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1964242081964. Hardcover. Good. Hardcover/pub.1964/VG condition-autographed/911 pages - A compilation of addresses and tributes as given in the United States Senate and House Of Representatives on the life character and public ser vice of the late John Fitzgerald Kennedy. KI924208 hardcover
Small 4to, 25.3cm. Pp. viii,154,[4],blank,131,[1], 129 full-page facsimiles and photos in second section, indexes. - Listing 319 items mostly with extensive descriptions and annotations. Scarce and valuable catalogue of incunabula.
751, Paris, Imprimerie de Plassan et cie, 1832., Relie, demi-toile (dos), dos frotte, coins fatigues, 14x23cm., 400 pp. et 3 plans.
197517995<p>Laguna Beach California: Laguna Verde Imprenta 1975 One of about forty copies. "Printed on an 1853 Albion hand press by Ward Ritchie in his first experiment with nature printing." . Green printed wrappers stitched at spine with leaf print and title to front wrapper which exhibits slight creasing at edges. . Octavo. Illustrated with black and white leaf prints super-imposed over variously colored block backgrounds. Laguna Verde Imprenta colophon. Light toning to wrappers' edges. Presentation copy inscribed to Jake Zeitlin from Ward Ritchie in the month of publication. A very good copy. From Ritchie's introduction: "Carlyle Ferren MacIntyre was a lyric poet. He was a brilliant man. Words were his life. Whether he was talking or writing they came forth clear incisive and picturesque. He loved his stage on which he always managed to be the principal character. As a professor of English Literature at Occidental College UCLA and Berkeley he influenced several generations of students…I recently found these poems of MacIntyre's buried in correspondence four decades now past to be here printed many years after his death." MacIntyre d. 1967 is primarily remembered for his translations of Baudelaire Verlaine George Goethe and Rilke.</p> Laguna Verde Imprenta,
197817628<p>Laguna Beach California: Laguna Verde Imprenta 1978 One of fifty copies printed for Lawrence Clark Powell and Archibald MacLeish 1892 – 1982. This is a reprint of MacLeish's poem "Poem" which originally appeared in A Miscellany of American Poetry 1927 with a foreword by Powell. When Powell expressed his interest in publishing the poem which had not appeared in MacLeish's collected poems MacLeish was "astonished" and told Powell "I have no memory of the poem and…I do not recognize the rhythms as mine. Original Cockerell marbled paper wrappers. . 9 in. x 4 in. . Printed decorations in blue and gold by Rex Brandt. Hand-set and printed by Ward Ritchie on an Albion hand press. Handmade paper. A fine copy. Ward Ritchie notes in the colophon that as a student he wrote to MacLeish for permission to print a poem of his. The result was Interrogate the Stones which Ritchie published in an edition of twenty-seven copies in the spring of 1929 while he was a student at Frank Wiggins Trade School in Los Angeles. Ritchie writes "Now these many years later I am happy to have the privilege of printing another of his poems on an Albion hand press with decorations by my friend Rex Brandt."</p> Laguna Verde Imprenta,]
5119Paris, Bureaux d'Administration de l'Académie de l'Industrie Française, 1833 et 1834 – Grands in-quarto, 200 pp. et 396 pp. – brochés, couv. grise. Illustrations n. et b. ; manque des numéros 12, 15 et 16 dans le vol. de 1832.
190517687<p>Fall River Mass: American Printing Co. n.d. ca. 1905-1910 First edition OCLC records three copies of what seem to be the same Fall River Massachusetts edition Syracuse Winterthur Museum SMU. A 1920 edition with no place of publication specified was also published. Publisher's blue cloth titled in white. . Oblong quarto. . With color-illustrated title-page fourteen illustrations of fabric swatches ten in color and seventeen black-and-white photo reproductions machine shops a dye house printing rooms etc. Some wear to corners and a bit of smudging to cloth. Printed card with two mounted fabric swatches from B.O. Case & Co. laid in. A near fine copy of a scarce book. This illustrated promotional catalogue includes descriptions of the facilities and production process of the American Printing Company. The company was established in 1835 as American Print Works by Holder Borden as an offshoot of the Fall River Iron Works company which had been established in 1821 by his father Colonel Richard Borden. During its peak in the 1870s the American Print Company was one of the most successful textile companies in the world. In large part due to the success of the company Fall River Massachusetts became the leading textile city in the United States. At the time the present book was published the company employed six thousand workers. The company maintained its success into the 1910s but began to decline in the 1920s and closed its Fall River mills in 1934.</p> American Printing Co., hardcover
19721<p><strong>Superb set of hundreds of cut-out letterplates mounted on strong paper.</strong></p><p>Paris XVIe : 26 planches certaines légendées <em>Josse Bade 1520 1532 Carolus Stephanus 1558 Michaelis Vascosani 1543 Michel de Vascosan 1534 et 1543 Christophe Van Sichem Simon de Colines 1522 1527 1528 </em>3 planches<em> Thomas Richard 1552 1558 Robert Estienne 1549 A. Wechel 1559 Copiées sur Geoffroy Tory </em>2 planches<em> Robert Estienne 1551 Dessinées par Geoffroy Tory Carolae Guillardae 1540 Jacques Kerver 1567 Pierre Vidoue 1519 Kerver 1567 Attribuées à Jean Cousin Josse Bade 1514-1520 pour Guillaume Budé </em>3 planches</p><p>Paris XVIe suite : 17 planches certaines légendées <em>Henri Estienne 1566 Wechelum 1554 Jehan Petit 1514 Iacobum Gazellum 1548 Jehan Barbier 1515 Gulielmum Cavellat 1562 Wechel 1529 Antonii le Marié 1605 Claude Chevallon 1527 Henri Estienne 1512 1568 Félix Colonia 1512</em></p><p>Bâle Allemagne et divers en deux dossiers : 26 planches certaines légendées <em>And. Cratander 1531 3 planches Ioannem Oporinum 1557 Hervagiana 1541 Jean Schoeffer 1528 Mayence</em> 3 feuillets d'alphabet <em>Cologne Cervicorne 1539 Francfort Christian Egenolff 1545 Ingolstadt Weissenhorn 1550 Anvers Plantin 1571 Ingolstad Apian 1534 Cologne Cervicorne 1539 Francfort Les Feierabend 1568 Cologne Cervicorne 1532 Basileae Io Beb. et Mich. Ising. 1550. Guillaume Rouillé 1581 Guillaume Rouillé 1551.</em></p><p>Venise et Florence : 6 planches certaines légendées Venetiis per Ioannem de Fridino de Cereto Facuinum 1500 1536 Per Piero de Zuanne di Quarengii da Palazago Bergamasco 1797 <em>ie</em> 1497 .</p>
69-514720th C Printing House 1950. 52 cm x 40 cm. Tape behind poster behind creases shows through thin paper else Good small tears on right edge and near top right corner. [20th C Printing House], [1950] unknown
1995LFA0165eUn bulletin de 22 pages, format 210 x 135 mm, Académie Delphinale (Grenoble) fondée en 1772
1996LFA01672Un bulletin de 22 pages, format 210 x 135 mm, Académie Delphinale (Grenoble) fondée en 1772
19594476Paris Impr. J. London 1959 aucune reliure (impr. J[acques] London, Paris), 1959. 75 x 50 cm, affiche en couleurs tirée en lithographie avec de nombreux réhauts à l'aquarelle de la main de l'artiste.
19814431Saint-Ouen imprimerie Chaix 1981 aucune reliure (Saint-Ouen), (imprimerie Chaix), 1981. 80 x 57 cm, affiche en couleurs tirée en offset.
201382091Detroit: Kennedy & Sons Fine Printers 2013. First Edition. Poster letterpress printed on chipboard with black and red oil-based inks using wood type measuring 32cm x 48cm 12.5" x 19". A Fine copy. One of four posters in a striking series printed to promote an exhibition of Kennedy's work at the Catich Gallery St. Ambrose University Davenport IA "Racism Matters or Post-Racial My Ass" which ran from 15 January-22 February 2013. While the text of each poster is identical each one prints a different racist caricature along the lower third at center in keeping with the theme of the exhibition this one featuring a small boy eating watermelon. OCLC notes just 2 complete sets Harvard Northwestern. 82091. Kennedy & Sons, Fine Printers unknown
8vo. 62, (2) ff. With wodcut printer's device on title page. Contemporary limp vellum with later giltstamped orange spine label and ms. spine title. Very rare Italian edition of the "Kitab al-Jawami", an Arabic work on the interpretation of dreams by an "Achmet, son of Seirim" - almost certainly identical with the 8th century Muslim mystic Abu Bakr Muhammad ibn Sirin. The work survived in a Greek translation ("Biblion oneirokritikon") prepared in the 12th century. "The author Ahmed served as interpreter of dreams to Caliph Al-Mamun around 820 [...] The mediaeval conflation of medicine with astrology originated with the Arabs. Through the Salernitanian school, which had many Arabic works translated, the notion reached Europe in the 11th century, where it remained predominant as late as the 17th and 18th century [...] In 1577 J. Loewenklau published a Latin translation of the Oneirokritiká of Ahmed, whom he calls Apomasar" (cf. Schöll). - Slight waterstaining and old ink ownerships and annotations to title page. BM-STC Italian 338. Edit 16, CNCE 40443 (title misspelt: "insonnii"). OCLC 1002786023. Not in Adams. Cf. GAL I, 66. Schöll, Geschichte der griechischen Literatur III, 487. Graesse, Bibl. mag. et pneum. 97.
14483Moulins, Place et Bujon, 1810 ; in-32 (12,5 x 9 cm), broché. 48 pp. Tel que paru sans couverture, premier et dernier feuillets un peu tachés.
Small folio (209 x 291 mm). 248 unnumbered leaves (without the first and last blank, as usual). Gothic type, 2 cols., 51 lines. With a woodcut in the text on fol. a2r and printer's device at the end. A single ink initial on p. a2 supplied by the owner. 18th century full calf with panelled boards and giltstamped spine label. Marbled endpapers. All edges red. Rare edition; a single copy in Great Britain. The "Fortalitatium fidei", the principal work (written ca. 1458) of the baptized Spanish Jew de Spina, is considered the "methodical and ideological foundation of the Inquisition. The book, divided into five chapters, targets chiefly Jews and Muslims" (cf. LMA I, 408f.). Of the five books, "the first [is] directed against those who deny the Divinity of Christ, the second against heretics, the third against the Jews, and the fourth against Islam and the Muslims, while the fifth book treats of the battle to be waged against the Gates of Hell. In this last book the author dwells at length upon the demons and their hatred of men; the powers they have over men and the diminution of these powers, owing to the victory of Christ on the Cross, the final condition of the demons, etc." (Catholic Encyclopaedia). "Ouvrage fort curieux de ce théologien espagnol [...] il était dit-on d'origine juive, c'est pour cela que son 'Fortalicium' pèut ètre classé dans une bibliothèque kabbalistique" (Caillet). Part 3, on the iniquities of the Jews, is a veritable encyclopaedia of mediaeval antisemitic libel, containing numbered lists of Jewish "cruelties" and refutations of the Jews' supposed anti-Christian arguments. The section on Islam lists the numerous Saracen wars, while the fifth book is devoted to the battle to be waged against the Gates of Hell and its resident demons, whose population the author calculates at over 133 million; this is one of the earliest printed discussions of witchcraft and a precursor to the "Malleus maleficarum", the first edition of which appeared in the same year as this present edition. - Occasional contemporary ink marginalia (some touched by the binder's knife); some slight worming, confined to blank margins. Some even browning and a weak waterstain, but a very good, wide-margined copy with an 18th century noble collection stamp (crowned Gothic letter G; not in Lugt) on the first leaf. HC 874*. Goff A-542. GW 1577. Proctor 8575. BMC VIII, 277. Polain 159. Pellechet 564. Coumont (Witchcraft) S84.4. Caillet 10305.
Folio (204 x 325 mm). 161 (instead of 220) hand-numbered woodcut plates in early 18th-century colour, mounted on backing paper and missing parts supplemented by hand. Later half calf with 18th-c. spine label. All edges sprinkled in red. First edition of Jost Amman's encyclopedic book of costumes. A strongly fragmented copy, as usual; in the early 19th century, the plates were mounted on backing paper by the owner, the trained landscape painter Jakob Linckh (1786-1841) from Stuttgart (cf. Thieme/B. 23, 254), who also coloured the volume throughout and supplemented all missing parts of the images and even of the text by hand. Linckh, who had studied in Rome, visited Greece in 1810. There he met Byron, who commissioned him to provide the illustrations for Hobhouse's travel book. - Wants 59 plates altogether; the remainder are trimmed closely at the upper edge, and most have severe defects in the lower half. Although the present collection begins with the plate showing the Emperor, as originally issued, the remaining woodcuts follow no apparent order. 20 plates show costumes of Turkey, Arabia, Persia, Egypt, and Ethiopia; others depict Greeks, Russians, and Englishmen. 28 plates show the costumes of today's Italy; German cities are well represented, as are France and Spain, Bohemia and Hungary. Also includes the famous picture of the Brazilian Tupinamba Indians: a man with a crown and belt of feathers, a knife, and a bow and arrow, beside a long-haired woman carrying a baby in a knotted sling. The illustration is an adaptation of two cuts from the "Recueil de la diversité des habits" (Paris, 1562; Antwerp, 1572) by Francois Descerpz, "one of the first likenesses of the Brazilian Indian" (Borba de Moraes). - Title page shows Jakob Linckh's autograph ownership (dated 1825); somewhat later stamped ownership of Anton Franzin (possibly the like-named Tyrolean law clerk, c. 1840) to flyleaf. VD 16, W 1487 (BSB copy incomplete). Lipperheide 7-8 (both copies incomplete). Andresen I, 234. Becker 140. Borba de Moraes II, 373f. Maggs, Bibl. Americana 1-214 ("This book is excessively rare in a complete state").
114705cazin 1777 1782 4 in-18 plein veau marbré A Genève [LYON], 1782 (I-II) - 1777 (III-IV), 4 volumes in-18 de 60 x 120 mm environ. Tome I : XVI pages, 220 p., XXXIII planches de musique; Tome II : 236 pages, XXXII planches de musique; Tome III : 240 pages, XXIV planches de musique; Tome IV : 239 pages, 2 pages, XXVI pages. Complet du frontispice de Boily et des 115 planches de partitions gravées. Plein veau marbré d'époque, dos lisses portants titres dorés sur pièces de cuir blond, filet doré sur les coupes, triple encadrement doré sur les plats, toutes tranches dorées, gardes marbrées à la coquille. Bel ensemble malgrés les défauts suivants : quelques accidents sur les coiffes, coins frottés, légères craquelures sur les dos, tache sur 1 feuillet sinon intérieur très frais.
19270051981927 Paris, Quillet, sans date [1927]. Grand in-quarto broché, couverture ornée de fermoirs gaufrés au palladium. Petite trace de choc au premier plat avec manque de palladium.
2007LFA-126739907N° 140 (Avril 2007) : 40 pages, format 215 x 285 mm, illustré, broché couverture couleurs, bon état
4to. (32) pp. With woodcut illustration to title-page. 18th century half calf over cardboard. Marbled endpapers. The first of the two undated editions of the "Mirror of the Art of Dying Well" by the Italian theologian, canonist, statesman, and cardinal Domenico Capranica (1400-58), published by Quentell in the 1490s. Pellechet cites one edition dated around 1496, and another dated around 1498. Although slightly differing in text, both editions bear an "Accipies" woodcut, showing a teacher inspired by the Holy Ghost (in the form of a dove on his shoulder) lecturing two disciples, which was used by Quentell between 1490 and 1500. A 17th or 18th century Latin note in ink below the woodcut mentions its recurring appearance in Quentell publications: "N. Haec figura sequenti etiam operi, ab Henrico Quentell Coloniae impresso, praefixa est". - A popular genre of devotional literature of the Middle Ages, "ars moriendi" works were widely distributed both in manuscript and printed form. Capranica created his "Speculum" in 1452; it saw a German translation in 1473. - Binding somewhat rubbed. Paper evenly browned throughout. A few contemporary marginal notes and underlinings. Bookplates of the numismatist and bibliophile Jean-Baptiste Colbert de Beaulieu (1905-95) and of Jean Stefgen to front and back flyleaf. Another ownership, dated 20 July 1874, in pencil to front flyleaf. Several bibliographical notes in pencil to flyleaves. Hain 14912. Goff A-1097. GW 2608. BMC I, 282. Proctor 1415. Pellechet 1338. Polain 971. Voullieme 304. Graesse VI, I, 460. Schreiber-Heitz, Die deutschen "Accipies" und Magister cum discipulis-Holzschnitte als Hilfsmittel zur Inkunabel-Bestimmung, 18.
19906469Eugene: University of Oregon 1990. First edition of 17 copies. Oblong quarto. Title page eleven poems with tipped-in woodblock silk screen or inkjet color illustrations and colophon. Printed burgundy wrappers near fine. <br /> <br /> Beautifuly printed book with images and poems by Darryla Green-McGrath Oregon based artist. This project was seemingly completed to satisfy requirements from the Fine Arts Department as well as the Center for Study of Women in Society both at the University of Oregon. <br /> <br /> We note another artist's book by Green-McGrath held at the University of Oregon according to OCLC but this one is unlisted. . University of Oregon unknown
Gr. In-8 carré, 41p. Edition limitée à 1000 exemplaires sur vergé. Illustré de divers documents contrecollés hors texte. Typographie soignée en 2 couleurs. En parfaite condition.
187721541Lyon, Pitrat Ainé, 1877 ; grand in-8, broché ; 35 pp., portrait photographique en médaillon en frontispice, couverture crème.