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1939ST20331London: Beaconsfield Press 1939. No. 72 OF 125 COPIES SIGNED BY THE ARTIST AND THE EDITOR for sale in the British Empire. 292 x 248 mm. 11 1/2 x 9 3/4". xxvi pp. 46 leaves all leaves French fold. Edited by Cecil Roth. <br/> Elegant original blue crushed morocco by Sangorski & Sutcliffe signed on front turn-in covers with gilt French fillet border and large intricate central figure designed by Szyk of a patriarch holding a goblet and book raised bands spine gilt in double ruled compartments with ornate crown centerpiece gilt titling turn-ins with double gilt-ruled and scalloped border surrounding an illustrated silk doublure featuring a Szyk portrait of Moses with the Ten Commandments done in shades of gray within a frame of elaborate design. In an excellent velvet-lined box of blue half morocco over lighter blue cloth upper cover with central lion's head in gilt on blue morocco spine like that of the book. WITH 14 FULL-PAGE AND 32 SMALLER COLOR REPRODUCTIONS OF DESIGNS BY SZYK. English translation printed in black commentary printed in red. Front flyleaf inscribed in ink: "To Mr. and Mrs. Solomon Brachman / very cordially / Arthur Szyk / New York. April 1945." Very faint naturally occurring variations in the grain of the vellum otherwise a pristine copy.<br/> <br/> With an important Holocaust-related authorial inscription this is a very fine copy of what the London Times described as "a book worthy to be placed among the most beautiful of books that the hand of man has produced." Arthur Szyk 1894-1951 a Polish Jew is considered by scholars to be the greatest 20th century illuminator. Using the style of the Medieval illuminated manuscript artists he has here created a Haggadah for Passover that is at once a beautiful book of devotion a political protest against the rise of Nazism and a plea for England's help for the Jews of Europe. By 1939 Szyk's anti-Nazi cartoons had caused Hitler to put a price on his head forcing him to flee to England. His original illustrations for his "Haggadah" featuring the villains of the Exodus with the heads of Hitler Goebbels and other leading Nazis had to be toned down before publication. All 46 pages of the Hebrew text are illustrated with scenes from the Passover story as well as vignettes of Jewish life in modern Europe—sometimes Szyk mixes the two to great effect. Perhaps the most moving illustration in the book is the elaborately illustrated dedication to King George VI of England appealing for his mercy to European Jews. The great symbols of the British Empire—the lion and unicorn St. George defeating the dragon—surround Szyk's plea to the king: "At the feet of your most gracious majesty I humbly lay these works of my hands shewing forth the affliction of my people Israel." In the lower right corner of the painting we see Jewish refugees beside one of the ships which were usually turned away from British shores while Szyk depicts himself leaning against the painting his brush and easel in hand. The text here is enriched by the historical introduction and the commentary contributed by Cecil Roth 1899-1970 the preeminent British expert on Jewish history. This crowning achievement of Szyk's life was four years in the making and has proved to be an enduring treasure. Szyk presented this copy to Texas oilfield supply magnate Solomon "Sol" Brachman 1896-1974 and his wife Etta. The son of a Latvian Jew Brachman was the founding president of the Jewish Federation of Fort Worth in 1936 and helped arrange an emergency $100000 bank loan for Israel on the eve of statehood in 1948. His wife who served as president of the National Council of Jewish Women was known as "the mother of Hadassah." Szyk's 1945 inscription was no doubt especially meaningful to this devout family whose Latvian relatives were among the 90 percent of that country's Jews who perished in the Holocaust. Beaconsfield Press unknown
1882ST16453Glasgow: Printed by Robert Anderson for Private Circulation 1882. ONE OF ONLY 50 COPIES. 195 x 122 mm. 7 3/4 x 4 7/8". 1 p.l. x 103 1 pp.From George Bannatyne's manuscript compiled A.D. 1568. <br/> BEAUTIFUL CITRON CRUSHED MOROCCO ELABORATELY TOOLED IN GILT BY RAMAGE stamp-signed on front turn-in covers with six concentric frames--intricate filigree roll pointillé-tooled floral vine and alternating small ornaments--enclosing a central panel with cornerpieces semé with rows of fleurs-de-lys large oval medallion at center radiating ornate fleurons raised bands spine compartments with large central medallion containing a vase of flowers delicate tooling in corners gilt titling turn-ins framed by filigree roll and alternating small ornaments brown and tan silk jacquard endleaves patterned in a Medieval motif top edge gilt. Printer's device on title page decorative woodcut initials and headpieces. Spines evenly sunned to a warm honey brown corners lightly rubbed short faint scratch to lower board but the binding virtually unworn and happily free of the splaying that plagues vellum books. Leaves lightly rumpled but A VERY FINE COPY the vellum leaves creamy clean and bright and the binding glittering with gold.<br/> <br/> Printed on luxurious vellum and limited to just 50 copies presumably for private circulation among friends of the printer this is a lovely edition of 16th century poems by a mysterious author believed to have been a poet and musician associated with the court of Mary Queen of Scots. This work contains all 36 extant poems attributed to Scott ca. 1520-82/3 including what is considered to be his most historically important work "Ane New Yeir Gift to Quene Mary" 1562 written in support of the young Scottish queen caught between Catholic and Protestant agendas. His other poems consist largely of lyric verses on love and sexuality which DNB describes as possessing "exceptional metrical variety and vernacular directness" with "a musician's ear for rhythm and melody." Scott's poems are known to us via the Bannatyne manuscript now held in the National Library of Scotland which ranks among the most important documents of Scottish Medieval literature. Written by George Bannatyne in 1568 during a period of confinement due to an outbreak of plague it contains a mixture of both secular and religious material including the sole extant copies of several texts. In the preface to the present work the publisher notes that Scott's poetry has been faithfully reproduced from that manuscript and thus "for the first time accurately printed." Very little is known regarding the life of Alexander Scott but he seems to have been attached to the court of Mary Stuart through John Erskine a guardian and counselor to the queen. Given the very limited number of copies made it is not surprising that this work is extremely rare on the market. Printed [by Robert Anderson] for Private Circulation unknown
1862ST20857London: Edmund Evans for Sampson Low Son and Co 1862. ONE OF PERHAPS 10 COPIES PRINTED ON VELLUM. 260 x 195 mm. 10 1/4 x 7 3/4". vii 1 235 1 pp. <br/> Publisher's stiff vellum smooth spine with gilt lettering edges untrimmed. In a modern felt-lined blue buckram drop-back box. Decorative initials in red or blue title page and text leaves with full criblé border of vined foliation occasionally inhabited eight or 10 leaves with more extensive illustrations at head or foot all engraved by W. J. Linton after illustrations by John Franklin. Front pastedown with ex-libris of Marion Hope Rattey. A Large Paper Copy. McLean "Victorian Book Design" p. 184. Short thin cracks to head and tail of front joint spine vaguely soiled upper cover with two very small brown spots and one trivial red mark occasional mild rumpling or naturally occurring variations in the grain or thickness of the vellum as usual a couple of minor smudges but still a very agreeable copy the binding solid and without the splaying common in vellum books the interior clean fresh and bright and the margins extraordinarily wide.<br/> <br/> This is an infrequently encountered copy of a beautiful Victorian book on vellum issued by one of the era's top printers. The volume was printed by Edmund Evans 1826-1905 who is now best remembered for his illustrations and advances in color wood engravings. Relatively little is known about this book's production: Ruari McLean tells us that it was "entirely printed" by Evans but it is unknown whether he was responsible for the design as well McLean remarks that "if Evans was responsible for its design it shows his superiority in book-making". We also are unsure how many copies were printed on vellum although the general consensus is 10. Regardless as McLean tells us "it is one of the prettiest books of the 'sixties" with sharp deep impressions of the type on the rich creamy vellum jewel-like colored initials and elegant wood-engraved illustrations. These illustrations are the work of John Franklin ca.1800-68 a painter and draftsman who was highly respected in his own time. The precisely realized borders feature idealized human forms posed within a robust botanical largely acanthus context the figures posing with balletic grace their expressive faces often turned gently away from the reader. The size of the leaf here is significant: the untrimmed edges retain their tiny printing pinholes which would normally have been trimmed away with regrettable loss. And not surprisingly our vellum printing is almost never seen: we could trace just two copies at auction since 1924. Former owner Marion Hope Rattey 1922-97 was likely the daughter of bibliographer Clifford C. Rattey 1886-1970 whose impressive library featured incunabula and block prints. [Edmund Evans for] Sampson Low, Son, and Co unknown
442Aix, David, 1727. 4 pp. in 4° déreliées.
190696443Partitions sur l'imprimerie , journaux et livres 1906
11840- Lyon, Imprimerie de Louis Perrin 1862 - Grand In Folio, reliure demi-cuir contemporaine , non paginé - 66 feuilles , XLI exemplaire intégralement assemblé sur onglet et légendé recto verso- Index, Table. Excellent exemplaire, frottements d'usage - l'ensemble de la pagination exempt de rousseurs.
1828135271828 P., Urbain Canel, 1828, 1 vol. in-8° (208 x 125 mm) reliure plein maroquin cerise, dos à 5 nerfs, titre et date dorés, double filet doré sur les coupes, tranches dorées, jeu de 6 feilets dorés en encadrement des doublures (MARIUS MICHEL), de ((2) ff. (faux-titre et titre) - XVIII pp. (Avertissement de l'éditeur) - 334 pp. - (1) f. (table).Mors légèrement frottés, rares rousseurs, très bel exemplaire dans une belle reliure janséniste de Marius Michel par ailleurs.
1743367154Christopher Saur Germantown PA 1743. Good Condition. A single leaf from the Germantown PA. Bible of 1743. The first German language Bible printed in America. The 1743 edition was of just 1200 copies printed by Christopher Saur the elder d.1758. The younger Saur inherited the business on his father's death and printed numerous German language publications. This bible was printed many years before the first English language bible was printed in America. THERE IS MORE THAN ONE PICTURE OF THIS ITEM TO SHOW YOU MORE DETAILS. Size: 19.5 x 25 cms. Text is in German. Category: Antiquarian & Rare; Special Features; Printed before 1800; German Language; Special Features. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. Christopher Saur unknown
19832111902156100332Nanke Book Office 1983. Soft Cover. Fine. Number of books: 1 Nanke Book Office paperback
191325501London England: Hodder & Stoughton 1913. xxxv advertisement sections about evenly divided between front and back of the publication 24 page Hodder & Stoughton catalog pages 131 - 194 1- 237 of the Christmas Supplement with iii pages of useful index to the supplement at back. Some color printing including tipped-on plates and black and white illustrations throughout examples of various noted illustrators of the time publishers announcements and catalogs including a couple of tipped-in examples. This does not contain the additional 'Portfolio' section of this special issue. Approx. 9" x 13" size; cover illustrated with tipped-on portrait of J.M. Barrie printed on beige hessian-paper combined softcovers. Some wear soiling to binding spine wrinkly. Contents clean and in very good condition. First Edition. Soft Cover. Good. Hodder & Stoughton paperback books
191425502London England: Hodder & Stoughton 1914. xxii advertisement sections about evenly divided between front and back of the publication 21 page Hodder & Stoughton catalog including 4 pages on browned paper 'war publications' pages 61 - 112 1- 157 of the Christmas Supplement. Some color printing including tipped-on plates and with black and white illustrations throughout examples of various noted illustrators of the time publishers' announcements and catalogs. This does not contain the additional separate 'Portfolio' section of this special issue. Approx. 9" x 13" size; cover illustrated with tipped-on color plate "The Glory of Belgium" by Bruckman; printed on beige hessian-paper combined softcovers. Some wear soiling to binding old faint discoloration bottom edge cover illustration chipped worn. Contents clean and in very good condition. First Edition. Soft Cover. Good. Hodder & Stoughton paperback books
19892082702114601495Sada Nisenen Edit Studio Noah 1989. Soft Cover. Fine. Number of books: 1 Sada Nisenen Edit Studio Noah paperback
19762082702114600321Fixed 2800 Yen Shogakusho 1976. Soft Cover. Fine. Number of books: 1 Fixed 2800 Yen Shogakusho paperback
19742082702114601184Fixed 1500 Yen Sanichi Shobo 1974. Soft Cover. Fine. Number of books: 1 Fixed 1,500 Yen Sanichi Shobo paperback
197720827021146008332800 Yen 1977. Soft Cover. Fine. Number of books: 1 2800 Yen paperback
19762082702114606063Kodansha fixed price 220 yen 1976. Soft Cover. Fine. Number of books: 1 Kodansha fixed price 220 yen paperback
19732082702114600279Calligraphy Bunka Shinsha 25000 Yen 1973. Soft Cover. Fine. Number of books: 1 Calligraphy Bunka Shinsha 25,000 Yen paperback
19842082702114609677Fixed 2900 Yen Musashino Shobo 1984. Soft Cover. Fine. Number of books: 1 Fixed 2900 Yen Musashino Shobo paperback
19722082702114600234Future company fixed 680 yen 1972. Soft Cover. Fine. Number of books: 1 Future company fixed 680 yen paperback
19492082702114602989List of Japanese Movie Stars Full Picture of Shochiku Eiga 1949. Soft Cover. Fine. Number of books: 1 List of Japanese Movie Stars Full Picture of Shochiku Eiga paperback
197720827021146045942800 Yen 1977. Soft Cover. Fine. Number of books: 1 2800 Yen paperback
18932111902160200405Iwanami Sono Remnants Edition 1893. Soft Cover. Fine. Volume: 1 Iwanami Sono Remnants Edition paperback
19732111902156100267Kinokuniya Bookstore 1973. Soft Cover. Fine. Number of books: 1 Kinokuniya Bookstore paperback
19022111902160201152Hanshichi Yoshikawa 1902. Soft Cover. Fine. Number of books: 7 books Hanshichi Yoshikawa paperback
19922082702114605342Education company fixed 3090 yen 1992. Soft Cover. Fine. Number of books: 1 Education company fixed 3090 yen paperback