6 391 résultats
17450030241745 Fontenoy [recueil A], Paris [recueils C à Y], Bruxelles [recueil Z], sans nom d'éditeur, 1745-1762. Vingt-quatre parties reliées en douze volumes in-12 (106 X 174 mm) basane fauve, dos cinq nerfs ornés, caissons dorés, dentelles dorées en queue et tête, pièce de titre maroquin ocre, coupes filetées, tranches rouges (reliure de l'époque). Tome I : titre imprimé en rouge, IV (avertissement), un feuillet de table, 224 pages - titre imprimé en rouge, un feuillet (avertissement et table), 222 pages ; Tome II : IV (dont titre imprimé en rouge & avertissement), 2 feuillets de table, 208 pages - titre imprimé en rouge, 247 pages, 2 feuillets de table ; Tome III : titre imprimé en rouge, 265 pages, 3 feuillets de table - titre imprimé en rouge, II (avertissement), un feuillet de table, 195 pages ; Tome IV : titre imprimé en rouge, 248 pages, 1 feuillet de table, (1) - titre imprimé en rouge, 236 pages, 1 feuillet de table ; Tome V : titre imprimé en rouge, 209 pages, 1 feuillet de table - titre imprimé en rouge, 210 pages, 3 feuillets de table ; Tome VI : titre imprimé en rouge, 235 pages, 2 feuillets de table & avertissement - titre imprimé en rouge, 235 pages, 2 feuillets de table ; Tome VII : titre imprimé en rouge, 227 pages, 5 pages non chiffrées (table) ; titre imprimé en rouge, 226 pages, 1 feuillet de table ; Tome VIII : titre imprimé en rouge, 219 pages, 2 feuillets de table - titre imprimé en rouge, 216 pages, 1 feuillet de table ; Tome IX : titre imprimé en rouge, 226 pages, 1 feuillet de table - titre imprimé en rouge, 214 pages, 1 feuillet de table ; Tome X : titre imprimé en rouge, 235 pages, 1 feuillet de table - titre imprimé en rouge, 256 pages, 2 feuillets de table ; Tome XI : titre imprimé en rouge, 239 pages, (1) page de table - titre imprimé en rouge, 219 pages, 4 pages de table non chiffrées ; Tome XII : titre imprimé en rouge, 210 pages, 3 feuillets de table - titre imprimé en rouge, 197 pages, (3) pages de table.
192822835DEVAMBEZ 1928 1 Annuaire du luxe à Paris, Hommage des grandes maisons françaises, Paul Poiret fondateur. Paris, Devambez, 1928, in-4, reliure toile éditeur ocre titrée noir et argent, (Magnier Relieur).
18559A Paris, Chez la Veuve Estienne et Fils, 1741. 3 volumes. (8), xxvii, (1), 544 pp., (545)-1140 numbered columns; (4) pp., 1772 numbered columns; (4) pp., 1316, 684 numbered columns. Folio. Contemporary marbled calf, spines gilt with raised bands, red labels with gilt lettering. Kress 4584; Goldsmiths 7819; not in Einaudi; not in INED. Jacques Savary (1622-1690) was for some time director of the French Royal Domains, and later became general business agent to the Duke of Mantua. He had such sound notions about commerce and was so successful in his operations that Colbert appointed him in 1670 in the "Conseil de la Reforme", which was to reform and refine the rules of commercial practice. The "Commercial Code" of 1673 resulting from it was called after him "Code Savary". He was then also pressed to write down and publish all his commercial knowledge, which pressure led to the publication of the famous Le parfait Négociant (1675). It taught everything a merchant should know, but only his left papers revealed to the world the immense and universal knowledge on commerce Savary possessed. The dictionary was immensely successful and covers all aspects of commerce and trade as well as legal and historical matters. Deals among others with: trading cities throughout the world, their manufactures, operation of foreign trade, trading companies (including a short history of the South Sea Company), banking (including an account of John Law's Bank), bookkeeping, etc. etc. The dictionary was the first of its kind to appear in Europe, and has furnished the principal part of the material for most of the dictionaries that were to follow. The project was sponsored by the French government who justly considered that such a dictionary, if well executed, would be of national importance. Hence a considerable, and indeed the most valuable portion of the work is compiled from memoirs sent to the author, by order of government, by the inspectors of manufactures in France and by the French consuls in foreign countries (see: McCulloch, p. 61). The dictionary is preceded, in volume one, with an elaborate, long (upto column 544) separate essay on the "État général du commerce de l'Europe" (and followed by the other continents Africa, Asia and the Americas). - Very small damage to head of spines of volumes 1 and 2.
26145A Paris, Chez la Veuve Estienne et Fils, 1741. With nice head- and tailpieces. 3 volumes. (8), xxvii, (1), 544 pp., (545)-1140 numbered columns; (4) pp., 1772 numbered columns; (4) pp., 1316, 684 numbered columns. Folio. Contemporary marbled calf, spines gilt with raised bands, red labels with gilt lettering, red edges, joints, head and foot of spine and some corners repaired. Kress 4584; Goldsmiths 7819; not in Einaudi; not in INED. Jacques Savary (1622-1690) was for some time director of the French Royal Domains, and later became general business agent to the Duke of Mantua. He had such sound notions about commerce and was so successful in his operations that Colbert appointed him in 1670 in the "Conseil de la Reforme", which was to reform and refine the rules of commercial practice. The "Commercial Code" of 1673 resulting from it was called after him "Code Savary". He was then also pressed to write down and publish all his commercial knowledge, which pressure led to the publication of the famous Le parfait Négociant (1675). It taught everything a merchant should know, but only his left papers revealed to the world the immense and universal knowledge on commerce Savary possessed. The dictionary was immensely successful and covers all aspects of commerce and trade as well as legal and historical matters. Deals among others with: trading cities throughout the world, their manufactures, operation of foreign trade, trading companies (including a short history of the South Sea Company), banking (including an account of John Law's Bank), bookkeeping, etc. etc. The dictionary was the first of its kind to appear in Europe, and has furnished the principal part of the material for most of the dictionaries that were to follow. The project was sponsored by the French government who justly considered that such a dictionary, if well executed, would be of national importance. Hence a considerable, and indeed the most valuable portion of the work is compiled from memoirs sent to the author, by order of government, by the inspectors of manufactures in France and by the French consuls in foreign countries (see: McCulloch, p. 61). The dictionary is preceded, in volume one, by an elaborate, long (upto column 544) separate essay on the "État général du commerce de l'Europe" (and followed by other essays on the continents of Africa, Asia and the Americas). Ooii -Vviv in volume three with a wormtrack in the upper outer blank margin.
157444648Anvers, Christophe Plantin, 1574. In-8, 392-99-(13) pp. (sign. A-Z a b , A-G ), index, vélin doré souple à recouvrement, double filet doré, cartouche central à motifs d'entrelacs, écoinçons, dos lisse orné de doubles filets formant caissons, tranches dorées, traces de lacet (reliure de l'époque).
In folio. pp (2), 38, un rame al frontespizio “dominicus muratori inv. et delin. Vincen. Franceschini scul.”, nel testo da indisegni di Muratori e incisi da Rossi, Limpach, Allet, 6 vignette incise su rame come testatine e finalini e un capolettera. Contiene gli elogia a Maria Clementina in diverse lingue: ebraico, graco, arabo, siriaco, armeno, caldaico, copto, polacco, gotico, illirico, ecc ecc. Legatura in piena pelle con cornice dorata ai piatti e decorazioni in oro al dorso.
200894189Birkhäuser Architecture. New. 2008. Hardcover. 3764385812 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 460 pages; 430 color 620 b/w illustrations. Description: "Adrian Frutiger first came to the design world's attention in the late 1950s with his design of Univers and the numbering concept behind it. A considerable proportion of his output has also been informed by developments in typesetting technology. In the 1970s he set a standard for signage typefaces with his Alphabet Roissy for the Paris-Roissy airport. Slightly reworked this went on to enjoy great success as a body typeface under the name Frutiger. His machine-readable OCR-B which is used on paying-in slips passports credit cards and as ISBN numbers on books has become an official ISO standard. His sans serif typefaces Avenir and Vectora which appeared at the end of the 1980s stand out because of their exceptional readability and have cemented Frutigers reputation as 'Mr Sans Serif'. The Complete Works is based on interviews and conversations with the designer and on comprehensive research by the editors. Its depth and range make it an indispensable reference work. Completed in the year of Adrian Frutiger's 80th birthday it represents as is his wish his legacy to further generations of type designers and typographers." Birkhäuser Architecture hardcover
152543463S.l.n.d. (Paris, Jean Cornillau, Hémon Le Fèvre, 1525). Petit in-folio gothique (185 x 275 mm) de CXXXIX-[1] ff. (sig. a-q8, r-s6), caractères gothiques, veau brun estampé à froid, dos à nerfs, traces de fermoir, pièce de titre papier anonyme au dos (reliure de l'époque).
8450Paris. Imprimerie Nationale. 1900-1914. 4 tomes en 4 volumes in-folio. Reliure demi-maroquin rouge à coins, tête dorée, dos à cinq nerfs. Impression sur papier japon. E.O. tirée à 500 exemplaires. Bon exemplaire ; ne sont à mentionner que quelques frottements aux coins, bords et nerfs des reliures, sans gravité. Imposant et rare.
158740231Paris, Abel L'Angelier , 1587. In-16 de (16)-404 ff. (A-Z8, Aa-Zz8, AA-FF8), saut de foliotation (16 à 21) sans manque, table et portrait de l'auteur au verso du titre, maroquin rouge, dos orné à nerfs, motif d'ornement doré sur les plats, dentelle intérieure, tranches dorées (reliure du XIXe siècle).
180341822A Parme, imprimé par Bodoni, 1803. Petit in-8 de (8)-61 pp. 1 feuillet blanc, basane blonde, dos lisse orné, pièce de titre en maroquin rouge, roulette dorée sur les plats (reliure de l'époque).
188441090Blois, Raoul Marchand, 1884. In-8 à pagination multiple (14,5 x 22,5 cm) cartonnage Bradel de soie à motifs de fleurs, dos lisse muet, non rogné (Thiolat, rel. Blois).
195896590Olten, Otto Walter, 1958-1965. 18 Hefte (in 17), mit zahlreichen teils farbigen Abbildungen. Or.kt., 4°. Vollständige Reihe der von Richard P. Lohse, Joseph Müller-Brockmann, Hans Neuburg und Carlo L. Vivarelli herausgegebenen Zeitschrift. Sie war in den späten 1950er und den 1960er Jahren massgeblich für die Entwicklung der neuen Schweiz Grafik und prägte deren Ästhetik lange Zeit darüber hinaus. Zu den Mitarbeitern gehörten auch Max Bill, Nelly Rudin, Eugen Gomringer, Emil Ruder. Ernst Scheidegger, Bruno Kammerer, Gerrit T. Rietveld und Margrit Staber. Das Heft 18 mit dem vierfach gefalteten detaillierten Inhaltsverzeichnis für die Nummern 13 bis 18 und einem dreisprachigen (deutsch, englisch, französisch) Wort an die Leser, in dem die Herausgeber die Einstellung der Zeitschrift ankündigen und begründen und gleichzeitig erklären, in absehbarer Zeit solle die Publikation "mit konsequenter und straffer gewähltem Inhalt" wieder aufgenommen werden. Softcover Umschlage etwas berieben und im Schnitt angestaubt. Neue Grafik
Folio (440 x 270 mm), title followed by 111 leaves printed on one side only, 7 leaves with small area excised, 1 leaf torn in half with remaining portion loosely inserted, 1 leaf torn across centre, title-page printed with elaborate wood-engraved decorative border, some light fraying to blank margins of several leaves, orig. half calf, re-cased, title stamped in gilt on upper cover, corners rubbed. Figgins had issued specimens as early as 1792, but these were in small pamphlet form. By the 1820s they were issuing specimens in a 8vo book form, these were followed by quarto specimens in the early 1840s. "The Quarto Specimen Book was supplemented in 1847 by the 'Epitome of Specimens,' which contains a selection of antiques, blacks, and jobbing types, with flowers, borders, and ornaments, the book and news founts being shown in small paragraphs."?Bigmore & Wyman. This book was continually added to until 1871, when it became too large and heavy for the post, thereafter the specimens issued by Figgins were issued in a smaller condensed form. All edition of this folio specimen are rare. Bigmore & Wyman I p. 218; Gray, p. 185.
17910005591Worcester & Boston: Isaiah Thomas 1791. First edition. Hardcover. Good. With two of the 50 copperplate engravings from the folio edition plates 29 & 48. Royal quarto 1310 pages contemporary blindstamped full sheep repaired joints and head and foot spine panels replaced and with new endpapers; The frontispiece has been tipped-in on the new endpaper; rear cover very scuffed foxing and spots throughout edgeworn <br /> <br /> a few minor marginal tears and chips some leaves imperfectly sewn in. The Family Record leaves have extensive handwritten notes of the families of Gen. Joseph Badger Jr. Signed by him of Gilmanton Belmont NH father of Gov. Wm. Badger 1834-36. & Charles Jacobs of Gilmanton. <br/><br/>Isaiah Thomas whom Benjamin Franklin called 'the Baskerville of America' was one of the notable publishers during the early days of the Republic.He made every effort to ensure accuracy of the text by comparing some thirty different editions and having the text carefully examined by several clergymen and others who compared it with eight Bibles - Herbert 1353." The First Illustrated Bible printed in America is the 1791 folio Bible by Isaiah Thomas "The most sumptuous American Bible of the eighteenth century" : thus this quarto-sized version of that work is the Second Illustrated Bible printed in America and the first Royal Quarto Bible in English published in American both editions were announced as "completed" on the same date altho vol. 2 of the folio was still in progress. Rumball-Petre 172; Sabin 5173 variant; O'Callaghan pp. 40-42; Hills 30. Evans 23185 states that some copies were issued with no Concordance and 48 additional plates. This state however has only two copperplates as frontispieces of the 50 copperplate engravings from the folio edition plates 29 & 48 . Included are 200 pages of Tables Apocrypha and Family Records Index etc. The subscription price was $7 but half the price could be paid in wheat rye Indian corn butter or pork! It is believed that 1500 copies of each format were printed. "The two Thomas Bibles of 1791 were without doubt far in advance of any other publications of the same kind that had appeared in America in point of typography excellence of paper binding and general execution - Wright EARLY BIBLES OF AMERICA." Isaiah Thomas hardcover
123156New York: Herald Book and Job Office 97 Nassau Street 1846. Single sheet folio 492 x 628 mm. Printed on recto only title and three columns of verse surrounded by a highly elaborate border composed of printer's ornaments. Very good with old folds slightly toned two 30 mm closed tears to top margin minor loss to right margin at point of fold no loss of image. Together with single issue of the Sacramento Union: Folio 430 x 585 mm 4pp. Very good lightly toned and foxed with evidence of a former binding along left margin. § A New Year's address to the readers of the New York Herald reviewing the events of 1845 in enthusiastic verse the broadsheet is notable for an extraordinarily elaborate decorative border composed primarily of printer's ornaments. The review runs through the highlights of 1845's local national and international events among them the Great Fire of New York the election of Polk and the Irish Potato Famine. Accompanying the broadside is a contemporaneous issue of the Sacramento Union which on its back page bears a similar New Year's address with border composed of printer's ornaments. It is interesting to compare the two both for the news reviewed and for the typographic resources available to the East and West coast printers. Both addresses refer to the imminent statehood of Texas and Oregon; the Sacramento Union alone spends several lines decrying the issue of slavery. Herald Book and Job Office unknown books
154414383Parisiis, Ex officina Rob. Stephani, 1544. In-8 de 394-(14) pp. (sign. aa-zz, AA, BB8, CC4), vélin ivoire, étiquette ancienne sur le dos (reliure de l'époque).
168143386Correriae, Per Laurentium Gilibert, typographum Juratum apud Gratianopolim, 1681. Petit in-8 de 339-(41) pp. 48 pp. (8)-91-(1) pp., index, errata (signatures: A-Aa dernier blanc, A-C a-f ), veau granité, dos orné à nerfs (reliure de l'époque).
3 parti in un vol. in-4 gr., 2 ff. n.n. (occhietto latino e greco per la Teogonia) 16, 1-45, 1 bianca, 1 f bianco aggiunto e n.n., 1 f. n.n. di occhietto greco per le Opere e i Giorni, 49- 110; 1 f. n.n. occhietto Teogonia Latino, 279, 104 p. L'occhietto Opere e Giorni latino è inserito nella numerazione, leg. cartone editoriale arancione, con titolo in oro su tassello coevo in pelle. Sul titolo delle tre parti vi è inciso il ritratto in medaglione del poeta. Splendida edizione bodoniana, dedicata dallo Zamagna a Ferdinando d'Austria. Ottimo esempl. su carta forte, a pieni margini con barbe.. Brooks nn.689 e 690: Il Brooks non descrive il f. bianco tra 46 e 47 della parte greca, mentre per il resto la collazione coincide. De Lama II, 36..
15939Paris, Presses de Louis Jou, 1934-1936 ; 3 tomes in-4 raisin (25 x 33 cm), brochés sous couverture crème rempliée illustrée, chemise demi-toile noire, titre repris du portefeuille d'origine or sur fond rouge, étui noir bordé de toile noire (étuis renouvelés avec titres conservés) ; composé de plus de 1200 pages, 3 couvertures, 3 titres, 3 portraits, colophons, bandeaux, lettres ornées, culs-de-lampe, etc. ; soit environ 380 gravures ; le tirage est en noir et rouge et, selon les besoins, or et camaïeu, le blason à fond bleu et meubles dorés.
176244592Arles, Jacques Mesnier, 1762. In-12 de (8)-235-(1) pp. maroquin rouge, dos lisse orné, roulette, filet et frise dorés d'encadrement sur les plats, armes et devise dorées de la ville d'Arles frappées au centre, tranches dorées (reliure de l'époque).
157242366In Venetia, , 1572. In-12 oblong (15 x 20,6 cm) de (4) ff. de texte (43) ff., modèles de calligraphie, titre avec vignette gravée sur bois, veau brun, dos orné à nerfs (reliure du XVIIe siècle). Manque 8 feuillets (signatures D 6 à E 5).
180342625Londres, A. Dulau et Prosper, Imprimerie de L. Nardini, 1803. In-4 de XXVIII-199-(1) pp., 5 gravures hors texte, maroquin rouge à long grain, roulette, filets et frise dorés en encadrement, fleuron aux angles, chiffres couronnés au centre des plats, dos lisse orné, tranches dorées (reliure de l’époque).
168441014Sans lieu, , 1684. 5 pièces reliées en 1 vol. petit in-12, maroquin rouge, dos orné à nerfs, plats orné d'un encadrement à petits fers d'écoinçons, filets et roulettes dorés, chiffre couronné sur les plats, dentelle intérieure, tranches dorées (reliure de l'époque).
169042054La Correrie, Claude Faure, 1690. 2 parties en 1 vol. in-8 de (12) pp. (lettre-préface et table) 343-(3) pp., veau brun orné à froid, dos à nerfs, double encadrement et fleurons sur les plats, tranches rouges (reliure de l'époque).
