19 571 résultats
1859031178London: Chapman & Hall 1859. Book. Illus. by H. K. Browne. Near Fine. Full Leather. 1st Edition. 8vo - over 7¾ - 9¾" tall. Full Hunter Green morocco leather gilt. Gilt ruled 6 times on front and rear panels with olive branch decorations. Spine with 6 compartments and elaborate gilt. Gilt dentelles with 8 gilt ruled panels over patterned endpapers. Followed by marbled pages front and rear. All edges gilt. All by MARIUS MICHEL and so signed. Housed in cloth slipcase consisting of the original red cloth binding. Conforms to Major 1st ed 1st printing points of page 213 printed 113 and letter b at bottom of plate list. Some wear along joints. Darkening of leather on spine. Mild foxing to front blanks but text remarkably clean. A beautiful copy of one of the Dickens favourties. Chapman & Hall Hardcover
183811647London: Richard Bentley 1838. First edition first issue. With the 24 engraved plates by George Cruikshank all a little spotted as usual. 3 volumes. Large 12mo and 8vo. with the terminal 2 leaves of advertisements in Vol. I and the initial advertisement leaf in vol. 3 half-titles present in vols 1 and 2 not called for in volume 3 original reddish-brown publisher’s cloth vol. 1 skilfully recased variant state binding with “London/ Bentley†at the foot of the spines according to Smith not a point of any significance spines lettered in gilt arabesque blind-stamps to sides. Spines faded slight chipping to spine ends a little marking to sides but generally a very good copy and unusually in the original cloth.The first issue with the “Boz†title-pages and the final “fireside†plate. After publication Dickens objected to both and the second edition has his name author on the titles and the final plate was substituted by the “Church†plate. The printing was shared between two or maybe three printers hence volumes 1 & 3 are in large 12mo format and volume 2 in 8vo.<br>Oliver Twist first appeared in Bentley’s “Miscellany†from February 1837 to April 1839.<br>In book form it constitutes Dickens’s first novel to be published in the standard three-decker format of the day.<br>Provenance: Vols 2 & 3 have the understated “Sudeley†provenance at the head of the titles.Smith 4; Eckel pp. 51-56 First edition first issue with “Boz†titles and the fireside plate; in original cloth Richard Bentley hardcover
1937190014London: The Nonesuch Press 1937-39. Including an original steel plate illustrating Dickens's first published story First Nonesuch edition number 51 of 877 sets with an original plate. This example includes the steel plate that was used in the first edition of Sketches by Boz 1836 to illustrate "Mr Minns and his Cousin". The story represents a revised version of Dickens's first published work of fiction "A Dinner at Poplar Walk" The Monthly Magazine December 1833. The limitation matches the 877 original plates that were used for the first editions and kept in the archives of Dickens's publisher Chapman and Hall. Most of the plates were on steel though they also included woodblocks. This plate accompanied by a press pull as issued illustrates a startled Mr Minns "casting a diabolical look at the dog" of his cousin as the canine climbs up the dinner table. The Nonesuch Dickens was the press's largest project and greatest triumph. The publisher boldly claimed that "it will never be possible for a more complete and perfect edition to be put upon the market". Together 25 vols large octavo including the plate volume containing an original steel plate after Cruikshank and the Nonesuch Dickensiana in glassine and orange card box without lid. Illustrated throughout after the original plates. Original buckram in various colours black spine labels top edges gilt on the rough fore and bottom edges untrimmed. Letters I with indent to rear cover. Spines variously sunned wear to a couple of spine labels not affecting lettering cloth occasionally rubbed and with a few marks contents clean. A very good set. Dreyfus 108. hardcover
100106London Chapman & Hall 1843 1st.ed. 1st.issue. Small 8vo. 16.5 cm x 10.5 cm. BEAUTIFULLY BOUND by Sangorski & Sutcliffe. Bound in beautiful full RED morocco with with gilt titles and tooling to the spine in six compartments within raised gilt bands gilt ruling to the front and rear panels To the upper board the title and a small gilt motif in gilt. Gilt turn-ins and inner dentelles marbled endpapers all edges gilt. Bound in to the rear is the original cloth upper cover. Externally in good order with crisp stamping and the gilt bright. The binding strong and handsome with hinges firm and gutters intact. Some very light rubbing on hinges. Ends of spines a little darkened looks to have been slightly touched up at some point. Internally a few light spots to a handful of pages and the illustrations as good as we have seen. It remains largely bright throughout. Overall still a very good copy of an extremely scarce and popular book. 167p.p plus the publisher’s double-sided advertisement leaf. Four hand coloured plates and three black and white line steel engravings by Leech. Attractive checkered red and black endpapers. VERY SCARCE FIRST EDITION. For the first time and also the last time Dickens decided to print not only the title-page but also the etchings in colour. "A Christmas Carol" is one of the "greatest Christmas books ever written". It was issued just before Christmas 1843 in an edition of 6000 copies. Up to Jan.3.1844 two of the three thousand copies of the second and third editions were sold. Of the first edition there are 3 different issues: Red & blue title-page dated 1843 / red & green title-page dated 1844/ and a few copies are said to exist with the red & blue title-page and the later date. The real first edition 1st.issue is the red and blue title-page printing of "Stave I" instead of Stave One. Written by Dickens during a period when the British were exploring and re-evaluating past Christmas traditions including carols and newer customs such as Christmas cards and Christmas trees. He was influenced by the experiences of his own youth and by the Christmas stories of other authors including Washington Irving. The novella captured the mid-Victorian revival of the Christmas holiday. Dickens acknowledged the influence of the modern Western observance of Christmas and in turn his novella would go on to later influence several aspects of Christmas traditions including family gatherings seasonal food and drink dancing games and a festive generosity of spirit. London Chapman & Hall 1843 (1st.ed., 1st.issue) hardcover
1837149754London: Chapman and Hall 1837. First edition in book form presented in an attractive Cosway-style binding with miniature portrait of the author First edition in an extremely attractive Cosway-style binding featuring an oval miniature portrait of Dickens aged 27 after the painting by Daniel Maclise. All plates are present and in their early states with page numbers as called for but with no titles or imprints. Two plates by R. W. Buss were suppressed and the replacement illustrations by H. K. Browne "Phiz" are present in this copy. The Pickwick Papers Charles Dickens's first novel transformed the obscure journalist into England's most famous writer within months. The first monthly instalment was issued in an edition of 1000 copies in April 1836. The work became a publishing sensation after the introduction of Sam Weller in chapter 10 the fourth instalment issued in July 1836 after which the publishers reprinted the earlier instalments so that readers could catch up. By the time the book publication was issued in November 1837 many textual corrections had been made. Booksellers often list numerous and confusing text points that might conceivably apply to a perfect set of Pickwick Papers as originally issued in parts but all these points could never be found together in the issues in book form. The serial was originally intended to be primarily a vehicle for the cartoons of Robert Seymour until he died by suicide after the first number was published. Robert William Buss then took over but he was inexperienced in steel engraving and had to be replaced. The final choice Hablot Knight Browne "Phiz" was to be Dickens's chosen collaborator for the next two decades. Octavo 210 x 122 mm. Etched vignette title page frontispiece 41 plates by Robert Seymour and H. K. Browne. Early 20th-century green full morocco by Sangorski & Sutcliffe for Charles J. Sawyer spine elaborately gilt in six compartments covers with gilt borders front cover with circular red morocco onlay with Dickens's monogram in gilt gauffered edges gilt red morocco doublures with elaborate gilt dentelles front doublure in Cosway-style with central oval miniature portrait of Dickens after Maclise under glass and framed in brass watered silk endpapers gilt-stamped facsimile of Dickens's signature to front free endpaper. Housed in a custom green cloth folding box. A remarkably clean and fine example with some light foxing to frontispiece and etched vignette title page as usual some cockling to paper lining of free endpapers and bound without half-title. Smith I.3. hardcover
72180London: Chapman & Hall Ltd. no date 1897-1908. Complete Works FINELY BOUND COMPLETE WORKS the Gadshill Edition. Complete in 38 volumes. Octavo 20 x 15cm. With original illustrations by Cruikshank and numerous additional ones by Charles Green Harry Furniss etc. Very fine contemporary or slightly later red half morocco for BUMPUS with raised bands gilt titles and ruling to spines and matching cloth over boards. Top edges gilt with marbled endpapers. Some toning and spotting to edges otherwise clean bright copies in an exquisite fresh binding. Near fine. The first complete and fully edited edition of Dicken's works including notes and an introduction to every book actually provided by B.W. Matz rather than Andrew Lang as stated on the title page. SPENCER Andrew 'Charles Dickens: A Guide to the Collected Editions' Chesney Wold 2021 pp.36-39. London: Chapman & Hall, Ltd., no date [1897-1908] unknown
1899187145London: Chapman and Hall 1899-1907. A splendid library set The Gadshill edition printed from the text with Dickens's final authorial revisions first published in 1867-8 and including the pendant two-volume Life by John Forster. 38 vols octavo 196 x 141 mm. Many plates in-text illustrations. Title pages printed in red and black. Near-contemporary red half calf spines lettered in gilt compartments and raised bands tooled in gilt red cloth sides marbled endpapers top edges gilt. Spines sunned gilt bright a couple of scratches and occasional wear to leather presenting well foxing to edges and outer leaves generally clean. An excellent set. hardcover
192989275Chapman & Hall Limited 1929-01-01. Hardcover. Very Good. LIMITED TO 300 150 FOR GREAT BRITAIN AND 150 FOR AMERICA; 40 volumes bound in dark blue cloth with gilt lettering and design; some pages are still uncut; The bottom corner of spine on "Little Dorrit vol. II" is torn; Pictures upon request Chapman & Hall, Limited hardcover
1853295676London: Bradbury & Evans 1853. First. paperback. fine. H.K. Browne. Published in 20 parts issued in 19 from March 1852 - September 1853. Illustrations by H.K. Browne. Original blue green printed wrappers. London: Bradbury & Evans 1852-3. First Edition.<br/><br/> A complete set with the ads and including the scarce "Village Pastor" booklet in Part XV. Except for Vol. I which is lightly worn on the spine the parts are in unusually fine condition with no wear or repair. Preserved in a cloth clam-shell case with leather spine label.<br/><br/> Bradbury & Evans unknown books
18381260091838. London: Richard Bentley 1838. <br /> <br /> 3 vols. Original cloth yellow endpapers backstrip titled in gilt with Bentley imprint also in gilt. Very good copy with some areas of sun fading and spotting to the cloth and plates foxed as usual. Neat early name on front pastedown in each vol.<br /> <br /> § First edition in original cloth with the title page credited to "Boz" rather than Dickens and with the Fireside plate facing p. 312 in volume three. The first edition of Oliver Twist in original cloth is a cornerstone in any Dickens collection. Publication of the serial in Bentley's Miscellany began in 1837 and "when Bentley decided to publish Oliver Twist in book form before its completion in his periodical Cruikshank was forced to complete the last few plates in haste. Dickens did not review them until the eve of publication and objected to the "Fireside" plate.and also disliked having "Boz" on the titlepage. He voiced these objections prior to the publication and the plate and the titlepage were. changed between November 9 and 16" Smith 34. Smith I 4. Eckel pp. 59-62. unknown
1838Cv2105SIGNED on a laid in paper bearing only Dickens' clear signature First Edition of his immortal Oliver Twist the first Victorian novel with a child protagonist. First published as a serial from 1837 to 1839 and released as a three-volume book on November 9 1838 before the serialization ended. 3 vols. Volume one with the plate list inserted after title not found in all copies; Bound in later 19th century 1/2 calf over marbled boards with marbled page ends. FIRST EDITION FIRST ISSUE in book form meeting all points as per Eckel and Smith including the later canceled "Fireside" plate in volume 3. Smith 1 4; Eckel 59. Ownership inscription of Grace Pfeifer to front endpapers. In 2008 Christie's sold a signed first of Oliver Twist inscribed directly to the book for $229000. Book #Cv2105. $10000. We specialize in Rare Ayn Rand history and science. Richard Bentley
184996035London: Bradbury and Evans May 1849 - November 1850. First edition in the original monthly parts of "the most perfect of all the Dickens novels" Virginia Woolf. Octavo original blue-green illustrated paper wrappers twenty parts in nineteen frontispiece vignette title-page and thirty-eight additional inserted plates. In near fine condition an unrestored example of Dickens' classic work which is virtually complete with all preliminary advertisements with the exception of the slips after plates parts 9 13 14 and 16; all front advertisements in part 11 and the "Household Words" advertisement in part 15. With all of the rear advertisements with the exception of "The Theory of Musical Composition" "Illustrated Weekly Journal" and "Penny Maps" in part 15 and all advertisements in parts 2 and 8. Housed in two custom full morocco and chemise boxes. From the library of Peggy and Steve Fossett with their bookplate to the pastedown. Scarce and desirable in the original parts which were "much read and roughly handled" with "fine clean and unrepaired copies difficult to procure" even in 1932 Hatton & Cleaver pp.253-272; Sadleir 686; Yale/Gimbel A121. With many lovers of the author's works David Copperfield ranks as the finest of his writings. With a book which gave to the world such characters as Betsy Trotwood Micawber the Pegottys and Mr. Dick. it would be strange if it had been otherwise" Eckel 77. "Dickens and Browne are the most celebrated author-artist team in the history of English book illustration" and Copperfield was their "most popular success" Hodnett 111-12. "Charles Dickens and Hablot Knight Browne are the most celebrated author-artist team in the history of English book illustration" and Copperfield was their "most popular success" Hodnett 111-12. Bradbury and Evans unknown books
184991369London: Bradbury and Evans May 1849-November 1850. First edition in parts of "the most perfect of all the Dickens novels" Virginia Woolf. Original serial issue. Twenty parts in nineteen octavo four to thirty-two pages of preliminary advertisements; text continuously paginated 1-624; eight leaves of preliminaries follow text in final part. Frontispiece vignette title-page and thirty-eight additional inserted plates the majority with tissue inserts as issued. Original blue-green illustrated paper wrappers. Several backstrips chipped at head and foot; some light soiling wear at hinges; some parts skewed. In excellent condition an unrestored example of Dickens' classic work. Includes the scarce insert "Lett's diaries" advertisement at end of Part VIII which unfolds to a 26 inches with ten specimen diary leaves. According to Hatton & Cleaver this is a "particularly scarce" insert. Hatton & Cleaver pp. 253-272. Housed in a custom half morocco and chemise box. A very nice example. With many lovers of the author's works David Copperfield ranks as the finest of his writings. With a book which gave to the world such characters as Betsy Trotwood Micawber the Pegottys and Mr. Dick. it would be strange if it had been otherwise" Eckel 77. "Dickens and Browne are the most celebrated author-artist team in the history of English book illustration" and Copperfield was their "most popular success" Hodnett 111-12. "Charles Dickens and Hablot Knight Browne are the most celebrated author-artist team in the history of English book illustration" and Copperfield was their "most popular success" Hodnett 111-12. Bradbury and Evans unknown books
1844140945430Philadelphia: Carey & Hart 1844. First American Edition. Near Fine. First American edition first printing. Bound in publisher's original rib-grain purple cloth covers decorated in blind and spine stamped in gilt; handcolored lithographed frontispiece and 3 handcolored lithographed plates after John Leech by P. S. Duval 4 wood-engraved plates after Leech. Near Fine with lean to binding fading to cloth heaviest at spine shallow wear to spine ends and light wear to corners. Contemporary owner name to front blanks and title page pages tanned. A lovely copy. Carey & Hart unknown
1937140200London: The Nonesuch Press 1937-38. The complete set of Charles Dickens by the Nonesuch Press one of only 877 sets. Octavo 24 volumes original cloth woodcut illustrations original variously colored buckram by Leighton Straker. Edited by Arthur Waugh Hugh Walpole Thomas Hatton and Walter Dexter. In near fine condition. A very sharp set. Founded in 1922 in London by Francis Meynell his second wife Vera Mendel and their mutual friend David Garnett The Nonesuch Press was established in the basement of Garnett's bookshop in Soho. Nonesuch was unusual among private presses in that it used a small hand press to design books and then had them printed by commercial printers. Among the press's best-known editions were the collected works of William Congreve and William Wycherley and translations of Cervantes and Dante. The Nonesuch Press hardcover
184991369London: Bradbury and Evans May 1849-November 1850. First edition in parts of "the most perfect of all the Dickens novels" Virginia Woolf. Original serial issue. Twenty parts in nineteen octavo four to thirty-two pages of preliminary advertisements; text continuously paginated 1-624; eight leaves of preliminaries follow text in final part. Frontispiece vignette title-page and thirty-eight additional inserted plates the majority with tissue inserts as issued. Original blue-green illustrated paper wrappers. Several backstrips chipped at head and foot; some light soiling wear at hinges; some parts skewed. In excellent condition an unrestored example of Dickens' classic work. Includes the scarce insert "Lett's diaries" advertisement at end of Part VIII which unfolds to a 26 inches with ten specimen diary leaves. According to Hatton & Cleaver this is a "particularly scarce" insert. Hatton & Cleaver pp. 253-272. Housed in a custom half morocco and chemise box. A very nice example. “With many lovers of the author’s works David Copperfield ranks as the finest of his writings. With a book which gave to the world such characters as Betsy Trotwood Micawber the Pegottys and Mr. Dick…. it would be strange if it had been otherwise†Eckel 77. “Dickens and Browne are the most celebrated author-artist team in the history of English book illustration†and Copperfield was their “most popular success†Hodnett 111-12. "Charles Dickens and Hablot Knight Browne are the most celebrated author-artist team in the history of English book illustration" and Copperfield was their "most popular success" Hodnett 111-12. Bradbury and Evans unknown
184996035London: Bradbury and Evans May 1849 - November 1850. First edition in the original monthly parts of "the most perfect of all the Dickens novels" Virginia Woolf. Octavo original blue-green illustrated paper wrappers twenty parts in nineteen frontispiece vignette title-page and thirty-eight additional inserted plates. In near fine condition an unrestored example of Dickens' classic work which is virtually complete with all preliminary advertisements with the exception of the slips after plates parts 9 13 14 and 16; all front advertisements in part 11 and the "Household Words" advertisement in part 15. With all of the rear advertisements with the exception of "The Theory of Musical Composition" "Illustrated Weekly Journal" and "Penny Maps" in part 15 and all advertisements in parts 2 and 8. Housed in two custom full morocco and chemise boxes. From the library of Peggy and Steve Fossett with their bookplate to the pastedown. Scarce and desirable in the original parts which were "much read and roughly handled" with "fine clean and unrepaired copies difficult to procure" even in 1932 Hatton & Cleaver pp.253-272; Sadleir 686; Yale/Gimbel A121. “With many lovers of the author’s works David Copperfield ranks as the finest of his writings. With a book which gave to the world such characters as Betsy Trotwood Micawber the Pegottys and Mr. Dick…. it would be strange if it had been otherwise†Eckel 77. “Dickens and Browne are the most celebrated author-artist team in the history of English book illustration†and Copperfield was their “most popular success†Hodnett 111-12. "Charles Dickens and Hablot Knight Browne are the most celebrated author-artist team in the history of English book illustration" and Copperfield was their "most popular success" Hodnett 111-12. Bradbury and Evans unknown
1838149516London: Chapman and Hall; Bradbury and Evans 1838-1870. Finley bound collection of the selected works of Charles Dickens. Octavo 15 volumes finely bound in full straight grain morocco by Carss & Co. with gilt titles and tooling to the spine in six compartments within raised gilt bands triple gilt ruling to the front and rear panels gilt turn-ins and double gilt-ruled inner dentelles marbled endpapers all edges gilt ribbons bound in. The collection includes: The Posthumous Papers of the Pickwick Club. London: Chapman and Hall 1838. Later issue. Illustrated with etched plates by Robert Seymour and Hablot Knight Browne "Phiz"; Sketches by Boz Illustrative of Every-Day Life and Every-Day People. London: Chapman and Hall 1839. New edition Complete; The Life and Adventures of Nicholas Nickleby. London: Chapman and Hall 1839. First edition in book form. Illustrated with 39 etched plates by Hablot Knight Browne "Phiz"; Master Humphrey's Clock. London: Chapman and Hall 1840. Three volumes bound in one. First edition in book form; The Life and Adventures of Martin Chuzzlewit. London: Chapman and Hall 1844. First edition in book form first issue with "100PS" on engraved title. Illustrated with 40 etched plates by Hablot Knight Browne "Phiz"; Dombey and Son. London: Bradbury and Evans 1848. First edition in book form. Lacking half title; errata mounted following p. xvi. Illustrated with 40 etched plates by Hablot Knight Browne "Phiz"; The Personal History of David Copperfield. London: Bradbury & Evans 1850. First edition in book form. Illustrated with 40 etched plates by Hablot Knight Browne "Phiz"; Bleak House. London: London: Bradbury and Evans 1853. First edition in book form. Lacking half-title. Illustrated with 40 etched plates by Hablot Knight Browne "Phiz"; Hard Times. For These Times. London: Bradbury & Evans 1854. First edition; Little Dorrit. London: Bradbury and Evans 1857. First edition in book form. Illustrated with 40 etched plates by Hablot Knight Browne "Phiz"; A Tale of Two Cities. London: Chapman and Hall 1859. First edition in book form mixed issue with p. 213 correctly paginated but p. 134 line 12 with "affectionately" misspelled and no signature "B" to list of plates leaf. Without 32-pp. ads at rear found in some copies. Illustrated with an etched frontispiece etched vignette title page and 14 etched plates by Hablot Knight Browne "Phiz"; The Uncommercial Traveller. London: Chapman and Hall 1861. Third edition; Our Mutual Friend. London: Chapman and Hall 1865. Two volumes bound as one. First edition in book form. Lacking half-titles and ads. Illustrated with 40 etched plates by Marcus Stone; The Mystery of Edwin Drood. London: Chapman and Hall 1870. First edition in book form. Illustrated with engraved portrait by Baker and 12 etched plates and vignette title-page by S.L. Fildes. In near fine condition with scattered foxing throughout the volumes. A stunning set. The works of Charles Dickens 1812–1870 represent a cornerstone of nineteenth-century English literature notable for their vivid social realism moral urgency and deep psychological insight. Emerging during the height of the Industrial Revolution Dickens’s novels—such as Oliver Twist 1837–39 David Copperfield 1850 Bleak House 1853 and Great Expectations 1861—exposed the profound inequalities of Victorian society blending humor and sentiment with acute social critique. His fiction frequently addressed themes of poverty class mobility and institutional corruption often dramatizing the struggles of the urban poor against the indifference of bureaucratic systems. Dickens’s mastery of serial publication fostered an unprecedented relationship with his readership shaping both public morality and the development of the modern novel. Stylistically his works are marked by richly drawn characters melodramatic plots and a distinctive prose rhythm that balances satire with compassion. Across his oeuvre Dickens advanced the novel as a vehicle for both entertainment and reform transforming popular fiction into a powerful medium for social conscience and moral introspection. Chapman and Hall; Bradbury and Evans unknown
185212328419 parts 20 numbers in 2 vols. London: Bradbury & Evans 1852-1853. 19 parts 20 numbers in 2 vols. Vol. 1: 8vo xiv 624 pp. with the full text 40 plates etched by "Phiz" including the engraved title plus the original wrappers and some ads bound in. Full green morocco gilt with pink silk doublures t.e.g. Vol. 2: Bound ads the majority various sizes and paginations. Half green morocco gilt with marbled paper sides and endpapers t.e.g. Very handsome bindings by Zaehnsdorf slightest rubbing to morocco the finest set known. § First edition bound from the original parts with the advertisements collected in a separate volume. Dickens' great byzantine tale of family secrets rapacious lawyers and innocent victims which helped lead to actual legal reform in the United Kingdom. Originally serialized in 19 parts the final part contained two numbers this is surely the finest bound set known presented with the wrappers illustrations and advertisements in a superb Zaehnsdorf binding. Lacking only 2 of 16 slips for Household Words issues 5 and 6 per Hatton & Cleaver and the slip announcing the plate mishap from part 9. The ad for "The Village Pastor" often lacking is present as are all issues of the Bleak House Advertiser divided between vols. 1 and 2 and 80 additional ads and inserts. Previously sold by Colin Franklin to a private collector and thence to us. Eckel 79-81. Sadleir 682. Hatton & Cleaver pp.275-304. Bradbury & Evans unknown books
1843005032London: Chapman and Hall 1843 1843. FIRST EDITION SECOND ISSUE. 1 vol. 6-5/8" x 4-7/16" chapter heading reading "Stave One" illustrated with 4 hand colored engraved plates by John Leech and 4 black and white illustrations by W.J. Linton internally clean and bright mild offsetting to color plates. Bound in the original straight grained rose colored cloth gilt tile and wreath to spine and front cover front cover has a perfect 'D' in 'Dickens' yellow pastedowns and endpapers all edges gilt front hinge expertly repaired head of spine renewed general handling uneven stain to rear cover overall still a GOOD copy. Regarded as Dicken's most widely read novel and considered to be "the greatest Christmas book ever written in any language" Eckel p. 116 selling more than 6000 copies in the few days leading up to Christmas. The work was extravagantly costly as Dickens for the first time and incidentally his last used color in the title-page and etchings as he wanted to make the book a beautiful gift and to be a celebration of the Christmas spirit. After the initial success Dickens continued the series throughout the 1840's maintaining "the Carol" philosophy to "strike a sledgehammer blow" for the poor uneducated and repressed. London: Chapman and Hall, 1843 hardcover
18381264301838. London: Richard Bentley 1838. <br /> <br /> 3 vols. small 8vo i-iv 1 2-331 332; i-iv 1 2-307 308; iii-iv 1 2-315 316 pp. 24 engraved illustrations by George Cruikshank 1 as frontispiece to each volume. With half-titles in vols. I and II with the advertisement leaf at beginning of vol. III the 4 pages advertisements at end of vol. I but without the single-leaf list of illustrations in vol. I found in some copies only. Neat repairs to the cloth first signature in vol. 1 strengthened boards slightly bumped and spotted but generally a very good copy with bookplates in all three volumes.<br /> <br /> § First edition in original cloth with the title page credited to "Boz" rather than Dickens and with the Fireside plate as the final plate in volume three. The first edition of Oliver Twist in original cloth is a cornerstone in any Dickens collection. Publication of the serial in Bentley's Miscellany began in 1837 and "when Bentley decided to publish Oliver Twist in book form before its completion in his periodical Cruikshank was forced to complete the last few plates in haste. Dickens did not review them until the eve of publication and objected to the "Fireside" plate.and also disliked having "Boz" on the titlepage. He voiced these objections prior to the publication and the plate and the titlepage were changed between November 9 and 16" Smith 34. Smith I 4. Eckel pp. 59-62.<br /> <br /> Provenance: Each volume with the bookplates of the Albert Henry Wiggen 1868-1951 noted book collector and "the most colorful and attractive figure in the commercial banking world" the only member of the Federal Reserve Bank to have a law written specifically against his actions the "Wiggin Provision". On the upside he was also a noted book and print collector and a major donor to the Boston Public Library the New York Public Library and the Baltimore Museum of Art. This book passed to his son-in-law Lynde Selden whose two bookplates are also found in two of the three volumes. unknown
1900dickensgarnettLondon: Frederick J Quinby 1900. Memorial Edition. Hardcover. Clean pages throughout plates a. The Works of Charles Dickens exceptionally rare 64 volume Memorial Edition #11 of only 100 printed. Hand water color plates to each volume and over 1000 illustrations within the books. Edited by Richard Garnett and published by Frederick J Quinby.Clean pages throughout plates and illustrations bright with tissue guards text blocks all tightly bound hinges weak with 3 front hinges detached edge and hinge wear across the set 3 volumes with leather partially missing at spines gold titling brightThis set is heavy and cannot be shipped internationally. Will be insured require signature and based on the size and weight shipping in multiple boxes. We provide free domestic shipping. Frederick J Quinby hardcover
18396243London: Chapman and Hall 1839. Fine. First book form edition of the first and second series complete in one volume with Chapman and Hall revised texts and re-engraved plates used in their Parts issue. Octavo 8 1/8 x 5 1/4 inches; 208 x 133 mm. iii-viiviii 1-34-526. Forty inserted steel engravings. Extra-illustrated by the insertion of a duplicate suite of the original engravings expertly hand-colored. Bound by Bayntun Rivière Bath ca. 1955 stamp-signed in gilt on front turn-in in full wine red crushed levant morocco over beveled boards. Covers triple-ruled in gilt front cover with an elaborate central gilt floral and thistle design surrounding a fine hand-painted portrait miniature 2 3/4 x 2 inches; 70 x 51 mm. of a young Charles Dickens set under glass. Spine with five raised bands elaborately tooled and lettered in gilt in compartments. Decorative gilt board-edges wide elaborate gilt turn-ins marbled liners and endleaves all edges gilt. Housed in the original felt-lined red cloth slipcase spine with two black morocco labels lettered in gilt.<br /> <br /> "This collection of short pieces contains the earliest of Dickens's work. It is undoubtedly the most valuable from the antiquarian's point of view containing references and descriptions of life in the 30's to be found nowhere else" Hayward. Sketches by Boz contains stories and vignettes about daily life in London that Dickens first published in various newspapers and other periodicals between 1833 and 1836. The book is divided into four sections: "Our Parish" "Scenes" "Characters" and "Tales." A classic example of Dickensian observation. A total of forty plates were drawn and etched by George Cruikshank for this octavo edition of which twenty-seven are the original designs as they appeared in the First and Second Series of the Sketches published in volume form 1836-37; these however were enlarged in size to match an additional thirteen etchings. "When Chapman and Hall obtained the copyright of Sketches in 1837 they published all of them in twenty monthly parts from November 1837 through June 1839. Cruikshank designed a cover enlarged the plates except 'The Free and Easy' which was discarded and created 13 new illustrations for these monthly parts. In may 1839 Chapman and Hall published these parts complete in one volume with all 40 of Cruikshank's illustrations" Smith.<br /> <br /> George Bayntun 1873-1940 was the founder of Bayntun Bindery 1894 dedicated to using traditional hand-crafted techniques and high-quality materials. "The Riviere Bindery was one of the most notable and prolific shops in London's West End from about 1840 through 1939" Princeton. Bath-based Bayntun Bindery acquired the firm in 1939 transforming into the "Bayntun-Riviere bindery" which is still in existence and family owned. Although named after the English miniaturist Richard Cosway 1742-1821 the desirable "Cosway Binding" with its jewel-like portrait miniature set into a fine binding was first developed at the turn of the century by J.H. Stonehouse director of London's Henry Sotheran Booksellers. Their miniatures were painstakingly crafted by the talented painter Miss C. B. Currie 1849-1940. As the style grew in popularity other publishing houses quickly began to reproduce this technique-each developing their own desirable take on the aesthetic-referred to as "Cosway style."<br /> <br /> Smith I: 2 note 4; Gimbel A7; Hatton and Cleaver cf. pp. 91-128. Fine. Chapman and Hall unknown
183889029London: Chapman and Hall April 1838-October 1839. First Edition First Printing with first issue points as called for. 20 parts in 19. 23cm. Original powder blue illustrated paper wraps. 40 plates by "Phiz" as issued with twelve plates either lightly foxed or toned to some degree usually confined to the exposed margins. All parts strong and tight; soiling to the covers of part I with some light chipping to the fore-edge of the front wrap and a small corner of loss; small archival repairs to the rear wrap of part II lower front corner of part IV and spine of part VI soiling and repair to part X small repair to part XII with sections clipped from two of the ad inserts repair to spine of part XVI and the spine of the XIX/XX double issue; all other parts clean inside and out strong and very good or better. A handsome set of the first appearance of Nicholas Nickleby housed in a tailor made chemise and morocco spined solander box.<br /> <br /> From a bibliographical standpoint the set conforms largely with Hatton & Cleaver; the first issue points are present as called for the Amesbury Patent Support fold-out is present all five of the "Hill's Wafers" samples being present in good order and with the publisher's imprints being where required on the plates. <br /> Departures from Hatton & Cleaver's "perfect" collation as follows: in Part I the "Nickleby Advertiser" consists of only 6 pages rather than 12; Part IV the "Poor Man's Pill" ad insert is lacking; from Parts VII & VIII the Tyas "Heads of The People" advertisement slip is also absent; the Charles Tilt advert is absent from Part XI. Given the frenzy of activity and breakneck pace of publication a little non-conformity is perhaps to be expected. <br /> <br /> A handsome example of Dickens' third novel to be published in parts containing not only the complete story but also offering the most complete vision of contemporary London provided by a blizzard of ephemera encompassing everything from cheap tea gold pocket watches and tickets overseas to commentary on current affairs upcoming publications and a complete cure for ringworm. Nickleby is the Dickens novel that opens the Victorian Age with the first two parts appearing in the weeks preceding Queen Victoria's coronation and the remainder spanning the first year of her reign with changes and developments necessarily reflected in the progress of the work in parts. Scarce thus. Chapman and Hall unknown
05091London: Chapman and Hall 1837. A Fine Extra-Illustrated First Edition of 'Pickwick Papers'<br/>In a Handsome Cosway-Style Binding with Two Fine Miniatures<br/><br/>COSWAY-STYLE BINDING. BAYNTUN-RIVIÈRE binders. DICKENS Charles. The Posthumous Papers of the Pickwick Club. With Forty-Three Illustrations by R. Seymour and Phiz. London: Chapman and Hall 1837.<br/><br/>First edition early issue in book form of Dickens's first novel. Extra illustrated by the insertion of Pictures Picked from the Pickwick Papers by Alfred Crowquill Alfred Henry Forrester London: Ackermann & Co. 1837 Forty hand-colored etched plates; and Thirty-Two Illustrations to Pickwick by Onwhyn and other eminent Artists. London : J. Newman & Co. 1848.<br/><br/>Octavo 8 1/2 x 5 3/16 inches; 217 x 132 mm. iii-vviviiviii-ixx-xixii-xiv 12-609610. Complete with half-title and the 'directions to the binder' leaf. Forty-three inserted engraved plates by Phiz and Seymour including the first states of the frontispiece and vignette title with the Phiz replacement plates for the two Buss plates and mixed early states of the remaining Phiz plates all prior to Phiz's major re-engravings with the early page numbers instead of the later captions and imprints below the images including simultaneous steels of the frontispiece and vignette title. <br/><br/>Bound ca. 1940 in full dark blue crushed levant morocco over beveled boards by by Bayntun Rivière stamp-signed in gilt on the front turn-in. Covers ruled and decoratively bordered in gilt each with a fine hand-painted oval miniature set under glass the front cover with a portrait of a 'Young Dickens' the rear cover with a portrait of an 'Older Dickens'.<br/>Spine with five raised bands decoratively tooled and lettered in gilt in compartments. Gilt-ruled board edges and wide turn-ins clue watered silk liners and endleaves all edges gilt. Spine a little faded otherwise fine.<br/><br/>The text with the majority of the Hatton and Cleaver first issue points including: "holding" with type loose on p. 260; the correct readings "inde-licate" and "inscription" on p. 341; "S. Veller" uncorrected on p. 342; "this friends" on p. 400; the "F" in "OF" imperfect in the headline on p. 432. Errata uncorrected. <br/><br/>A simply superlative copy of the first edition in an exceedingly attractive binding with the addition of seventy-two extra illustrations.<br/><br/>Smith Dickens I 3. London: Chapman and Hall, 1837 unknown books