197x145. pp. 88. Molto buono Very Good. Tracce di colla di nastro adesivo alla prima e ll'ultima pagina Glue's traces of scotch at the first and last page. Edizione originale di 2975 es. numerati. Editions des Quatre Chemins, unknown
2395Paris Édition des Quatre Chemins 1928. Édition des Quatre Chemins Paris 5/30/1928. First edition. 8mo. 1 of 2875 numbered copies on Rives à la forme there were 11 on Japon 25 on Holland and 64 on Annam de Rives. Includes 5 drawings illustrated by de Chirico. Uncut. In fine condition with the exception of a minor repaired tear at the bottom of the spine. unknown
19522091202133206188Fequet et Baudier 1952. Soft Cover. Fine. Volume: 1 Fequet et Baudier paperback
1959894998Heidelberg.: Verlag Lambert Schneider. 1959. Orig.Pappe. 4° quer. Seiten gebräunt. Rücken leicht beschädigt. Gebrauchsspuren. Übersetzung von Friedrich Hagen. Verlag Lambert Schneider. unknown