16 160 résultats
201902091Paris, P-v stock editeur , 1909 ; in-12, 324 pp., br. Premier et dernier plat sali par la poussiere.
201901499Paris, Naive - essais, 2016 ; in-8, 126 pp., br. Broché en très bon état.
201003925Paris, Mercure de France, 1999 ; in-8, 349 pp., broché. Très bon état.
193428299New York:: Doubleday Doran 1934. First Printing of the First US Edition. A Near Fine copy with one corner slightly bumped in a Very Good plus bright dust jacket with some light edgewear to the spine and chips to the corners. The 25 contributors of the tribute to the legendary avant-garde photographer include Sherwood Anderson Gertrude Stein Dorothy Brett William Carlos Williams and Jean Toomer. There are 120 illustrations including works by Stieglitz Picasso Cezanne John Marin and others. Doubleday Doran, hardcover
193421894<p>New York:: Literary Guild 1934. Book Club Edition. A Fine copy in a Very Good plus bright dust jacket with some light edgewear and tiny closed edge teara to the front and rear panels. Printed from the Knopf sheets and reproducing the jacket from the trade edition. The 25 contributors of the tribute to the legendary avant-garde photographer include Sherwood Anderson Gertrude Stein Dorothy Brett William Carlos Williams and Jean Toomer. There are 120 illustrations including works by Stieglitz Picasso Cezanne John Marin and others.</p> Literary Guild, hardcover
193427079<p>Philadelphia:: The Centaur Press 1934. First Printing of the First US Edition. A Fine tight copy in a Very Good unclipped dust jacket with several closed tears to the front panel and two chips to the rear panel. There is some offsetting to the front and rear free endpapers from the jacket. This collection features 17 essays by Anderson some of which were previously published in magazines and Anderson' two Virginia newspapers. Included here are Meeting Ring Lardner Death on a Winter Day The Dreiser Prize Fighters and Authors Lincoln Steffens Talks of Russia Visit to a Painter Gertrude Stein Lawrence Again and Margaret Anderson: Real--Unreal. 130 pages. Uncommon in the dust jacket.</p> The Centaur Press, hardcover
200129415<p>New York:: Pantheon 2001. First Printing of the First US Edition. A Fine unread copy in a Fine dust jacket. This collection of writings by the influential English art critic novelist and essayist John Berger brings together his seminal works from previous collections like The Look of Things and About Looking. The book features Berger's radical and meditative essays on art literature and life exploring themes like the male gaze the impact of mechanical reproduction on art as in Ways of Seeing and the relationship between modernity memory and rural life.</p> Pantheon, hardcover
202429385<p>Berkeley:: Counterpoint 2024. First Printing of the First US Edition. A Near Fine copy with discreet remainder dot in a Fine unclipped dust jacket. With Every Great Breath is a collection of essays by environmentalist Rick Bass featuring both new and previously published essays that explore ecological personal and social landscapes ranging from his local Montana community to global locations like Alaska and Namibia while balancing environmental crisis with the celebration of natural beauty.</p> Counterpoint, hardcover
200728653New York:: Random House 2007. First Printing of the First US Edition. A Fine tight copy in a Fine dust jacket. Portraits and Observations is the first volume devoted solely to all the essays ever published by this most beloved of writers. Included are such masterpieces of narrative nonfiction as “The Muses Are Heard” and the short nonfiction novel “Handcarved Coffins” as well as many long-out-of-print essays including portraits of Mae West Humphrey Bogart and Marilyn Monroe. From his travel sketches of Brooklyn New Orleans and Hollywood written when he was twenty-two to the author’s last written words composed the day before his death in 1984 the recently discovered “Remembering Willa Cather” Random House, unknown
200728652New York:: Random House 2007. First Printing of the First US Edition. A Fine tight copy in a Fine dust jacket. Portraits and Observations is the first volume devoted solely to all the essays ever published by this most beloved of writers. Included are such masterpieces of narrative nonfiction as “The Muses Are Heard” and the short nonfiction novel “Handcarved Coffins” as well as many long-out-of-print essays including portraits of Mae West Humphrey Bogart and Marilyn Monroe. From his travel sketches of Brooklyn New Orleans and Hollywood written when he was twenty-two to the author’s last written words composed the day before his death in 1984 the recently discovered “Remembering Willa Cather” Random House, unknown
200729454New York:: Random House 2007. First Printing of the First US Edition. A Fine tight copy in a Fine dust jacket. Portraits and Observations is the first volume devoted solely to all the essays ever published by this most beloved of writers. Included are such masterpieces of narrative nonfiction as “The Muses Are Heard” and the short nonfiction novel “Handcarved Coffins” as well as many long-out-of-print essays including portraits of Mae West Humphrey Bogart and Marilyn Monroe. From his travel sketches of Brooklyn New Orleans and Hollywood written when he was twenty-two to the author’s last written words composed the day before his death in 1984 the recently discovered “Remembering Willa Cather” Random House, unknown
198229124New York:: Harcourt Brace Jovanovich 1982. First Printing of the First US Edition. A Fine tight copy in a Near Fine unclipped dust jacket with a small tear to the rear panel. In these widely praised essays Calvino reflects on literature as process the great narrative game in the course of which writer and reader are challenged to understand the world. Written between 1966 and 1982 these 31 essays are divided into two parts. The first 11 essays deal with theoretical questions such as the relation of philosophy and literature definitions of genres comedy eroticism fantasy and levels of reality in literature; the rest are introductions to or appreciations of specific works and authors mostly classics The Odyssey Ovid Candide Stendhal Balzac though there are also pieces on Montale Saul Steinberg Barthes and Marianne Moore. Harcourt Brace Jovanovich, unknown
199228212New York:: Simon & Schuster 1992. First Printing of the First US Edition. A Fine tight copy in a Fine dust jacket. This is Didion's third collection of essays primarily published in The New York Review of Books and The New Yorker. In this collection Didion covers ground from Washington to Los Angeles from a TV producer's gargantuan "manor" to the racial battlefields of New York's criminal courts. At each stop she uncovers the mythic narratives that elude other observers: Didion tells us about the fantasies the media construct around crime victims and presidential candidates; she gives us new interpretations of the stories of Nancy Reagan and Patty Hearst; she charts America's rollercoaster ride through evanescent booms and hard times that won't go away. Simon & Schuster, hardcover
202128397<p>Essays Didion Joan. Let Me Tell You What I Mean. New York: Knopf 2021. First Printing of the First US Edition. A Fine tight copy in a Fine unclipped dust jacket. These twelve pieces from 1968 to 2000 never before gathered together offer an illuminating glimpse into the mind and process of a legendary figure. Didion touches on topics ranging from newspapers "the problem is not so much whether one trusts the news as to whether one finds it" to the fantasy of San Simeon to not getting into Stanford. In "Why I Write" Didion ponders the act of writing: "I write entirely to find out what I'm thinking what I'm looking at what I see and what it means."</p> Knopf, hardcover
196429183<p>A Near Fine copy in a Fine extremely bright unclipped dust jacket. In this essay collection Ralph Ellison examines his antecedents and in so doing illuminates the literature music and culture of both black and white America. His range is virtuosic encompassing Mark Twain and Richard Wright Mahalia Jackson and Charlie Parker The Birth of a Nation and the Dante-esque landscape of Harlem—"the scene and symbol of the Negro's perpetual alienation in the land of his birth." Throughout he gives us what amounts to an episodic autobiography that traces his formation as a writer as well as the genesis of Invisible Man.Not only is Ellison a great writer of fiction but he truly excels as an essayist as he displays in this fine collection of some of his best work in a non-fiction role. He is one of the most cogent and articulate writers in the arena of ideas and assessments of culture and the arts.</p> Random House, hardcover
196423238New York:: Random House 1964. First Printing of the First Edition. A Near Fine copy in a Fine extremely bright unclipped dust jacket. This copy is from the library of noted film director George Cukor with his bookplate on the front pastedown. In this collection Ralph Ellison examines his antecedents and in so doing illuminates the literature music and culture of both black and white America. His range is virtuosic encompassing Mark Twain and Richard Wright Mahalia Jackson and Charlie Parker The Birth of a Nation and the Dante-esque landscape of Harlem—“the scene and symbol of the Negro’s perpetual alienation in the land of his birth.” Throughout he gives us what amounts to an episodic autobiography that traces his formation as a writer as well as the genesis of Invisible Man.Not only is Ellison a great writer of fiction but he truly excels as an essayist as he displays in this fine collection of some of his best work in a non-fiction role. He is one of the most cogent and articulate writers in the arena of ideas and assessments of culture and the arts. Random House, unknown
200628485New York:: Knopf 2006. First Printing of the First US Edition. A Fine copy in a Fine unclipped dust jacket. In this volume Gass pays homage to the readerly side of the literary experience by turning his critical sensibility upon all the books that shaped his own development as a reader writer and human being. With essays on figures ranging from William Shakespeare and Gertrude Stein to Flann O'Brien and Robert Burton Gass creates a "temple" of readerly devotion a collection of critical explorations as brilliant and incisive as readers have come to expect from this literary master but also a surprisingly personal window into the author's own literary development. Knopf, unknown
201229265New York:: Knopf 2012. First Printing of the First US Edition. A Near Fine copy with discreet dot on the bottom edge in a Fine unclipped dust jacket. In this essay collection William H. Gass explores his lifelong relationship with books and language through essays on writers like Nietzsche Henry James Gertrude Stein and Kafka. The book examines the craft of writing the power of literary devices and his critical judgments on various authors and works. Knopf, unknown
195928968Boston:: Houghton Mifflin 1959. First Printing of the First US Edition. A Near Fine copy with discreet owner name on the flyleaf in a Very Good unclipped dust jacket with wear and shallow tears to the extremities. The Bottom of the Harbor is considered a fundamental New York book. Every story Mitchell tells every person he introduces every scene he describes is illuminated by his passion for the eccentrics and eccentricities of his beloved adopted city. The stories tell of a life that has passed--of vacant hotel rooms deserted communities once-thriving fishing areas that are now polluted and studded with wrecks. This collection includes Up inthe Old Hotel The Bottom of the Harbor The Rats on the Waterfront Mr. Hunter's Grave Dragger Captain and The Rivermen. Houghton Mifflin, unknown
200029292<p>London:: Jonathan Cape 2000. First Printing of the First UK Edition. A Fine copy in a Fine unclipped dust jacket. The Bottom of the Harbor is considered a fundamental New York book. Every story Mitchell tells every person he introduces every scene he describes is illuminated by his passion for the eccentrics and eccentricities of his beloved adopted city. The stories tell of a life that has passed--of vacant hotel rooms deserted communities once-thriving fishing areas that are now polluted and studded with wrecks. This collection includes Up inthe Old Hotel The Bottom of the Harbor The Rats on the Waterfront Mr. Hunter's Grave Dragger Captain and The Rivermen.</p> Jonathan Cape, hardcover
202429371<p>Minneapolis:: Graywolf Press 2024. First Printing of the First US Edition. A Near Fine copy with discreet remainder dot in a Fine unclipped dust jacket. This collection of Maggie Nelson's non-fiction spans two decades of her work including essays reviews and conversations with artists and writers like Prince Carolee Schneemann and Kara Walker. The book explores recurring themes in her work such as love friendship queer and feminist issues and the role of art and criticism offering a look into her development and preoccupations with subjects like art parenting and identity. It's been praised for its blend of personal and analytical writing showcasing her unique style and deep engagement with art and culture.</p> Graywolf Press, hardcover
201629236New York:: Penguin Press 2016. First Printing of the First US Edition. A Fine tight copy in a Fine unclipped dust jacket. In these essays Mary Oliver reflects on her willingness as a young child and as an adult to lose herself within the beauty and mysteries of both the natural world and the world of literature. Emphasizing the significance of her childhood “friend” Walt Whitman through whose work she first understood that a poem is a temple “a place to enter and in which to feel” and who encouraged her to vanish into the world of her writing Oliver meditates on the forces that allowed her to create a life for herself out of work and love. Upstream follows Oliver as she contemplates the pleasure of artistic labor her boundless curiosity for the flora and fauna that surround her and the responsibility she has inherited from Shelley Wordsworth Emerson Poe and Frost the great thinkers and writers of the past to live thoughtfully intelligently and to observe with passion. Penguin Press, unknown
201629338<p>New York:: Penguin Press 2016. First Printing of the First US Edition. A Fine tight copy in a Near Fine price-clipped dust jacket. In these essays Mary Oliver reflects on her willingness as a young child and as an adult to lose herself within the beauty and mysteries of both the natural world and the world of literature. Emphasizing the significance of her childhood "friend" Walt Whitman through whose work she first understood that a poem is a temple "a place to enter and in which to feel" and who encouraged her to vanish into the world of her writing Oliver meditates on the forces that allowed her to create a life for herself out of work and love. Upstream follows Oliver as she contemplates the pleasure of artistic labor her boundless curiosity for the flora and fauna that surround her and the responsibility she has inherited from Shelley Wordsworth Emerson Poe and Frost the great thinkers and writers of the past to live thoughtfully intelligently and to observe with passion.</p> Penguin Press, hardcover
201226411<p>New York:: Farrar Straus & Giroux 2012. First Printing of the First US Edition. A Fine tight copy in a Fine unclipped dust jacket. In When I Was a Child I Read Books Robinson returns to and expands upon the themes which have preoccupied her work with renewed vigor. In "Austerity as Ideology" she tackles the global debt crisis and the charged political and social political climate in this country that makes finding a solution to our financial troubles so challenging. In "Open Thy Hand Wide" she searches out the deeply embedded role of generosity in Christian faith. And in "When I Was a Child" one of her most personal essays to date an account of her childhood in Idaho becomes an exploration of individualism and the myth of the American West. Clear-eyed and forceful as ever Robinson demonstrates once again why she is regarded as one of our essential writers.</p> Farrar, Straus, & Giroux, hardcover
200728806Emeryville:: Shoemaker & Hoard 2007. First Printing of the First US Edition. A Fine copy in a Fine unclipped dust jacket. tTis collection of essays by Gary Snyder blazes with insight. In his most autobiographical writing to date these essays employ fire as a metaphor for the crucial moment when deeply held viewpoints yield to new experiences and our spirits and minds broaden and mature. Snyder here writes and riffs on a wide range of topics from explorations of southwestern European Paleolithic cave art to his own personal poetic history with haiku; from reminiscences of youthful West Coast logging and trail crew days to talks given in Paris and Tokyo on art and archetypes. He honors poets of his generation like Philip Whalen and Allen Ginsberg and meditates on art labor and the making of families houses and homesteads. This is not a collection of essays but a cohesive presentation of Snyder's life and work expressed in his characteristically straightforward prose. Shoemaker & Hoard, unknown