7 772 résultats
8vo. 116 (but: 117), (1) SS. 19th century red morocco with richly gilt inner dentelle, leading edges gilt, marbled pastedowns. All edges gilt. Very rare first Latin edition of this controversial pamphlet, previously published in French as "Discours merveilleux de la vie, actions & deportements de la royne Catharine de Medicis" ("Paris 1563", but in fact printed in the autumn of 1574). This stinging indictment of Catherine de Medici was reprinted several times and also saw a German translation, "Öffentliches Ausschreiben der übelbefriedigten Stände in Frankreich" (i.e., "Public announcement made by the malcontent estates in France"), edited by Johann Fischart. - "The most controversial book associated with the name of Henri Estienne; this notorious biography of Catherine de Médicis, in the form of a violent Huguenot pamphlet against her, has long been attributed to Henri Estienne, although serious doubt has been cast on this attribution" (Schreiber). The anonymous author presents himself as a Catholic who insists the Huguenots should not have been butchered, but rather converted by means of theological argument. "Undoubtedly the writer is a member of the large party of malcontents, many of whom - at least after the massacre - were Catholics, who hoped that all men of national spirit from both persuasions might unite to throw off the cruel yoke of the Queen mother's rule and end the civil wars. Among the many Huguenot pamphlets of the time, this is the one to aim the sharpest arrows at the Queen mother. It contains a vitriolic account of the Queen's life, describing her family and upbringing in the most disparaging terms and revealing all the schemes, misdeeds and crimes committed since the beginning of her rule in 1560 [...] Repeatedly the author points out how she makes use of the precepts of her Florentine compatriot Macchiavelli" (A. Hauffen, Fischart-Studien, in: Euphorion 8 [1901], S. 536f.). - Light browning and very occasional light staining, sumptuously bound in the 19th century. Adams S 1754. BM-STC French, Suppl. 22. Renouard 143, 8. Schreiber 196.
Folio (215 x 300 mm). (16), 272, (24) pp. With woodcut device on t. p. (Minerva and Mercury holding the wing tips of a rising phoenix), woodcut portrait on reverse, and printer's device on final leaf, as well as numerous mathematical diagrams in the text. Contemporary Italian limp vellum with ms. spine title. First Latin edition of one of the major works by Proclus Lycaeus (412-485), founder and head of the neo-Platonic school of Athens: a commentary on the first book of Euclid's "Elements of Geometry", the "oldest mathematical textbook in the world still in common use today" (PMM). Includes the text of the theorems, set within ornamental woodcut framings, and the geometrical diagrams. The editor and translator Francesco Barozzi (1537-1604) taught at the University of Padua. He was later charged with sorcery (in particular, he was said to have caused a torrential rainstorm over his native Crete) and condemned by the Inquisition in 1587. "Barocius' edition of Proclus' commentary on the first book of Euclid's 'Elements' was the first important translation of this work, for it was based on better manuscripts than previous efforts had been. The translation, published in 1560, was completed by Barocius at the age of twenty-two" (DSB). His portrait on the reverse of the title page is cut within a magnificent border. - Old ms. ownership on flyleaf obliterated (probably in the early 19th century); old ownership stamp over title woodcut erased, replaced by a different coat of arms in ink, very likely that of the Italian comital family Antico (insignificant bleeding to reverse). Occasional slight waterstaining, still an exceptionally appealing, clean copy. Edit 16, CNCE 33726. Adams P 2138. BM-STC Italian 540. Mortimer 403. Honeyman 2543. DSB I, 468. Brunet IV, 895. Riccardi I/1, 82, 1 ("Bella e rara edizione"). Cf. PMM 25.
845Hanoï, Imprimerie d'Extrême-Orient, 1930. 1 plaquette in-8, 57 pp., brochée, bon état.
860Hanoï, Imprimerie d'Extrême-Orient, 1931. 1 plaquette in-8, 23 pp., brochée, illustrée de photos et enrichie de tableaux, bon état.
861Hanoï, Imprimerie d'Extrême-Orient, 1931. 1 plaquette in-8, 26 pp., brochée, illustrée de photos et de grands plans dépliants, enrichie de tableaux, bon état.
851Hanoï, Imprimerie d'Extrême-Orient, 1931. 1 plaquette in-8, 20 pp., brochée, illustrée d'une carte, de photos et de tableaux, bon état, présence d'un tampon sur le premier plat.
871Hanoï, Imprimerie d'Extrême-Orient, 1930. 1 plaquette in-8, 20 pp., brochée, illustrée de photos, bon état mais quelques traces de mouillures
872Hanoï, Imprimerie d'Extrême-Orient, 1930. 1 plaquette in-8, 15 pp., brochée, illustrée de photos et de cartes, bon état.
874Hanoï, Imprimerie d'Extrême-Orient, 1931. 1 volume in-8, 219 pp., broché, bon état.
855Hanoï, Imprimerie d'Extrême-Orient, 1931. 1 plaquette in-8, 62 pp., brochée, illustrée d'un grand plan dépliant, de photos et de tableaux, bon état.
857Hanoï, Imprimerie d'Extrême-Orient, 1931. 1 plaquette in-8, 63 pp., brochée, illustrée de photos, bon état.
862Hanoï, Imprimerie d'Extrême-Orient, 1931. 1 plaquette in-8, 40 pp., brochée, enrichie de tableaux, bon état.
863Hanoï, Imprimerie d'Extrême-Orient, 1931. 1 plaquette in-8, 34 pp., agrafée, illustrée de 10 planches photographiques. Bon état, malgré des agrafes oxydées.
844Hanoï, Imprimerie d'Extrême-Orient, 1931. 1 plaquette in-8, 63 pp., brochée, illustrée d'une carte, de photos et de tableaux, bon état.
846Hanoï, Imprimerie d'Extrême-Orient, 1930. 1 plaquette in-8, 28 pp., brochée, enrichie de tableaux, bon état.
866Hanoï, Imprimerie d'Extrême-Orient, 1930. 1 plaquette in-8, 39 pp., brochée, enrichie de tableaux, bon état.
868Hanoï, Imprimerie d'Extrême-Orient, 1931. 1 plaquette in-8, brochée, enrichie de tableaux, bon état.
849Hanoï, Imprimerie d'Extrême-Orient, 1931. 1 plaquette in-8, 66 pp., brochée, enrichie de tableaux, bon état.
66249Very Good. Silk scarf measuring 12" x 12". Two fold lines one horizontal one vertical through the center. 1" split in the cloth to the surface. A sporty design by John Held Jr. <br /> <br /> Utah Artist John Held Jr. 1889-1958 was a prominent illustrator of the 1920s and 1930s. He began by drawing sports and political drawings for The Salt Lake Tribune when he was just 16 years old. Held moved to New York City in 1910 where he went on to gain notoriety for his drawings in the popular magazines "Life" "The New Yorker" "Vanity Fair" "Judge" and "College Humor." His work epitomized the Jazz Age. He is most recognized for creating the short-haired "flapper. unknown
19907839Pacifica CA: Big Bridge Press 1990. First edition number 53 of 74 copies from a total edition of 100. 9x8.5" 30 accordion style pages printed on one side only. Illustrations by Nancy Davis. Bound between publisher's paper covered boards with gilt vignette on front cover in matching slipcase. Very lightly scuffed along fore edge of front board else near fine in slipcase with some light spotting to one panel. <br /> <br /> Very attractive production from the Big Bridge Press printed on Rives paper by Peter Rutledge Koch and bound by Arnold Martinez. Consists of short poems by Michael Rothenberg Michael McClure Philip Whalen Joanne Kyger Andrei Codrescu and Jim Harrison accompanied by line drawings by Nancy Davis. <br /> <br /> Of the 100 copies printed OCLC cites 17 as held by institutions. Big Bridge Press unknown
20219063Austin: W. Thomas Taylor 2021. First editions of 100 and unstated limitations respectively. 2 vols 28x20cm 46pp bound in green paper wraps with printed spine label green and gilt patterned endpapers photos illustrations some in color. and 25x18cm 24pp maroon paper wraps with blue and gilt paste paper jacket attached at spine title in two colors illustrations facsimiles. Both nearly fine with minimal wear. <br /> <br /> Two privately printed items from the Texas fine printer W. Thomas Taylor issued for friends and family. Both are designed by Taylor and bound at the Cloverleaf Studio in Austin. These little booklets contain various short essays and musings by Taylor often on books and printing but also about travel birding history life etc. Taylor notes in his introductory letter:<br /> <br /> "Why not in a sense 'acquire' anew the books I already have by reading them studying them and producing personal essays concerning various topics that can be illumined by the material within them. This then is the first of what I hope will be a series of such casual essays collectively titled Alibi."<br /> <br /> OCLC cites 2 and 3 holdings respectively for these publications and notes Taylor has published 5 from this series through 2024 all being naturally scarce. W. Thomas Taylor unknown
19866154Sacramento: Art 38 Historic Press Class American River College 1986. 26x18cm 15ff. printed recto only. Illustrations. Floral corded fabric over boards with purple illustrated endpapers. Some rubbing to cloth at extremities nearly fine. <br /> <br /> A beautiful compilation of fine printing from students in American River College's Historic Press class 1986. Printers include Dianna Woods E. R. Callison Vince Lozito Fred Gunsky John White and instructor Jean Pratt. The projects were all printed on a Filcher-Brannan Adams Acorn Press Ca. 1843 and vary from a diagram of the press to an alphabet to a quote from Douglas C. McMurtrie to a printed tuit by Professor Pratt. Perhaps a unique specimen and certainly remarkable as a completely handmade object. Art 38 Historic Press Class, American River College unknown
245 [recte: 246], (17) Bll. Titel sowie Titelholzschnitt in rot und schwarz gedruckt. Flexibler schwarzer Pappband der Zeit mit oxydierter Deckelinitiale "F". 8vo. Dritte Ausgabe (EA 1579); eine von zwei Titelvarianten im selben Jahr. - Das Pamphlet gegen die katholische Kirche; eine genaue, ohne Streichungen und Änderungen, aber mit zahlreichen Zusätzen durchgeführte Übertragung des niederländischen "Byencorf" von Philipp van Marnix. "In der Gesinnung angeregt durch Calvin, in der Weltanschauung durch Erasmus, im Stil durch Rabelais" (Neufforge). Das Titelblatt - mit der Variante "durchziert" im Titel (vgl. Goed.) - und der Titelholzschnitt in rot und schwarz gedruckt. Der Titelholzschnitt zeigt einen Bienenkorb in Form der Tiara mit Kirche und Windmühle. Dieser im Text wiederholt (Bl. 235v), ferner am letzten Textblatt ein weiterer Textholzschnitt, der die Kirche in Form einer Karikatur der "Veritas" verunglimpft. - Papierbedingt durchgehend schwach gebräunt; gelegentl. kl. Wurmgänge im Rand (teils Berührung der Marginalien). Einband etwas berieben; Vordergelenk angeplatzt. VD 16, M 1050. Ritter 855. Neufforge 112f. Goedeke II, 499, 37c. Graesse II, 587f. Weller (Druckorte) 6. Stammler III, 213. Hauffen II, 123. Seebaß/Edelmann NF 308.
246, (18) Bll. Mit rot kol. Holzschnitt am rot-schwarzen Titel sowie 2 Textholzschnitten. - (Beigebunden) II: [Fischart, Johann]. Die wunderlichst unerhörtest Legend und Beschreibung des abgeführten, quartirten, gevierten und viereckechten vierhörnigen Hütleins [...]. "Lausanne, Gangwolf Suchnach" [d. i.= Straßburg, Bernhard Jobin], 1580. (23) Bll. Mit Holzschnitt am Titel. - (Vorgebunden) III: Nigrinus, Georg. Fegfeuers Ungrund grüntlich erörtert und außführlich beweiset, mit der H. Schrifft, der Vätter, Concilien und ander Zeugnussen. Auß 14 Leichpredigen D. Jacobi Feuchten Weihbischoffs zu Bamburg [...]. O. O. u. Dr. 1582. (255) Bll. Titel in rot und schwarz gedruckt. Blindgepr. Schweinslederband der Zeit auf 4 Bünden (Bindebänder fehlen). 8vo. Hübscher Sammelband mit drei antikatholischen Polemiken in seltenen Elsässer Drucken. - II: Zweiter Druck dieser deutschen Bearbeitung: eine genaue, umfangreich ergänzte Übertragung des niederländischen "Byencorf" des Philipp van Marnix. "In der Gesinnung angeregt durch Calvin, in der Weltanschauung durch Erasmus, im Stil durch Rabelais" (Neufforge 112f.). Der Titelholzschnitt zeigt einen Bienenkorb in Form der Tiara mit Kirche und Windmühle (dieser Bl. 235v im Text wiederholt), ferner am letzten Textblatt ein weiterer Textholzschnitt, der die Kirche in Form einer Karikatur der "Veritas" verunglimpft. - II: Erste Ausgabe von Fischarts "Jesuitenhütleins", seiner satirischen Reimdichtung gegen die Jesuiten. - III: Einzige Ausgabe dieser Arbeit aus der Feder eines "der gröbsten Polemiker des Jahrhunderts" (Goedeke II, 505). - Titelblatt der Vorbindung mit zeitgenöss. hs. Besitzvermerk des Benediktinerstifts Altenburg bei Horn (Niederösterreich). Durchwegs etwas gebräunt bzw. leicht wasserrandig; zu Beginn mehrere zeitgenössische Marginalien. Der hübsche Prägeeinband etwas berieben; im Ganzen wohlerhalten. I: VD 16, M 1047. Ritter 855. Muller III, S. 586, Nr. 111. Goedeke II, 499, 37b. Graesse II, 587f. Weller (Druckorte) 6. Vgl. Jantz I, 81 (Ausg. 1586). - II: VD 16, F 1163. Muller III, S. 586, Nr. 109. Ritter (IV) 1721. Goedeke II, 499, 40. - III: VD 16, S 4637. Goedeke II, 507, 22.
36021Saint-Etienne, Chambre Syndicale des Maitres-Imprimeurs de l'Arrondissement de Saint-Etienne, sans date (1950), in 8° broché, 32 pages.