16 162 résultats
19968477Helsinki: Musta Taide / Finnfoto 1996. First Edition First Printing. Paperback. Near fine. Quarto. 8.25 x 11.25 in. 108 pp. Fully illustrated with black & white reproductions of photographs including several fold-outs. Near fine in original pictorial wrappers with faint foxing to edge of text block. Text in Finnish and English. From the "Pentti Sammallahti and I.K. Inha" exhibition at Gallen-Kallelan Museo in Espoo Finland from September 6th to October 6th 1996. Musta Taide / Finnfoto paperback
200035642Chicago: Bad Press Books 2000. Very Good . Chicago: Bad Press Books 2000. Stated First Edition; published in a run of 5000. Folio 31cm; 152pp. Without dust jacket as issued. Publisher's illustrated boards; cream endsheets with publisher's blindstamp. Color illustrations throughout. Boards bumped at spine ends and corners. Binding sound. Textblock endsheets and interior pages clean. Very Good or better. Signed without inscription by both authors at ffep.<br /> <br /> Collection of comical postage stamps designed by the same-named artist-publisher pair. Many stamps were used to successfully transmit mail to the delight of their designers and dismay of the US Postal Service. Bad Press Books unknown
190913051New York: Charles Scribner's Sons 1909. First Edition. Hardcover. Very Good. 8vo 8" - 9" tall. xvi 368 pp with two maps one folding and many illustrations from photographs. Original red cloth boards stamped in gilt and black. Spine slant slight sunning to upper board previous owner's name on front free endpaper else clean and sound. Decima Moore 1871-1964 was a successful stage actress and singer in London before marrying Sir Frederick Gordon Guggisberg an officer in the Royal Engineers. He was appointed director of surveys in the Gold Coast in 1905 and upon returning from their travels three years later the couple recounted their experiences in alternating chapters. Charles Scribner's Sons hardcover books
2017B76762Pittsburgh PA: The Andy Warhol Museum 2017. Hardcover. Fine. Signed by Moshiri! RARE! Pink stamped beige cloth boards small quarto 8" x 10.5" 132pp. illustrated in color. Book has handsome boards and tight binding text clean and unmarked. Exhibition catalog. The Andy Warhol Museum hardcover
19124436Indiana Society of Chicago 1912. Deluxe Limited Edition. soft cover. Very Good. 16mo; 61 55 pages ; full green suede leather with the metallic inlay of the Society's medallion green satin front pastedown marbled endpapers; fragile ooze leather worn edgeworn covers on vol. 1 detached. <br/><br/>Signed by Wilbur Nesbit. This is copy no. 57 of a reported only 100 Deluxe signed sets known as The Hoosier Set . After the first edition by Bobbs-Merrill in 1911 this was issued as volumes nos. 11 & 12 of the set of 12 volumes that had been issued in red cloth for members of the Indiana Society of Chicago with other titles by Gene Stratton-Porter George Ade John T. McCutcheon and others. This is the selection of brief biographies of notable Hoosiers. Note: Has anyone noticed that Nesbit mis-spelled Kenesaw Mountain Landis' name Indiana Society of Chicago paperback
2007FLAHIVE-3034Museum of Contemporary Art / Yale University Press Chicago / New Haven 2007 First printing. A very fine as-new copy in a very fine as-new jacket. A clean unmarked copy in an unclipped jacket. Comes with archival-quality jacket protector. 1st Edition. Hardcover. As New/As New. Museum of Contemporary Art / Yale University Press, Chicago / New Haven hardcover
19823115294New York: Hudson Hills/San FRANCISCO MUSEUM OF MODERN ART. Fine with no dust jacket. 1982. First Edition; First Printing. Softcover. 0933920229 . First edition. The trade-size paperback issue with the Ruscha work "I Dont Want No Retro Spective" pictured on front cover. Fine in printed paperback wrappers. 182pp. 10" x 10" 62 color plates including 9 gatefolds & 150 duotone & black & white photographs. Laid-in separately is the uncommon exhibition brochure curated by Louise Katzman which is fine in stapled wrappers. 8pp. 5 1/2" X 8 1/2" Both items 'as new'.; 10 " x 10"; 182 pages . Hudson Hills/San FRANCISCO MUSEUM OF MODERN ART paperback
183314907Edinburgh: William Blackwood 1833. First Edition. Hardcover. Very good. Two volumes 8vo pp. ix 393; 402. Contemporary half morocco and marbled boards top edges gilt spines in six compartments. Bookplates joints rubbed leather chipped at head of Vol. I archival tape repair to ffep of Vol. II. Very good. A Scotsman visits the United States and finds the Americans somewhat lacking not least because of slavery. His critical but colorful account of his travels to the major East Coast cities Upper and Lower Canada and along the Ohio and Mississippi was a popular success and was translated in to French and German. Hubach p. 68 comments that Hamilton "had a good sense of humor but he echoed Mrs. Trollope's satirical tone and warned England against imitating American institutions although he admitted he might be guilty of English prejudice." Howes H-138; TPL 1649; Sabin 30034. William Blackwood hardcover books
1984ARCrnPER9Cleveland: Cleveland Museum of Art & The Kimbell Art Museum in cooperation with Indiana University Press 1984. 1984. 4to. pp. xiii 266. profusely illus. in b/w some colour. biblio. index. cloth. dw. corners bumped. Exhibition Catalogue. Hardcover. Fine/Dust Jacket Included. Cleveland: Cleveland Museum of Art & The Kimbell Art Museum in cooperation with Indiana University Press, [1984]. Hardcover
2003K17NS1169Ikon Gallery Birmingham 2003. 1st Edition. HARDCOVER. 4to in colour printed glossy boards as issued 59pp on glossy art paper colour plates 1 folding etc __CONDITION : An extremely well preserved AS NEW unmarked copy An excellent copy. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Ikon Gallery, Birmingham hardcover
185237263Par l'auteur du livre "Le Monopole universitaire, destructeur de la religion et des lois", 1 vol. in-8 reliure demi-basane verte, Perisse Frères, Lyon, Paris, 1852, xxviii-512 pp.
1872370461 vol. in-8 reliure de l'époque demi-basane marron, Sauton, Paris, 1872, xlviii-512 pp.
200029292<p>London:: Jonathan Cape 2000. First Printing of the First UK Edition. A Fine copy in a Fine unclipped dust jacket. The Bottom of the Harbor is considered a fundamental New York book. Every story Mitchell tells every person he introduces every scene he describes is illuminated by his passion for the eccentrics and eccentricities of his beloved adopted city. The stories tell of a life that has passed--of vacant hotel rooms deserted communities once-thriving fishing areas that are now polluted and studded with wrecks. This collection includes Up inthe Old Hotel The Bottom of the Harbor The Rats on the Waterfront Mr. Hunter's Grave Dragger Captain and The Rivermen.</p> Jonathan Cape, hardcover
199928865Lincoln:: University of Nebraska Press 1999. First Printing of the First US Edition. A Fine tight copy in a Near Fine dust jacket with a crease to the front flap. Originally published in France in 1934 Break of Day is André Breton’s second collection of critical and polemical essays following The Lost Steps. In fewer than two hundred pages Breton captures the first full decade of the surrealist movement. The collection opens with an essay composed in 1924 that examines key elements of surrealism and concludes with Breton’s harsh revaluation in 1933 of automatic writing. Among the other essays are “Burial Denied” and “In Self-Defense” two pieces that “mark surrealism’s conscious break from the mainstream and the beginning of its attempts to work alongside the French Communist Party.” Also included are “Psychiatry Standing before Surrealism” which addresses Breton’s complex ambivalent views on mental illness and the emerging psychiatric establishment; “Introduction to Achim von Arnim's Strange Tales” which reveals surrealism’s debt to such precursors as the German romantics and delineates a surrealistic aesthetic of the macabre; and “Picasso in His Element” in which Breton demonstrates his formidable talents as a critic of the visual arts. University of Nebraska Press, unknown
19593ivDc0068Columbus OH: The Ohio State University Press 1959. Book. Very Good. Hardcover. Copyright © 1959 by the Ohio State University Press. 8vo or 8° Medium Octavo: 7¾" x 9¾" tall. 396 xv pp. A rare hard-to-find out-of-print scarce true collectible gem! A wonderful copy! A great almost spotlessly clean copy and dust jacket! Solidly and tightly bound essentially and nearly flawless copy and dust jacket with minimal internal and external wear and use. Copy with crisp pages spotlessly clean text and light shelf wear. Smooth covers. Dust jacket shows minimal minor or light wear around edges. . The Ohio State University Press Hardcover
1812352161Leipzig: Gerhard Fleischer d.Jüng. 1812. XXIV.; 404; VI.; 544; XXXVI.; 568. 21,5cm. Zustand: Gut gering gebräunt, etwas wellig, im Text eher selten etwas fleckig (Innen); Innenbandbereiche und Vorsatzblätter, im Durchschnitt gering fleckig; Einband (Außen) hat geringe Gebrauchsspuren; Schnitt oben etwas angestaubt; Seitlicher Schnitt von Band 2 ist min. bis geringfügig fleckig; Pappband
Incscribed, "For Jeff, 6/3/00, Wendell Berry," on the title page. Edges of dust jacket slight worn.
2015TK234057Serpentine Gallery London 2015. 1st Edition. SOFTCOVER. Inscribed and signed by Michael Craig-Martin on the title-page no other marks or inscriptions. 119pp colour plates etc __CONDITION : NEW unread and unmarked copy in a NEW complete Dust Jacket. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Serpentine Gallery, London paperback
2012TH253482Collection & Cortes Fine Arts Madrid 2012. 1st Edition. HARDCOVER. Extra Large 4to. in black cloth backed colour printed boards gilt lettering to spine 151pp on thick art paper colour plates illustrations in text bibliography etc. __CONDITION : A well preserved AS NEW unmarked copy. __NOTE Due to size and/or weight posting to some destinations outside the UK will cost more than the shipping price shown. If so orders made by card will only be completed after you have approved any extra cost. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Collection & Cortes Fine Arts, Madrid hardcover
2009P18JS1268Lund Humphries Farnham 2009. 1st Edition. HARDCOVER. Extra Large 4to. in bright orange cloth black lettering to spine. 128pp on thick art paper colour plates bibliography index etc. Inscribed in black ink and signed in blue ink by Ann Stokes on the front blank fly-leaf __CONDITION : A well preserved almost AS NEW copy merest hint of tanning to leaves in an almost AS NEW complete Dust Jacket the front inner flap partly torn but neatly repaired from the verso looks fine in its removable transparent protector. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. __To see more of our books on Ceramics type DbbPOTTERY in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Lund Humphries, Farnham hardcover
314 p. Hardcover good condition spine worn BAL 5272. Myerson A34.1a.
373p. Hardcover Good condition, spine ends chipped BAL 8781
193213839Berlin-Charlottenburg, Verlag der Weltbühne, 1932. HLwd.d.Zt. (Rückenschrift) 962 S., 8°
19281036831928 Année 1928 complète - 24e année - Dunod, Editeur - Revue bimensuelle illustrée - In-folio, demi basane marron; 4 nerfs, titre, année, et fleuron dorés au dos - Table des matière reliée en début d'ouvrage, p. 692 à 703, puis pagination continue de 1 à 688 - Très nombreuses illustrations et reproductions photographiques en N&B - Année complète reliée sans les couvertures d'origine
19061196231906 Année 1906 complète, reliée en deux volumes - 6e année - Dunod, Editeur - Revue hebdomadaire illustrée, paraissant tous les samedis - 2 volumes in-folio, demi chagrin verts; titre et année dorés aux dos - Pagination continue - Très nombreuses illustrations et reproductions photographiques en N&B - Le volume 1 va du N° 223, du 6 janvier, au N° 248, du 30 juin (Premier semestre). Le deuxième volume va du N° 249, du 7 juillet, au N° 274 du 29 décembre (Second semestre) - Relié avec les Suppléments en fin de chaque ouvrage, comprenant les tables des matières de chaque semestre
