DU BOUCHET, AndréLivre Rare Book
Velin KoychevBiblio.com
Orthodontic Treatment Protocols
A9786199164006Paperback / softback. New. paperback
The Saint Bookstore · Royaume-Uni126,11 £GB≈ 143,99 €
1 336 résultats
1968006516Paris Mercure de France 1968 Petit in-4 Broché, couv. à rabats Ed. originale
881Paris, Claude Aveline, 1930 13 x 20, 175 pp., broché, très bon état
A9786199164006Paperback / softback. New. paperback
a5097632x16 cm folded in sixths. Sepia-toned ink manuscript letter in Latin on one third of inside surface with heading in manuscript on outside. Original cord with metal seal formed over and around the strings holding string ends together. Seal is about 1.3 inches in diameter. One side of seal shows a King and Pope. and reads: Veneti .DVX.Hierpriolus. Verso reads HIH Ronimus Priolus Die Grad VX Venetiar et C with narrow decorated circular border around edge. Text appears to concern political affairs. Girolamo Priuli 1486 - 1567 was Doge in Venice 1559-1567. Legible. Highly unusual item. Rare and Unique. Pictures available on request. . unknown
1909ST16339Paris: Bouasse-Lebel et Marrin ca. 1909. 188 x 140 mm. 7 3/8 x 5 1/2". 72 pp.; 1 leaf miniature; XXXII pp. <br/> Tasteful contemporary olive green crushed morocco each cover WITH A CENTRAL RECESSED PANEL OF MODELLED AND PAINTED LEATHER that on the upper cover with a portrait of the Virgin Mary within an arched frame of acanthus leaves that on the lower cover with the coat of arms of the Deburghgraeve family. With text and decorations lithographed featuring decorative borders and initials throughout those on 55 pages COLORED AND ILLUMINATED BY HAND many of these in a Medieval or Renaissance style others with Japanese or Greek motifs with a small hand-painted miniature of the Crucifixion against a golden sky and WITH A FULL-PAGE HAND-PAINTED MINIATURE showing the Flight into Egypt within a decorative border featuring vignettes of a peasant gathering wood and a knight in armor praying. With a hand-painted ribbon bookmark "Souvenir de ma 1ère Communion" dated 6 June 1909; carbon copy of a poem "A la Memoire de ma tres chere et regrettee cousine Mathilde Deburghgraeve-Canal" by Lucy Salze-Bouchet dated February 1945 this with short curving tear into one margin. Just the most trivial signs of wear but A VERY FINE COPY the vellum leaves quite clean and very bright with shining decorations and the binding lustrous and virtually unworn.<br/> <br/> Luxuriously lithographed on vellum handsomely bound and illuminated and painted by hand in vibrant colors this charming prayer book was obviously treasured by its owners--the first of whom may have been a young lady who received it on the occasion of her First Communion. The text and decorations here have been reproduced lithographically from a manuscript of the period being printed apparently by Bouasse-Lebel et Massin--a company specializing in devotional prints and books. The firm's name appears in very small letters at various places in the volume. Each leaf contains a different border design inspired by Medieval and Renaissance manuscripts as well as artwork from around the world in a pleasing pastiche of Western Egyptian Japanese Indian and Grecian motifs. Many of the borders have been hand-colored and present an array of distinct palettes usually richly hued which adds greatly to the book's appeal and the viewer's sense of discovery from page to page. The bespoke binding featuring the Madonna in profile beautifully modelled in leather adds another element of luxury to the book. The coat of arms suggests that it was made for a member of the Deburghgraeve family and the laid-in poem suggests that it remained with them through the death of the family's matriarch Mathilde Deburghgraeve-Canal in 1944. We know that Mathilde had three daughters all born around the turn of the century; based on the presence of a bookmark commemorating a First Communion in 1909 it is likely that the original recipient was among these three young ladies. Bouasse-Lebel was established in 1845 by Eulalie Bouasse-Lebel 1809-98 as a means of supporting herself and her children following the dissolution of her marriage. Though founded under difficult circumstances Bouasse-Lebel became a very successful enterprise and even earned a papal commendation in 1871 for consistently excellent work. The company was highly regarded for the quality and delicacy of their productions of which the present work is a choice example. Although individual religious cards printed by Bouasse-Lebel show up fairly frequently far scarcer are complete books in the estimable condition seen here--particularly those with the kind of deluxe upgrades that make this particular item so desirable. Bouasse-Lebel et Marrin unknown
1343Gand, La Sixaine, 1946 13 x 19, 123 pp., broché, bon état
1987012322Cognac Le Temps qu'il fait 1987 In-8 Roché, vignette à sec en couverture
1936013684Paris Denoël et Steele 1936 In-4 Broché, couverture rempliée Dédicacé par l'auteur
1947005468Paris Editions de la Galerie Charpentier 1947 In-4 En ff. chemise et étui
1989013154Caen L'Echoppe - Collection "Envois" 1989 In-16 Broché, couverture à rabats
8945Paris, Flammarion, 1977 15 x 21, 318 pp., broché, non coupé, très bon état
1915ST20770London: Especially written out and illuminated by Alberto Sangorski ca. 1915. 249 x 165 mm. 9 3/4 x 6 1/2". 18 2 pp. 2 leaves blank colophon. <br/> Attractive dark green crushed morocco gilt by Riviere & Son stamp-signed on front turn-in covers with wide frame and central panel tooled in gothic architectural motifs raised bands spine compartments with double gilt rules gilt lettering turn-ins framed by gilt fillets and dots scarlet watered silk pastedowns and endleaves all edges gilt old repair to head of spine. With one burnished gold initial "A" with intricate penwork embellishment in red and blue THE WORD "FOR" WRITTEN IN LARGE BURNISHED GOLD LETTERS SIX TIMES all with delicate penwork embellishment in blue or green TWO WITH A FAIRY-WINGED PUTTO perched on the crossbar of the "F" another "FOR" written in blue THE "F" IN BURNISHED GOLD ON A BACKGROUND OF BRUSHED GOLD WITH A PINK ROSE SPRIG a tailpiece of white jasmine blossoms entwined with a spray of lilac blooms FOUR ESPECIALLY FINE BRIGHT OVAL VIGNETTES approximately 90 mm. across SHOWING LOVELY GARDENS one of these accompanied by A HALF BORDER OF HUCKLEBERRY VINE another at the front as part of A SUPERB DOUBLE-PAGE OPENING FEATURING A PROFUSION OF PINK ROSES forming a frame around a gilt-edged cartouche bearing the title in blue surrounded by delicately blue and brown tendrils on the left AND A FRAME OF GRAPEVINES BEARING SUCCULENT PURPLE FRUIT ON A BRUSHED GOLD BACKGROUND on the right an oval view of a lake and mountains at its foot this frame enclosing text beginning with the words "GOD ALMIGHTY" in thickly burnished gold accented with curling blue and brown acanthus leaves and blue penwork. One page with trivial thumb smudge faint variations in shade of the vellum but A SUPERB SPECIMEN the vellum smooth and creamy the paint and gold bright and the virtually unworn binding with shining gilt.<br/> <br/> Featuring several gorgeous moments this is a luxurious and appropriately luxuriant illuminated manuscript of Bacon's prescription for the ideal princely garden. The most prominent modern creator of illuminated manuscripts our artist Alberto Sangorski 1862-1932 started his professional life as secretary to a goldsmith's firm before being attracted to the book arts at the age of 43. He began doing illuminated manuscripts that were then bound by his brother Francis' firm Sangorski & Sutcliffe with the colophon crediting the manuscript to the firm rather than acknowledging Alberto's contribution. Partly because of this failure to recognize his work Alberto had a falling out with Francis sometime around 1910 at which time he took his talents to Riviere the chief competitor to his brother's bindery. Robert Riviere began as a bookseller and binder in Bath in 1829 then set up shop as a binder in London in 1840; in 1881 he took his grandson Percival Calkin into partnership at which time the firm became known as Riviere & Son and the bindery continued to do business until 1939. Riviere was happy to allow Albert to add a colophon proclaiming as here that "This manuscript . . . was designed written out and illuminated by Alberto Sangorski." The decoration in the present work has an airy light-hearted aura with the bright gold lettering the delicate intricate penwork and the whimsical fairies conveying considerable joy and playfulness. And the beauty of the manuscript is heightened by the extremely fine condition here. Especially written out and illuminated by Alberto Sangorski unknown
THE ONLY COPY PRINTED ON VELLUM OF THIS IMPORTANT AND BEAUTIFUL PUBLICATION. Two volumes, complete. FIRST AND ONLY COMPLETE EDITION, and first and only critical edition of the works of Pierre de Brach, an important 16th-century poet from Bordeaux, a close friend of Montaigne and many other key French Renaissance literary figures. ABOUT HALF THE WORKS ARE PUBLISHED HERE FOR THE FIRST TIME: Dezeimeris had discovered an important manuscript which included many texts thought lost forever, including the "Tombeau et regrets funebres sur la mort d'Aymee" and the second book of the "Amours". Extensive scholarly apparatus, notes, and index. Edition limited to 260 copies, of which this is THE UNIQUE COPY beautifully printed (by Gounouilhou of Bordeaux) on FINE VELLUM, with numerous woodcut ornaments, headpieces, and tailpieces. Title-pages printed in red and black, with large woodcut printer's device. Text in Italic type, notes in Roman type. Two engraved portraits on chine applique and two wood-engraved plates. 4to. Attractively bound in contemporary half red morocco. Top edge gilt, other edges uncut. Minimal traces of wear to bindings, else a fine set. Vicaire I, 919 (citing this copy); Brunet supp. I, 167 (citing this copy): "Belle publication." Viollet le Duc (I, 333): "C'etait un ecrivain correct, un versificateur elegant et harmonieux, bien superieur sous ce rapport a tous les poetes ses contemporains. On peut lui reprocher de manquer de la verve et de l'entrainement de Ronsard, par exemple; mais comme forme de langage, c'est un auteur des plus remarquables et assurement digne d'Ítre etudiÈ." 19th century French books printed on vellum are rare, and in such a large format they are extremely rare.
Large 12mo (150 x 80 mm), xxviii, 306, [2]pp., ONE OF TWO COPIES PRINTED ON VELLUM, etched frontispiece by Felix Bracquemond, foliated initials and head-pieces, some light spotting to half-title, marbled endpapers, superbly bound in later full blue morocco by Reimann/Dormont, triple gilt fillet border to covers, with gilt supralibros of Isidoro Fernandez added to centre of both covers, gilt spine compartments exquisitely tooled with small flowers and stars, gilt turn-ins and edges, joints lightly rubbed otherwise in fine condition. Good edition of the works of Mathurin Regnier (1573-1613), French satirical poet. This being number one of two copies printed on vellum in a total limitation of 171. Provenance: Jean de La Fontaine Toqu? (bookplate); I. Fernandez (bookplate); purchased from Giraud, 1926 (pencil note to rear endpaper). Vicaire VI, 1002.
16734331Rouen, Jean Lucas, 1673 ; in-12 ; plein vélin ivoire (reliure de l'époque) ; 53 pp.
538Paris, Nouvelle Revue Critique, 1938 14 x 23, 762 pp., non coupé, broché, bon état
1666UDG-214RABELAIS (François). Oeuvres. S.l., s.n. [Elzevier], 1666. 2 volumes in-16, seconde édition elzévirienne "Augmentée de la vie de l'Auteur & de quelques Remarques sur sa vie & sur l'histoire. Avec l'explication de tous les mots difficiles". On retrouve dans cette édition la célèbre figure gravée dite "de la dive bouteille", page 833, le poème "Ô bouteille pleine toute de mystères" gravée sur la panse. Page de titre en rouge et noir à la sphère pour le premier tome, en noir pour le second. Reliure hollandaise plein vélin à rabats d'époque, dos lisse avec auteur, tomaison, date et éditeur manuscrit. Annoté sur la garde "A Leyde par les Elzeviers". Ex-libris manuscrit Le Tellier. "elle est aussi belle que celle de 1663 et sort probablement des mêmes presses. La Vie de Rabelais et les notes sont attribuées à Pierre du Puy." (Tchemerzine IX, p.317) Tchemerzine précise également qu'il existe un tirage sur papier fort, ayant jauni avec le temps, et un tirage sur papier fin, celui-ci vraisemblablement sur papier fin. (légers trous au dos de la reliure du premier volume)
POE35MAlbert Messein, 1911. 1913. Environ 450 page par volume. Petit in-12, relié plein vélin, dos orné. Non complet.
1951010157Paris Gibert Jeune Librairie d'Amateurs 1951 In-8 Broché, couverture illustrée
191097851Jena, Eugen Diederichs, 1910. XLVIII, 431 S S. Mit Buchschmuck u. Illustr. von Heinrich Vogeler. (= J. P. Jacobsen, Gesammelte Werke, Bd. 1). 19 cm. OPgt.-Koperteinband mit floraler Goldpräg. u. Kopfgoldschnitt.
18405587Genève, Ledouble & Ab. Cherbuliez, 1840. In-8 de [4]-462-[2] pages, demi-maroquin chocolat à coins, dos lisse orné de fers romantiques. Déchirure sur la page de faux-titre, sans manque, mors, coiffes et coins légèrement frottés.
25278Lithographie - Planche HT parue dans La Caricature morale, religieuse, littéraire et scénique, volume 4, 12 juillet 1832 (Planche n°177) - Dimensions - Hauteur: 35.6cm x Largeur: 27cm - Image : Hauteur: 20.9cm xLargeur: 15.6cmInscription - Titre en bas au centre : « Nous pouvons nous vanter de l’avoir joliment gagnée, nous autres ! » ; indications, en ht au centre : « La Caricature (Journal) // (N°88.) », en ht à dte : « Pl. 177. »Inscription - Dans la lettre : « Lith. De Becquet, rue Childebert N°9. » [imprimeur], « On s’abonne chez Aubert, galerie véro dodat. » [éditeur] ; dans l’image, en bas à dte, signature : « f B… »Inscription - Sur l’affiche, au fond à dte : « AV […] [AVIS ?] »description, analyse : trois gardes nationaux se tiennent debout dans un poste de garde et se montrent leurs décorations. La pl. dénonce une partie des hommes de la garde nationale qui reçut une distinction honorifique sans même s’être battue pour réprimer les républicains. La pl. propose en effet de se moquer d’une catégorie particulière de gardes nationaux, celle qui ne s’est pas battue mais a tout de même accepté d’être décorée : « Des croix ont été distribuées aux vainqueurs ; quelques hommes d’honneur les ont refusées. D’autres ont accepté. Ceux que nous stigmatisons ici appartiennent à une troisième espèce, l’espèce parasite ; c’est celle qui ne se bat pas, mais qui demande et qui reçoit toujours les récompenses. – Fi donc ! ».
1925005293Paris Editions du siècle 1925 In-12, non rogné Broché Edition originale
1834251191834 Planche 439 de La Caricature N° 210.La Caricature, 23 octobre 1834. Lithographie originale sur Velin blanc. . Delteil 95. épreuve en noir ; lithographie en noir sur velin blanc pli médian vertical,bon tirage bien noir,petite tache brune en marge - Delteil 95 ,
1926009195Paris Nouvelle Edition Française 1926 In-12 Broché Ed. originale
