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ria9781474479721_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book examines the 100 or so families who lived in Shakespeare's parish and demonstrates how their interests work and connections formed part of the background environment that Shakespeare probably borrowed from as he reworked ex hardcover
0266412939.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0365438839.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
W7-HSMQ-DB6JUsed - Good. A copy that has been read but remains in Good condition. All pages are intact the cover is intact. The spine may show signs of wear. Pages can include limited notes highlighting and underlining. Used books may not include companion materials. Customer service is our top priority! A copy that has been read but remains in Good condition. All pages are intact the cover is intact. The spine may show signs of wear. Pages can include limited notes highlighting and underlining. Used books may not include companion materials. Customer service is our top priority! unknown
026078639X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
B9781494111946Paperback / softback. New. paperback
0331438518.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
780811London 1928. original Theaterzettel Format ca. 304 x 134 cm einseitig bedruckt mittig gefaltet original Text in englischer Sprache. Zustand: sehr gut Papier gebräunt Seltenes Werbeblatt zur Aufführung The Parson's Bride also der Aufführung die innerhalb des Musicals SHOW BOAT aufgeführt werden soll. Dieses Werbeblatt für die bevorstehenden Engagements des Showboots COTTON BLOSSOM wurde gefaltet und als Beilage in die Programmhefte der Premiere SHOW BOAT am 27. Dezember 1927 im Ziegfeld Theatre in New York aufgenommen. Danach wurde es in das Programmheft des Theatre Royal Drury Lane in London aufgenommen. ------- Playbill for THE PARSON'S BRIDE for the performance SHOW BOAT 1928 - Original theatre program approximately 30.4 x 13.4 cm printed on one side folded in the middle original text in English. Condition: very good paper browned. - A rare promotional leaflet for the performance of "The Parson's Bride" the act to be performed within the musical "Show Boat." This leaflet for the upcoming engagements of the showboat "Cotton Blossom" was folded and included as an insert in the programs for the premiere of "Show Boat" on December 27 1927 at the Ziegfeld Theatre in New York. It was subsequently included in the program for the Theatre Royal Drury Lane in London. Programmheft Theater Oper Ballett Musical Theatre Program Playbill programme de théâtre London, 1928 unknown
0878300961New. paperback. New. Satisfaction Guaranteed or your money back. paperback
181523209London: Lowndes Printer 1815. 1 vols. ca. 8 x 13 inches. Browned marginal wear loss in lower portion affecting forthcoming productions some staining else a good copy. 1 vols. ca. 8 x 13 inches. Principle players were Mr. Wallack Mr. Pyne Mr. Harley Mrs. Harlowe Miss Poole and Mr. Penley. This was followed by the musical farce "Sharp and Flat" featuring Mr. Gattie Mr. HarleyWilliam Oxberry and Miss Poole. An additional musical farce entitled "The Boarding House or Five Hours at Brighton" was performed with Mr. Gattie Mr. Penley Mr. Knight Mr. Oxberry and Mrs. Orger among the actors and actresses. A notation of the indisosition of Miss Kelly preventing new pieces being played that night. William Oxberry was a well-known comic actor who was also an author of several works most relating to the theatre including "The Theatrical Banquet" 1809 and was the editor of "the New English Drama" 1818-24 in 22 volumes. <br/><br/> Lowndes, Printer unknown
183323183London: Printed by W. S. Johnson 1833. 1 vols. ca. 8 1/2 x 13 inches. Upper and lower margins trimmed into text not affecting legibility some light soiling and wear else a very good copy. 1 vols. ca. 8 1/2 x 13 inches. Presenting William Farren Mr. Bartlett Eliza Paton Mr. Vining and Mr. W. Clifford followed by the opera "Rob Roy Macgregor" with a pas seul by Miss Rose and the farce "Twould Puzzle a Conjuror!" Listed following the programme are forthcoming productions. <br/><br/> Printed by W. S. Johnson unknown
183523204London: W. Wright Printer 1835. Notice printed in red at the bottom. 1 vols. ca. 8 1/2 x 14 inches each piece. On blue tinted paper cut in half and tipped onto a sheet some marginal soiling and light wear else a very good piece. Notice printed in red at the bottom. 1 vols. ca. 8 1/2 x 14 inches each piece. Auber's opera starring Mr. Guibelei Mr. Henry Miss Shirreff Miss Betts and Mr. Phillips among others with elaborate scenery by the Grieve's with extensive machinery by H. Sloman. The grand spectacle was followed by Boieldieu's "John of Paris" with Mr. Cooper Miss Taylor and Miss Betts. Auber's Grand Opera. <br/><br/> W. Wright, Printer unknown
183323184London: Printed by W. S. Johnson 1833. 1 vols. ca. 7 1/2 x 12 inches. Margins affecting rules only some light soiling and wear else a very good copy. 1 vols. ca. 7 1/2 x 12 inches. Presenting Mr. Edwin Mr. W. Johnson and Miss Eliza Paton. Following the opera is a comedy "Uncle John" with William Farren and Mrs. Clifford followed by the farce "Nicolas Flam Attorney a Law" starring William Farren Mrs. Clifford and Mr. Bass. Listed following the programme are forthcoming productions. Miss Eliza Paton. <br/><br/> Printed by W. S. Johnson unknown
21974Very Good. Classic Palace Theatre Vaudeville Program with Archie Gunn Cover<br /> <br /> A period program from B.F. Keith's Palace Theatre the premier vaudeville house in America documenting the height of New York's live entertainment culture between the wars. Programs from the Palace capture the transition moment between vaudeville dominance and the rise of Broadway and film.<br /> <br /> Illustrated throughout with performer portraits theatrical advertisements and contemporary fashion promotions the program offers a vivid cross-section of stage entertainment and commercial culture. <br /> Featured performers include Leonora Hughes and Mary Haynes alongside theatrical promotions for productions such as The Firebrand and The Guardsman with Alfred Lunt and Lynn Fontanne. <br /> Advertisements from Bonwit Teller Milgrim and other luxury retailers reinforce the close connection between theatre fashion and urban sophistication.<br /> <br /> PHYSICAL DESCRIPTION<br /> Stapled pictorial wraps.<br /> Format: Theatre program.<br /> Size: 5.5 by 7.75 inches.<br /> Pagination: 32 pages.<br /> Illustrations: Photographic plates and period advertising throughout.<br /> Cover: Illustrated by Archie Gunn.<br /> Imprint:New York: B.F. Keith's Palace Theatre circa late 1920s-early 1930s.<br /> <br /> CONDITION: Bindings are secure. Text is clean; light even age-toning. Moderate handling wear; light soiling to wraps. HISTORICAL SIGNIFICANCE -<br /> This program reflects the final flourishing of vaudeville at the Palace Theatre before its decline in the 1930s. It captures a moment when live performance fashion and consumer culture intersected in New York's entertainment capital.<br /> <br /> The Palace Theatre stood at the center of American vaudeville and its programs functioned as both souvenir and cultural document. This example reflects the layered experience of the era: performance fashion advertising and social aspiration all contained within a compact format. The inclusion of national advertisers and Broadway promotions underscores how the Palace served as a bridge between touring acts and New York's theatrical establishment.<br /> <br /> Archie Gunn 1863-1930 was a prominent American illustrator associated with Life magazine and known for his elegant depictions of fashionable women. His work helped define the visual language of early 20th-century American illustration. Cover with his 'signiture'.<br /> <br /> SUBJECTS: Vaudeville programs Palace Theatre New York Broadway history Archie Gunn illustration theatrical advertising 1920s entertainment culture fashion advertising ephemera Theatre Ephemera Performing Arts Illustrated Ephemera unknown
19666940New York: National Ensemble of the Republic of Guinea 1966. First Edition First Printing. Stapled Wraps. Unpaginated pp. 16. 4to. measuring 8.5" x 11". Twice-stapled pictorial card covers illustrated in black-and-white. Striking black-and-white photographs group portraits and illustrations throughout capturing views of the live performance those of the performers shots of dignitaries and VIP's backstage etc. Additionally comprises of a detailed programme of events featruing a rich commentary and history by various contributors on the founding and importance of the troupe and their perforamance. Bright clean and unmarked; fine. While other editions of such programmes exist we could not locate any instances of this programme particular edition. Charming and scarce. <br/><br/>Commemorative programme book published upon the occasion of the 1966 performance of the African Ballet by the National Ensemble of the Republic of Guinea held at the Barrymore Theatre in New York City. It would coincide with the nineteenth anniversary of the troupe. National Ensemble of the Republic of Guinea paperback
193840442New York: Random House 1938. 8vo. xiii 1 81 2 121 1 80 pp. Three photo frntsps. for each play. Red cloth silver lettrng vry slght tidemrk to ft of spine w/ d.j. chppng & scuffng to uppr & lwr left crnrs frnt cvr fnt tidemrk ft of spine still VG-/G- copy. First edition stated of these three plays written and produced as part of the Federal Theatre Project under the Works Progress Administration to put 1000s of unemployed theatre workers during the Great Depression back to work. Random House, hardcover
1989493Katonah N.Y.: The Katonah Gallery 1989. First. Paperback. Very Good. Aronson Boris. A small book—only 24 unpaginated pages—serving as the catalog for a small yet important exhibition. Boris Aronson started designing theater sets revolutionary Russia and then Germany working in the new Constructivist style before moving to New York in 1923. He started out in the more adventurous Jewish theaters of the city’s Lower East Side but by 1932 he was working on Broadway. By the end of his life in 1980 he had won six Tony Awards for scenic design had designed sets for not only major theater productions of such plays as “The Crucible†“The Diary of Anne Frank†“Cabaret†and “Fiddler on the Roof†but he had become great friends with the painter Marc Chagall whose work inspired some of his designs and worked closely with composer Kurt Weill director Harold Prince and dancer/choreographer Mikhail Baryshnikov. New York Times theater critic Frank Rich not only served as curator for this exhibition he also thought Aronson so important that he co-wrote a biography of him two years before this exhibition of his drawings paintings photographs and models with Aronson’s widow Lisa Jalowetz Aronson. An extended piece by Rich about Aronson also starts off this catalog.<br /> <br /> Fourteen images of designs appear in this catalog in addition to the design on the cover; eleven of them are in full color and twelve of them are full page. Although this book is new it does show signs of shelf wear on the front cover particularly at the spine. There some cosmetic damage to the upper right corner of the cover and faint smudging upper corners of several other pages. However there is no damage to the images themselves—they are prinstine. The pages are clean bright and besides the staining the the corners unmarked. No pages are loose or missing. See our photos for details. The Katonah Gallery paperback
2010294681Kneehigh 2010. Spiral Bound. Very Good-. about 100 pages in sections 1803 oclc 985706110 Kneehigh unknown
195863766New York: Producers Theatre 1958. Presumed first edition/first printing. Wraps. Fair. No dust jacket. Damp stains at bottom edge. Some page soiling and discoloration. Cover has some wear and soiling. 28 p. Includes illustrations. Pagination includes covers. Title from cover. The play The Visit opened on May 5 1958 and closed November 29 1958. This is one of the scarcer Lunt-Fontanne memorbilia items in any condition. Portaints of the Lunds by VANDAMM. Scenes of "The Visit" by VANDAMM and Tony Armstrong Jones. Photos of Producers Theatre productions by Alex Calandra. Other photos by Joseph Mass. Cover and program design by Murray R. Odette. Printing was done by Artcraft Litho & Ptg. COl Typsetting was by The Composing Room Inc. Producers Theatre paperback
0484814095.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1354587170.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
61850798University of Alabama Press pp. 320 3rd Edition . Papeback. New. University of Alabama Press unknown
1K-HKD9-6F1MHardcover. Good. Jacket has average wear tear and fading. Book has silverfishing at top and bottom edges of covers a little chipping at base of spine. Pages yellowed with an occasional bit of foxing minor blemish. Binding firm. hardcover
1967ZB589025Austin etc.: 1967-85 passim. original paper wrappers; an array of 54 issues from v. 16-34 including 10 complete volumes good Price is for the lot:. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Austin, etc.: unknown
1350289957.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
