1 336 résultats
2539Paris, Stock, 1949 14 x 20, 478 pp., broché, bon état
1979011879La Chaux de Cossonay Parisod 1979 In-12 à l'italienne En feuilles, couverture à rabats.
159214640Lyon, Q. Hug. A Porta, Fratres de Gabiano (Excudebat Guichardus Jullieron anno 1592), 1592 ; in-8 (164), plein vélin ivoire à recouvrements de l'époque ; (8), 312, (7) index, (1 bl.) ; 34 pp., (1) p., (1 bl.), 2 ff. blancs.
1949000877Paris Aux dépens d'un ami ((Albert Skira) 1949 In-4 En feuilles, couv remp., étui Ed. originale
192169745Berlin, Egon Fleischel, 1921. XIII S., 1 Bl.,86 S., 1 w. Bl., 102 S.; 2 Bll., 111, 110 S., 1 w. Bl., 107 S. Mit 1 farb. Frontispiz in Bd. 1. (19,5 x 14 cm). Privates HPgt. mit handschriftl. RTitel. Mit farb. Kopfschnitt, sonst unbeschnitten.
1411Paris, Calmann-Lévy, 1926 14 x 20, 297 pp., non coupé, broché, très bon état
1922014696Paris Jacques Povolozky & Cie, éditeurs - Collection d'Art "La Cible". 1922 In-8 carré Cartonnage éditeur
1971012263Basse-Yutz Vodaine 1971 In- 8 Broché
1925ST16974Flensburg ca. 1925. 325 x 240 mm. 12 7/8 x 9 1/2". 4 p.l. first two blank 4 leaves 144 pp. 4 leaves last blank. Single column 31 lines in a fine calligraphic hand. <br/> FLAMBOYANT DEEP RED MOROCCO ELABORATELY INLAID AND GILT BY W. A. PETERSEN stamp-signed on rear turn-in covers framed by inlaid white morocco strip tooled with gilt triangles enclosing sides in a bead-and-lozenge pattern of gilt-outlined mandorlas containing a red cross on a blue background alternating with an inlaid white lozenge upper cover with brass and enamel cornerpieces featuring the symbols of the four Evangelists each of these set with a colored glass gem central panel divided into four compartments each containing a small star tool central brass and enamel medallion with a six-pointed star emblazoned with a sun and a red enamel "Y" two straps with brass and enamel clasps marked with Alpha and Omega lower cover with brass cornerpieces raised bands spine with gilt-ruled compartments turn-ins tooled with plain and dotted gilt rules and gilt stars deep pink moiré silk doublures shot with gold thread all edges gilt. In a box with a velvet-lined maroon buckram base and green marbled paper lid. With many initials of various sizes painted blue red green purple maroon or gilt three three-line initials in gold on a colored ground with the shape of a cross one two-line initial and 13 four- to six-line initials in gold on a multi-colored ground in a geometric design SEVEN HISTORIATED INITIALS each measuring seven to 11 lines in length FIVE MINIATURES MEASURING A THIRD TO THREE-QUARTERS OF THE PAGE each featuring a scene from the life of the Virgin or the life of Christ SIX FULL-PAGE ILLUMINATIONS incorporating text of different sizes and fonts many colors and patterns five of which contain a large central gilt circle the first of these completely filled with gold the others with a religious symbol in pen on bare vellum every page with a unique border composed of a thin frame with different geometric designs in gold and color some pages with an additional column of floral and foliate designs running down the left side of the text within the border plus additional flourishes elsewhere. Text in multiple sizes and fonts occasional words or phrases penned in color or gold. Boards somewhat bowed as often with bindings on vellum works occasional naturally occurring variations in the grain of the vellum a few instances of faint thumb smudging in corners but A BEAUTIFUL MANUSCRIPT IN ESPECIALLY FINE CONDITION the vellum smooth and fresh the illuminations shimmering and the binding unworn.<br/> <br/> Replete with gold illumination and bright colors evoking the appearance of Medieval manuscripts and stained glass this is an exquisitely produced work relating the life and words of Christ divided into five thematic parts: Light Word Spirit Death and Resurrection. Each part opens with a sumptuous full-page illumination reminiscent of the "carpet page" painting found in early Insular manuscripts; in the present work our artist fills the frame with a dazzling mixture of text and decorative patterns around a lustrous gilt medallion calling to mind the sun a resplendent halo or the Host. Although much of the decoration both on these full-page illuminations and elsewhere in this work remind one of Medieval manuscripts and are often composed of geometric designs and colors suggestive of stained glass the overall style here is decidedly modern. The palette is fresh and bold while the emphasis on strong lines and patterns shows the influence of the reigning Art Deco movement with echoes of the Art Nouveau movement that preceded it. Traditional biblical narratives in the form of historiated initials and miniatures are also presented here in refreshing ways: the image of the Sermon on the Mount for example places the viewer directly among the masses; we experience the event as a member of the audience would looking over the shoulders of the people in front of us to see Christ orating from a small hill silhouetted against a bright pink sky. Another memorable image--and the largest figural composition in this manuscript--is the Crucifixion. Though he has used a fairly standard composition the artist plays with our perception of space by setting the scene on a dark blue ground that envelopes the figures in a shadowy void; the only light source seems to come from the gold lettering immediately above the cross radiating off the face of Christ and to a lesser degree off the grief-stricken faces of John the Evangelist and the Virgin. All are pictured without haloes thus emphasizing the humanity of Christ over his divinity. As a whole this manuscript is extremely impressive in terms of artistry and technical execution and the prolific decoration and calligraphic variety hold the viewer's interest page after page. The equally impressive binding--modelled after the look of a Medieval Gospel book complete with enamel-like bosses and jewels--is fitting for a work that pays homage to the past while celebrating contemporary art and style. The life and work of calligrapher and illuminator Johann Holtz 1875-1944 is poorly documented but he seems to have been active in Flensberg Germany; he also worked as a graphic artist. Binder W. A. Petersen has proven equally illusive but we know that his workshop was also located in Flensburg. Given the town's close proximity to Denmark we might speculate whether Petersen was somehow related to the Copenhagen-based binder Immanuel Petersen who took over from master binder D. L. Clément in 1877. Despite the lack of biographical information on our artist and binder the work here needs no provenance information to be pleasing in every way from the gleaming binding to the beautifully preserved and magnificently illuminated contents. unknown
1992015919Paris L'Echoppe 1992 In-12 Broché, couverrture à rabats Signé par l'auteur
19248534J. Poan & Cie 1924 133 pages in8. 1924. broché. 133 pages. Il s'agit d'une lithographie originale en noir sur papier vélin blanc intitulée "Je Veux" créée par François Urbani et publiée par Poan Cie. L'œuvre présente une illustration accompagnée du texte "Mes bons amis je ne veux que votre bien je veux tout votre bien...". Elle est décrite comme un livre rare ou une œuvre d'art graphique
1975011258Paris La Table ronde 1975 In-8 Broché, couverture rempliée Edition originale
25276Lithographie : Planche HT parue dans La Caricature morale, religieuse, littéraire et scénique, volume 4, 6 septembre 1832 (Planche n°196) - Œuvre : Hauteur: 35.6cmx Largeur: 27cm - Image : Hauteur: 17.9cmx Largeur: 16.5cm - Titre en bas au centre : « Je n’ai pu atraper [attraper] que ça pour ma compagnie…… // ma foi tant pis ! » ; indications, en ht au centre : « La Caricature (Journal) // N°96. », en ht à dte : « Pl. 196 » - Dans la lettre : « Lith. de Becquet rue Childebert N°9. » [imprimeur], « On s’abonne chez Aubert Galerie Vero Dodat » [éditeur] ; attribution : ?la table des matières du 4e vol. de La Caricature précise le titre : « Le tambour apportant la provision de croix » et attribue la pl. à « V. ». Un tambour de grenadier se tient debout, de face au premier plan. Il a les bras chargés de croix de la légion d’honneur. A l’arrière-plan, deux autres militaires plient sous le poids d’énormes sacs contenant des décorations. La pl. dénonce, par le biais de l’ironie, les largesses du gouvernement dans la distribution de décorations, en vue de flatter la vanité des hommes dans le but de les rallier à sa cause.
1967011695Paris La Table ronde 1967 In-8 Broché, couverture rempliée Edition originale
1976011869Paris Grasset 1976 In-8 Broché
2519Paris, G. Crès, 1927 12 x 19, 336 pp., broché, bon état (sauf petit morceau d'adhésif)
164082850Frankfurt a. M. Matthäus Merian, 1640. [10] Bl., 214 S., [13] Bl. (Register), [1 Bl. Errata). Mit gestoch. Titelvign. u. gestoch. Wappenvignette. 32 cm. Pgt. d. Zeit mit handschriftl. Rückentitel.
191397424Leipzig, Insel, 1913. 310 S. Mit 118 s/w Taf. 22 cm. Goldgeprägtes OHalbPergament.
1297In 12 broché, faux-titre,titre,140 pages GLM 1939.édition originale du tirage ordinaire sur vélin blanc Très bon état .
173864478Jena, Joh. Bernhard Hartung Erben, 1738. Titel in Rot-Schwarz mit gestochener Vignette, 21 Bll. (Praefatio+ Index observationum), 1140 S., Folio. Pgt. d. Zt. mit RTitel.
18811235Un feuillet de vélin richement enluminé, cachet de cire rouge " Mairie de la Bourse " sous chemise en plein chagrin bordeaux, " A Monsieur Veil Picard " à froid, roulette dorée d’encadrement sur les plats intérieurs.
10808P., NRF Gallimard, 1960, 1 vol. in-8 (206 x 144) broché sous couverture bleutée imprimée en noir et rouge, de 267 pp. + achevé d'imprimer. Dos et bords de la couverture légèrement insolés, très bel exemplaire en grande partie non coupé par ailleurs.
AN EXTRAORDINARILY RARE EXAMPLE OF PRINTING ON VELLUM. The menu of the International Parchment Convention Dinner held at Claridge's on the evening of May 19th, 1955. 4 leaves printed on one side only. Quite a luxurious meal, as one would expect at Claridge's, featuring Beluga caviar, crevettes de MorÈcambe, expensive wines, etc. This copy printed for Mr F. Lund (name neatly calligraphed on cover). Printed thoughout in blue and black. Image of the Tower of London on the cover. 4to. Tasseled string tie. FINE AND BRIGHT, WITH NO DEFECTS. Menus printed on vellum or parchment are of the greatest rarity.
2020I-328-057Jasor 2020. Paperback. Very Good. Former library book. Edition 2020. Ammareal gives back up to 15% of this item's net price to charity organizations. Jasor paperback
14477Institutiones Imperiales erotematibus Distinctae atque ex ipsis principiis regulisque Juris, passim insertis expiicatae. Eduio Septime. In 32 plein velin à rabats, 80x130mm, titre illustré et gravé, titre avec ignette XII, 603 pages,, 3 pages de table. Amstelodami Apu Ludovicum Elzevirium 1652. Pages de gardes manuscrites. Deuxième édition Elzevir de ce manuel, destiné à l'étudiant et à rendre les institutions justinniennes accessibles aux débutants sois disant pour servie de modèle aux question pratiques concernant les affaires courantes des gentilshommes, de la tutelle et de l'héritage, à la propriété, la servitude, les dettes etc. L'auteur 1582-1672 Espagnol originaire d'Alvaro fut nommé professeur de droit à Louvain.
