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200991987Rapperswil, Du Kulturmedien, 2009. 121 S. 4° Quart, Softcover/Paperback
1936105385Stuttgart, Franckh'sche Verlagshandlung, 1936. 352 S. Gr.-8° Groß-Oktav, Leinen
In this collection of essays, Amsterdam art historian and critic Camiel van Winkel digs up the conceptual roots of contemporary art, design and photography to argue that the art of today is, as a whole, "post-conceptual." Focusing on the conceptual artists of the years 1965-1975, van Winkel examines how the art of that era continues to inform the art world today. Highly polemical and very readable, <I>During the Exhibition the Gallery Will Be Closed</I> looks at the cultural dominance of information in art discourse, the professionalization of artistic practices, the debate over "good design" in art and the role institutions play in art theory. It is an essential collection for any understanding of that idea, belief and desire we today call "the artist." — Testi: van Winkel Camiel. pagg. 304; rileg. brossura. Editore: Valiz, Amsterdam, 2012.
200013592Anness Sans date.
1941102544Paris Editions Stock 1941 186p 1 volume broché. Couverture imprimée. Etudes françaises n°1.
This book collects some of R. Buckminster Fuller's most important recent writings on the subject of spaceship Earth: the big, interconnected, total system that is "the only one we've got." These articles stress the need for considering our planet as a whole, rather than breaking it into its parts-as most of us continue to do. This theme is crucial to the thinking of Bucky Fuller, who, in addition to his many other appellations, has been called the "godfather" of the Whole Earth Catalog. — Testi: Buckminster Fuller R.. F.to: 13,5x21; pagg. 180; rileg. brossura. Editore: Doubleday, New York, 1973.
Málaga, Instituto de Cultura de la Diputación Provincial, 1975, 21 x 14,5 cm., 520 págs. + 1 h. (Comprende: Teoría e Historia. Estudio sobre el teatro contemporáneo. Creación).
194557345Colorado: Boulder 1945. X, 387, (3) Seiten. Mit einer photographischen Portraitabbildung auf Tafel. Gr. 8° (26 x 18 cm). Orig.-Leinenband. [Hardcover / fest gebunden].
Madrid, U.N.E.D., 1985, 21 x 14,5 cm., cartulina editorial, 324 págs.
"Catálogo de la exposición celebrada en el Museo Nacional Centro de Arte Reina Sofía, octubre 2009-febrero 2010. Culminación de las prácticas experimentales de los 60 y al mismo tiempo un punto de inflexión que señala el declive de este tipo de tendencias. La exposición muestra todos los actos que tuvieron lugar durante aquellos ocho días mediante un centenar de obras de diversos formatos." Testi: Molins Patricia, Cuyas Jose Diaz. pagg. 416; COL e BN; rileg. brossura. Editore: Centro de Arte Reina Sofia, Madrid , 2010.
Madrid, Miguel de Burgos, 1816, 19,5 x 12 cm., cubiertas en papel de época con las esquinas rotas, 208 págs.
Madrid, Miguel de Burgos, 1816, 19,5 x 12 cm., cubiertas en papel de época, 208 págs. + 1 hoja de erratas.
199094630München, Edition Text + Kritik GmbH, 1990. 167 S. Gr.-8° Groß-Oktav, Softcover/Paperback
198577668Kassel, Johannes Stauda Verlag, 1985. 308 S. Gr.-8° Groß-Oktav, Hardcover/Pappeinband
Le livre d'artiste bénéficie du regain d'intérêt dont jouissent actuellement les avant-gardes des années soixante et soixante-dix. En lui-même, le livre d'artiste est devenu un genre spécifique et reconnu comme tel. Esthétique du livre d'artiste est une étude exhaustive des livres publiés par les artistes des avant-gardes des années soixante et soixante-dix : poésie concrète et visuelle, Fluxus, art minimal, art conceptuel... En rupture avec la tradition artisanale des " livres illustrés " de la bibliophilie, les livres d'artistes utilisent les techniques industrielles d'impression; ils ont matériellement l'aspect de publications ordinaires. À la différence des livres de bibliophilie, ils sont la création d'un artiste seul, sans la participation d'un écrivain. Plus de 300 artistes, de toutes nationalités, sont étudiés, parmi lesquels notamment Baldessari, Barry, Boltanski, Broothaers, Buren, Darboven, Filliou, Finlay, Fulton, Gerz, Gette, Kosuth, Le Gac, LeWitt, Long, Messager, Roth, Ruscha, Tremlett, Weiner. — Testi: Moeglin-Delcroix Anne. F.to: 24,5x30,5; pagg. 656; COL e BN; rileg. brossura. Editore: Jean Michel Place, Paris, 1997.
102244Paris Librairie A. Colin sans date 221p 1 volume grand IN8 broché. Non coupé.
1932100208Kopenhagen, Westermanns Forlag, 1932. 255 S. Kl.-8° Klein-Oktav, Softcover/Paperback
IN HEBREW. 25x16cm. 244 pages. Hardcover. Spine edges slightly bumped. Else in good condition.
‘Today, when one speaks of cinema, one implies a metamorphosis in human perception,’ writes the author of this extraordinary book. ‘Just as the term ‘man’ is coming to mean man/plant/machine, so the definition of cinema must be expanded to unclude videotronics, computer science, and atomic light.’ In a brilliant and far-ranging study, Gene Youngblood traces the evolution of cinematic language to the end of fiction, drama, and realism. New technological extensions of the medium have become necessary. Thus he concentrates on the advanced image-making technologies of computer films, television experiments, laser movies, and multiple-projection environments. Outstanding works in each field are meticulously described, including interviews with artists and technologists. Expanded Cinema is filled with provocative post-McLuhan philosophical probes into ‘The Paleocybernetic Age,’ ‘the videosphere,’ and ‘the new nostalgia,’ all in the context of what the author calls ‘the global intermedia network.’ In ‘Image-Exchange and the Post-Mass Audience Age,’ Mr. Youngblood discusses the revolutionary implications of videotape cassettes and the cable television as educational tools. His observations are placed in comprehensive perspective by an inspiring introduction written by R. Buckminster Fuller. The text is richly illustrated by 284 photographs, including 60 in full colour. Vast in scope, both philosophical and technical, Expanded Cinema will be invaluable to all who are concerned with the audio-visual extensions of man, the technologies that are reshaping the nature of human communications. — Testi: Youngblood Gene, Buckminster Fuller R.. F.to: 14,5x20; pagg. 432; 60 COL e 224 BN; rileg. rigida con sovracoperta. Editore: Studio Vista, London, 1970.
500269710Sans date.
198385554Bad Homburg, Verlag Dr. Max Gehlen, 1983. 510 S. Gr.-8° Groß-Oktav, Hardcover/Pappeinband
280x215 mm. 309 pages. Gilt hardcover with dust-jacket. Jacket torn. Pages yellowing. Else in good condition.
200922741Michel Lafon 2009 210 pages 22x14x2cm. 2009. Broché. 210 pages.
186915554München Verlag von Braun & Schneider, ca. 1869. 208 S. 4° Quart Hldr.
1980101423Frankfurt, Institut für Kulturanthropologie und europäische Ethnologie der Johann Wolfgang Goethe-Universität Frankfurt am Main, 1980. 191 S. 8° Oktav, Softcover/Paperback
