Antiquariat.de
16 162 résultats
89735o. O., o. V., o. J. X + 584 S. Gr.-8° Groß-Oktav, Leinen
196871469Tübingen, J. C. B. Mohr, 1968. VIII + 498 S. Gr.-8° Groß-Oktav, Leinen
1907100683Stuttgart, Verlag von Greiner und Pfeiffer, 1907. VII + 314 S. 4° Quart, Leinen
189511924Stuttgart Deutsche Verlags-Anstalt, 1894 / 1895. 508 S. 4° Quart Hldr.
Testi: Tyler Parker . F.to: 10,5x17,5; pagg. 250; BN; rileg. brossura. Editore: Grove Press, New York, 1969.
193871660Dülmen, Verlag Laumenn, 1938. 319 S. Gr.-8° Groß-Oktav, Leinen
197697537Berlin, Karin Kramer Verlag, 1976. 192 S. 8° Oktav, Softcover/Paperback
197899939Frankfurt, S. Fischer Verlag, 1978. 122 S. Gr.-8° Groß-Oktav, Leinen
Testi: Burke Feldman Edmund. F.to: 23x30; pagg. 680; COL e BN; rileg. rigida telata. Editore: Harry N. Abrams, New York, 1971.
200914377Leipzig Literaturagentur des Stadtteilzentrums Niederzwehren, 2009. 170 S. 8° Oktav Kart.
1981101958Frankfurt, Suhrkamp Verlag, 1981. 395 S. Kl.-8° Klein-Oktav, Softcover/Paperback
This is not a mainstream publication, but an ad hoc book; a type frequently seen in the early and mid-seventies. Video By Artists contains several articles (including ones by Dan Graham and Les Levine) and graphic output (photos, histories, resumes and documents) by Ant Farm, General Idea, Dan Graham, Lisa Steele, David Askevold, etc. It contains a useful bibliography of articles in periodicals. It is a Canadian publication, and it should be noted that video was a popular medium for artists in Canada. In fact, the story of the entire avant-garde in Canada in the early and mid-seventies and its impact on video is well worth a long careful look. Consider just the dynamic impact of Michael Snow's films on later video art, for example. — Testi: Town Elke. F.to: 20,5x27; pagg. 152; BN; rileg. brossura. Editore: Art Metropole, Toronto, 1986.
Testi: Hanhardt John, Davis Douglas et al. F.to: 23x15,3; pagg. 296; rileg. brossura. Editore: Visual Studies Workshop Press, New York, 1986.
Un libro di Sirio Luginbühl e Paolo Cardazzo, con una nota di Luciano Giaccari. `Introduzione alla videoarte`, `Classificazione della videoarte`, `Video e Performances musicali`, `Videoarte nell'Est europeo`, `Videoarte in Canada`, `Videoarte in Giappone`, `Videoarte in Gran Bretagna`. — Testi: Luginbuhl Sirio, Cardazzo Paolo. F.to: 17,5x17,5; pagg. 60; BN; rileg. brossura. Editore: Mastrogiacomo Editore, Padova, 1980.
196416544Innsbruck Universitätsverlag Wagner, 1964. VIII + 220 S. Gr. 8° Groß-Oktav Hln.
188518917Stuttgart Verlag v. W. Spemann, 1885. VIII + 1382 S. Gr. 8° Groß-Oktav Hldr. 2 Bände
1885105370Stuttgart, Verlag v. W. Spemann, 1885. 674 S. 4° Quart, Leinen
1896105358Stuttgart, Verlag v. W. Spemann, ca. 1896. 632 S. 4° Quart, Leinen
The French weekly magazine VU was where the modern status of photography in the media was first established. Spearheading the media revolution of the 1920s, it ran over 600 issues between 21 March 1928 and 29 May 1940. Like a cinema newsreel on paper, it aimed to set itself apart with its ‘illustrated reporting of world affairs’. The magazine covered an eclectic range of subjects including politics and current events, social issues, discoveries, disasters, the arts, sport, entertainment, and anything that would surprise or delight its readers. It promised ‘pages crammed with photographs’ and ‘sensational illustrated features’ – and it always delivered. VU also made use of photomontage as a vehicle for pointed political or social criticism, in particular through the work of Alexander Liberman, who was art director from 1932 and had worked with Cassandre, who designed the VU logo. The rotogravure printing technique gave VU’s layout artists more creative leeway and gave new quality and power to the photographs themselves, by photographers including Kertész, Man Ray, Krull, Lotar and Brassaï. This book pays tribute to VU’s fundamental contribution to press photography, showing how photographers and publishers became aware of the potential of the medium. Themed picture sections explore the most notable features of VU: striking page layouts, fascinating photo stories, stunning cover designs, chilling images from Nazi Germany, and more. This anthology gives the reader an unparalleled insight into how the modern media came into being, as well as offering a superb snapshot of an entire era. — Testi: Frizot Michel, De Veigy Cédric. F.to: 26x31; pagg. 320; COL e BN; rileg. rigida. Editore: Thames & Hudson, London, 2009.
A clean, unmarked book with a tight binding. Text in Italian. 8 5/8"w x 11 3/8"h. 64 pages.
IN HEBREW. 22.5x16 cm. 18+236 pages. Hardcover. Inner cover slightly torn. Some pages are age-stained. Pages are slightly yellowing. Else in good condition.
Testi: Leary Timothy. pagg. 240; BN; rileg. brossura. Editore: 88 books, Beverly Hills, 1976.
195015030Wien Verlag A. Sexl, 1950. VI + 466 S. Gr. 8° Groß-Oktav Brosch. 2 Bände
19845001393431984 1984.
192932129ABStuttgart, Verlag von Ferdinand Enke, 1929-1930. 4° (25,5 x 17,5 cm). VII, 400; VIII, 368 S. Bibliotheks-Leinenbände der Zeit mit Leder-Rückenschildern u. Farbkopfschnitten. 2 Bände. Kleine Stempel auf Innendeckeln ausradiert. Schnitte u. Vorsätze leicht gebräunt, Schnitte u. teils die Ränder etwas braunfleckig. Äusseres leicht angestaubt, Einbände leicht berieben bzw. bestossen.
