Boz ( d i Charles Dickens)Biblio.com
19 566 résultats
035481Leipzig Stuttgart: Zieger/Hoffmann ca. 1868; 9 Bände; Bd. 3 4: Lebensgeschichte und Erfahrungen David Copperfield's des Jüngeren ohne Jahr Leipzig Zieger 580 568; Bd. 5 6: Bleakhaus ohne Jahr Leipzig: Zieger 536 497 S.; aus dem Englischen durchgesehen von Johannes Minckwitz 3. Aufl.; Bd. 8 9: Leben und Schicksale des Martin Chuzzlewit 1868 Stuttgart Hoffmann 655 563 S. neu aus dem Englischen von Carl Kolb 2. Aufl.; Bd. 20 21: Klein-Dorrit ohne Jahr Stuttgart Hoffmann 618 578 S. aus dem Englischen von Edmund Zoller; Bd. 23: Große Erwartungen ohne Jahr Leipzig Zieger 668 S. aus dem Englischen von L. Dubois; einheitliche Ganzleinenbände mit Rückenschmuck u. -titel in Gold u. blindgeprägten Deckeln rundum marmorierte Schnitte; jeweils mit Registernummern in sattem Bleistift auf dem fliegenden Vorsatz u. Titelblatt kleinere äussere Läsuren. Leinen. Befriedigend. 155 cm. Zieger/Hoffmann Hardcover
1903HVD-69608-A-0London: George Routledge & Sons. Good. 1903. Reissue Edition. Hardcover. 271 pages; B&W illustrations. Foxing on the exterior edges of textblock and throughout the book's pages among other aging related discoloration like browning spots. Very minor rubbing. Good condition otherwise. No other noteworthy defects. No markings except for a personal plate on FPEP. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence. . George Routledge & Sons hardcover
1855603464Philadelphia: A. Fiot 1855. Softcover. Very Good. Unknown edition likely a later printing. Folio. Single bifolium with a single-sheet-insert making six pages. Notched and worn along the spine from once being bound within an album soiling throughout and some light edgewear still a complete and very good copy. For voice and piano. The front cover states "As sung by Mr. Braham." Unlike most sheet music associated with Charles Dickens this song comes from an actual collaboration Dickens had with the composer John Hullah. This song is from their comic opera The Village Coquettes. The show premiered in 1836 and ran for 19 nights in London before moving to Edinburgh where it was performed under new direction. The reviews were less than favorable and over time Dickens grew to agree with them once stating that he "wouldn’t repeat his productions for a thousand pounds apiece" and he reportedly wished for his foray into theater The Village Coquettes and a piece called The Strange Gentleman to be forgotten completely F.G. Kitton. We know of two other editions of this song thought to be published around the same time but OCLC does not locate any physical holdings of this edition published by A. Fiot though they do record one digital holding and it appears to be equally scarce in the trade. A. Fiot unknown
1850FB4031 /X4<p>Dark green leather spine with gilt banding decoration and tile. Red marbled boards. All edges marbled to match</p><p>A truly lovely book <strong><em>Sketches by "Boz" Illustrative of Every-day Life and Every-day People</em></strong> commonly known as <strong><em>Sketches by Boz</em></strong> is a collection of short pieces Charles Dickens originally published in various newspapers and other periodicals between 1833 and 1836. They were re-issued in book form under their current title in February and August 1836 with illustrations by George Cruikshank. The first complete one volume edition appeared in 1839. The 56 sketches concern London scenes and people and the whole work is divided into four sections: "Our Parish" "Scenes" "Characters" and "Tales". The material in the first three sections consists of non-narrative pen-portraits but the last section comprises fictional stories. The sketch "Mr Minns and his Cousin" originally titled "A Dinner at Poplar Walk" was the first work of fiction Dickens ever published. It appeared in <em>The Monthly Magazine</em> in December 1833. Although Dickens continued to place pieces in that magazine none of them bore a signature until August 1834 when "The Boarding House" appeared under the strange penname "Boz". A verse in <em>Bentley's Miscellany</em> for March 1837 recalled the public's perplexity about this pseudonym: "Who the dickens 'Boz' could be Puzzled many a learned elf Till time unveiled the mystery And 'Boz' appeared as Dickens's self." Dickens took the pseudonym from a nickname he had given his younger brother Augustus whom he called "Moses" after a character in Oliver Goldsmith's <em>The Vicar of Wakefield</em>. This "being facetiously pronounced through the nose" became "Boses" which in turn was shortened to "Boz". The name remained coupled with "inimitable" until "Boz" eventually disappeared and Dickens became known as simply "The Inimitable". The name was originally pronounced /ˈboʊz/ but is now usually /ˈbɒz/. The popularity of Dickens's writings was enhanced by the regular inclusion of detailed illustrations to highlight key scenes and characters. Each sketch typically featured two black-and-white illustrations as well as an illustration for the wrapper. The images were created with wood engravings or metal etchings. Dickens worked closely with several illustrators during his career including George Cruikshank Hablot Knight Browne aka "Phiz" and John Leech. The accuracy of the illustrations was of the utmost importance to Dickens as the drawings portrayed the characters just as he envisioned them and gave readers valuable insights about the characters' personalities and motives as well as the plot. The earliest version of <em>Sketches by Boz</em> was published by John Macrone in two series: the first as a two-volume set in February 1836 just a month before the publication of the first number of <em>The Pickwick Papers</em> 1836–37 and then a "Second Series" in August 1836. After Dickens's fame skyrocketed he purchased the rights to the material from Macrone.</p> Chapman & Hall. hardcover
68-1165London: John Macrone 1837. Vol. 1 & 2 bound together. 8vo. Three Quarter Leather on Marbled Boards. Good with board splitting to gutters inside covers some rubbing to spine corners and edges of covers well worn to boards; a few pages foxed or lightly stained. 307 & 302 pp. Signed by book's previous owner on title page & bookplate inside cover. London: John Macrone, 1837. hardcover
184200280622Leipzig: Berhn. Tauchnitz Jun 1842 Red cloth rebound/w marbled boards endpages. Some light rubbing to edges and a crease to front and rear boards small 1 inch spine tear.Spine plate Pickwick 1 W. bottom tight text some foxing. Engraved frontis portrait of Dickens. vi vii 430 pgs. Contents. 432p. clean copy of the scarce Tauchntiz edition. Illus. by With The Portrait of the Author. 16mo - over 5¾" - 6¾" tall. Owner's Name. First Edition. Cloth/ Marble. Very Good. Berhn. Tauchnitz Jun hardcover
1841ED7-710Leipzig, Verlag von J. J. Weber, 1841. 1. Band mit Leineneinband des 20. Jahrhunderts im Stil des Originalleinenbandes, kl.-8?, [IV], Frontispiz, 172 Seiten, [IV], Frontispiz, 158 Seiten, [IV], Frontispiz, 172 Seiten, [IV], Frontispiz, 146 Seiten; Zustand: wenige Seiten leicht fleckig, sonst gut + ; 2. Band original Leinenband, kl.-8?, rundum gesprenkter Schnitt, [IV], Frontispiz, 148 Seiten, [IV], Frontispiz, 148 Seiten, [IV], Frontispiz, 138 Seiten; Zustand: Einband mit Fehlstellen des Leinens, stark berieben, Seiten teils fleckig, sonst solide und gut
1d133814. Auflage. J.J. Weber Lpz. 1863. Zusammen ca. 1200 S. mit zahlr. Illustr. auf tafeln Halbleder mit Rückenvergoldung leicht berieben und gebräunt. - guter Zustand - unknown
1d12513Meyer und Hofmann Bln. 1844. 246 S. mit 1 von Stahlstich Pbd. Einband berieben und bestossen/innen fleckig und teils stärker gebräunt/Widmung auf Vorsatz. unknown
1d13559Friedrich Vieweg und Sohn Braunschweig 1839. 187/191/196 S. Halbleder etwas berieben/fleckig/stockfleckig. - aus der Reihe: Gesammelte Werke Band 7/anbei: Leben und Abenteuer des Nicolaus Nickleby. 6 Bände in einem. 142/160/136 S. - unknown
1h12554J.J. Weber Verlag Lpz. 1864. Zusammen ca. 1.300 S. Halbleinen Band 1/2 fehlen/leicht fleckig. - aus der Reihe Sämmtliche Werke - unknown
51072Paris, Baudry's European Library, collection of Ancient and Modern British Authors, vol CCXXXV, 1839, in-8 demi-chagrin, dos richement orné, caissons et lettres dorées, 404 pp. Première édition continentale (en anglais) , peu courant. Petit manque de cuir à la coiffe supérieure, dos insolé, rousseurs éparses à l'intérieur, sinon bon état général.
1850E0176Leipzig, Lorck, Weber, 1844-1850. 12 Abbildungen nach Federzeichnungen von Hablot K. Browne, 14 Stahlstiche nach Originalzeichnungen von Phiz, insgesamt über 1.500 S., 10 Teile in 5 Bänden. Leinenbände der Zeit mit goldgeprägten Rückentiteln u. -verzierungen, blindgeprägten Deckelverzierungen, marmorierten Schnitten und Lesebändchen. Zustand 2, Ecken etwas bestoßen, Rücken verblasst, Buchhändleretikett auf vorderem Spiegel des 4. Bandes, 3. und 5. Band ohne Lesebändchen. Boz' Sämmtliche Werke, Teil 70-75 und Teil 49-50.
1665-22Leipzig J. J. Weber 1840-1841. Tle. 1-9 in 3 Bdn. 12°. Mit 9 lithogr. Frontisp. nach Cattermole u. Browne. HLdr. d. Zeit mit goldgeprägten Rückenschildchen Kapitale u. Ecken etwas berieben innen teils etwas stockfleckig. - Boz' sämmtliche Werke. Aus dem Englischen von H. Roberts und E. A. Moriarty. Tle. 23-29 Thieme-B. VI 194 - Deutsche Übersetzung des erstmals 1840 auf Englisch erschienen Werkes von Charles Dickens 1812-1870. Leipzig, J. J. Weber 1840-1841. unknown
1838BBS-2024287Richard Bentley 1838. First Edition. Hardcover. Very Good. Three volumes complete. Originally serialized from 1837-1839 this is the first edition in book format published shortly before the close of the serial in its first state with 'Boz' at title pages and the Fireside plate at page 313 in volume three. Bound without half titles or publisher's adverts. With twenty-four engraved plates by George Cruikshank. Contemporary half leather marbled-papered boards boards scuffed scratched and moderately edgeworn; leather cracked at spines. Inner hinges of volume one very slightly cracked. Bindings sound. Pages toned foxed and with occasional staining; heavier foxing to illustration plates; prior owner's name blind-stamped near top fore-edge corner of each title page. Interiors else unmarked. Richard Bentley hardcover
183932299Philadelphia: Lea & Blanchard 1839. Hardcover. Stated "New Edition Complete" being the First Edition of the complete work inclusive of "The Public Life of Mr Tulrumble" and "The Pantomime of Life." 6 x 10in. x. 268pp. 20 plates. Bound in recent three quarters crushed morocco over marbled boards. Gilt titling. VERY GOOD. Shows a former owner name of the period at the first blank earliest and latest parts of the text-block with some handling toning and discoloration otherwise the binding remains strong and tight the text is unmarked and the boards remain bright and distinct. As pictured. Lea & Blanchard hardcover
183929830London: Chapman and Hall 1839. Hardcover. First Edition First Issue in One-Volume: with the engraved half-title/frontispiece error on p. 526 "186 Strand" present on the title page publisher information printed on all plates after p. 120 etc. Eckel. 5.25 x 8.5in. viii. 526pp. 38 plates. Bound in later three quarters calf over marbled boards with gilt ruling. Spine with 4 raised bands and 5 compartments with gilt titling and decoration. Marbled edges. NEAR FINE. Shows extremely occasional thumbing of some margins several plates with the slight hints of oxidative stress in the margins otherwise Fine having been exceptionally well maintained. As pictured. Chapman and Hall hardcover
183710034Philadelphia: Carey Lea & Blanchard 1837. First American Edition. Very Good. 12mo 204 pages; contemporary full calf binding with brown label on spine printed in gilt. Only 1000 copies were printed. Marginal damp-mark at top of some rear leaves; some leaves age-toned. Carey, Lea & Blanchard unknown
18431017Pesten Pest: Emich Gusztáv 1843. First edition. Two parts in one volume. In contemporary half cloth. Marbled fore-edge. With five woodcut illustrations. Pages yellowed due to ageing. Overall in very good condition. First edition. Two parts in one volume. In contemporary half cloth. Marbled fore-edge. With five woodcut illustrations. 6 1–340.; 4 1–373 3 p. <p><br /> First Hungarian edition in this translation. Other translation is also from the same year published by Hartleben.<br /> <p>. Emich Gusztáv unknown
18363612Philadelphia: Carey Lea and Blanchard 1836. First Thus. Hardcover. Poor. Duodecimo. 4.75 x 7.75 in. 220 pp. Poor in original blue paper boards and tan cloth binding that have significant wear and tear as well as a previous owner's scribbles on the inside front cover. The hinges and spine are intact but loose and the pages bear foxing typical of the age. Additionally one to several pages are missing from the end of the text. Volume two of a 2-volume set of Dickens's early serialized articles published before his later successes as a novelist. An early appearance of Dickens in America issued in the UK as Sketches by Boz. Carey, Lea and Blanchard hardcover
S2096London: Richard Bentley. Collectible - Acceptable. London: Richard Bentley 1838. Two volume set. 4.75x7.25" Light brown half leather with multi-colored marbled paper boards with gold lettering and Black and red lables on spine. Vol 1 288 pp. Vol 2 263 pp. Includes B&W frontis and illustrations by George Cruikshank in both volumes. No dust jacket. Cover edges and spine lightly rubbed. Text blocks tight. Pages fairly clean. Bookplate inside each volume. London: Richard Bentley hardcover books
H2990Leipzig Lorck 1846. Erstausgabe. Kl.-8vo. 134 S. mit 3 lithogr. Tafeln. Neuer Pappband gutes Exemplar. unknown
H2992Leipzig Lorck 1847. Erstausgabe. Kl.-8vo. 125 S. mit 4 lithographischen Tafeln. Neuer Pappband gutes Exemplar. unknown
H2991Leipzig Weber 1845. Erstausgabe. Kl.-8vo. 128 S. mit 4 lithographischen Tafeln. Neuer Pappband gutes Exemplar. unknown
183889029London: Chapman and Hall April 1838-October 1839. First Edition First Printing with first issue points as called for. 20 parts in 19. 23cm. Original powder blue illustrated paper wraps. 40 plates by "Phiz" as issued with twelve plates either lightly foxed or toned to some degree usually confined to the exposed margins. All parts strong and tight; soiling to the covers of part I with some light chipping to the fore-edge of the front wrap and a small corner of loss; small archival repairs to the rear wrap of part II lower front corner of part IV and spine of part VI soiling and repair to part X small repair to part XII with sections clipped from two of the ad inserts repair to spine of part XVI and the spine of the XIX/XX double issue; all other parts clean inside and out strong and very good or better. A handsome set of the first appearance of Nicholas Nickleby housed in a tailor made chemise and morocco spined solander box.<br /> <br /> From a bibliographical standpoint the set conforms largely with Hatton & Cleaver; the first issue points are present as called for the Amesbury Patent Support fold-out is present all five of the "Hill's Wafers" samples being present in good order and with the publisher's imprints being where required on the plates. <br /> Departures from Hatton & Cleaver's "perfect" collation as follows: in Part I the "Nickleby Advertiser" consists of only 6 pages rather than 12; Part IV the "Poor Man's Pill" ad insert is lacking; from Parts VII & VIII the Tyas "Heads of The People" advertisement slip is also absent; the Charles Tilt advert is absent from Part XI. Given the frenzy of activity and breakneck pace of publication a little non-conformity is perhaps to be expected. <br /> <br /> A handsome example of Dickens' third novel to be published in parts containing not only the complete story but also offering the most complete vision of contemporary London provided by a blizzard of ephemera encompassing everything from cheap tea gold pocket watches and tickets overseas to commentary on current affairs upcoming publications and a complete cure for ringworm. Nickleby is the Dickens novel that opens the Victorian Age with the first two parts appearing in the weeks preceding Queen Victoria's coronation and the remainder spanning the first year of her reign with changes and developments necessarily reflected in the progress of the work in parts. Scarce thus. Chapman and Hall unknown
