LAVAL-CADENEL N. C.MareMagnum
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Chez l'auteur. Non daté. In-4 Carré. En feuillets. Etat d'usage. Livré sans Couverture. Agraffes rouillées. Intérieur bon état. 47 pages dactylographiées. Dédicace de l'auteur en dernière page. Traces de blanco correcteur dans le texte. Roman. Chapitre 1: Le couvent. '48 heures venaient de s'écouler lorsqu'Hélène prit conscience de sa décision. Souvent, même lorsque Lucien, son époux, vivait, elle pensait qu'un jour elle irait chercher le calme...'
Librairie Germer Baillière et Cie, Paris. 1876. In-12 Carré. Relié. Bon état. Couv. convenable. Dos satisfaisant. Quelques rousseurs. 352 pages. Gravure à l'eau-forte en noir et blanc en frontispice (portrait). Pièce de titre rouge sur le dos. Auteur, titre, fleuron et filets dorés sur le dos. Etiquette de code sur la couverture. Avec une Introduction par Jules SIMON. L'histoire et le parti démocratique. Le gouvernement occulte sous Louis XV. Question d'Algérie. Le rôle des Préfets. La Presse et le pouvoir. Colbert. P.J. Proudhon. L'instruction gratuite. La Morale...
LIBRAIRIE DE L. HACHETTE ET CIE. 1865. In-12 Carré. Relié demi-cuir. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. IV + 517 + 532 pages - contre-plats jaspés - Auteur, titre, filet, fleuron et tomaison dorés au dos - Dos à 4 nerfs - Petites Epidermures. 2e EDITION. / L'Orient. La Grèce. Les Romains. Les Barbares. La Féodalité. La Renaissance. La Réforme...
A clean, unmarked book with a tight binding. Full green cloth boards show wear on edge of spine. Edge wear to dust jacket. 200 pages. Black and white photos.
23x15.5 cm. 360 pages. Hardcover. In good condition.
Two volumes. pp. xi, 324; ix, 358 + Frontis. Foxed. 8vo. 205 mm. Unusual contemporary vellum-like yellow paper boards binding; with leather labels. Volume one with the spine intentionally blackened - most curious. With a cypher (E.H.F.) bookplate printed on the same yellow paper as that used in the bindings. Hardbound. FIRST EDITION. James Henry Leigh Hunt (1784-1859) was a famous English poet, critic, and journalist. He was a friend of the most eminent literary men of his time, and his home was the gathering place for such notable writers as Hazlitt, Lamb, Keats, and Shelley. With his brother John, Hunt established in 1808 the Examiner, a liberal weekly to which he contributed political articles. Because of an outspoken article casting aspersions on the prince regent, the brothers were imprisoned from 1813 to 1815, but they continued to edit the journal from jail. In 1822, Hunt joined Shelley and Byron in Italy and launched the Liberal (1822-23), which proved a failure. During other periods Hunt contributed to the Indicator (1819-21), the Tatler (1830-32), and Leigh Hunt's London Journal (1834-35). A noted dramatic and literary critic, he was one of the first to praise the genius of Shelley and Keats. His literary fame rests chiefly on his miscellaneous light essays such as are included here. **PRICE JUST REDUCED! W140
16.5x24.5 cm. xi+423 pages. Hardcover. In good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
220x145 mm. XXVIII+942 pages. Gilt hardcover. In good condition.
8vo., First Edition, some mild spotting throughout; original roan, lettered in gilt, a good, firm copy. With the advertisement leaf at end. CBEL, III, p.631.
8vo., small neat signature on front free endpaper; plum cloth, gilt back, uncut, a very good, bright, clean copy. With 2pp publisher's catalogue bound in at rear. Published as Collected Essays Vol. IX. Collects five major essays written between 1886 and 1894.
8vo., First Edition; blue cloth, gilt back, a near fine copy in unclipped dustwrapper.
The French weekly magazine VU was where the modern status of photography in the media was first established. Spearheading the media revolution of the 1920s, it ran over 600 issues between 21 March 1928 and 29 May 1940. Like a cinema newsreel on paper, it aimed to set itself apart with its ‘illustrated reporting of world affairs’. The magazine covered an eclectic range of subjects including politics and current events, social issues, discoveries, disasters, the arts, sport, entertainment, and anything that would surprise or delight its readers. It promised ‘pages crammed with photographs’ and ‘sensational illustrated features’ – and it always delivered. VU also made use of photomontage as a vehicle for pointed political or social criticism, in particular through the work of Alexander Liberman, who was art director from 1932 and had worked with Cassandre, who designed the VU logo. The rotogravure printing technique gave VU’s layout artists more creative leeway and gave new quality and power to the photographs themselves, by photographers including Kertész, Man Ray, Krull, Lotar and Brassaï. This book pays tribute to VU’s fundamental contribution to press photography, showing how photographers and publishers became aware of the potential of the medium. Themed picture sections explore the most notable features of VU: striking page layouts, fascinating photo stories, stunning cover designs, chilling images from Nazi Germany, and more. This anthology gives the reader an unparalleled insight into how the modern media came into being, as well as offering a superb snapshot of an entire era. — Testi: Frizot Michel, De Veigy Cédric. F.to: 26x31; pagg. 320; COL e BN; rileg. rigida. Editore: Thames & Hudson, London, 2009.
1 vol. in-12 br., Librairie José Corti, Paris, 1945, 283 pp. Rare exemplaire de cet ouvrage. Etat très satisfaisant (dos lég. frotté, non coupé). Français
1 vol. in-8 br., Librairie Guillaumin et Cie, Paris, 1893, 2 ff., VI-123 pp. et 1 f. Etat satisfaisant (ancien cachet d'institution religieuse, étiquette de cote en faux-titre, qq. rouss.) Français
1 vol. in-12 br., Plubli-Lux, Luxeuil Les Bains, 1989, 177 pp. Exceptionnel exemplaire dédicacé par l'auteur au mathématicien René Thom. Honoré par la Médaille Fields en 1958, le mathématicien français René Thom (1923 - 2002) est le célèbre fondateur de la théorie des catastrophes. Bon exemplaire Français
cm. 17 x 24, 2 tomi di xxviii-712 pp. con 11 tavv. f.t. di cui 1 b.n., tabelle e figg. n.t. Omaggio alla carriera e all?opera di Anthony Molho, questi due volumi offrono nuove prospettive su un ampio spettro di dibatti riguardanti la storia di Firenze, della Toscana, dell?Europa e del Mediterraneo. Toccano temi che vanno da Machiavelli alla storia dello stato, alla diaspora ebraica, ai condottieri rinascimentali e al mondo dei mercanti. I saggi sono firmati da Carlo Ginzburg, Christiane Klapisch-Zuber, Giovanni Levi, Lauro Martines e numerosi altri studiosi. Honoring the career and scholarship of Anthony Molho, these two volumes shed new light on a wide spectrum of debates on the history of Florence, Tuscany, Europe, and the Mediterranean, ranging from Machiavelli to the history of the state, the Jewish diaspora, Renaissance condottieri, and the world of merchants. Contributors include Carlo Ginzburg, Christiane Klapisch-Zuber, Giovanni Levi, Lauro Martines, and many other noted and younger scholars. Inglese 1366 gr. xxviii-712 p.
Paris, Librairie Stock, Delamain et Boutelleau, 1930. 2 volumes forts in-8, (14,5 cm x 23), brochés couvertures imprimées en deux tons, XV pp (préface de l'auteur à l'édition française)-503 pp. Edition originale de la traduction française. Un des exemplaires numérotés sur vergé d'Alfa. Bel ex.
Madrid, C.S.I.C., 1961, 4 tomos, 21,5 x 15,5 cm., VIII + 466 págs. + 1 h. = 2 h. + 367 págs. + 1 h. = 2 h. + 460 págs. = 2 h. + 392 págs. (Esta obra comprende: I, Influencia oriental. Libros de Caballería. II, Novelas sentimental, bizantina, histórica y pastoril. III, Cuentos y novelas cortas. La Celestina. IV, Primeras imitaciones de la Celestina).
Real Monasterio de El Escorial, 1928, 22 x 14,5 cm., holandesa piel, conserva la cubierta original anterior, 5 hojas + 506 págs. (Anteportada parcialmente desprendida).
M., Correspondencia Ilustrada, 1881, 18 x 12’5 cm., 212 págs. (Falto de la cubierta original anterior).
Un des 56 exemplaires sur vélin de Rives numérotés, 1 vol. in-12 br., Les Editions G. Crès et Cie, Paris, 1922, 318 pp. Bon exemplaire du tirage de tête. Français
Book is in excellent condition with a smudge of black oil paint in the upper back corner and some very light handling marks. Binding is solid and square, covers have sharp corners, exterior shows no other blemishes, text/interior is clean and free of marking of any kind. Reprint of the 1914 publication in large format with the typographical errors left in. Contents include: Ezra Pound poems, several manifestos, story by Ford Maddox Hueffer, by Rebecca West, Botrices and notes by Wyndham Lewis: Futurism, magic and life, Notes on some German woodcuts, Policeman and artist, Orchestra of media, Melodrama of modernity, Exploitation of vulgarity, Our vortex, etc. Illustrated by Edward Wadsworth, Wyndham Lewis, Frederick Etchells, W. Roberts, Jacob Epstein, Gaudier Brzeska, etc. copyright Pistil Books, 2011
pp. 426, (6) [Publisher's catalogue]. Age stained. Lacks last fly leaf. Early color manuscript ownership of James Ross Snively in oranges, blues and yellows. Also ink and penciled ownerships of John Fisher, Isaac H. Gordon and Mary Ann Semler. All of these are probably from Lancaster County, PA. 12mo. Original leather spine over stamped publisher's cloth binding. Gilt stamped spine. Slight loss at head and tail of spine. Cloth slightly worn. Hardbound. PA64 FRONT
Fort In-4, 720p. Edition refondue. Illustré de plus de 400 gravures, dont environ 100 planches hors texte, portraits, fac-similés, autographes... Bel exemplaire.
Testi: Kostelanetz Richard, Wiley William T. et al. F.to: 17x24; pagg. 360; BN; rileg. rigida con sovracoperta. Editore: Something Else Press, New York, 1973.
